DOCSLIB.ORG

Cambridge University Press 978-1-108-48789-4 — the Globalization of Theatre 1870–1930 Christopher B

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cambridge University Press 978-1-108-48789-4 — the Globalization of Theatre 1870–1930 Christopher B Cambridge University Press 978-1-108-48789-4 — The Globalization of Theatre 1870–1930 Christopher B. Balme Index More Information Index Note: Page numbers in italic and bold refer to figures and tables, respectively. actor-manager, 2, 3, 15, 35, 47, 55, 60, ballet, 66 63, 69, 135, 137, 191, 198, 202 Bandman, Film Control, 244 family, 56, 58 Bandman, Musical Comedy Company, model, 24, 26, 44, 55, 58, 60, 245 104, 105 actor-network theory (ANT), 5, 8, 9, 11, Bandman Eastern Circuit Ltd, 3, 84 12, 21, 70, 96, 97, 164, 171, 187 Bandman Opera Company, 1, 228 Actor’s Tour, or seventy thousand miles with Bandman Varieties Ltd, 3, 84, 85 Shakespeare, An, 31 Bandmann, Circuit, 1, 7, 11, 12, 18, 50, 56, Adelphi Theatre, London, 123 58, 69, 74, 75, 90, 92, 93, 94, 96, 98, Aden, 171, 195 99, 101, 130, 134, 136, 143, 147, advance agents, 10, 18, 157, 186, 217 155, 160, 161, 163, 164, 169, 171, Advance of the Tanks, The, 239 181, 183, 185, 186, 188, 189, 193, Africa, 212 198, 203, 210, 211, 233, 245, 249 African Theatre Trust, 10, 80 Bandmann, Comedy Company, 118, Aleppo, 82, 231 153, 184 Alexandria, 19, 65, 82, 88, 91, 96, 101, Bandmann, Daniel E., 2, 13, 17, 24, 25, 103, 134, 138, 173, 231, 255 26–37, 39, 42, 45, 71, 159, 225 Alexandria Theatre, 40 Bandmann, Dramatic Company, 134 Alhambra Theatre Bandmann, Gaiety Company, 134, 142 Alexandria, 88, 91, 174, 231 Bandmann, Lily C., 17, 24, 35, 36–37, London, 74, 235 39, 43–45, 49, 63, 184 All French, 134 Bandmann, Londoners, 148 Allan, Maud, 228 Bandmann, Manxman Companies, 45, Allan Wilkie Company, 199 47, 136, 182 Allen, Sir Charles, 218 Bandmann, Musical Comedy Company, 74 All-Red Circuit, 80, 81, 147, 221 Bandmann, Opera Company, 20, 50, 68–72, Alone in London, 43 74, 85, 87, 88, 89, 101, 102, 113, Amateur Dramatic Company, 176 119, 126, 127, 128, 129, 131, 141, Amrita Bazar Patrika, The (Newspaper), 145, 146, 157, 162, 163, 171, 174, 74, 107, 160, 221 175, 182, 183, 184, 185, 195, 214, Ancien Régime, 27 229, 249 Aragoz, 101 Bandmann, Repertoire Company, Arcade Amusement Company, 100, 138 Tientsin, 212 Bandmann, Varieties Company, 173 Arcadians, The, 195 Bandmann, Varieties Ltd, 85, 146, 221, Asia, 14 244, 249 Auckland, 28 Bandmann, Variety and Asiatic Cinema Austerlitz tour, 45 Company, 79, 236 Australia, 27, 28, 30, 32, 34, 36, 42, 62, Bandmann and Charles Touring 80, 82, 90, 147, 198, 246, 256 Company, The Scamps, 180, 233 269 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48789-4 — The Globalization of Theatre 1870–1930 Christopher B. Balme Index More Information 270 Index Bandmann-Beaudet company, 30, 31, 55 Caine, Hall, 135–36 Bandmann-Palmer, Millicent, 2, 17, 24, Cairo, 1, 13–14, 18, 20, 22, 65, 77, 82, 27, 33, 35–42, 45, 53 96, 99, 101–6, 132, 134, 138, 178, Bandmann-Palmer Shakespearian 180, 203, 231, 255 Company, 39 Calcutta, 3, 12, 15, 18–19, 20, 22–23, Bandmann’s Hippodrome, Bandmann’s 31, 39, 52, 72, 74–76, 77, 79, 82, Theatre, 15, 84, 120, 200, 219, 221 85, 87, 89–91, 96, 106–8, 110, Bandmann’s New Theatre, 224 118, 119–20, 131–34, 146, 148, Bangalore, 171, 195 150, 157, 159, 166, 169–70, 175, bangsawan, 14, 112, 115 178, 180, 181, 183, 185, 190, 192, Barbados, 68 193, 197–204, 207–11, 217–23, Bardelys the Magnificent, 149 226, 227, 234, 236, 240, 242–43, Barrett, Wilson, 43–44, 46, 47, 63, 247–50, 255 135–36, 140 Canada, 30, 71, 145, 182, 190 Barrymore, John, 139 Candida, 191, 192 Batavia, Dutch East Indies, 121–25 Casino Girl, The, 69 Bataviaasch nieuwsblad Catch of the Season, The, 195 (Newspaper), 124 Ceylon, 79, 81, 132, 142, 169, 197–98, 223 Battle of the Ancre, The, 239–240 Ceylon Observer, The (Newspaper), 181 Battle of the Somme, The, 237–41 Charles, Dora Phoebe aka Dora Beaman, Justice Frank, 224, 225 Dolaro, 180 Beaudet, Louise, 30, 31, 32, 35 Charley’s Aunt, 134–35 Beech, Florence, 21, 204, 220 China, 3, 106, 116, 118, 127, 143, 149, Beirut, 82 160, 165, 168–70, 180, 189, 241 Belle of New York, The, 132, 134 Chinese Honeymoon, A, 132, 190 Bell’s Life, The (Chronicle), 36 Chocolate Soldier, The, 132 Ben Hur, 140 chorus girls, 21, 172–73, 176 Bengalee, The (Newspaper), 107 cinema, 3, 23, 62, 75, 77–79, 80, 82, 84, Benson, Frank, 89 91–92, 111, 112, 113, 115, 158, Berlin, 34 216–17, 221, 227, 230–31, 233, betweenness centrality, 6 241, 243–44, 248, 252, 255 Beyrouth, 231 Cinema Committee, 238 Bilimoria, A. J., 235 Cingalee, The, 71, 190 Biopolitics, 24–26, 54 Claudian, 43 Bioscope, The (Newspaper), 243 closeness centrality, 6 Bombay, 12, 17–20, 23, 31, Cohen, Elias Moses, 89, 153, 201 76–78, 82, 85, 87, 89, 91, Cole, Harry, 21, 122, 182 96, 108–11, 119–20, 132, Colombo, 20, 80, 81, 96, 171, 184, 195, 134–35, 147–48, 149–52, 199, 202–4, 210, 217, 255 153, 157, 159, 166, 169, colonial, 7, 10, 12, 13–15, 19, 21, 31, 54, 171–72, 178, 184, 186, 58, 66, 74, 96, 98, 101, 105–9, 191, 193, 195, 197, 199, 112–13, 115, 119, 121, 123, 124, 203, 209, 212, 217–18, 220, 131, 142, 150, 153–62, 164, 170, 221–30, 235, 241, 242, 250, 176, 178–80, 186, 194, 198, 212, 252, 255 215, 217, 220, 224, 229–45, Bombay City Improvement Trust, 108 248, 257 Bombay Gazette (Newspaper), 225 colonial bureaucracy, 22 Bouwmeester, Louis, 123 colonialism, 2, 91, 111 Bovill, C. H., 143 Come Inside, 134 Brazil, 2 comedy, 20, 31, 36, 65, 87, 108, 131, 134, Britain Prepared, 237–38, 241 135, 141–42, 158, 206, 220, 221, 245 Brough company, 108 Comic Opera Company, 178 Burlesque, 31, 41, 66 concert, 66 Burma, 132, 142, 179 contact zones, 16, 97 Burmah, 3 Cooper, Patience, 175, 247 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48789-4 — The Globalization of Theatre 1870–1930 Christopher B. Balme Index More Information Index 271 copyright, 7, 18, 21, 22, 32, 48, 57, 60, economics of touring, 85, 119, 165 66–67, 71, 87, 140, 142, 188–91, 192 Edward Theatre, Bombay, 147 Corinthian Theatre, Calcutta, 78, 107, Edwardes, George, 20, 60, 70, 71, 74, 87, 159, 247–49 89, 122, 142, 173, 176, 190, 192, Corlass, Georgie aka Georgina Major, 21, 195, 255 172, 174, 183–84, 188, 202–3 Egypt, 2, 3, 51, 65, 68, 71, 82, 101–4, Corsican Brothers, The, 28, 31, 32, 33 134, 138, 145, 169, 179, 180, 189, Count of Luxembourg, The, 134 197, 230 Country Girl, The, 71, 175 Egyptian Idol, The, 45, 47, 48 Court Theatre of New Strelitz, 27 Elder, Dempster and Company, 68 Courtneidge, Robert, 127 Ellis, Fred, 190 Coyne, Fred, 202, 209 Elphinstone Bioscope Company, 78, 235, Crook, J. R., 52, 230–31, 233 236 Elphinstone Picture Palace, 78 Daily Chronicle, The (Newspaper), 157 Empire, The (Newspaper), 219 Daily Gazette (Newspaper), 158 Empire Theatre Daily Malta Chronicle, The (Newspaper), Bombay, 87, 108, 120 99–101 Cairo, 82, 231 Dalbagni, Augusto, 18, 82, 83, 103, 104, 106 Calcutta, 18, 23, 39, 52, 76, 77, 79, 85, Dallas, Henry, 21, 70–74, 76, 92, 136, 88, 118, 120, 146, 181, 200, 217, 141, 146, 167, 190 218, 220, 221, 222, 226, 227, 228, Dallas and Bandmann Opera Company 235, 244, 246–49 aka Bandmann and Dallas Opera Malta, 101 Company, 71, 72 English Comedy Company, 2, 99 Dallas Company, 72 Entrepôt, 19, 96–99, 115–16, 130, 160 Dallas Musical Comedy Company, 70 Era, The (Magazine), 1, 37, 44, 45, 64, Damascus, 82, 231 68, 81, 138, 146, 220, 231 David Garrick, 65 errant theatre controversy, 111 Davis, Tracy C., 90, 152, 255 ethnography, 9–10, 164, 165 Dead or Alive, 29 ethnomethodology, 9 degree centrality, 6, 247 Europe, 14 Delhi, 242 Evans, Gertrude, 45, 48 Delicate Ground, 36 Evans, Percy aka Percy Mortimer, 48 demographics, 14 Excelsior Cinematograph Syndicate, 78 Denny, Reginald, 249 Excelsior Theatre, Bombay, 229, 235, divorce, 17, 33, 35, 45, 48–51, 54, 242 136, 180 extraterritoriality, 188, 215 divorce plays, 140 drama, 20, 34, 40, 47, 62, 74, 102, 107, Far East, 24, 74, 82, 88–89, 96, 108, 118, 117, 127, 129, 131, 141, 158, 159, 120, 132, 142, 147, 149, 163, 165, 177, 198, 203, 225, 236, 251 179, 182, 191, 192, 197, 198, 203, Duchess of Dantzic, The, 71 220, 223, 237 Duke of York’s Theatre, 148 Far East, The (Newspaper), 129 Duse, Eleonora, 246 Faraday, Michael George, 206–7 Dutch East Indies, 14, 116, 121–22, 151, farce, 41, 135, 145, 148, 177 160, 189 Faust, 28 the First World War, 4, 15, 24, 44, 77, Earl and the Girl, The, 123, 126 79, 82, 87, 91, 101–4, 115, 132, East Lynne, 40, 134, 182 141, 145, 146, 150, 173, 181, 242, Eccentric Club, London, 54 249–50 economic model, 54 Florodora, 123, 190 economic networks, 17, 59 Forman, Colonel R. H., 224 economic sociology, 5, 24 Forsythe, Blanche, 66–68, 182, 183 economics, 4, 17, 23, 35, 54, 59, 64, 90, Foucault, Michel, 111 92–95, 96–97, 130 foundation-stone ceremony, 20, 223 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48789-4 — The Globalization of Theatre 1870–1930 Christopher B.
Load more

Recommended publications
  • The Official Organ of the B.Bc
    Radio Times, August 21st, 1925. GREAT BROADCAST SEASON APPROACHES. oJ Ri se oea i = — T . aa oh, att THE OFFICIAL ORGAN OF THE B.BC — SS ——er ngistered cat the _Vol. §i_No, 100. GEO. a oo See per, _EVERY FRIDAY. Two Pence. OFFICIAL. Broadcasting Smiles! — PROGRAMMES By GEORGE GROSSMITH. for the week commencing EOPLEare pining for wireless humour. the correct mo- SUNDAY, August 23rd. Unfortunately, there is a regrettable ments ! If might = —— se dearth of radio comedians, not only if} be thought that MAIN STATIONS. this country, but also in America. Several a small audience LONDON, CARDIFF, ABERDEEN, GLAS- famous comedians have tried their hand in the ‘broad- casting studio GOW, BIRMINGHAM, MANCHESTER, at making listeners Laugh, but have acted as if they WET on the stare, lorpetting would help a BOURNEMOUTH, NEWCASTLE, BELFAST. that the ear ‘of listeners is not comple- comedian. But mented by the eye, a5 it is in a theatre. this has been HIGH-POWER STATION. Many mirth-makers on the stage rely tried and not (Daventry.) upon facial expression for fully half of their found of great success, Theyare likely to fail when they assistance, RELAY STATIONS, broaceast. ‘* = SHEFFIELD, PLYMOUTH, EDINBURGH, a i w i (an humour LIVERPOOL, LEEDS—BRADFORD, Few people appreciate the importance becommunicated Mr. GEORGE GROSSMITH. HULL, NOTTINGHAM, STOKE-ON- of the audience to a comedian. Correct by the ear alone ? TRENT, DUNDEE, SWANSEA. timing of the remarks. in a joke is often Many comedians reply with an emphatic an essential feature, and the speaker takes ‘No.” That cold-blooded microphone, SPECIAL CONTENTS.
    [Show full text]
  • Sommario Rassegna Stampa
    Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica Web Classtravel.it 04/02/2021 AQUA FILM FESTIVAL 3 Cinecitta.com 03/02/2021 PAOLO MANERA: "LE SERIE TV NEL NOSTRO DNA" 6 Mediabiz.de 03/02/2021 BIRGIT OBERKOFLER: "BLICK NACH VORNE RICHTEN" 10 Viviroma.tv 03/02/2021 AL VIA LA VI EDIZIONE DEL FILMING ITALY LOS ANGELES 18/21 12 MARZO 2021 Rubrica Cinema 26 Avvenire 04/02/2021 FEDS, FILM SULLA "VITA NUOVA" 16 1 Corriere della Sera 04/02/2021 STORICO AI GOLDEN GLOBE TRIS DI REGISTE IN LIZZA (G.Sarcina) 17 23 Il Fatto Quotidiano 04/02/2021 "RUMORE BIANCO" AL CINEMA 20 2 Il Foglio 04/02/2021 NETFLIX FA MAN BASSA DI NOMINATION AI GOLDEN GLOBE NELLA 21 SEZIONE CINEMA 2 Il Foglio 04/02/2021 RIALZARE I SIPARI 22 23 Il Mattino 04/02/2021 Int. a A.Truppo: "CRAZY FOR FOOTBALL", TRUPPO RACCONTA I 23 "MATTI PER IL CALCIO" (A.Farro) 24 Il Messaggero 04/02/2021 GOLDEN GLOBE, NO ALLA LOREN SI' A PAUSINI E BOSEMAN (G.Satta) 24 24 Il Messaggero 04/02/2021 MORTA NONI CORBUCCI, COSTUMISTA E VEDOVA DEL REGISTA 25 SERGIO 33 Tuttomilano (La Repubblica) 04/02/2021 CULTURA- LA PRIMA SALA-CINEMA PER BAMBINI 26 Rubrica Audiovisivo & Multimedia 65 Il Messaggero - Cronaca di Roma 04/02/2021 NETFLIX TROVA CASA A ROMA: LA SEDE A VILLINO RATTAZZI NEL 27 CUORE DELLA DOLCE VITA (G.Satta) 23 Avvenire 04/02/2021 A PICCO I RICAVI DEI MEDIA VA BENE L'ON-DEMAND, MALE LA 28 PUBBLICITA' LO STREAMING BATTE LA TV 31 Corriere della Sera 04/02/2021 IL LOCKDOWN PREMIA NETFLIX PUBBLICITA', IN NOVEMBRE LA7 29 CRESCE DELL'8,8% (S.Bocconi) 40 Corriere della Sera 04/02/2021 Int.
    [Show full text]
  • Fall 2007 PSF Newsletter
    The Pennsylvania Shakespeare Festival Newsletter • Fall 2007 PSF Announces 2008 Season ������������� THE STUFF OF LEGENDS Lear. Cyrano. Dracula. each through its own lens illuminates this �������������������� � profound and immutable struggle, within All are literary legends that will come to and between us. life on PSF’s stages next summer. The 2008 season features Shakespeare’s piercing master- King Lear, considered one of piece King Lear and beloved comedy Twelfth Shakespeare’s greatest masterpieces, tells the ��������� Night, as previously announced. Cyrano de story of an aging king of Britain who divides � ���������������������� Bergerac and Dracula: The Journal of Jonathan his kingdom amongst his daughters, whose Harker are new to the season line-up, though betrayals, real and imagined, lead to the they have long topped a ‘short list’ of mas- destruction of family and kingdom. terworks considered by Producing Artistic Director Patrick Mulcahy and Associate While Shakespeare’s exploration of ������������� Artistic Director Dennis Razze. For the chil- human frailty juxtaposed with insatiable hun- ger for power and adulation is wrenching in � ���������������������� dren’s show, a musical adaptation of The Jungle its destructiveness, in this play, “Shakespeare’s Book has been selected. art is at its apex, exquisitely executed, unmis- The process of choosing the plays takable in its beauty,” Mulcahy says. “It is no for each season always begins with PSF’s accident this is considered one of the greatest ������ mission: to enrich, inspire, engage, and plays ever written.” entertain. Mulcahy says that along the way � ����������� to providing some great entertainment, On a different note, opening with one by Edmund Rostand the 2008 season “will explore the primal of Shakespeare’s most lyrical lines—“If music fault lines between the heart and the ego: be the food of love, play on”—Twelfth Night humanity’s innate desire for love and con- offers a vibrant counterpoint to King Lear.
    [Show full text]
  • Herr Daniel Bandmann and Shakespeare Vs. the World
    Journal of Global Theatre History ISSN: 2509-6990 Issue 1, Number 2, 2016, pp. 56-70 Lisa J. Warrington Herr Daniel Bandmann and Shakespeare vs. the World Abstract German actor Daniel Bandmann played his first Hamlet at the age of 20, and made his English language debut as Shylock in New York, 1863. In his prime, he performed extensively in America, Great Britain, Australia, and New Zealand, amongst other countries. Though he played roles which ranged from Narcisse and the Corsican twins to Jekyll and Hyde, he was perhaps most closely identified with a handful of Shakespearean roles: Hamlet, Shylock, Macbeth, Othello, Iago. His apparently ungovernable temper led to a love/hate relationship with the critics, played out in public through the newspapers. His responses to criticism open a window into his playing of these roles. This paper examines Bandmann’s acting in the role of Hamlet and the critical interchanges he engaged in around the world, in which he defended his playing of the role. Author Lisa Warrington is an Associate Professor in Theatre Studies at the University of Otago, Dunedin, New Zealand. Current research interests (and areas in which she has published) include Shakespeare in performance, directing, Pasifika theatre, site-specific theatre, nineteenth century New Zealand theatre history and the theatre of Aotearoa/New Zealand. She is also a professional theatre director, with many productions to her credit. She runs the Theatre Aotearoa database (http://tadb.otago.ac.nz), which provides a regularly expanded detailed archive of stage productions in New Zealand. Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Author.
    [Show full text]
  • Honors Project Is an Examination of the Experience of Actors on the National Tour Of
    AN EXAMINATION OF THE RUDOLPH NATIONAL TOUR by Samantha McHenry Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of Theatre Texas Christian University Fort Worth, Texas May 7th, 2018 !ii AN EXAMINATION OF THE RUDOLPH NATIONAL TOUR Project Approved: Supervising Professor: Alan Shorter, Ph.D. Department of Theatre Wendy Williams, Ph.D. Associate Professor of Professional Practice in Honors Jennifer Engler, M.F.A. Department of Theatre !iii ABSTRACT My honors project is an examination of the experience of actors on the national tour of Rudolph the Red Nosed Reindeer from two specific perspectives: an objective lens derived from tangible data and a subjective view of the experience exploring anecdotal data. My project will have two main components: 1) who I was, what I was doing, and how the tour related to the TCU experience and 2) information about the touring experience itself. Last winter I had the privilege of being cast in the National Tour of Rudolph the Red Nosed Reindeer. This experience provided an inside perspective of national touring, as well as the opportunity to live in a closed community. I thought a structured analysis of this experience would create a unique honors project. Over the course of a month and a half of this tour, I was able to collect both subjective and anecdotal data of a closed group of individuals sharing the same experiences but reacting to them differently. I was also able to experience the “Hawthorne Effect” and the “Observer Expectancy Effect,” as I myself was a part of the experimental group.
    [Show full text]
  • Curriculum Vitae Eng
    Curriculum Vitae Charlotta Grimfjord Cederblad - performance artist, director, actor Scroll down for film/TV, voice, education, grants and awards. Performance/theatre: 2020 •Banket for bier/Banquet for bees (immersive performance), Secret Hotel, performer, tour in Denmark •Magen i skogen/Le ventre dans la forêt (music/theatre), Dinn Dinn Bulo, author, director and choreographer, tours in Senegal and Sweden 2021 •If you look closely you will see me (solo performance), own work, performance artist, 13festivalen in Göteborg, Sweden 2019 •Det är vi som är trädgården (performance/presentation) of the art lab Mixed Minds. •If you look closely you will see me (solo performance), own work, performance artist, PAB Open festival in Bergen, Norway •Muskler, magi & magkänsla (stage performance) own work/Kurage, author, director and performer, tour in Sweden • Grant residency at the Nordic Water Color Museum in Skärhamn, Sweden •Fisken och Bintou (music/theatre), director, collaboration with Dinn Dinn Bulo, repertoire at Cinnober Teater in Göteborg, Sweden and extensive tour in Sweden •Residency in Berlin, Germany, invitation by artist Ruschka Steininger •Mixed Minds, one of seven artists in residence at the interdisciplinary art lab curated by Kultur i Väst and Art Inside Out •Residency in Denmark with Mixed Minds 2018 •Residency in Berlin, Germany with support from the Swedish Arts Grants Committee. •Slapstick och Storhetsvansinne (immersive performance), own work/Kurage, author, director, choreographer, performer, repertoire at Hagateatern in Göteborg,
    [Show full text]
  • Download Download
    Ludwig-Maximilians-University Munich Journal of Global Theatre History Theatrescapes Global Media and Translocal Publics (1850-1950) Editors Christopher Balme and Nic Leonhardt Volume 1, Number 2, 2016 Editorial Office Gwendolin Lehnerer Gero Toegl Editorial Board Helen Gilbert (Royal Holloway London) Gordon Winder (Munich), Derek Miller (Harvard), Kati Röttger (Amsterdam), Stanca Scholz-Cionca (Trier/Munich), Marlis Schweitzer (York University, Toronto) Roland Wenzlhuemer (Heidelberg), Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Authors. Journal of Global Theatre History Volume 1, Number 2, 2016 Table of Contents Nic Leonhardt Editorial .............................................................................................................................................III Monize Oliveira Moura Sarah Bernhardt in Brazil (1886 and 1893) ................................................................................................................................................1 Catherine Vance Yeh Experimenting with Dance Drama: Peking Opera Modernity, Kabuki Theater Reform and the Denishawn’s Tour of the Far East .............................................................................................................................................28 Johanna Dupré "Die erste Jockey-Reiterin der Welt, aus Süd-Amerika": Rosita de la Plata, Global Imaginaries and the Media .............................................................................................................................................38
    [Show full text]
  • Selected Press
    Selected Press Jay Scheib Feature Articles, Reviews, and General Press Jay Scheib | [email protected] | Selected Feature Articles and Reviews The best New York theater directors - Time Out New York Time Out New York Kids Time Out Chicago Time Out Worldwide Travel Book store Subscribe to Time Out New York Subscriber Services Home Art Books Clubs Comedy Dance Film Games Gay I, New York Kids Museums Music Opera & Classical Own This City Real Estate Restaurants & Bars Sex & Dating Shopping Spas & Sport Theater Travel TV Video Tools Theater E-mail Time Out New York / Mar 25, 2009 Print New York's best Rate & comment Report an error The best New York theater directors Share this 1. Jay Scheib Mixing multimedia with deadpan-cool (and very sexy) actors, Scheib is forging new ways of seeing drama. 2. Ken Rus Schmoll Schmoll takes on more difficult playwrights, teasing out the ambiguity and menace in their words. 3. Elizabeth LeCompte As chief engineer of the Wooster Group’s postmodern tech spectacles, she has influenced a generation of experimenters. 4. Anne Kauffman She helmed two of our favorite shows in years: The Thugs and God’s Ear. Sensitive to thorny language, she makes the murky crystal clear. Cheap tickets 5. Joe Mantello Seats for a song Sure, he helmed the blockbuster Wicked, but the former actor is most at home Find great deals on working on tough drama on an intimate level. tickets. 6. Richard Foreman Guides They don’t call him the king of the avant-garde for nothing; Foreman is the auteur’s Student Guide auteur: He writes, designs, directs and even operates the sound.
    [Show full text]
  • GTHJ Issue1 Number1 Theatri
    Ludwig-Maximilians-University Munich Journal of Global Theatre History Theatrical Trade Routes Editors Christopher Balme and Nic Leonhardt Volume 1, Number 1, 2016 Editorial Office Gero Toegl Gwendolin Lehnerer Editorial Board Derek Miller (Harvard), Helen Gilbert (Royal Holloway London) Stanca Scholz-Cionca (Trier/Munich), Kati Röttger (Amsterdam) Marlis Schweitzer (York University, Toronto) Roland Wenzlhuemer (Heidelberg), Gordon Winder (Munich) Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Authors. Journal of Global Theatre History Volume 1, Number 1, 2016 Table of Contents Editorial III Christopher Balme and Nic Leonhardt Introduction: Theatrical Trade Routes 1 Shannon Steen Theatrical Commodity Chains and Colonial Competition 10 Derek Miller The Salve of Duty: Global Theatre at the American Border (1875-1900) 20 Christopher Balme Maurice E. Bandmann and the Beginnings of a Global Theatre Trade 34 Stanca Scholz-Cionca Japanesque Shows for Western Markets: Loïe Fuller and Japanese Theatre Tours Through Europe (1900-08) 46 Veronica Kelly Australasia: Mapping a Theatrical ‘Region’ in Peace and War 62 Maria Helena Werneck and Maria João Brilhante Art and Trade in a Postcolonial Context: In Search of the Theatre Routes Linking Brazil and Portugal (1850 – 1930) 78 Table of Contents II Journal of Global Theatre History Volume 1, Number 1, 2016 Editorial Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Author. With this focus issue on ‘Theatrical Trade Routes’ the Centre for Global Theatre History at LMU Munich presents the first issue of a new online, peer-reviewed journal devoted to exploring the historical dimensions of theatre and performance from a global, transnational and transcultural perspective.
    [Show full text]
  • T ALL NEW WORKS PUBLISHED in GREAT BRITAIN '' I
    . _ . - . - ¦ .. -, ¦ ' . ¦ ¦ • - . ~ ¦ ¦ - ^^ i i ov" i^^ - <- ¦ ¦ V * * —- . ;>- . ^ •¦ ¦ - " ' . (-. .¦ -¦-, * ¦ ANDAMU • • '- -V- ¦ ¦ ' : *' " ¦' " - • ' . ' ^ . '- 43mcra l ftetor b of 5&riti £f> an& ^foreig n literature [ t CONTAINING A COMPLETE ALPHABE TICA L LIST OP X ALL NEW WORKS PUBLISH ED IN GREAT BRIT AIN '' I ' ¦ ' ' " '¦¦ ' ¦ " - ' ' * ' ' : ., AND • • } ¦ EVERY WOKK ¦ OF INTEREST- PUBtTSHEB ABROAD f \ * » * * •* .., * . - • r ' - « ^j . > ¦ f r r .. v/. ' , • ITspiricd - on the 1st and 15frh. of ehch Month ] y 1 f : i - ' ¦ ¦»¦ - - - ¦ ¦ - ' - • ' <V , Price 3d. ; t i r J anuary 15, 1885 Sil' mmr •[" :. ¦ ¦ ¦ - ' ;; ' .; f ' "¦ ! ' oo3srTE3 asra?s ' '?" \ ! ^ . .. , pTERARY INTJ 3LLI© l^CBv. iZp-lZ; KO>fTmENTAL ilT ^Riltit ; NOTES ... 7,- 8\ ' fcBrrnARY ..:.".•?• *.I. •- .V .9. I ITRADB CHASGhB f f.:.:...:. ;.....\.. ....^...v.;.... 0 v J\¦; tEG Ai|...' -.. ..V.i:.f:'/.'/.' :.:. ' ;V..; .' ,\i i<ft p. ' ' " ' I...:¦ ¦ ¦ ¦ . io—i»^|f ' v......I. - • • • booKs . » 1 ¦ ¦ . .. EEOBiT. ^B^.O........_ _. •¦'¦-, . •.....^ . JAN ARY.. AND 1 EJDKX TO BOOKS PUBLISHES * lk QBM^T BRITAIN BETWEEN U 1 15 T 14, 15 Htf JAN T;O ' ¦ ¦ BRITAIN FR031 TJAR Y 16-^18 } .. ¦ BOOKS' -CraBAT 1 15' ¦ ¦¦¦ PUBIiiS^EDr ...... J ¦ ¦> ...;: . ...... • ¦ ' . aooKS . * l^iuGAN T^sry^ . .: .; '. '... .;. ................:.::.......... 18—20 - j WEN BOOKS AND BOOKS LATELY PJfBLJ S .. ,.. ...*...... - 22—27 | r ^ED . : fcDUCA^iONAL Bd^K^ ' 1 .........../.. ..; . 1 28r-63 : ' I ENGLISH XANGtrAGE ;. ¦ 29, 32, 33, 38—42, 49, J>0 6ji, ¦ ! ! ..^. ¦ ¦ •¦ ,. fe f I* ¦ ¦ . - * *- • i . \ * /' > I FREN CH, GERMAN , AND ITALIAN : 36, 37; 42—48, 51, 63 j IH- COPYKi\jr x BOOKSouyivo .............. ..........»••....;...V.. 30ou, 33o», 6ui7' - {,• I ATLASE 3 AND MAP ^. T .-. ... ..i... -.. • ?. 30, 31, 34" j Miscellan eous- .........;...... ! • ^.......:... ..w'7i ~77 % BlftTHp AY OABDS AJ fD ,VALENTINES... ....;... ...'.......;./i^.;... 72i ^ ....^ \ vU8HrBsi ^s; :..>.:; ro , ; ^STA^TS^^;^ A 1J ^B|J | ,.w.
    [Show full text]
  • The Comment, November 29, 1979
    Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1979 The ommeC nt, November 29, 1979 Bridgewater State College Volume 53 Number 8 Recommended Citation Bridgewater State College. (1979). The Comment, November 29, 1979. 53(8). Retrieved from: http://vc.bridgew.edu/comment/445 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Vol. LnI, No.8 Bridgewater State College November 29, 1979 Nader Speaks at BSC by Doug Schorr .", Ralph Nader appeared in the Nader also spoke about food in this attitude might change if Student Union Ballroom - On general, and supermarkets in consumers asked auto dealers November 27,1979 at 7:30 pm to an particular. He said that many questions such as, "Why does a audience estimated at 500 people. supermarkets "play" with the weight tinted windshield cost more when Nader began his lecture by listed on the packages and do not you see lessT or "Why have cars speaking about automobiles--his sell nutritious food to the consumer. lost the side vent windows-did you favorite pet peeve. He stated the The solution to this is to form a large take a survey of customers to see General Motor Corporation makes group of people (1-5% of what their opinions were on the $15 million an hour, and that community) and go to super­ matter?" He also mentioned that research conducted by the National markets and use the numbers of consumer education should be a Safety Council cost a little Jess than your group to affect change in the mandatory part ofa student's that amount--and the research was store's policy_ If needed, you could curriculum in school.
    [Show full text]
  • 2012 Calendar Journal
    CALENDAR JOURNAL La Tuna Estudiantina de Cayey and the Hostos Center for the Arts & Culture present A revue of Puerto Rican music. Celebrating Puerto Rican Heritage Month and the 45th Anniversaries of Hostos Comunity College and La Tuna de Cayey Sat, Nov 17, 2012 ▪ 7:30 pm Main Theater - Hostos Community College/CUNY 450 Grand Councourse at 149th St. ▪ The Bronx Admission: $15, $10 - Info & tkts: 718-518-4455 - www.hostos.cuny.edu/culturearts 2, 4, 5, Bx1, Bx19 to Grand Concourse & 149 St. Made possible, in part, with public funds from the NYC Department of Cultural Affairs in cooperation with the New York City Council. COMITÉ NOVIEMBRE WOULD LIKE TO EXTEND ITS SINCEREST GRATITUDE TO THE SPONSORS AND SUPPORTERS OF PUERTO RICAN HERITAGE MONTH 2012 THE NIELSEN CompanY CITY UNIVERSITY OF NEW YORK Municipal CREDIT UNION 1199 SEIU UNITED Federation OF TEACHERS WOLF POPPER, LLP CON EDISON Hostos COMMUNITY COLLEGE, CUNY ACACIA NETWORK INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY, INC. Colgate PALMOLIVE EL CENTRO DE ESTUDIOS PuertorriQUEÑOS HealthPRO MED LEHMAN COLLEGE, CUNY Puerto RICO CONVENTION BUREAU RAIN, INC. MEMBER AGENCIES INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY ASPIRA OF NEW YORK EL CENTRO DE ESTUDIOS PuertorriQUEÑOS EL MUSEO DEL BARRIO EL PUENTE EUGENIO MARÍA DE Hostos COMMUNITY COLLEGE/CUNY LA CASA DE LA HERENCIA Cultural PuertorriQUEÑA, INC. LA FUNDACIÓN NACIONAL para LA Cultura POPULAR LatinoJUSTICE: PRLDEF MÚSICA DE CÁMARA National CONGRESS FOR Puerto RICAN RIGHTS – JUSTICE COMMITTEE National INSTITUTE FOR Latino POLICY Puerto RICO FEDERAL Affairs Administration COMITÉ NOVIEMBRE HEADQuarters INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY 105 East 22nd st.
    [Show full text]