Introduction to Part I
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“The Black Virus”
“THE BLACK VIRUS” By Giorgio Mottola Consultant Andrea Palladino With the contribution of Norma Ferrara – Simona Peluso Video by Dario D’India – Alfredo Farina Video by Davide Fonda – Tommaso Javidi Editing and graphics by Giorgio Vallati GIORGIO MOTTOLA OFF CAMERA How a video by the news show TGR Leonardo went viral is a rather unusual story. It was extremely difficult to find on search engines. So, for five years the story remained buried in the RAI website's archive – until last month, it had zero views. SIGFRIDO RANUCCI IN THE STUDIO This video appeared on social media and on our mobile phones while we were at home in lockdown, somewhat nettled by the long, enforced quarantine. It was an old TGR Leonardo report, showing Chinese reporters in a lab, experimenting on a strain of coronavirus. And we all shared the same suspicion. The SARS-CoV-2 strain is manmade, the poisoned fruit of Chinese researchers. We all posted it on our profiles, including me, though I pointed out that scientists had excluded any human intervention and that the video was spreading quicker than coronavirus. Who pushed it so far? Who made it go viral? With what intent? And, above all, was it real or fake news? There's a fine line there. GIORGIO MOTTOLA OFF CAMERA If you have a social network profile or just use WhatsApp, while locked away at home you will certainly have seen this video. TGR LEONARDO – FROM 16/11/2015 It's an experiment, sure, but it's worrying. It worries many scientists. A team of Chinese researchers inserts a protein taken from bats into a SARS virus strain, or acute pneumonia, obtained from mice. -
Secrets and Bombs: the Piazza Fontana Bombing and the Strategy of Tension - Luciano Lanza
Secrets and Bombs: The Piazza Fontana bombing and the Strategy of Tension - Luciano Lanza Secrets and Bombs 21: TIMETABLE – A Basic Chronology (with video links) January 29, 2012 // 1 2 Votes Gladio (Italian section of the Clandestine Planning Committee (CPC), founded in 1951 and overseen by SHAPE (Supreme Headquarters Allied Powers, Europe) 1969 25 April — Two bombs explode in Milan: one at the FIAT stand at the Trade Fair and another at the bureau de change in the Banca Nazionale delle Communicazione at Central Station. Dozens are injured but none seriously. AnarchistsEliane Vincileone, Giovanni Corradini, Paolo Braschi,Paolo Faccioli, Angelo Piero Della Savia and Tito Pulsinelliare arrested soon after. 2 July — Unified Socialist Party (PSU), created out of an amalgamation of the PSI and the PSDI on 30 October 1966, splits into the PSI and the PSU. 5 July — Crisis in the three-party coalition government (DC, PSU and PRI) led by Mariano Rumor. 5 August — Rumor takes the helm of a single party (DC — Christian Democrat) government. 9 August — Ten bombs planted on as many trains. Eight explode and 12 people are injured. 7 December — Corradini and Vincileone are released from jail for lack of evidence. Gladio 12 December — Four bombs explode. One planted in the Banca Nazionale dell’Agricoltura in the Piazza Fontana in Milan claims 16 lives and wounds a further hundred people. In Rome a bomb explodes in the Banca Nazionale del Lavoro, wounding 14, and two devices go off at the cenotaph in the Piazza Venezia, wounding 4. Another bomb — unexploded — is discovered at the Banca Commerciale in the Piazza della Scala in Milan. -
IHF REPORT 2006 ITALY 213 Reduce the Number of Applications Against Judges and Prosecutors Among Magis- Italy in the Ecthr
ITALY* 211 IHF FOCUS: freedom of expression and free media; judicial system and the right to a fair trial; ill-treatment and police misconduct; prisons; freedom of religion and re- ligious tolerance; migrants and asylum seekers; ethnic minorities (Roma). Excessive length of court proceedings 90% of all television revenues and audi- and overcrowding in prisons remained ences in Italy were controlled by the pri- among the most serious human rights vately owned company “Mediaset” and by problems in Italy. the public broadcaster RAI. “Fininvest,” a Waves of illegal immigrants continued holding company owned by Prime Minister to arrive in the country, creating problems Silvio Berlusconi’s family, is a major share- in the provision of temporary assistance, holder in “Mediaset,” and Berlusconi indi- the fight against human trafficking, and so- rectly controls also many other media cial integration, and which were followed companies, including the “Mondadori” by mass expulsions. Asylum seekers, al- publishing group, two daily newspapers, though protected by the constitution, were and several weekly publications. The OSCE not covered by specific legislation to im- representative stated that in a democracy, plement the right to asylum. it is incompatible to be both in charge of Freedom of expression and media news media and to hold a public post, freedom, which were generally protected, pointing out that such a link results in con- were still affected by media concentration flicts between political and business inter- and by the fact that defamation through ests in the shaping of public opinion.2 the press remained a criminal offence. Under the 2004 “Gasparri Act,”3 a me- The serious problems faced by the dia group may now control more than Italian judicial system were reflected by the 20% of television or print media, provided fact that Italy had the fifth highest number that its share of the total market is less of applications to the European Court of than 20%. -
Vinciguerra Inviata Dal Carcere in Cui È Detenuto (Per Scontare L’Ergastolo), Al Sito “Archivio Guerra Politica”, Oggi Non Più Esistente
La “Biblioteca del Covo” è lieta di mettere a disposizione dei propri lettori una parte della corrispondenza di Vincenzo Vinciguerra inviata dal carcere in cui è detenuto (per scontare l’ergastolo), al sito “Archivio Guerra Politica”, oggi non più esistente. Tale documentazione messa a disposizione a titolo gratuito, rappresenta una testimonianza d’eccezione sulla vita politica italiana del Novecento, che è indispensabile rendere di pubblica conoscenza, affinché la memoria collettiva del popolo italiano non venga defraudata della propria Storia. Al termine della corrispondenza di Vinciguerra abbiamo allegato il nostro articolo scritto in risposta alle recensioni che egli fece dei nostri lavori. LA “STRATEGIA DELLA TENSIONE” NELLA CORRISPONDENZA DAL CARCERE DI VINCENZO VINCIGUERRA. OMAGGIO ALLA “COERENZA”! Carcere di Opera, 15 maggio 2007. Dobbiamo rendere omaggio alla coerenza di personaggi come Gianfranco Fini, Franco Maria Servello, Pino Rauti, Gianni Alemanno, Ignazio La Russa, Teodoro Buontempo e tanti altri ancora. Perché non concordiamo con l’industriale Giuseppe Ciarrapico che, sulle pagine del “Corriere della Sera”, li ha definiti con disprezzo “rinnegati” (1). Il disprezzo lo meritano, ma non per quello che proclamano di essere oggi, bensì per quello che hanno affermato di essere per quasi mezzo secolo, durante il quale si sono presentati come gli eredi della Repubblica Sociale Italiana, i vessilliferi di quella bandiera sulla quale i combattenti fascisti avevano scritto la parola “Onore”. Costoro, alla pari di Giorgio Almirante, Arturo Michelini, Pino Romualdi, non hanno rinnegato l’onore, semplicemente perché sono sempre stati incompatibili con esso. Hanno affermato di avere un onore, ma non l’hanno mai avuto. “Sono veramente dispiaciuto – scriveva Gianfranco Fini ai reduci della Repubblica Sociale Italiana – di non poter partecipare…al VI congresso dell’Unione Nazionale Combattenti della Repubblica Sociale Italiana. -
FIGHT BACK the INVADERS 1.0.1 Italian Right Wing Tentacles on the Struggle for Animals and Environment INDEX Intro
FIGHT BACK THE INVADERS 1.0.1 Italian right wing tentacles on the struggle for animals and environment INDEX Intro ......................................................................................................... pag. 3 ANARCHO-NATIONALISTS....................................................................... pag. 5 RESISTENZA NAZIONALE and AUTONOMI NAZIONALISTI National Resistance and Autonomous Nationalist ....................................... pag. 6 I LUPI DANNO LA ZAMPA Wolves landing the paw .............................................................................. pag. 7 MASSIMO TURCI ..................................................................................... pag. 10 ROBERTA CAPOTOSTI ............................................................................ pag. 11 MICHELA VITTORIA BRAMBILLA ............................................................ pag. 12 IL ROSSOBRUNISMO Redbrownism ............................................................................................ pag. 13 LA FORESTA CHE AVANZA The forrest moving forward .................. pag. 20 MEMENTO NATURAE ........ ................. pag. 23 100% ANIMALISTI AND DERIVATES ..... pag. 26 RECOGNIZED AND ISOLATED in the No Muos movement ........................ pag. 31 PAE - European Animal-rights Party ....... pag. 35 Sources ................................................ pag. 39 2 ANTISPEFA – Antispeciecists Antifa- In this first work, we start exami- scist Milan wants to be a counter- ning some of these movements, information archive -
0714685003.Pdf
CONTENTS Foreword xi Acknowledgements xiv Acronyms xviii Introduction 1 1 A terrorist attack in Italy 3 2 A scandal shocks Western Europe 15 3 The silence of NATO, CIA and MI6 25 4 The secret war in Great Britain 38 5 The secret war in the United States 51 6 The secret war in Italy 63 7 The secret war in France 84 8 The secret war in Spain 103 9 The secret war in Portugal 114 10 The secret war in Belgium 125 11 The secret war in the Netherlands 148 12 The secret war in Luxemburg 165 ix 13 The secret war in Denmark 168 14 The secret war in Norway 176 15 The secret war in Germany 189 16 The secret war in Greece 212 17 The secret war in Turkey 224 Conclusion 245 Chronology 250 Notes 259 Select bibliography 301 Index 303 x FOREWORD At the height of the Cold War there was effectively a front line in Europe. Winston Churchill once called it the Iron Curtain and said it ran from Szczecin on the Baltic Sea to Trieste on the Adriatic Sea. Both sides deployed military power along this line in the expectation of a major combat. The Western European powers created the North Atlantic Treaty Organization (NATO) precisely to fight that expected war but the strength they could marshal remained limited. The Soviet Union, and after the mid-1950s the Soviet Bloc, consistently had greater numbers of troops, tanks, planes, guns, and other equipment. This is not the place to pull apart analyses of the military balance, to dissect issues of quantitative versus qualitative, or rigid versus flexible tactics. -
Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv
INVESTIGATING ITALY’S PAST THROUGH HISTORICAL CRIME FICTION, FILMS, AND TV SERIES Murder in the Age of Chaos B P ITALIAN AND ITALIAN AMERICAN STUDIES AND ITALIAN ITALIAN Italian and Italian American Studies Series Editor Stanislao G. Pugliese Hofstra University Hempstead , New York, USA Aims of the Series This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of spe- cialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fi elds of Italian and Italian American Studies by re-emphasizing their connection to one another. More information about this series at http://www.springer.com/series/14835 Barbara Pezzotti Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series Murder in the Age of Chaos Barbara Pezzotti Victoria University of Wellington New Zealand Italian and Italian American Studies ISBN 978-1-137-60310-4 ISBN 978-1-349-94908-3 (eBook) DOI 10.1057/978-1-349-94908-3 Library of Congress Control Number: 2016948747 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
Archivio D'autore: Le Carte Di Fabrizio De André
STRUMENTI CXCIV OSCADELLI M ANO F TE Nella facciata anteriore della sovracoperta: e S Particolare di una stesura, di mano di Fabrizio De André, del testo della canzone Crêuza de ABBRINI (AFDA, G.V.28 [1997, novembre]). F mä ante © «Fondazione Fabrizio De André onlus». ARTA M Nella facciata posteriore della sovracoperta: Fabrizio De André in concerto al Teatro Tenda di Firenze (gennaio 1982). Archivio d’Autore: Fotografia di Lorenzo Maffei. le carte di Fabrizio De André © «Archivio Lorenzo Maffei». Inventario a cura di Inventario Archivio d’Autore: le carte di Fabrizio De André d’Autore: le carteArchivio di Fabrizio Le scansioni dei documenti sono state realizza- te presso l’Università degli studi di Siena, Inventario a cura di Sistema Bibliotecario di Ateneo. MARTA FABBRINI e STE F ANO MOSCADELLI I curatori e l’editore del volume ringraziano Introduzione di la «Fondazione Fabrizio De André onlus» e STE F ANO MOSCADELLI l’«Archivio Lorenzo Maffei» per aver messo gentilmente a disposizione i documenti che R O M A compaiono nelle facciate della sovracoperta. 2012 MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI La riproduzione sotto qualsiasi forma di tali DIREZIONE GENERALE PER GLI ARCHIVI documenti non può avvenire senza specifica 2012 autorizzazione da parte degli aventi diritto. PUBBLICAZIONI DEGLI ARCHIVI DI STATO STRUMENTI CXCIV STRUMENTI CXCIV 978-88-7125-323-7 N SB I Archivio d’Autore: OSCADELLI M le carte di Fabrizio De André ANO F TE e S ABBRINI Inventario a cura di F MARTA FABBRINI e STE F ANO MOSCADELLI ARTA M Introduzione di STE -
HOW BLACK IS BLACK METAL [JOURNALISMUS] Nachrichten Von Heute
HOW BLACK IS BLACK METAL [JOURNALISMUS] nachrichten von heute Kevin Coogan - Lords of Chaos (LOC), a recent book-length examination of the “Satanic” black metal music scene, is less concerned with sound than fury. Authors Michael Moynihan and Didrik Sederlind zero in on Norway, where a tiny clique of black metal musicians torched some churches in 1992. The church burners’ own place of worship was a small Oslo record store called Helvete (Hell). Helvete was run by the godfather of Norwegian black metal, 0ystein Aarseth (“Euronymous”, or “Prince of Death”), who first brought black metal to Norway with his group Mayhem and his Deathlike Silence record label. One early member of the movement, “Frost” from the band Satyricon, recalled his first visit to Helvete: I felt like this was the place I had always dreamed about being in. It was a kick in the back. The black painted walls, the bizarre fitted out with inverted crosses, weapons, candelabra etc. And then just the downright evil atmosphere...it was just perfect. Frost was also impressed at how talented Euronymous was in “bringing forth the evil in people – and bringing the right people together” and then dominating them. “With a scene ruled by the firm hand of Euronymous,” Frost reminisced, “one could not avoid a certain herd-mentality. There were strict codes for what was accept- ed.” Euronymous may have honed his dictatorial skills while a member of Red Ungdom (Red Youth), the youth wing of the Marxist/Leninist Communist Workers Party, a Stalinist/Maoist outfit that idolized Pol Pot. All who wanted to be part of black metal’s inner core “had to please the leader in one way or the other.” Yet to Frost, Euronymous’s control over the scene was precisely “what made it so special and obscure, creating a center of dark, evil energies and inspiration.” Lords of Chaos, however, is far less interested in Euronymous than in the man who killed him, Varg Vikemes from the one-man group Burzum. -
Different Shades of Black. the Anatomy of the Far Right in the European Parliament
Different Shades of Black. The Anatomy of the Far Right in the European Parliament Ellen Rivera and Masha P. Davis IERES Occasional Papers, May 2019 Transnational History of the Far Right Series Cover Photo: Protesters of right-wing and far-right Flemish associations take part in a protest against Marra-kesh Migration Pact in Brussels, Belgium on Dec. 16, 2018. Editorial credit: Alexandros Michailidis / Shutter-stock.com @IERES2019 Different Shades of Black. The Anatomy of the Far Right in the European Parliament Ellen Rivera and Masha P. Davis IERES Occasional Papers, no. 2, May 15, 2019 Transnational History of the Far Right Series Transnational History of the Far Right Series A Collective Research Project led by Marlene Laruelle At a time when global political dynamics seem to be moving in favor of illiberal regimes around the world, this re- search project seeks to fill in some of the blank pages in the contemporary history of the far right, with a particular focus on the transnational dimensions of far-right movements in the broader Europe/Eurasia region. Of all European elections, the one scheduled for May 23-26, 2019, which will decide the composition of the 9th European Parliament, may be the most unpredictable, as well as the most important, in the history of the European Union. Far-right forces may gain unprecedented ground, with polls suggesting that they will win up to one-fifth of the 705 seats that will make up the European parliament after Brexit.1 The outcome of the election will have a profound impact not only on the political environment in Europe, but also on the trans- atlantic and Euro-Russian relationships. -
Violence in Newspaper's Language
Violence in newspaper’s language Alessia Zocca Albert-Ludwigs-Universität Freiburg Universität Basel [email protected] This study investigates the relationship between violence and language. It is based on the linguistic analysis of one page of the Italian national daily La Stampa. The issue took under consideration was published after a violent episode during the so- called Anni di Piombo [‘Years of Lead’] in Italy: the bombing at the Bologna railway Station occurred on August 2, 1980. The analysis of the language is organized on three different levels: lexis, morphology and syntax. Keywords: Violence; newspaper; Bologna Massacre 1. Introduction Violence is recognizable in several situations in which human beings are involved. Is it possible to identify it in language too? This paper is part of a bigger research involving the linguistic analysis of seven Italian newspapers and the goal is to study the language used in the account of different violent episodes. The idea of recognizing violence in language was born of a primary need to discover its reproducibility. Is it possible that the word manages to reproduce the violence? If it does succeed in doing so, what tools are used? The analysis in this paper demonstrates that violence can be part of language, not only in its content, but also in its form. The paper is structured as follows: Section 2 introduces the meaning of violence, whereas Section 3 presents violence in recent Italian History, examining in particular the Bologna Massacre. Section 4 consists of an explanation of the meaning of violence with reference to language. In Section 5 the issue of the Italian newspapers La Stampa, published on August, 3 1980 following the events of the Bologna Massacre, is analyzed. -
Milan and the Memory of Piazza Fontana Elena Caoduro Terrorism
Performing Reconciliation: Milan and the Memory of Piazza Fontana Elena Caoduro Terrorism was arguably the greatest challenge faced by Western Europe in the 1970s with the whole continent shaken by old resentments which turned into violent revolt: Corsican separatists in France, German speaking minorities in Italy’s South Tyrol, and Flemish nationalists in Belgium. Throughout that decade more problematic situations escalated in the Basque Provinces and Northern Ireland, where ETA and the Provisional IRA, as well as the Loyalist paramilitary groups (such as the UVF, and UDA) participated in long armed campaigns. According to Tony Judt, two countries in particular, West Germany and Italy, witnessed a different violent wave, as the radical ideas of 1968 did not harmlessly dissipate, but turned into a ‘psychosis of self- justifying aggression’ (2007, p. 469). In Italy, the period between 1969 and 1983, where political terrorism reached its most violent peak, is often defined as anni di piombo, ‘the years of lead’. This idiomatic expression derives from the Italian title given to Margarethe Von Trotta’s Die bleierne Zeit (1981, W. Ger, 106 mins.), also known in the UK as The German Sisters and in the USA as Marianne and Juliane.1 Following the film’s Golden Lion award at the 1981 Venice Film Festival, the catchy phrase ‘years of lead’ entered common language, and is now accepted as a unifying term for the various terrorist phenomena occurred in the long 1970s, both in Italy and West Germany. By the mid 1980s, however, terrorism had begun to decline in Italy. Although isolated episodes of left-wing violence continued to occur – two governmental consultants were murdered in 1999 and in 2002 respectively – special laws and the reorganisation of anti-terrorist police forces enabled its eradication, as did the 1 collaboration of many former radical militants.