Cambridge University Press 978-1-108-48789-4 — The Globalization of Theatre 1870–1930 Christopher B. Balme Index More Information Index Note: Page numbers in italic and bold refer to figures and tables, respectively. actor-manager, 2, 3, 15, 35, 47, 55, 60, ballet, 66 63, 69, 135, 137, 191, 198, 202 Bandman, Film Control, 244 family, 56, 58 Bandman, Musical Comedy Company, model, 24, 26, 44, 55, 58, 60, 245 104, 105 actor-network theory (ANT), 5, 8, 9, 11, Bandman Eastern Circuit Ltd, 3, 84 12, 21, 70, 96, 97, 164, 171, 187 Bandman Opera Company, 1, 228 Actor’s Tour, or seventy thousand miles with Bandman Varieties Ltd, 3, 84, 85 Shakespeare, An, 31 Bandmann, Circuit, 1, 7, 11, 12, 18, 50, 56, Adelphi Theatre, London, 123 58, 69, 74, 75, 90, 92, 93, 94, 96, 98, Aden, 171, 195 99, 101, 130, 134, 136, 143, 147, advance agents, 10, 18, 157, 186, 217 155, 160, 161, 163, 164, 169, 171, Advance of the Tanks, The, 239 181, 183, 185, 186, 188, 189, 193, Africa, 212 198, 203, 210, 211, 233, 245, 249 African Theatre Trust, 10, 80 Bandmann, Comedy Company, 118, Aleppo, 82, 231 153, 184 Alexandria, 19, 65, 82, 88, 91, 96, 101, Bandmann, Daniel E., 2, 13, 17, 24, 25, 103, 134, 138, 173, 231, 255 26–37, 39, 42, 45, 71, 159, 225 Alexandria Theatre, 40 Bandmann, Dramatic Company, 134 Alhambra Theatre Bandmann, Gaiety Company, 134, 142 Alexandria, 88, 91, 174, 231 Bandmann, Lily C., 17, 24, 35, 36–37, London, 74, 235 39, 43–45, 49, 63, 184 All French, 134 Bandmann, Londoners, 148 Allan, Maud, 228 Bandmann, Manxman Companies, 45, Allan Wilkie Company, 199 47, 136, 182 Allen, Sir Charles, 218 Bandmann, Musical Comedy Company, 74 All-Red Circuit, 80, 81, 147, 221 Bandmann, Opera Company, 20, 50, 68–72, Alone in London, 43 74, 85, 87, 88, 89, 101, 102, 113, Amateur Dramatic Company, 176 119, 126, 127, 128, 129, 131, 141, Amrita Bazar Patrika, The (Newspaper), 145, 146, 157, 162, 163, 171, 174, 74, 107, 160, 221 175, 182, 183, 184, 185, 195, 214, Ancien Régime, 27 229, 249 Aragoz, 101 Bandmann, Repertoire Company, Arcade Amusement Company, 100, 138 Tientsin, 212 Bandmann, Varieties Company, 173 Arcadians, The, 195 Bandmann, Varieties Ltd, 85, 146, 221, Asia, 14 244, 249 Auckland, 28 Bandmann, Variety and Asiatic Cinema Austerlitz tour, 45 Company, 79, 236 Australia, 27, 28, 30, 32, 34, 36, 42, 62, Bandmann and Charles Touring 80, 82, 90, 147, 198, 246, 256 Company, The Scamps, 180, 233 269 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48789-4 — The Globalization of Theatre 1870–1930 Christopher B. Balme Index More Information 270 Index Bandmann-Beaudet company, 30, 31, 55 Caine, Hall, 135–36 Bandmann-Palmer, Millicent, 2, 17, 24, Cairo, 1, 13–14, 18, 20, 22, 65, 77, 82, 27, 33, 35–42, 45, 53 96, 99, 101–6, 132, 134, 138, 178, Bandmann-Palmer Shakespearian 180, 203, 231, 255 Company, 39 Calcutta, 3, 12, 15, 18–19, 20, 22–23, Bandmann’s Hippodrome, Bandmann’s 31, 39, 52, 72, 74–76, 77, 79, 82, Theatre, 15, 84, 120, 200, 219, 221 85, 87, 89–91, 96, 106–8, 110, Bandmann’s New Theatre, 224 118, 119–20, 131–34, 146, 148, Bangalore, 171, 195 150, 157, 159, 166, 169–70, 175, bangsawan, 14, 112, 115 178, 180, 181, 183, 185, 190, 192, Barbados, 68 193, 197–204, 207–11, 217–23, Bardelys the Magnificent, 149 226, 227, 234, 236, 240, 242–43, Barrett, Wilson, 43–44, 46, 47, 63, 247–50, 255 135–36, 140 Canada, 30, 71, 145, 182, 190 Barrymore, John, 139 Candida, 191, 192 Batavia, Dutch East Indies, 121–25 Casino Girl, The, 69 Bataviaasch nieuwsblad Catch of the Season, The, 195 (Newspaper), 124 Ceylon, 79, 81, 132, 142, 169, 197–98, 223 Battle of the Ancre, The, 239–240 Ceylon Observer, The (Newspaper), 181 Battle of the Somme, The, 237–41 Charles, Dora Phoebe aka Dora Beaman, Justice Frank, 224, 225 Dolaro, 180 Beaudet, Louise, 30, 31, 32, 35 Charley’s Aunt, 134–35 Beech, Florence, 21, 204, 220 China, 3, 106, 116, 118, 127, 143, 149, Beirut, 82 160, 165, 168–70, 180, 189, 241 Belle of New York, The, 132, 134 Chinese Honeymoon, A, 132, 190 Bell’s Life, The (Chronicle), 36 Chocolate Soldier, The, 132 Ben Hur, 140 chorus girls, 21, 172–73, 176 Bengalee, The (Newspaper), 107 cinema, 3, 23, 62, 75, 77–79, 80, 82, 84, Benson, Frank, 89 91–92, 111, 112, 113, 115, 158, Berlin, 34 216–17, 221, 227, 230–31, 233, betweenness centrality, 6 241, 243–44, 248, 252, 255 Beyrouth, 231 Cinema Committee, 238 Bilimoria, A. J., 235 Cingalee, The, 71, 190 Biopolitics, 24–26, 54 Claudian, 43 Bioscope, The (Newspaper), 243 closeness centrality, 6 Bombay, 12, 17–20, 23, 31, Cohen, Elias Moses, 89, 153, 201 76–78, 82, 85, 87, 89, 91, Cole, Harry, 21, 122, 182 96, 108–11, 119–20, 132, Colombo, 20, 80, 81, 96, 171, 184, 195, 134–35, 147–48, 149–52, 199, 202–4, 210, 217, 255 153, 157, 159, 166, 169, colonial, 7, 10, 12, 13–15, 19, 21, 31, 54, 171–72, 178, 184, 186, 58, 66, 74, 96, 98, 101, 105–9, 191, 193, 195, 197, 199, 112–13, 115, 119, 121, 123, 124, 203, 209, 212, 217–18, 220, 131, 142, 150, 153–62, 164, 170, 221–30, 235, 241, 242, 250, 176, 178–80, 186, 194, 198, 212, 252, 255 215, 217, 220, 224, 229–45, Bombay City Improvement Trust, 108 248, 257 Bombay Gazette (Newspaper), 225 colonial bureaucracy, 22 Bouwmeester, Louis, 123 colonialism, 2, 91, 111 Bovill, C. H., 143 Come Inside, 134 Brazil, 2 comedy, 20, 31, 36, 65, 87, 108, 131, 134, Britain Prepared, 237–38, 241 135, 141–42, 158, 206, 220, 221, 245 Brough company, 108 Comic Opera Company, 178 Burlesque, 31, 41, 66 concert, 66 Burma, 132, 142, 179 contact zones, 16, 97 Burmah, 3 Cooper, Patience, 175, 247 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48789-4 — The Globalization of Theatre 1870–1930 Christopher B. Balme Index More Information Index 271 copyright, 7, 18, 21, 22, 32, 48, 57, 60, economics of touring, 85, 119, 165 66–67, 71, 87, 140, 142, 188–91, 192 Edward Theatre, Bombay, 147 Corinthian Theatre, Calcutta, 78, 107, Edwardes, George, 20, 60, 70, 71, 74, 87, 159, 247–49 89, 122, 142, 173, 176, 190, 192, Corlass, Georgie aka Georgina Major, 21, 195, 255 172, 174, 183–84, 188, 202–3 Egypt, 2, 3, 51, 65, 68, 71, 82, 101–4, Corsican Brothers, The, 28, 31, 32, 33 134, 138, 145, 169, 179, 180, 189, Count of Luxembourg, The, 134 197, 230 Country Girl, The, 71, 175 Egyptian Idol, The, 45, 47, 48 Court Theatre of New Strelitz, 27 Elder, Dempster and Company, 68 Courtneidge, Robert, 127 Ellis, Fred, 190 Coyne, Fred, 202, 209 Elphinstone Bioscope Company, 78, 235, Crook, J. R., 52, 230–31, 233 236 Elphinstone Picture Palace, 78 Daily Chronicle, The (Newspaper), 157 Empire, The (Newspaper), 219 Daily Gazette (Newspaper), 158 Empire Theatre Daily Malta Chronicle, The (Newspaper), Bombay, 87, 108, 120 99–101 Cairo, 82, 231 Dalbagni, Augusto, 18, 82, 83, 103, 104, 106 Calcutta, 18, 23, 39, 52, 76, 77, 79, 85, Dallas, Henry, 21, 70–74, 76, 92, 136, 88, 118, 120, 146, 181, 200, 217, 141, 146, 167, 190 218, 220, 221, 222, 226, 227, 228, Dallas and Bandmann Opera Company 235, 244, 246–49 aka Bandmann and Dallas Opera Malta, 101 Company, 71, 72 English Comedy Company, 2, 99 Dallas Company, 72 Entrepôt, 19, 96–99, 115–16, 130, 160 Dallas Musical Comedy Company, 70 Era, The (Magazine), 1, 37, 44, 45, 64, Damascus, 82, 231 68, 81, 138, 146, 220, 231 David Garrick, 65 errant theatre controversy, 111 Davis, Tracy C., 90, 152, 255 ethnography, 9–10, 164, 165 Dead or Alive, 29 ethnomethodology, 9 degree centrality, 6, 247 Europe, 14 Delhi, 242 Evans, Gertrude, 45, 48 Delicate Ground, 36 Evans, Percy aka Percy Mortimer, 48 demographics, 14 Excelsior Cinematograph Syndicate, 78 Denny, Reginald, 249 Excelsior Theatre, Bombay, 229, 235, divorce, 17, 33, 35, 45, 48–51, 54, 242 136, 180 extraterritoriality, 188, 215 divorce plays, 140 drama, 20, 34, 40, 47, 62, 74, 102, 107, Far East, 24, 74, 82, 88–89, 96, 108, 118, 117, 127, 129, 131, 141, 158, 159, 120, 132, 142, 147, 149, 163, 165, 177, 198, 203, 225, 236, 251 179, 182, 191, 192, 197, 198, 203, Duchess of Dantzic, The, 71 220, 223, 237 Duke of York’s Theatre, 148 Far East, The (Newspaper), 129 Duse, Eleonora, 246 Faraday, Michael George, 206–7 Dutch East Indies, 14, 116, 121–22, 151, farce, 41, 135, 145, 148, 177 160, 189 Faust, 28 the First World War, 4, 15, 24, 44, 77, Earl and the Girl, The, 123, 126 79, 82, 87, 91, 101–4, 115, 132, East Lynne, 40, 134, 182 141, 145, 146, 150, 173, 181, 242, Eccentric Club, London, 54 249–50 economic model, 54 Florodora, 123, 190 economic networks, 17, 59 Forman, Colonel R. H., 224 economic sociology, 5, 24 Forsythe, Blanche, 66–68, 182, 183 economics, 4, 17, 23, 35, 54, 59, 64, 90, Foucault, Michel, 111 92–95, 96–97, 130 foundation-stone ceremony, 20, 223 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-48789-4 — The Globalization of Theatre 1870–1930 Christopher B.