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Sidelines Middle Tennessee State University Vol
Problems may endanger future of campus rock The future of hard rock con- security chief Matt Royal said certs on campus has been jeo- yesterday. pardized because of security pro- Royal said rock concerts at- blems, President M.G. Scarlett tract a "different crowd" and said yesterday. pose more of a security prob- Speaking to the faculty of the lem because of drugs. School of Basic and Applied Sci- "Security wise, we can pretty ences, Scarlett indicated inci- well handle it," Royal said. Drugs dents that have occurred at rock are the main problem, he added. concerts tend to damage MTSU's In a separate incident after the public image. concert, a campus security of- Scarlett blamed the incidents ficer suffered minor abrasions on "outsiders," not students, ac- in Monohan hall during a scuf- cording to several faculty mem- fle with a person who refused to bers in attendance. leave, Robert LaLance, dean of During Wednesday night's students, said. Mountain-James Gang concert, a A WGNS news report yesterday Photo by Larry Robinson Murfreesboro auxiliary police of- left the impression that a fight ficer joined two detectives pur- had occurred during the concert. Corky Laing, drummer for Mountain, keeps the beat for fellow suing a drug possessor and fell The incident involving the cam- band members Felix Pappalardi and Leslie West during Wed- down some stairs at Murphy Cen- pus security officer happened nesday's concert. See concert review on page five. ter suffering a broken jaw and "much later" than the concert. some minor abrasions, campus Miller said. -
COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
The Sugar Shoppe the Sugar Shoppe Mp3, Flac, Wma
The Sugar Shoppe The Sugar Shoppe mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: The Sugar Shoppe Country: UK Released: 2013 Style: Easy Listening, Vocal MP3 version RAR size: 1914 mb FLAC version RAR size: 1871 mb WMA version RAR size: 1786 mb Rating: 4.6 Votes: 264 Other Formats: ADX MMF MP4 ASF AU MPC VQF Tracklist Hide Credits The Original Album Skip-a-long Sam 1 3:00 Written-By – Donovan Leitch* The Attitude 2 2:18 Written-By – Peter Mann Baby Baby 3 3:18 Written-By – Helen Lewis, Kay Lewis Take Me Away 4 2:59 Written-By – Jackie Trent, Tony Hatch Let The Truth Come Out 5 2:57 Written-By – Peter Mann Follow Me (From "Camelot") 6 2:30 Written-By – F. Loewe - A.J. Lerne* Poor Papa 7 2:24 Written-By – Billy Rose, Harry Woods Privilege (From The Film "Privilege") 8 3:08 Written-By – Michael Leander* Papa, Won't You Let Me Go To Town With You 9 3:30 Written-By – Bobbie Gentry The Candy Children Song 10 2:35 Written-By – L. Hood*, P. Mann*, V. Garber* Hangin' Together 11 2:29 Written-By – L. Hood*, P. Mann*, V. Garber* The Bonus Tracks Skip A Long Sam (Mono 45) 12 3:02 Written-By – Donovan Leitch* Let The Truth Come Out (Mono 45) 13 2:59 Written-By – Peter Mann Privilege (From The Film "Privilege") (Mono 45) 14 3:12 Written-By – Michael Leander* Poor Papa (Mono 45) 15 2:26 Written-By – Billy Rose, Harry Woods Save The Country (Acetate) 16 3:04 Written-By – Laura Nyro Easy To Be Hard (Acetate) 17 3:51 Written-By – G. -
Bad Company Biography
BAD COMPANY BIOGRAPHY One of the most acclaimed bands of the classic rock era, England's Bad Company has put its indelible stamp on rock 'n' roll with a straight- ahead, no-frills musical approach that has resulted in the creation of some of the most timeless rock anthems ever. Led by the incomparable singer and songwriter Paul Rodgers, arguably the finest singer in rock 'n ' roll and a huge songwriting talent. Formed in 1973, Bad Company came to life when Rodgers was looking to start anew after the disintegration of his legendary band Free. His powerhouse vocals and songwriting were a main ingredient during Free's impressive five-year run; a period of time that saw the release of seven extremely influential albums that featured Free's minimalist blues-rock approach. Included among Free's dynamic body of work is the 1970 smash, "All Right Now," one of the most recognizable rock anthems ever recorded. Lyrics and melody by Rodgers. He was Free’s main songwriter. Rodgers had met Mott The Hoople guitarist Mick Ralphs and after jamming together and listening to new songs that Ralphs had penned and songs that Rodgers had penned, Ralphs made the decision to leave Mott and form a new band with Rodgers. The duo recruited former King Crimson bassist/vocalist Boz Burrell, added drummer Simon Kirke and Rodgers Christened the band Bad Company. Rodgers’ brought in Led Zeppelin manager Peter Grant and Bad Company became the first band signed to Zeppelin's Swan Song label. "I had to fight to get the management and the record company to accept the name Bad Company," explains Rodgers. -
Still on the Road Session Pages: 1978 World Tour US November
STILL ON THE ROAD 1978 WORLD TOUR – US: NOVEMBER 1 Madison, Wisconsin Dane County Memorial Coliseum 3 Kansas City, Missouri Kemper Arena 4 Omaha, Nebraska Civic Auditorium 6 Denver, Colorado McNicholls Arena 9 Portland, Oregon Memorial Coliseum 10 Seattle, Washington Hec Edmondson Pavilion, University Of Washington 11 Vancouver, British Columbia, Canada Pacific National Exhibition Hall 13 Oakland, California Alameda County Coliseum 14 Oakland, California Alameda County Coliseum 15 Los Angeles, California The Forum, Inglewood 17 San Diego, California Sports Arena 18 Tempe, Arizona A.S.U. Activities Center 19 Tucson, Arizona McKale Memorial Center, University Of Arizona 21 El Paso, Texas Special Events Arena 23 Norman, Oklahoma LLoyd Noble Center 24 Fort Worth, Texas Tarrant County Convention Center Arena 25 Austin, Texas Special Events Center, University Of Texas At Austin 26 Houston, Texas The Summit 28 Jackson, Mississippi The Coliseum 29 Baton Rouge, Louisiana L.S.U. Assembly Center Still On The Road: 1978 World Tour: US November 4670 Dane County Memorial Coliseum Madison, Wisconsin 1 November 1978 1. My Back Pages 2. She’s Love Crazy (Tampa Red) 3. Mr. Tambourine Man 4. Shelter From The Storm 5. It's All Over Now, Baby Blue 6. Tangled Up In Blue 7. Ballad Of A Thin Man 8. Maggie's Farm 9. I Don’t Believe You (She Acts Like We Never Have Met) 10. Like A Rolling Stone 11. I Shall Be Released 12. Señor (Tales Of Yankee Power) 13. The Times They Are A-Changin' 14. It Ain't Me, Babe 15. Am I Your Stepchild? 16. One More Cup Of Coffee (Valley Below) 17. -
Dual Concerts Scheduled at Village Green in Township This Evening
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, August 10, 2000 Page 17 Arts & Entertainment Holiday Gift Market Slated Prepare for Sound of Motown In October; Vendors Sought At Echo Lake on August 16 SCOTCH PLAINS – Holiday ing holiday season celebrating planning is starting early this Halloween, Thanksgiving and MOUNTAINSIDE – The Union The concert is presented free year at Union Catholic Christmas. Holiday decorations County Summer Arts Festival free of charge by the Union County High School as the spon- as well as gifts that could be concert series will resume on Board of Chosen Freeholders and sors of the annual Holi- used throughout the year for Wednesday, August 16, at 7:30 its sponsor Tosco Bayway Refin- day Gift Market seek birthdays, anniversaries and p.m. when the Sensational Soul ery. Lawn chairs, blankets and vendors for the event on friendly visits will also be Cruisers bring their Motown picnic baskets are encouraged. A October 14. available for purchase. melodies to the outdoor stage at refreshment stand will be avail- The Holiday Gift Mar- Most of the vendors are ket & Craft Fair which is local artisans, however, Echo Lake Park in Mountainside. able at 6:30 p.m. normally held on the Sat- some come from as The 11-piece band, which will The rain site for all concerts is urday after Thanksgiving far away as Cherry perform a full slate of Motown, Cranford High School. For more will not be held this year. Hill, Trenton, New disco, rhythm and blues and clas- information, please call (908) 352- The craft/gift market, York, Staten Island and sic soul music, has been wel- 8410 or (908) 527-4900. -
BADGE Live! – Finest of Blues and Classic-Rock
BADGE Live! – Finest of Blues and Classic-Rock Zur Band um Die Band "BADGE Live!" bringt beste Blues-Rock- den Sänger Partystimmung "in the house!" gehört der Gitarrist Die 5-köpfige Blues-Rock-Band „BADGE Live!“ Jörg „Reverend“ präsentiert eine Mischung aus energiegeladenem Blues Metzinger - mit rockigen und groovigen Akzenten sowie Anleihen Bestechend aus Soul und Funk. Songs von: John Mayall, Joe durch einen Bonamassa, Canned Heat, The Doors, Eric Clapton, bluesig- Stevie Ray Vaughan, Jimmy Hendrix, The Blues swingenden Brothers u.v.a, werden auf eigene Art und Weise Gitarrenstil - präsentiert und bringen das Publikum zum Abrocken! auch an der Akustik-Gitarre Fernab vom Einheitsbrei der Top40-Bands spielen die 5 und sein Gefühl Musiker Songs, die jeder kennt, aber selten live gespielt für dynamische werden und auch den ein oder anderen Geheimtipp, Sounds. alles mit eigener Note und unverwechselbaren Sound. Ob als Konzert-Act beim Festival, Party-Act auf Festen oder Show-Act bei einer Firmengala - „BADGE Live!“ Jörg „Reverend“ Metzinger bietet musikalische Leckerbissen, die den Abend (Guitar & Vocal) unvergessen werden lassen. Der zweite „BADGE Live!“ eine der bekanntesten Bands im Gitarrist der Saarland - erreicht und begeistert voll im Trend liegend, Band, Fritz ihre ständig wachsende Fangemeinde und spielt sich Schröder aus von zart bis hart in die Herzen der Zuhörer. Darmstadt be- reichert den Let the good times roll! Bandsound mit seinem Die Band: urwüchsigen blues-rockigen Stil. Das ist auch seiner Live- Erfahrung mit den Großen der Szene zu verdanken, wie z. B.: Fritz Schröder (Guitar) Big „Blind Dog“ Mayer (Harmonica & Vocal) Support u. a. für: - Paul Lamb and the Sänger und Harmonica-Spieler Big „Blind Dog“ Mayer King Snakes spielte in vielen verschiedenen Blues-Bands und mit - Ford Blues Band, feat. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
Rm“ COR ECTED COPY 1991 Spring Commencement North Carolina
”rm“ COR ECTED COPY 1991 Spring Commencement North Carolina State University Saturday, May 11 Nineteen Hundred and Ninety-One Degrees Awarded 1990-91 DEGREES CONFERRED Saturday, May 11 Nineteen Hundred and Ninety—One Degrees Awarded 1990—91 This program is prepared for informational purposes only. The appearance ofan individual’s name does not constitute the University’s acknowledgement, certifica— tion,orrepresentationthattheindividualhasfulfilledtherequirements foradegree. Honors listed for May 1991 candidates for degree are tentative in that they are calculated without the final semester grades. TABLE OF CONTENTS Musical Program iv Mr. William C. Friday .................................................... v The Alma Mater vii Exercises of Graduation viii Commencement Ushers ................................................... ix Commencement Marshals ix Faculty Retirements 1990-91 x Time and Location of Distribution of Diplomas ...................... xi ROTC Commissioning Ceremony .......................................... xiii Academic Costume xiv Academic Honors .........................................................xiv Undergraduate Degrees .................................................. 1 Graduate Degrees 46 Master’s Degrees 46 Master of Arts Degrees ............................................... 50 Master of Science Degrees 50 Doctor of Education Degrees 55 Doctor of Philosophy Degrees ......................................... 56 Alumni Distinguished Professors 135 Outstanding Teacher Awards for 1990-91 ................................. -
PRESS RELEASE Artist: Maciek Schejbal Album: Afro-Polka Label: Afro-Polka Productions Release Date: August 30, 2018
PRESS RELEASE Artist: Maciek Schejbal Album: Afro-Polka Label: Afro-Polka Productions Release Date: August 30, 2018 Maciek Schejbal (pronounced MAH-chek SHAY-bal) is world-class drummer based in New York City. In addi- tion to gigging and touring with jazz bands and afro-pop groups, Maciek is an instructor at the Drummers Collec- tive in Manhattan. The Drummers Collective is generally thought of as the drumming equivalent of Los Angeles’ Guitar Institute of Technology. Afro-Polka is Maciek’s brand and a nascent genre of music. It’s the soundtrack of one musician’s voyage from Eastern Europe through South Africa to the USA. He has traveled, listened, learned and amalgamated a huge amount of styles, traditions and art forms into a strong, singular and original musical voice. From Cracow, to Johannesburg and Cape Town, and then onto New York City, Maciek has formed crack rhythm sections with some of the best bass players in the world. Afro-Polka great musicians he has collaborated with in his journeys. Don’t be scared by the polka, these fresh sounding tracks are is Maciek’s �irst album consisting entirely of his compositions. The tunes are performed here with many very afro-pop and jazz focused. The polka is the added seasoning that makes it unique. Every player on this record is a virtuoso and has played in bands with or on albums of some very well known musical artists and they are all deserving of recognition. Due to space constraints and the emphasis on the Maciek’s partner- ships with bass players, here are some notable connections of the bass players on this album: Fred Doumbe (Manu Dibango, Les Nubians); Bakithi Kumalo (Paul Simon’s Graceland); Leo Traversa (Angelique Kidjo, Don Byron); Gregory Jones (Astrid Gilberto, Savion Glover); Essiet Okon Essiet (Art Blakey, Freddie Hubbard); John Patitucci (Wayne Shorter, Chick Corea). -
Issue 241 Nov 9, 2018 Download
The IndypendenT #241: nOVeMBeR 2018 • IndypendenT.ORG AMAZOn’S nyC pOWeR pLAy p5 The MeXICAn BeRnIe SAndeRS p14 FILM: GAy SOCCeR heROeS p19 The BeGInnInG OF The end hOW MUCh LOnGeR CAn TRUMpUBLICAnS hOLd BACK The FUTURe? By nIChOLAS pOWeRS DAVID HOLLENBACH Reverend Billy The StopShopping Choir LOVE NO BORDER Sundays at 2pm $15 nov 25 dec 2, 9, 16, 23 Joe's Pub at The Public 2 COMMUNITY CALENDAR The IndypendenT THE INDYPENDENT, INC. 388 Atlantic Avenue, 2nd Floor Brooklyn, NY 11217 212-904-1282 www.indypendent.org Twitter: @TheIndypendent facebook.com/TheIndypendent BOARD OF DIRECTORS: THRU NOV 24 SCREENING: AT HOME IN THE PEOPLE’S FORUM GIVING: VEGAN THANKS- Six short films by black Ellen Davidson, Anna Gold, WED–SUN 1PM–6PM • UTOPIA 320 W. 37th St., Mnhtn GIVING BONANZA creators, each demon- Alina Mogilyanskaya, Ann FREE In the 1920s, thousands of Help share vegetarian gro- strating different nar- Schneider, John Tarleton ART: A CONFLICT OF immigrant Jewish factory NOV 16–JAN 31 ceries and gourmet vegan ratives of black culture. INTEREST workers escaped New TUE–FRI, 11AM–6PM, meals with thousands Talk to the directors after EDITOR-IN-CHIEF: Featuring six artists York’s slums into the com- SAT by appointment • in need at the world’s the screening. John Tarleton whose interpretations munity of their dreams; FREE largest vegan Thanksgiv- STARR BAR ASSOCIATE EDITOR: of the phrase “confl ict four apartment houses PHOTOGRAPHY: AUNTY!: ing. In addition to giving 214 Starr St., Bklyn Peter Rugh of interest” range from they built in the Bronx AFRICAN WOMEN IN out 100,000 pounds of political to surreal. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.