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Comité De Honor Annuario Statistico del Cinema Europeo • European Cinema Yearbook • Les Chiffres Clefs du Cinéma Européen • Anuario Estadístico del Cine Europeo Je vais pouvoir m’occuper de choses sérieuses, comme dirait Piotr, maintenant que la guerre est finie. Je me demande quel genre de choses sérieuses je vais faire. Piotr avait dit: “Reconstruire mon usine, aller au “ cinéma, faire des enfants.” J. SEMPRUN, Le grand voyage Andare al cinema: molto di più che Going to the cinema: much more than Aller au cinéma est bien davantage que Ir al cine: mucho” más que ver una vedere un film. just seeing a film. voir un film. película. Senza la sala viene a mancare No other way of viewing a film can Sans la salle, on est privé de l’émotion, Sin la sala falta la emoción, el l’emozione, l’evento, il sogno collettivo generate the same thrill, the feeling of a de l’événement, du rêve collectif qui s’y ceremonial, el sueño colectivo que ésta che lì si genera. Solo attraverso il great event, the sharing of a dream. Only crée. Seulement à travers le grand écran genera. Sólo a través de la gran pantalla, grande schermo il film entra nella storia from the big screen does a film enter le film peut entrer dans l’histoire des la película entra en la historia de la gente della gente ed inizia il cammino del people’s collective imagination and start gens et entamer son chemin vers le iniciando así el camino del triunfo. successo. out on the road to success. succès. Mettere in primo piano la sala Putting cinema theatres in the limelight: Mettre au premier plan la salle de Colocar en primer plano a la sala de cine: cinematografica: questo è l’obiettivo a this is the goal MEDIA Salles has been cinéma est l’objectif que poursuit este es el objetivo para el que MEDIA cui MEDIA Salles lavora dalla sua aiming at since its foundation in 1991. MEDIA Salles depuis sa constitution, Salles trabaja desde su constitución en istituzione nel 1991. Perché la sala sia Working for cinemas to be recognised as en 1991. Pour faire reconnaître la salle 1991. Para que las salas de cine sean riconosciuta come l’ambito naturale per the natural setting for seeing films, and comme l’environnement naturel de reconocidas como el ámbito natural para la fruizione del film e luogo d’incontro as the meeting-place between European l’appréciation du film et le lieu de disfrutar de una película y el lugar de dei cittadini europei con le people and the films of Europe. rencontre des Européens avec les encuentro de los ciudadanos europeos cinematografie d’Europa. This is why we support MEDIA Salles, cinématographies d’Europe. con la cinematografía europea. Per questo noi sosteniamo MEDIA with its initiatives to promote cinema Voilà pourquoi nous soutenons MEDIA Por todo ello, apoyamos a MEDIA Salles Salles e le sue iniziative per la theatres and the dissemination of Salles et ses initiatives pour la y sus iniciativas para la promoción de las promozione della sala e della diffusione European cinema regardless of frontiers, promotion de la salle, la diffusion sans salas cinematográficas, la difusión sin senza frontiere dei film europei e per la and its efforts in forming the audiences frontières des films européens et la fronteras de las películas europeas y la formazione del pubblico di domani: of tomorrow: formation du public de demain: formación del público del futuro: 248 MEDIA Salles • 2004 edition Annuario Statistico del Cinema Europeo • European Cinema Yearbook • Les Chiffres Clefs du Cinéma Européen • Anuario Estadístico del Cine Europeo *) “Focus on Europe” *) “Focus on Europe” *) “Focus on Europe” *) “Focus on Europe” *) “European Cinema On-line Database” *) “European Cinema On-line Database” *) “European Cinema On-line Database” *) “European Cinema On-line Database” *) “Euro Kids” *) “Euro Kids” *) “Euro Kids” *) “Euro Kids” *) “European Cinema Yearbook” *) “European Cinema Yearbook” *) “European Cinema Yearbook” *) “European Cinema Yearbook” *) “European Cinema Journal” *) “European Cinema Journal” *) “European Cinema Journal” *) “European Cinema Journal” Il Comitato d’Onore di MEDIA Salles MEDIA Salles’ Committee of Honour is Le Comité d’Honneur de MEDIA El Comité de Honor de MEDIA Salles è composto da eminenti registi ed attori composed of eminent film directors and Salles est composé d’éminents está formado por eminentes directores y che sostengono le attività di MEDIA actors who support MEDIA Salles’ réalisateurs et acteurs qui supportent actores que apoyan la actividad de Salles per la promozione e lo sviluppo activities in promoting the growth of the l’activité de MEDIA Salles pour la MEDIA Salles para la promoción y el dell’industria cinematografica europea. European cinema industry. promotion et le développement de desarrollo de la industria cinematográfica l’industrie cinématographique europea. européenne. Tra i membri del Comitato d’Onore che Among the members of the Committee Parmi les membres du Comité Entre los miembros del Comité de hanno già sottoscritto la of Honour who have already signed the d’Honneur ayant déjà signé la Honor que han suscrito la “Declaración” “Dichiarazione” a sostegno del cinema “Declaration” supporting European “Déclaration” en support du cinéma de apoyo al cine europeo se encuentran europeo, compaiono Pedro Almodóvar, cinema, are Pedro Almodóvar, européen, citons Pedro Almodóvar, Pedro Almodóvar, Michelangelo Michelangelo Antonioni, John Michelangelo Antonioni, John Boorman, Michelangelo Antonioni, John Antonioni, John Boorman, Kenneth Boorman, Kenneth Branagh, Georges Kenneth Branagh, Georges Corraface, Boorman, Kenneth Branagh, Georges Branagh, Georges Corraface, Carlo Di Corraface, Carlo Di Palma, Peter Carlo Di Palma, Peter Fleischmann, Aki Corraface, Carlo Di Palma, Peter Palma, Peter Fleischmann, Aki Fleischmann, Aki Kaurismaki, Kaurismaki, Alexander Kluge, Emir Fleischmann, Aki Kaurismaki, Kaurismaki, Alexander Kluge, Emir Alexander Kluge, Emir Kusturica, Ken Kusturica, Ken Loach, Francesco Maselli, Alexander Kluge, Emir Kusturica, Ken Kusturica, Ken Loach, Francesco Maselli, Loach, Francesco Maselli, Gillo Gillo Pontecorvo, Ettore Scola, Maria Loach, Francesco Maselli, Gillo Gillo Pontecorvo, Ettore Scola, Maria Pontecorvo, Ettore Scola, Maria Schneider, Tilda Swinton, Paolo and Pontecorvo, Ettore Scola, Maria Schneider, Tilda Swinton, Paolo y Schneider, Tilda Swinton, Paolo e Vittorio Taviani, Lars von Trier, Schneider, Tilda Swinton, Paolo et Vittorio Taviani, Lars von Trier, Vittorio Taviani, Lars von Trier, Margarethe von Trotta, Fernando Vittorio Taviani, Lars von Trier, Margarethe von Trotta, Fernando Trueba Margarethe von Trotta, Fernando Trueba, Krzysztof Zanussi. Margarethe von Trotta, Fernando y Krzysztof Zanussi. Trueba, Krzysztof Zanussi. Trueba, Krzysztof Zanussi. MEDIA Salles • 2004 edition 249 Annuario Statistico del Cinema Europeo • European Cinema Yearbook • Les Chiffres Clefs du Cinéma Européen • Anuario Estadístico del Cine Europeo Il Comitato Esecutivo di MEDIA Salles MEDIA Salles Executive Committee Le Comité Exécutif de MEDIA Salles El Comité Ejecutivo de MEDIA Salles Domenico Dinoia (FICE – I), Presidente/President/Président/Presidente Jens Rykaer (EFC – DK), Vice Presidente/Vice President/ Vice Président/Vice Presidente Primitivo Rodriguez Gordillo (FECE – E), Vice Presidente/Vice President/ Vice Président/Vice Presidente Michael Vickers (CEA – UK), Tesoriere/Treasurer/Trésorier/Tesorero Mette Schramm (DB – DK) Pierre Todeschini (CICAE – F) Walter Vacchino (ANEC – I) Da sinistra/from left/à partir de la gauche/de izquierda a derecha: Jens Rykaer, Domenico Dinoia, Primitivo Rodriguez Gordillo. MEDIA Salles • 2004 edition 251 .
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