Jimmy Vivino Journey to the Top
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Never-Before-Seen Extended Version of Clarence Clemons Documentary at the National Constitution Center
FOR IMMEDIATE RELEASE CONTACTS: Ashley Berke Lauren Saul Director of Public Relations Public Relations Manager 215.409.6693 215.409.6895 [email protected] [email protected] NEVER-BEFORE-SEEN EXTENDED VERSION OF CLARENCE CLEMONS DOCUMENTARY AT THE NATIONAL CONSTITUTION CENTER Event will include audience Q&A with the film’s director Nick Mead Philadelphia, PA (May 2, 2012) – A legendary musician and dramatic stage performer in his own right, Clarence Clemons was an integral and beloved member of the E Street Band. In connection with the must-see exhibition From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen, the National Constitution Center will pay tribute to the late Clemons during a special screening of Who Do I Think I Am? A Portrait of a Journey, featuring 15 minutes of never-before-seen footage. The event takes place on Wednesday, May 23, 2012, just a few weeks shy of the anniversary of Clemons’ passing. The film’s director, Nick Mead, will participate in a Q&A session moderated by Shawn Poole of Backstreets.com. Guests are encouraged to arrive at 5:00 p.m. to tour the Springsteen exhibition prior to the film screening at 6:00 p.m. Admission is $20 for non-members and $15 for members, and includes access to From Asbury Park to the Promised Land: The Life and Music of Bruce Springsteen. Reservations are required and can be made by calling 215.409.6700 or by visiting www.constitutioncenter.org. A cash bar and movie snacks also will be available. -
Brevard Live Live March 2020
Brevard Live Live March 2020 - 1 2 - Brevard Live March 2020 Brevard Live Live March 2020 - 3 4 - Brevard Live March 2020 Brevard Live Live March 2020 - 5 6 - Brevard Live March 2020 Contents March 2020 FEATURES HOT PINK INDIAFEST Hot Pink has made a name for them- Columns Royal West India is the theme of this selves, not just as a good band but also Charles Van Riper year’s Indiafest held in Wickham Park. as great entertainers. One of the best It is a symbol of cultural enrichment in 22 Political Satire showmen in Brevard is vocalist James Dollar To Doghnuts Brevard and is celebrated with great en- Spiva who is also an actor. Matt Bretz thusiasm. got with Spiva for an in-depth interview. Page 11 Calendars Page 14 25 Live Entertainment, SOUND WAVES MUSIC FESTIVAL Concerts, Festivals This is the 4th annual Sound Waves Mu- GREG REINEL sic Festival held by 89.5 FM WFIT. The Reinel’s passion for art and music grew Brevard Love radio station features the winner of their as a young adult. The Screaming Igua- 30 by Matt Bretz garage band contest along with a nice nas of Love were one of the first Mel- Human Satire line-up of other bands. bourne based bands he was part of. But Page 12 it was his poster art that made him world Local Lowdown famous. 32 by Steve Keller BEERAPALOOZA Page 18 Beerapalooza is the first big event in CD Review 2020 held at Florida Beer Company in JAIMIE ENGLE 35 by Rob Pedrick Cape Canaveral. -
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell
“Born to Run”—Bruce Springsteen (1975) Added to the National Registry: 2003 Essay by Cary O’Dell Original album Original label Bruce Springsteen “Born to Run” was Bruce Springsteen’s third album. The man who is “The Boss” has admitted that the creation of it was his blatant attempt for a true rock and roll record as well as commercial success after the tepid commercial reception of his earlier two albums, “Greetings from Asbury Park, N.J.” (1973) and “The Wild, the Innocent & the E Street Shuttle” (1973). On both counts, he got his wish. Upon its release, “Born to Run” would rise to number three on the charts. Besides gaining massive audience attention (by the end of the year Springsteen would be featured on the covers of both “Time” and “Newsweek”), “Born to Run” also saw the accomplishment of two other major factors in Springsteen’s artistic development. First, it saw the solidification of the line-up of Springsteen’s legendary back-up musicians, the E-Street Band. Second, it fully delivered on Springsteen’s early promise which saw him labeled as both a “modern day Dylan” and as “rock ‘n’ roll’s future.” Along with “Born to Run” being named to the National Registry in 2003, it has been ranked number eight on a list of rock’s all-time greatest albums by “Rolling Stone” magazine and was place at 18th on VH1’s list of the 500 greatest rock albums ever. Eight songs make up the tracks of “Born to Run”: “Thunder Road,” “Tenth Avenue Freeze- Out,” “Night,” “Backstreets,” “Born to Run,” “She’s the One,” “Meeting Across the River,” and “Jungleland.” In writing and developing the album, Springsteen has said he was hoping to recreate Phil Spector’s legendary “wall of sound” producing approach. -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
Max Weinberg's Jukebox & Woodstock Alumni Canned Heat Added to Bethel Woods Event Gallery Line-Up
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] MAX WEINBERG’S JUKEBOX & WOODSTOCK ALUMNI CANNED HEAT ADDED TO BETHEL WOODS EVENT GALLERY LINE-UP Tickets On Sale Friday, May 17th at 10 AM May 14, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival in Bethel, N.Y., will welcome Woodstock alumni Canned Heat on Friday, September 13th and Max Weinberg’s Jukebox on November 24th. Both shows will take place in the intimate, indoor Event Gallery. Reserved seating tickets will go on sale to the general public on Friday, May 17th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Both evenings offer opportunity to enhance your Bethel Woods experience, offering a bountiful pre-show farm-to-table dinners, presented by Bethel Woods’ own Executive Chef, Jodi Cummings. The Canned Heat pre-show dinner will take place in the open-air Market Sheds overlooking the historic Woodstock festival field. The multi-course dinner will feature delicious recipes using locally-sourced ingredients, with communal, family style seating that wholly embodies the "Peace, Love and Music" atmosphere and is wonderful to experience with neighbors and friends, both old and new. The Max Weinberg pre-show dinner will take place in the 2019 Special Exhibit space, We Are Golden, where guests can indulge in this unique, one-time dining experience amidst the energy and relics of the 1969 Woodstock festival, including pieces of the original stage, Country Joe & the Fish’s drum kit, and more. -
EXECUTIVE ORDER NO. 67 WHEREAS, Clarence A. Clemons, Jr., Was a Gifted Musician, Remarkable Performer and Iconic Figure in New J
EXECUTIVE ORDER NO. 67 WHEREAS, Clarence A. Clemons, Jr., was a gifted musician, remarkable performer and iconic figure in New Jersey whose membership in Bruce Springsteen’s E Street Band and various other musical and entertainment related endeavors have left an indelible mark upon the cultural landscape of our State; and WHEREAS, Clarence Clemons was born in Norfolk, Virginia on January 11, 1942 and moved to Newark, New Jersey in 1962 to work as a youth counselor while pursuing a career in the music industry; and WHEREAS, Clarence Clemons passed away in Palm Beach, Florida on Saturday, June 18, 2011 at the age of 69 due to complications from a stroke suffered previously; and WHEREAS, as a solo artist, musical contributor and, most prominently, lead saxophone player and long serving member of the E Street Band, Clarence Clemons participated in the recording of over thirty (30) albums and countless live performances over the past four decades; and WHEREAS, his studio recordings and live performances have endeared him to countless fans in New Jersey and around the world and have enriched the lives of fans of many different genres of music, including rock & roll, soul and jazz; and WHEREAS, Clarence Clemons’ considerable musical talent and unique style of saxophone playing contributed significantly to the success of Bruce Springsteen and the E Street Band, leading to the sale of over 100 million albums worldwide, numerous music awards and critical acclaim; and WHEREAS, Clarence Clemons’ passion and enthusiasm for his music, his seemingly -
N Ic K E R S a N D N E Ig
Mylestone Equine Rescue 6 0 0 Every horse we save makes a difference 2 G N I FINDING LIZZY ... R P S Katrina, one of our devoted vets, met me at a home that was look- S ing to get rid of an old pony. From the outside, garbage and debris were strewn all over; in the back was a barn in disrepair with a small corral that was overgrown. We didn’t see a pony, though the H elderly owner told us she was in the barn. Katrina and I proceed- ed to the barn, where a board hanging in part of the entranceway closed the doorway. There was manure all over the outside of the entrance. The barn was filthy and you could tell it had just been G cleaned out for our visit. The manure line along the walls was at I least a foot high.There tied to the wall was a small black pony with long curled up hooves. She pawed wildly at us, as if to say,“Get me the heck out of here.” She was covered in matted manure under- neath her left side and belly. She was thin but had been getting E some hay and grain they recently bought. Katrina and I agreed immediately we had to take her. My friend Maryanne arrived with her trailer and Lizzy dragged Katrina and I out of the barn and on to the trailer. Lizzy had been N alone and tied to the barn wall for at least 6 months. It is difficult to imagine day in and out being tied, barely able to turn around or lie down for all that time. -
The Synth Issue
THE SYNTH ISSUE KORG ARP ODYSSEY REDUX REVIEWED HANDS ON PREVIEWS Sequential Prophet-6 Moog System 55 Modular Modal Electronics 002 MODES DEMYSTIFIED No Sheet Music Required FAKE IT ’TIL YOU MAKE IT Bigger Samples Aren’t Always Better ROLAND JD-Xi SPACESTATION 3 ARTURIA Meet the Mid-Side Stereo iPROPHET SLOW BLUES MASTER CLASS Mini-Synth to Beat from One Amp Vector Victory Get the Real-Deal Feel 5.2015 | $5.99 A MUSIC PLAYER PUBLICATION 40 YEARS OF GROUNDBREAKING SYNTHS Grammy® winner and MIDI co-creator Dave Smith has designed more groundbreaking synths than anyone. Ever. Whatever your musical need or budget, Dave’s award-winning line of analog and analog/digital hybrid instruments has the right tool for you. Pro 2 · Prophet 12 · Prophet ’08 Mopho · Mopho x4 · Mopho SE Tetra · Tempest · Evolver THE PROPHET-6 IS COMING SOON! www.davesmithinstruments.com Designed and built in California CONTENTS MAY 2015 KNOW TALK 32 SYNTH SOLOING CÞ 8 Voices, tips, and breaking news from the Keyboard community. 4 œ œ We’ve explored his sound; now dive &4 œ œ œ Jan Hammer NEW GEAR SYNTH EDITION into the playing style of . D minor pentatonic 34 BEYOND THE MANUAL 10 In our special synthesizer-focused issue, we bring you first-look Learn tweaks to get more soft synth coverage of the Dave Smith Instruments Prophet 6, Modal mileage from your computer. Electronics 002, and Moog’s Modular systems, plus ten more new synth releases. 36 DANCE Making classic sounds with the ARP. HEAR REVIEW 16 ROAD WARRIORS In NRBQ’s 50th anniversary year, keyboardist 38 ANALOG SYNTH and founding member Terry Adams discusses Korg ARP Odyssey his touring gear, and the Monk tribute he’s always dreamed of making. -
Doing Sound Slaten Dissertation Deposit
Doing Sound: An Ethnography of Fidelity, Temporality and Labor Among Live Sound Engineers Whitney Slaten Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Whitney Slaten All rights reserved ABSTRACT Doing Sound: An Ethnography of Fidelity, Temporality and Labor Among Live Sound Engineers Whitney Slaten This dissertation ethnographically represents the work of three live sound engineers and the profession of live sound reinforcement engineering in the New York City metropolitan area. In addition to amplifying music to intelligible sound levels, these engineers also amplify music in ways that engage the sonic norms associated with the pertinent musical genres of jazz, rock and music theater. These sonic norms often overdetermine audience members' expectations for sound quality at concerts. In particular, these engineers also work to sonically and visually mask themselves and their equipment. Engineers use the term “transparency” to describe this mode of labor and the relative success of sound reproduction technologies. As a concept within the realm of sound reproduction technologies, transparency describes methods of reproducing sounds without coloring or obscuring the original quality. Transparency closely relates to “fidelity,” a concept that became prominent throughout the late nineteenth, twentieth, and twenty-first centuries to describe the success of sound reproduction equipment in making the quality of reproduced sound faithful to its original. The ethnography opens by framing the creative labor of live sound engineering through a process of “fidelity.” I argue that fidelity dynamically oscillates as struggle and satisfaction in live sound engineers’ theory of labor and resonates with their phenomenological encounters with sounds and social positions as laborers at concerts. -
John Bailey Randy Brecker Paquito D'rivera Lezlie Harrison
192496_HH_June_0 5/25/18 10:36 AM Page 1 E Festival & Outdoor THE LATIN SIDE 42 Concert Guide OF HOT HOUSE P42 pages 30-41 June 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 Blue Note Page 19 Lezlie Harrison Paquito D'Rivera Randy Brecker John Bailey Jazz Forum Page 10 Smalls Jazz Club Page 10 Where To Go & Who To See Since 1982 192496_HH_June_0 5/25/18 10:36 AM Page 2 2 192496_HH_June_0 5/25/18 10:37 AM Page 3 3 192496_HH_June_0 5/25/18 10:37 AM Page 4 4 192496_HH_June_0 5/25/18 10:37 AM Page 5 5 192496_HH_June_0 5/25/18 10:37 AM Page 6 6 192496_HH_June_0 5/25/18 10:37 AM Page 7 7 192496_HH_June_0 5/25/18 10:37 AM Page 8 8 192496_HH_June_0 5/25/18 11:45 AM Page 9 9 192496_HH_June_0 5/25/18 10:37 AM Page 10 WINNING SPINS By George Kanzler RUMPET PLAYERS ARE BASI- outing on soprano sax. cally extroverts, confident and proud Live 1988, Randy Brecker Quintet withT a sound and tone to match. That's (MVDvisual, DVD & CD), features the true of the two trumpeters whose albums reissue of a long out-of-print album as a comprise this Winning Spins: John Bailey CD, accompanying a previously unreleased and Randy Brecker. Both are veterans of DVD of the live date, at Greenwich the jazz scene, but with very different Village's Sweet Basil, one of New York's career arcs. John has toiled as a first-call most prominent jazz clubs in the 1980s trumpeter for big bands and recording ses- and 1990s. -
Southside Johnny and the Asbury Jukes Return to Hard Rock Hotel & Casino Atlantic City Saturday, November 10 at 8 Pm
For Immediate Release SOUTHSIDE JOHNNY AND THE ASBURY JUKES RETURN TO HARD ROCK HOTEL & CASINO ATLANTIC CITY SATURDAY, NOVEMBER 10 AT 8 PM Atlantic City, NJ (September 25, 2018) – After a mind-blowing performance in early August, Southside Johnny and The Asbury Jukes will be returning to Sound Waves at Hard Rock Hotel & Casino Atlantic City on November 10 at 8 p.m. Tickets are on sale this Friday, September 28 at 10 a.m. Southside Johnny and the Asbury Jukes are a Jersey Shore music group led by the band’s namesake, Southside Johnny. They have been recording albums since 1976 and are closely associated with Bruce Springsteen & the E Street Band. They have recorded or performed several Springsteen songs, including "The Fever" and "Fade Away". Springsteen has also performed with the band on numerous occasions and in 1991 guested on their Better Days album. During the band's formative years Miami Steve Van Zandt, aka Little Steven, acted as the band's co-leader, guitarist, songwriter, arranger and producer while other E Streeters including Clarence Clemons, Max Weinberg, Garry Tallent, Ernest Carter, Patti Scialfa and Soozie Tyrell have all performed, toured or recorded with the Jukes. The band's horn section, the Miami Horns, has also toured and recorded with Springsteen. More than one hundred musicians can claim to have been members of the Asbury Jukes, including Jon Bon Jovi who toured with the band as a special guest during 1990. Bon Jovi has also cited the band as an influence for him. Jukes' Bobby Bandiera and Jeff Kazee have also toured with Bon Jovi. -
Your World, Our Beat; Now You Know! Westchestertimestribune.Typepad.Com Complimentary an Attitude Adjustment Forest City Ratner Breaks Ground On
Spiezio vs Chanukah Operation Safe Page 4 Roadway Page 5 Restiano Page 9 VWESTCHESTERo l u m e 2 • Nu m b e r 66 TIMES TRIBUNEDECEMBER 06, 2007 Your World, Our Beat; Now You Know! WestchesterTimesTribune.Typepad.com Complimentary An Attitude Adjustment Forest City Ratner Breaks Ground on By Henry J. Stern As a post-Thanksgiving gift, to important events: Ridge Hill in Yonkers Governor Spitzer received modified, “On a Tuesday morning early this By Hezi Aris limited absolution today on the front month, Gov. Eliot Spitzer and his page of the New York Times. The closest aides gathered at his country story appeared below a delicately lit estate in Columbia County, N.Y., picture that resembled a painting by to review the administration’s first one of the Dutch masters of the 17th year. Hours passed before someone Century. The governor is posed in asked the question on everyone’s serious thought, his brow furrowed mind: Should Mr. Spitzer drop his and his right hand on his chin. The plan to give driver’s licenses to background is a full length portrait illegal immigrants?” of one of Spitzer’s predecessors as We quote paragraphs seven and governor, Theodore Roosevelt. The eight: “Coming after a summer of foreground is a hulking unidentified scandals and other stumbles, the man, possibly posing a question. New York Civic long and ultimately futile battle Above the picture, at the top of the over driver’s licenses has left three-column display, is an italicized Confessore, which jumps from many people pondering the same quote from Spitzer: “There’s an art the top of page one and, with simple question: Does Eliot Spitzer there that I would like to be more supporting data, occupies all of have the judgment to succeed as successful at.” The fact that he ended pA28.