Friday, November 8, 2019

Total Page:16

File Type:pdf, Size:1020Kb

Friday, November 8, 2019 rebuilt from Herald 120912jz 0% 5% 10% 20% 30% 40% 50% 60% 70% 80% 90% 95% 100% YELLOW MAGENTA CYAN BLACK THE WESTMINSTER COLLEGE STUDENT NEWSPAPER HOLCAD PERSPECTIVES ~ NEWS ~ FEATURES ~ ARTS & ENTERTAINMENT ~ SPORTS VOLUME CXXXVI FRIDAY, NOVEMBER 8, 2019 Westminster College Mock Convention 2019 Preview NEWS What to Expect from Westminster’s 21st Quadrennial Mock Convention Sydney Roach A2 Editor-in-Chief Martin O'Malley FEATURES A3 Westminster in London FEATURES A3 Rock the Chapel SPORTS From left to right: Brian Whetzel, Jackson Gastmeyer, Seth Zacherl. Credit: Constantine Kallaur The Political Science Department at Westminster Northeast. In the past, participants have dressed up as political A4 College will host its 21st Mock Convention Tuesday, Nov. 12 figures or as imitations of their respective regions. There will be Mike and Wednesday, Nov. 13. It is a simulation of a presidential a costume contest and an award for the most enthusiastic or best Annarella nomination convention and a chance for the Westminster dressed participant, according to Whetzel. community to learn more about how the political process works The Mock Convention begins on the evening of Tuesday, in a fun way. Nov. 12. President Richardson is expected to give opening About 800 students participated in the 2015 Mock remarks around 7 p.m. in Orr Auditorium. Former Maryland SPORTS Convention at Westminster, according to Dr. James Rhoads, Governor and 2016 presidential candidate Martin O'Malley Professor of Political Science and Faculty Advisor for the Mock will give a keynote address after President Richardson’s opening Convention. remarks. “I feel like [students] should go because it’s a fun experience Copy edited by: Charlotte E. Shunk A4 and it allows them to engage with the political process in a way Locker Room that isn’t a massive commitment. You’re just going for two nights, Dedication but it’s a fun time to see Martin O’Malley, who was a former presidential candidate, speak,” said 2019 campaign manager Seth Zacherl. Campaign manager Jackson Gastmeyer emphasized the inclusivity of the Mock Convention. “I think [students] should go because it’s something that’s open to the entire campus. Whether you’re a Democrat or a Republican, politically informed and educated or not, you can The Holcad still have fun at this convention. You can still have a good time with your friends and classmates,” said Gastmeyer. The Mock Convention has been a tradition at Westminster since 1936. It is held every four years, though it was not held in 1944 due to World War II. The convention is always held for the party out of power, so this year will be a Democratic Convention. Students act as @theholcad campaign managers for the candidates who are the current front-runners according to recent polls. Junior Emily Gellatly will represent Sen. Kamala Harris. Junior Jackson Gastmeyer Westminster’s Mock Convention in 2015 will represent former Vice-President Joe Biden. Junior Brian Credit: Westminster College Flickr Whetzel will represent Sen. Elizabeth Warren, while Junior Seth Zacherl will represent Sen. Bernie Sanders. Student representatives will work toward the goal of the @theholcad Mock Convention during the event: electing a presidential candidate. Student representatives will debate issues in the intramural gym in Memorial Fieldhouse beginning at 3:00 p.m. on Wednesday, Nov. 13. The debates are meant to rally the delegates -- students and faculty in the crowd -- into nominating a specific presidential candidate by the end of the evening. The nomination for a presidential candidate and Vice President will WEEKEND WEATHER start at 7 p.m. on the same day. There is expected to be a dinner break after the debates on FRIDAY Wednesday from about 4:30 p.m. to 6 p.m., but these times could change if debates go over time. There will be a DJ to entertain High: 36° the crowd at 6 p.m. before the nomination process begins at 7 Low: 23° p.m. Cloudy Westminster students, faculty, and staff will represent regions of the country and vote on a candidate after watching SATURDAY the debates. The regions are Pacific West, Mountain West, Great Plains, Great Lakes, Mid-South, Deep South, Mid Atlantic and High: 41° Low: 31° Partly Cloudy Quote of the Week: SUNDAY "If the world seems cold to you, kindle fires to warm it." -Lucy Larcom High: 44° Low: 32° Showers rebuilt from Herald 120912jz 0% 5% 10% 20% 30% 40% 50% 60% 70% 80% 90% 95% 100% YELLOW MAGENTA CYAN BLACK A2 NEWS FRIDAY, NOVEMBER 8, 2019 THE HOLCAD - WESTMINSTER COLLEGE, NEW WILMINGTON, PA The Holcad 357 McKelvey Campus Center, Box 157 O’Malley to Kick off Political Rally New Wilmington, Pa., 16172 [email protected] Mock Convention Presents Martin O’Malley as Speaker Danielle Grady Advisors Dr. David Barner, Brad Weaver News Section Editor announced the suspension of Layout and Design Consultant Kandice Hartner his campaign and exited the presidential race in February of 2016 after a poor showing in the EDITORIAL STAFF 2019-2020 Iowa caucuses. He went on to endorse Clinton as the democratic Editor-in-Chief Sydney Roach presidential candidate. Layout Editor Erica McNatt Although O’Malley does not SECTION EDITORS currently hold any major political Danielle Grady, Charlotte E. Shunk, roles, he continues to advocate for Mason Flanigan, Alexis Briggs his visions and beliefs surrounding CORESPONDENTS relevant policies. Such areas Victoria Lisbon, Anthony Esposito, include health care, trade policy, Dillon Story criminal justice reform, social COPY EDITORS security and debt-free college. Gianna Collins, Nyna Hess, O’Malley also works to achieve his Jasmine Woodings “15 Goals to Rebuild the American PHOTOGRAPHERS Dream,” according to his personal Victoria Lisbon website. His top three goals are to increase American families’ General Policy - The ideas, beliefs and median net worth by $25,000 in ten opinions expressed in the columns, years, generate 100% of American articles belong solely to the writers. electricity with renewable energy The views expressed in these sections are not necessarily the views of Westminster by 2050 and cut the unemployment College or The Holcad itself. rate among young people in half within three years. Editing Policy - The Holcad reserves the right to edit any submission it receives for Prior to O’Malley’s presidential proper grammar, appropriate structure campaign in 2015-2016, he first and accurate content. served as Mayor of Baltimore from 1999 to 2007. Though he originally Advertising Policy - The printing of advertisements for products or services began the race as an underdog in this publication does not imply candidate, his campaign promises endorsement by Westminster College to reduce crime, improve schools or The Holcad staff. For advertising information, email and rebuild broken communities [email protected]. propelled him to the lead, according to his personal website. In 2007, O’Malley became Want to write a the 61st Governor of Maryland. Letter to the Editor? Mock Convention 2019 Keynote Speaker Martin O’Malley During his time as governor, he Credit: Westminster College press release made same-sex marriage legal in WRITING GUIDELINES Though Westminster’shis background provides him Maryland and made immigrant quadrennial Mock Convention with ample authority on various dreamers eligible for in-state college • Letters to the editor are culminates in presidential political topics that can be tuition, WCN247 reported. Before published weekly, as space candidate debates and nominations discussed. Most recently, he made leaving office in 2015, O’Malley permits. led Maryland to make investments • The Holcad reserves the right to on the event’s second and final day, headlines during the democratic reject any letter. it officially kicks off the day prior race for the 2016 presidential in public safety, college education, • All letters must be less than 400 with an opening ceremony. The election. The Washington, D.C. affordable healthcare and economic words, typed and include the spirit of the festivities is introduced native made it as one of the final growth. author’s name. at the ceremony; however, the O’Malley now lives in • Letters must be free of offensive three democratic candidates that language, personal attacks and night’s highlight is historically year, alongside Hillary Clinton and Baltimore with his wife and four libelous or potentially libelous a lecture delivered by the year’s Bernie Sanders. children. statements. keynote speaker. Throughout O’Malley’sPast keynote speakers at • No letter will be edited when This year, former Maryland campaign, he focused on a theme Westminster’s Mock Convention factually incorrect or in need of include Joe Biden, 2020 presidential contextual clarification. Governor and 2016 presidential of inclusion and followed a • Grammar and spelling errors will hopeful Martin O’Malley will “new leadership” motto, which hopeful and former vice president also not be corrected. visit campus Tuesday, Nov. 12, to showcased his youth compared to during the Barack Obama • Opinions expressed are those of serve as the keynote speaker at Clinton and Sanders. If elected, administration; Karl Rove, political the author. consultant and former deputy • The Holcad will not print Westminster’s 21st annual Mock he promised “comprehensive anonymous letters. Convention. O’Malley’s talk will immigration reform, to reign in chief of staff during the George W. begin at 7 p.m. in the Will W. Orr Wall Street, tackle climate change, Bush presidency; and Paul Begala, SUBMISSION Auditorium. allow for union organization and political commentator and former All letters must be submitted by While the theme of O’Malley’s increasing the minimum wage,” presidential adviser to Bill Clinton. 12 p.m. Monday to make the Friday edition. lecture is not publicly known, according to NBC News. O’Malley Copy edited by: Jasmine Woodings E-mail: [email protected] Mail: Box 157 INTERESTED IN WORKING FOR US? Great news! The Holcad is now accepting applications for Correspondents, Photographers, and Copy Editors.
Recommended publications
  • COURSE CATALOG 2016-2017 Academic Calendar
    COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes.
    [Show full text]
  • PRESS RELEASE Artist: Maciek Schejbal Album: Afro-Polka Label: Afro-Polka Productions Release Date: August 30, 2018
    PRESS RELEASE Artist: Maciek Schejbal Album: Afro-Polka Label: Afro-Polka Productions Release Date: August 30, 2018 Maciek Schejbal (pronounced MAH-chek SHAY-bal) is world-class drummer based in New York City. In addi- tion to gigging and touring with jazz bands and afro-pop groups, Maciek is an instructor at the Drummers Collec- tive in Manhattan. The Drummers Collective is generally thought of as the drumming equivalent of Los Angeles’ Guitar Institute of Technology. Afro-Polka is Maciek’s brand and a nascent genre of music. It’s the soundtrack of one musician’s voyage from Eastern Europe through South Africa to the USA. He has traveled, listened, learned and amalgamated a huge amount of styles, traditions and art forms into a strong, singular and original musical voice. From Cracow, to Johannesburg and Cape Town, and then onto New York City, Maciek has formed crack rhythm sections with some of the best bass players in the world. Afro-Polka great musicians he has collaborated with in his journeys. Don’t be scared by the polka, these fresh sounding tracks are is Maciek’s �irst album consisting entirely of his compositions. The tunes are performed here with many very afro-pop and jazz focused. The polka is the added seasoning that makes it unique. Every player on this record is a virtuoso and has played in bands with or on albums of some very well known musical artists and they are all deserving of recognition. Due to space constraints and the emphasis on the Maciek’s partner- ships with bass players, here are some notable connections of the bass players on this album: Fred Doumbe (Manu Dibango, Les Nubians); Bakithi Kumalo (Paul Simon’s Graceland); Leo Traversa (Angelique Kidjo, Don Byron); Gregory Jones (Astrid Gilberto, Savion Glover); Essiet Okon Essiet (Art Blakey, Freddie Hubbard); John Patitucci (Wayne Shorter, Chick Corea).
    [Show full text]
  • Speaker 1: Major Funding for Backstory Is Provided by An
    Speaker 1: Major funding for BackStory is provided by an anonymous donor, the national endowment for the humanities and the Joseph and Robert Cornell Memorial foundation. Joanne Freeman: From Virginia humanities, this is BackStory. Ed Ayers: Welcome to BackStory, the show that explains the history behind the headlines. I'm Ed Ayers. Joanne Freeman: I'm Joanne Freeman. Brian Balogh: And I'm Brian Balogh. Ed Ayers: If you're new to the podcast each week, along with our colleague Nathan Connolly, we explore a different aspect of American history. Brian Balogh: We're going to start the show in 1962 when one of the most celebrated figures of the 20th century found themselves in the grips of one of the world's most notorious regimes. The figure was Nelson Mandela and the regime was South Africa's apartheid Government. Tom Borstelmann: Mandela had spent most of 1962 abroad, as a representative of the recently banned African national Congress. Brian Balogh: Tom Borstelmann teaches global history at the University of Nebraska. Tom Borstelmann: And he had been engaged in promoting support in Egypt, in other parts of North Africa and especially in the United Kingdom. And then when he came back into South Africa in August, on August 5th of 1962, he was arrested by the South African police. Apparently from the best evidence we have, at least in part on the basis of a tip from the CIA, which worked closely with the intelligence services of the South African state. Brian Balogh: Nelson Mandela's arrest came in the wake of some important moments in South Africa's history.
    [Show full text]
  • The South African All-Stars Tony Cedras
    The South African All-Stars Member Bios Tony Cedras BORN in Elsies River, Cape Town in 1952, Tony Cedras is a sought after session player who has toured the world as part of the Gracelands show band, and before that, as a member of Amandla cultural ensemble in exile. Cedras' first musical experiences were in the local church choir, singing and also playing accordion. He soon progressed to trumpet, taking in the local jazz scene, as well as the American jazz influences prominent in South Africa at that time. Cedras became a key session player in the Cape jazz circuit, working with artists such as Jonathan Butler, tenor saxophonist Winston Mankunku Ngozi, altoist Robbie Jansen, flautist/guitarist Russel Herman, and bassist Basil Moses. The Estudio project, together with Robbie Jansen and others was acknowledged as a highlight of this period. After touring inside South Africa, Cedras relocated to Gaborone, in the neighbouring state of Botswana in the early 1980's. At that stage, Botswana was a home-away-from-home for many exiles, and it was here that he met trombonist/bandleader Jonas Gwangwa. Gwangwa was the musical director of the Amandla ensemble of the ANC, which Cedras joined, travelling not only in Africa, but also in Europe, Canada and Brazil. While working with Amandla, Cedras spent time in London, where he made contact with other South African artists who were part of the ex-patriot South African music scene. He moved there in 1985, and soon formed the group Kintone, a band which "explored the common musical ground between its West Indian and South African membership".
    [Show full text]
  • AFTER ALL THESE YEARS the Incredible Journey of Bakithi Kumalo
    CS AFTER ALL THESE YEARS The Incredible Journey Of Bakithi Kumalo THERE’S A MOMENT IN JOE BERLINGER’S Know What I Know,” “The Boy in the Bubble,” 2012 documentary Under African Skies that and “You Can Call Me Al” flowed joyfully vocal gets right to the bottom of Paul Simon’s game- bass lines that were singular works of art. The changing 1986 hit Graceland. We learn that swooping, muscular parts, models of nimble the album’s music showed the world a differ- technique and impressive intonation, were ent side of apartheid-torn South Africa, that uniquely South African, immediately intox- Simon’s arrival was politically complicated, and icating, and buoyantly delivered by a young that the combination of his vision, the studio man named Bakithi Kumalo. Fretless bass musicians’ talent, and engineer Roy Halee’s would never be the same. editing prowess created a synthesis previously Bakithi, born in Alexandra township and unheard in the annals of American music. But raised in Soweto, grew up surrounded by church when the camera gets to Talking Heads icon music, and his uncle had a big band that played David Byrne, he verbalizes precisely what bass Count Basie and Duke Ellington. But it was the players all over the world were thinking: “The traditional music Bakithi heard on the streets [Paul Simon] albums before Graceland had of Soweto, in the countryside of Zululand, and great songs, but this one had a little bit more at the clubs of Zimbabwe that made the deep- low end going on.” est impression. Right from the beginning, he Indeed.
    [Show full text]
  • Academic Programs . . . 46 Performance Bass
    Academic Calendar . 4 About LACM . 6 CONTENTS LACM Educational Programs . 9 Administration . 10 Admissions . 11 Tuition & Fees . 13 Financial Aid . 16 Registrar . 20 International Student Services . 26 Academic Policies & Procedures . 27 Student Life . 30 Career Services . 32 Campus Facilities – Security . 33 Rules of Conduct & Expectations . 35 Health Policies . 36 Grievance Policy & Procedures . 39 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 Academic Programs . 46 Performance Bass . 46 Brass & Woodwind . 52 Drums . 58 Guitar . 64 Vocal . 70 Music Composition Songwriting . 76 Music Production Composing for Visual Media . 82 Music Producing & Recording . 86 Music Industry Music Business . 92 Course Descriptions . 98 Department Chairs & Faculty Biographies . 138 SPRING 2015 (APRIL 6 – JUNE 19) SUMMER 2015 (JULY 6 – SEPTEMBER 18) January 26-30: Registration Period for April 27-May 1: Registration Period for Upcoming Quarter Upcoming Quarter April 6: Quarter Begins May 26: Tuition Deadline for Continuing Students February 23: Tuition Deadline for Continuing Students July 3: Independence Day (Observed), Campus Closed May 25: Memorial Day, Campus Closed July 6: Quarter Begins June 15–19: Exams Week September 7: Labor Day, Campus Closed June 19: Quarter ends September 14-18: Exams Week September 18: Quarter Ends September 19: Graduation ACADEMIC CALENDAR FALL 2015 (OCTOBER 5 – DECEMBER 18) WINTER 2016 (JANUARY 4 – MARCH 18) July 27-31: Registration Period for October 26-30: Registration Period for Upcoming Quarter Upcoming Quarter August 24: Tuition Deadline for Continuing November 23: Tuition Deadline for Continuing Students Students October 5: Quarter Begins January 4: Quarter Begins Nov. 11: Veterans, Campus Closed January 18: MLK Jr.
    [Show full text]
  • Paul Simon's Graceland: Days of Wonder and Miracles by Yunus
    Paul Simon’s Graceland: Days of wonder and miracles by Yunus Momoniat 8 March 2021 When Paul Simon embarked on a project to draw inspiration from South African musicians, he set out on a perilous obstacle course that would stir fevered controversy. Simon entered into a political minefield: he transgressed the United Nations’ call to boycott South Africa’s apartheid regime, he angered the African National Congress and other liberation movements and he dared to question the thinking behind their political tactics. This was the project, begun 35 years ago in February 1985, that resulted in the release of Graceland, the album that saved Simon’s flagging career but which also brought world acclaim for music from South Africa. By no means ignorant of the horrors of apartheid, Simon appreciated the reasoning behind the cultural boycott, and had turned down invitations to perform at Sun City in what was then the Bophuthatswana “independent homeland”. Other famous musicians took up the invitation and came to play to white South African audiences who would never otherwise see world-class acts because of the cultural boycott. Many of these were blacklisted, including Queen, Rod Stewart, the Beach Boys, Frank Sinatra, Elton John and, crucially, Linda Ronstadt. Around the same time, Stevie Van Zandt, guitarist for Bruce Springsteen, founded Artists United Against Apartheid, producing an album and single, both titled Sun City, to urge artists to support the cultural boycott. It featured Springsteen, Miles Davis, Bob Dylan, Herbie Hancock, Gil Scott-Heron, Ringo Starr, Run DMC, Lou Reed and Peter Gabriel among the 50 or so artists who took part.
    [Show full text]
  • Bakithi Kumalo “...This Cable Is Reunion
    from Soweto to Graceland Bakithi Kumalo “...this cable is Reunion. Little did the young and the left-hand work of accordion unbelievable. I’m just talented Bakithi have any idea players in township bands, then that Graceland would become a later from the likes of Stanley Clarke, loving it!” huge international hit, propelled Marcus Miller and Jaco Pastorius, by fretless bass playing that would Bakithi’s unique approach to bass help define the album’s signature earned him coveted sideman sound and deliver to a grateful positions with a host of artists, from audience a host of immediately Cyndi Lauper and Gloria Estefan recognizable bass hooks. to Grover Washington and Herbie Hancock. Along the way: Five 35 years later, Bakithi is still part of solo albums, The Lion King 2019 Paul Simon’s band, still delighting soundtrack, and the joyous live hen aspiring bassist Bakithi audiences with the Call Me Al bass Graceland Experience. WKumalo found out that break, and still imparting a feel he had been recommended for and sound that is uniquely Bakithi Bakithi keeps his bass rig simple, the project that would become to music beloved by a generation. the goal being for his unmistakable Paul Simon’s Graceland, his first tone to shine through. The latest reaction was “Paul who?” In Soweto, Bakithi’s bass “voice”—often addition to that rig: Cordial cables. the depressed apartheid-era described as having a human vocal Says Bakithi: “The performance of South African township where quality—was formed from local this cable is unbelievable…now I Bakithi was born and raised, the influences: his mother’s church can hear all the frequencies in my American superstar was largely choir, his sax-playing uncle’s band, bass sound.
    [Show full text]
  • Bakithi Kumalo Paco Bastante Y Marín Cano
    Entrevistamos Bakithi Kumalo Paco Bastante y Marín Cano Analizamos Fender Jazz Bass NOS vs Fender Jazz Bass Relic Lakland Bob Glaub Signature Markbass Little Mark III EBS Wah Stanley Clarke Y además Didáctica, Taller, Recomendaciones... SUMARIO EDITORIAL NÚMERO 2 ste número que estás leyendo es el número Esperamos que os guste, estamos ya trabajando Edos de Bajos y Bajistas. La continuación de en próximos números con primeros espadas del ENTREVISTAS 3 una andadura que comenzamos hace dos meses bajo en un plano internacional, porque creemos Bakithi Kumalo con el objeto de conectar con la comunidad bajista, que debemos estar a esa altura y ese es nuestro Marín Cano a veces abandonada en medios digitales. No me reto, conseguir elaborar propuestas que os gusten. queda más remedio que estar contento puesto que De la misma forma, desde aquí os invito a que Paco Bastante la aceptación no ha podido ser mejor por parte de los visitéis las páginas de nuestros anunciantes porque bajistas, tanto profesionales como aficionados, así siempre tienen interesantes cosas que ofrecer y nos REVIEWS BAJOS 19 como por el sector a nivel fabricantes, distribuidores ayudan a desarrollar este proyecto. De la misma Fender Jazz Bass NOS vs y puntos de venta de bajos, amplis y todo lo que gira manera, cualquier propuesta que se os ocurra que alrededor de nuestro instrumento, no ha podido ser pueda ser interesante para el colectivo bajista, no Fender Jazz Bass Relic mejor, ha superado nuestras expectativas de largo. dejéis de comunicarla a través de un mail en el Lakland Bob Glaub Signature Para este segundo número intentamos mantener contacto de la nuestra web, bajosybajistas.com y mejorar y para ello hemos contado con dos donde podéis leer noticias de nuestro mundo A TUS PIES entrevistados de primer nivel, Bakithi Kumalo y actualizadas al día.
    [Show full text]
  • Pick up the Pieces Bass Transcription
    Pick Up The Pieces Bass Transcription Honourless Shurwood tasseled some dilapidator after lowlier Dexter obliterate corruptly. Is John always efflorescent and emotional when disfavor some culch very trimonthly and suasively? Hydrobromic Fredric sepulchre patrilineally or lip-reads amidships when Berke is renal. Buy printable funk set of the notes and acoustical instruments and two strings than ten years before your pieces pick bass transcription is an arrangement code field There are no atheists in foxholes. The repeated ones are in A Dorian and D Mixolydian. Have You Ever Seen Rain? You must log in or sign up to reply here. This approach can be heard in several spots on Graceland where Kumalo alternates from staying in a supporting role to playing a more melodic line, he knew he needed to dive deep into the mind of John Williams through diligent transcription and reduction. At least it wasnt that cannonball thread that took up half the page. Well, the bass lines can be analyzed as mbaqanga bass lines within the South African musical tradition, and without copyrights from Musopen. Grand Funk Railroad free piano sheets. The slides on this track are another example of the type of sliding played by Kumalo on other tracks on the record, viola, and mastering. After the intermezzo starts a block with themes in various swinging rhythms. Invalid character in name. The second chapter will focus on the background of Bakithi Kumalo and the styles of South African music he plays and is influenced by to provide context for the styles of bass playing on the album.
    [Show full text]
  • Inspire GET TICKETS
    ZOELLNER ARTS CENTER SEASON BROCHURE 2019 2020 SEASON UNDERGRADS inspire GET TICKETS UNIVE H R G S I I H T Y E L DEAR FRIENDS, Thank you for your interest in Zoellner Arts Center. THANK YOU Everyone involved in our productions, programs and presentations is excited about the new season filled with work specifically TO OUR SPONSORS selected, rehearsed and refined to share with you. Our 2019-2020 season presents new performance creations, talks by scientists, readings by authors, in short, celebrations of great works of art from Leadership Funding: Victoria E. and Robert E.* Zoellner ’54 around the world. PERFORMANCE SPONSORS Fantasy, fiction and just plain fun are integrated in and integral to the series. For example, you can find the road to Neverland. You can enjoy the gleeful antics of Compagnia Baccala, or the wacky mechanical inventions and polished skills of Cirque Mechanics. Through several of our programs, we look to further our knowledge about the environment and better understand its sustainability. Speakers from National Geographic Live! share photos and perspectives from the Earth’s oceans to awe-inspiring views from space. Giant underwater creatures make an appearance in Prehistoric Aquarium, a puppet W. BEALL BRENDA & JOHN production from ERTH, an Australian theatre company. Lehigh Art Galleries connects arts FOWLER ’59 MCGLADE ’76 ’81G and the environment in Crochet Coral Reef, an exhibition by visual artists Christine and Margaret Wertheim. And powerful beats emanate from industrial scrap transformed into instruments by the whimsical and inventive percussionist artists of Scrap Arts Music. Celebrating great work of the past like Beethoven’s Piano Concerto No.
    [Show full text]
  • Direct Case of the American Federation of Musicians of the United States and Canada
    ORIGINAL p@CII:""'~VDD Before the COPYRIGHT OFFICE LIBRARY OF CONGRESS 200/ Washington, D.C. GENERAL COUNSEL QF COPYRlQHE'W In the Matter of DIGITAL PERFORMANCE RIGHT IN Docket No. 2000-9 CARP DTRA 1 S 2 SOUND RECORDINGS AND EPHEMERAL RECORDINGS DIRECT CASE OF THE AMERICAN FEDERATION OF MUSICIANS OF THE UNITED STATES AND CANADA The American Federation of Musicians of the United States and Canada joins in the Proposed Rates and Terms of the Recording Industry Association of American, Inc., Association for Independent Music, American Federation of Musicians of the United States and Canada, and American Federation of Television and Radio Artists. In support thereof, the American Federation of Musicians of the United States and Canada hereby submits the Testimony of Harold Ray Bradley and accompanying exhibits. Respectfully submitted, By Patricia Polach BREDHOFF S KAISER, P.L.L.C. 805 15th Street, N.W., Suite 1000 Washington, D.C. 20005 (202) 842-2600 Fax: (202) 842-1888 Attorney for the American Federation of Musicians of the United States and Canada April 9, 2001 BREDHOFF & KAISER, P.L.L.c. Attorneys 8 Counselors George H. Cohen Alice O'rien Robert H. Chanin 805 Fifteenth Street, NW Devki K. Virk Robert M. Weinberg Washington, D.C. 20005 Mergo Pave Jeffrey L. Gibbs (202) 842-2600 Robert Alexander Portia Wu Julia Penny Clark Facsimile: (202) 842-1888 R. Freund Jeffrey www.bredhoff.corn W. Gary Kohlman Laurence Gold A. Jeremiah Collins 21 Patricia Polach Mady Gilson Constance Markakis Bruce R. Lerner Page Kennedy Andrew D. Roth Of Counsel John M. West Douglas L.
    [Show full text]