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For Immediate Release Lg to Broadcast Scenes From
FOR IMMEDIATE RELEASE LG TO BROADCAST SCENES FROM YOUTUBE ORIGINALS “LIFE IN A DAY 2020” IN NEW YORK’S TIMES SQUARE ON FEBRUARY 8 Feature Length Documentary Premiering on YouTube February 6, Directed by Kevin Macdonald and Executive Produced by Ridley Scott, is Available on the YouTube App on Smart TVs Including Critically-Acclaimed LG OLED TVs ENGLEWOOD CLIFFS, N.J., February 4, 2021 — LG Electronics USA announced it will feature scenes from the YouTube Originals documentary “Life In A Day 2020” by Academy Award-winning director Kevin Macdonald on its massive high definition digital billboard in New York’s iconic Times Square on February 8 from 8:00 a.m.– 10:00 p.m. “Life In A Day 2020,” debuts on YouTube February 6, when it will also be available on the YouTube app on smart TVs including LG’s award-winning LG OLED TVs. The feature-length documentary is composed entirely of selected contributions from people around the world who filmed their day on July 25, 2020. LG OLED TVs deliver content the way the filmmakers intended it to be seen featuring more than 8 million self-lit pixels that deliver the deepest blacks, richest colors and realistic picture quality for the best possible experience when watching movies, sports, and playing video games. Ten years after the original "Life In A Day," YouTube and the filmmakers asked people all over the world to record their lives to tell the story of a single day on Earth. The filmmakers received more than 300,000 submissions, nearly four times the number of submissions to the previous film, which includes thousands of hours of footage from 192 different countries, in more than 65 languages. -
The Official Organ of the B.Bc
Radio Times, August 21st, 1925. GREAT BROADCAST SEASON APPROACHES. oJ Ri se oea i = — T . aa oh, att THE OFFICIAL ORGAN OF THE B.BC — SS ——er ngistered cat the _Vol. §i_No, 100. GEO. a oo See per, _EVERY FRIDAY. Two Pence. OFFICIAL. Broadcasting Smiles! — PROGRAMMES By GEORGE GROSSMITH. for the week commencing EOPLEare pining for wireless humour. the correct mo- SUNDAY, August 23rd. Unfortunately, there is a regrettable ments ! If might = —— se dearth of radio comedians, not only if} be thought that MAIN STATIONS. this country, but also in America. Several a small audience LONDON, CARDIFF, ABERDEEN, GLAS- famous comedians have tried their hand in the ‘broad- casting studio GOW, BIRMINGHAM, MANCHESTER, at making listeners Laugh, but have acted as if they WET on the stare, lorpetting would help a BOURNEMOUTH, NEWCASTLE, BELFAST. that the ear ‘of listeners is not comple- comedian. But mented by the eye, a5 it is in a theatre. this has been HIGH-POWER STATION. Many mirth-makers on the stage rely tried and not (Daventry.) upon facial expression for fully half of their found of great success, Theyare likely to fail when they assistance, RELAY STATIONS, broaceast. ‘* = SHEFFIELD, PLYMOUTH, EDINBURGH, a i w i (an humour LIVERPOOL, LEEDS—BRADFORD, Few people appreciate the importance becommunicated Mr. GEORGE GROSSMITH. HULL, NOTTINGHAM, STOKE-ON- of the audience to a comedian. Correct by the ear alone ? TRENT, DUNDEE, SWANSEA. timing of the remarks. in a joke is often Many comedians reply with an emphatic an essential feature, and the speaker takes ‘No.” That cold-blooded microphone, SPECIAL CONTENTS. -
Fall 2007 PSF Newsletter
The Pennsylvania Shakespeare Festival Newsletter • Fall 2007 PSF Announces 2008 Season ������������� THE STUFF OF LEGENDS Lear. Cyrano. Dracula. each through its own lens illuminates this �������������������� � profound and immutable struggle, within All are literary legends that will come to and between us. life on PSF’s stages next summer. The 2008 season features Shakespeare’s piercing master- King Lear, considered one of piece King Lear and beloved comedy Twelfth Shakespeare’s greatest masterpieces, tells the ��������� Night, as previously announced. Cyrano de story of an aging king of Britain who divides � ���������������������� Bergerac and Dracula: The Journal of Jonathan his kingdom amongst his daughters, whose Harker are new to the season line-up, though betrayals, real and imagined, lead to the they have long topped a ‘short list’ of mas- destruction of family and kingdom. terworks considered by Producing Artistic Director Patrick Mulcahy and Associate While Shakespeare’s exploration of ������������� Artistic Director Dennis Razze. For the chil- human frailty juxtaposed with insatiable hun- ger for power and adulation is wrenching in � ���������������������� dren’s show, a musical adaptation of The Jungle its destructiveness, in this play, “Shakespeare’s Book has been selected. art is at its apex, exquisitely executed, unmis- The process of choosing the plays takable in its beauty,” Mulcahy says. “It is no for each season always begins with PSF’s accident this is considered one of the greatest ������ mission: to enrich, inspire, engage, and plays ever written.” entertain. Mulcahy says that along the way � ����������� to providing some great entertainment, On a different note, opening with one by Edmund Rostand the 2008 season “will explore the primal of Shakespeare’s most lyrical lines—“If music fault lines between the heart and the ego: be the food of love, play on”—Twelfth Night humanity’s innate desire for love and con- offers a vibrant counterpoint to King Lear. -
Herr Daniel Bandmann and Shakespeare Vs. the World
Journal of Global Theatre History ISSN: 2509-6990 Issue 1, Number 2, 2016, pp. 56-70 Lisa J. Warrington Herr Daniel Bandmann and Shakespeare vs. the World Abstract German actor Daniel Bandmann played his first Hamlet at the age of 20, and made his English language debut as Shylock in New York, 1863. In his prime, he performed extensively in America, Great Britain, Australia, and New Zealand, amongst other countries. Though he played roles which ranged from Narcisse and the Corsican twins to Jekyll and Hyde, he was perhaps most closely identified with a handful of Shakespearean roles: Hamlet, Shylock, Macbeth, Othello, Iago. His apparently ungovernable temper led to a love/hate relationship with the critics, played out in public through the newspapers. His responses to criticism open a window into his playing of these roles. This paper examines Bandmann’s acting in the role of Hamlet and the critical interchanges he engaged in around the world, in which he defended his playing of the role. Author Lisa Warrington is an Associate Professor in Theatre Studies at the University of Otago, Dunedin, New Zealand. Current research interests (and areas in which she has published) include Shakespeare in performance, directing, Pasifika theatre, site-specific theatre, nineteenth century New Zealand theatre history and the theatre of Aotearoa/New Zealand. She is also a professional theatre director, with many productions to her credit. She runs the Theatre Aotearoa database (http://tadb.otago.ac.nz), which provides a regularly expanded detailed archive of stage productions in New Zealand. Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Author. -
Honors Project Is an Examination of the Experience of Actors on the National Tour Of
AN EXAMINATION OF THE RUDOLPH NATIONAL TOUR by Samantha McHenry Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of Theatre Texas Christian University Fort Worth, Texas May 7th, 2018 !ii AN EXAMINATION OF THE RUDOLPH NATIONAL TOUR Project Approved: Supervising Professor: Alan Shorter, Ph.D. Department of Theatre Wendy Williams, Ph.D. Associate Professor of Professional Practice in Honors Jennifer Engler, M.F.A. Department of Theatre !iii ABSTRACT My honors project is an examination of the experience of actors on the national tour of Rudolph the Red Nosed Reindeer from two specific perspectives: an objective lens derived from tangible data and a subjective view of the experience exploring anecdotal data. My project will have two main components: 1) who I was, what I was doing, and how the tour related to the TCU experience and 2) information about the touring experience itself. Last winter I had the privilege of being cast in the National Tour of Rudolph the Red Nosed Reindeer. This experience provided an inside perspective of national touring, as well as the opportunity to live in a closed community. I thought a structured analysis of this experience would create a unique honors project. Over the course of a month and a half of this tour, I was able to collect both subjective and anecdotal data of a closed group of individuals sharing the same experiences but reacting to them differently. I was also able to experience the “Hawthorne Effect” and the “Observer Expectancy Effect,” as I myself was a part of the experimental group. -
Curriculum Vitae Eng
Curriculum Vitae Charlotta Grimfjord Cederblad - performance artist, director, actor Scroll down for film/TV, voice, education, grants and awards. Performance/theatre: 2020 •Banket for bier/Banquet for bees (immersive performance), Secret Hotel, performer, tour in Denmark •Magen i skogen/Le ventre dans la forêt (music/theatre), Dinn Dinn Bulo, author, director and choreographer, tours in Senegal and Sweden 2021 •If you look closely you will see me (solo performance), own work, performance artist, 13festivalen in Göteborg, Sweden 2019 •Det är vi som är trädgården (performance/presentation) of the art lab Mixed Minds. •If you look closely you will see me (solo performance), own work, performance artist, PAB Open festival in Bergen, Norway •Muskler, magi & magkänsla (stage performance) own work/Kurage, author, director and performer, tour in Sweden • Grant residency at the Nordic Water Color Museum in Skärhamn, Sweden •Fisken och Bintou (music/theatre), director, collaboration with Dinn Dinn Bulo, repertoire at Cinnober Teater in Göteborg, Sweden and extensive tour in Sweden •Residency in Berlin, Germany, invitation by artist Ruschka Steininger •Mixed Minds, one of seven artists in residence at the interdisciplinary art lab curated by Kultur i Väst and Art Inside Out •Residency in Denmark with Mixed Minds 2018 •Residency in Berlin, Germany with support from the Swedish Arts Grants Committee. •Slapstick och Storhetsvansinne (immersive performance), own work/Kurage, author, director, choreographer, performer, repertoire at Hagateatern in Göteborg, -
Download Download
Ludwig-Maximilians-University Munich Journal of Global Theatre History Theatrescapes Global Media and Translocal Publics (1850-1950) Editors Christopher Balme and Nic Leonhardt Volume 1, Number 2, 2016 Editorial Office Gwendolin Lehnerer Gero Toegl Editorial Board Helen Gilbert (Royal Holloway London) Gordon Winder (Munich), Derek Miller (Harvard), Kati Röttger (Amsterdam), Stanca Scholz-Cionca (Trier/Munich), Marlis Schweitzer (York University, Toronto) Roland Wenzlhuemer (Heidelberg), Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Authors. Journal of Global Theatre History Volume 1, Number 2, 2016 Table of Contents Nic Leonhardt Editorial .............................................................................................................................................III Monize Oliveira Moura Sarah Bernhardt in Brazil (1886 and 1893) ................................................................................................................................................1 Catherine Vance Yeh Experimenting with Dance Drama: Peking Opera Modernity, Kabuki Theater Reform and the Denishawn’s Tour of the Far East .............................................................................................................................................28 Johanna Dupré "Die erste Jockey-Reiterin der Welt, aus Süd-Amerika": Rosita de la Plata, Global Imaginaries and the Media .............................................................................................................................................38 -
Selected Press
Selected Press Jay Scheib Feature Articles, Reviews, and General Press Jay Scheib | [email protected] | Selected Feature Articles and Reviews The best New York theater directors - Time Out New York Time Out New York Kids Time Out Chicago Time Out Worldwide Travel Book store Subscribe to Time Out New York Subscriber Services Home Art Books Clubs Comedy Dance Film Games Gay I, New York Kids Museums Music Opera & Classical Own This City Real Estate Restaurants & Bars Sex & Dating Shopping Spas & Sport Theater Travel TV Video Tools Theater E-mail Time Out New York / Mar 25, 2009 Print New York's best Rate & comment Report an error The best New York theater directors Share this 1. Jay Scheib Mixing multimedia with deadpan-cool (and very sexy) actors, Scheib is forging new ways of seeing drama. 2. Ken Rus Schmoll Schmoll takes on more difficult playwrights, teasing out the ambiguity and menace in their words. 3. Elizabeth LeCompte As chief engineer of the Wooster Group’s postmodern tech spectacles, she has influenced a generation of experimenters. 4. Anne Kauffman She helmed two of our favorite shows in years: The Thugs and God’s Ear. Sensitive to thorny language, she makes the murky crystal clear. Cheap tickets 5. Joe Mantello Seats for a song Sure, he helmed the blockbuster Wicked, but the former actor is most at home Find great deals on working on tough drama on an intimate level. tickets. 6. Richard Foreman Guides They don’t call him the king of the avant-garde for nothing; Foreman is the auteur’s Student Guide auteur: He writes, designs, directs and even operates the sound. -
GTHJ Issue1 Number1 Theatri
Ludwig-Maximilians-University Munich Journal of Global Theatre History Theatrical Trade Routes Editors Christopher Balme and Nic Leonhardt Volume 1, Number 1, 2016 Editorial Office Gero Toegl Gwendolin Lehnerer Editorial Board Derek Miller (Harvard), Helen Gilbert (Royal Holloway London) Stanca Scholz-Cionca (Trier/Munich), Kati Röttger (Amsterdam) Marlis Schweitzer (York University, Toronto) Roland Wenzlhuemer (Heidelberg), Gordon Winder (Munich) Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Authors. Journal of Global Theatre History Volume 1, Number 1, 2016 Table of Contents Editorial III Christopher Balme and Nic Leonhardt Introduction: Theatrical Trade Routes 1 Shannon Steen Theatrical Commodity Chains and Colonial Competition 10 Derek Miller The Salve of Duty: Global Theatre at the American Border (1875-1900) 20 Christopher Balme Maurice E. Bandmann and the Beginnings of a Global Theatre Trade 34 Stanca Scholz-Cionca Japanesque Shows for Western Markets: Loïe Fuller and Japanese Theatre Tours Through Europe (1900-08) 46 Veronica Kelly Australasia: Mapping a Theatrical ‘Region’ in Peace and War 62 Maria Helena Werneck and Maria João Brilhante Art and Trade in a Postcolonial Context: In Search of the Theatre Routes Linking Brazil and Portugal (1850 – 1930) 78 Table of Contents II Journal of Global Theatre History Volume 1, Number 1, 2016 Editorial Published under the Creative Commons License CC-BY 4.0 All rights reserved by the Author. With this focus issue on ‘Theatrical Trade Routes’ the Centre for Global Theatre History at LMU Munich presents the first issue of a new online, peer-reviewed journal devoted to exploring the historical dimensions of theatre and performance from a global, transnational and transcultural perspective. -
T ALL NEW WORKS PUBLISHED in GREAT BRITAIN '' I
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The Comment, November 29, 1979
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1979 The ommeC nt, November 29, 1979 Bridgewater State College Volume 53 Number 8 Recommended Citation Bridgewater State College. (1979). The Comment, November 29, 1979. 53(8). Retrieved from: http://vc.bridgew.edu/comment/445 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Comment Vol. LnI, No.8 Bridgewater State College November 29, 1979 Nader Speaks at BSC by Doug Schorr .", Ralph Nader appeared in the Nader also spoke about food in this attitude might change if Student Union Ballroom - On general, and supermarkets in consumers asked auto dealers November 27,1979 at 7:30 pm to an particular. He said that many questions such as, "Why does a audience estimated at 500 people. supermarkets "play" with the weight tinted windshield cost more when Nader began his lecture by listed on the packages and do not you see lessT or "Why have cars speaking about automobiles--his sell nutritious food to the consumer. lost the side vent windows-did you favorite pet peeve. He stated the The solution to this is to form a large take a survey of customers to see General Motor Corporation makes group of people (1-5% of what their opinions were on the $15 million an hour, and that community) and go to super matter?" He also mentioned that research conducted by the National markets and use the numbers of consumer education should be a Safety Council cost a little Jess than your group to affect change in the mandatory part ofa student's that amount--and the research was store's policy_ If needed, you could curriculum in school. -
2012 Calendar Journal
CALENDAR JOURNAL La Tuna Estudiantina de Cayey and the Hostos Center for the Arts & Culture present A revue of Puerto Rican music. Celebrating Puerto Rican Heritage Month and the 45th Anniversaries of Hostos Comunity College and La Tuna de Cayey Sat, Nov 17, 2012 ▪ 7:30 pm Main Theater - Hostos Community College/CUNY 450 Grand Councourse at 149th St. ▪ The Bronx Admission: $15, $10 - Info & tkts: 718-518-4455 - www.hostos.cuny.edu/culturearts 2, 4, 5, Bx1, Bx19 to Grand Concourse & 149 St. Made possible, in part, with public funds from the NYC Department of Cultural Affairs in cooperation with the New York City Council. COMITÉ NOVIEMBRE WOULD LIKE TO EXTEND ITS SINCEREST GRATITUDE TO THE SPONSORS AND SUPPORTERS OF PUERTO RICAN HERITAGE MONTH 2012 THE NIELSEN CompanY CITY UNIVERSITY OF NEW YORK Municipal CREDIT UNION 1199 SEIU UNITED Federation OF TEACHERS WOLF POPPER, LLP CON EDISON Hostos COMMUNITY COLLEGE, CUNY ACACIA NETWORK INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY, INC. Colgate PALMOLIVE EL CENTRO DE ESTUDIOS PuertorriQUEÑOS HealthPRO MED LEHMAN COLLEGE, CUNY Puerto RICO CONVENTION BUREAU RAIN, INC. MEMBER AGENCIES INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY ASPIRA OF NEW YORK EL CENTRO DE ESTUDIOS PuertorriQUEÑOS EL MUSEO DEL BARRIO EL PUENTE EUGENIO MARÍA DE Hostos COMMUNITY COLLEGE/CUNY LA CASA DE LA HERENCIA Cultural PuertorriQUEÑA, INC. LA FUNDACIÓN NACIONAL para LA Cultura POPULAR LatinoJUSTICE: PRLDEF MÚSICA DE CÁMARA National CONGRESS FOR Puerto RICAN RIGHTS – JUSTICE COMMITTEE National INSTITUTE FOR Latino POLICY Puerto RICO FEDERAL Affairs Administration COMITÉ NOVIEMBRE HEADQuarters INSTITUTE FOR THE Puerto RICAN/Hispanic ELDERLY 105 East 22nd st.