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National Architecture Award Winners 1981 – 2019
NATIONAL ARCHITECTURE AWARDS WINNERS 1981 - 2019 AUSTRALIAN INSTITUTE OF ARCHITECTS NATIONAL ARCHITECTURE AWARD WINNERS 1 of 81 2019 NATIONAL ARCHITECTURE AWARDS COLORBOND® Award for Steel Architecture Yagan Square (WA) The COLORBOND® Award for Steel Architecture Lyons in collaboration with Iredale Pedersen Hook and landscape architects ASPECT Studios COMMERCIAL ARCHITECTURE Dangrove (NSW) The Harry Seidler Award for Commercial Architecture Tzannes Paramount House Hotel (NSW) National Award for Commercial Architecture Breathe Architecture Private Women’s Club (VIC) National Award for Commercial Architecture Kerstin Thompson Architects EDUCATIONAL ARCHITECTURE Our Lady of the Assumption Catholic Primary School (NSW) The Daryl Jackson Award for Educational Architecture BVN Braemar College Stage 1, Middle School National Award for Educational Architecture Hayball Adelaide Botanic High School (SA) National Commendation for Educational Architecture Cox Architecture and DesignInc QUT Creative Industries Precinct 2 (QLD) National Commendation for Educational Architecture KIRK and HASSELL (Architects in Association) ENDURING ARCHITECTURE Sails in the Desert (NT) National Award for Enduring Architecture Cox Architecture HERITAGE Premier Mill Hotel (WA) The Lachlan Macquarie Award for Heritage Spaceagency architects Paramount House Hotel (NSW) National Award for Heritage Breathe Architecture Flinders Street Station Façade Strengthening & Conservation National Commendation for Heritage (VIC) Lovell Chen Sacred Heart Building Abbotsford Convent Foundation -
Company Profile Education
COMPANY PROFILE EDUCATION Marshall Day Acoustics - Education 1 WHO IS MARSHALL DAY ACOUSTICS? Marshall Day Acoustics is one of the world’s leading firms of acoustic consultants, providing the highest standard of architectural and environmental acoustic consulting to our clients. For over 30 years, we have been providing innovative acoustic designs on major projects in over 15 countries and employ over 85 professional staff in offices in Australia, New Zealand, China, Hong Kong, and France. As one of the largest acoustic engineering firms worldwide, we are able to provide our clients with the greatest range and depth of experience and expertise available. Our strength in acoustic design comes from the diversity of our team members who have been drawn from engineering, architectural, musical and academic backgrounds, with one common focus; to provide innovative acoustic designs of the highest standard. From concert halls to wind farms and everything in between, we have experts in every field of acoustics who have the specialist knowledge required to deliver quality project outcomes. “I regard the acoustic designs of Marshall Day Acoustics to be amongst the finest and probably the most innovative in the world” Dr Anders Gade, Associate Professor Technical University of Denmark Marshall Day Acoustics - Education 3 A COLLABORATIVE APPROACH We have a collaborative approach to design and work as part of an integrated team with the client, architect and other consultants. We do not specify acoustic performance that “must” be achieved but instead we work with the project team to develop acoustic criteria and treatment that meets the desired project outcomes, whatever they may be. -
James Birrell Archive
James Birrell Archive Award-winning Australian architect James Birrell, born in Melbourne in 1928, grew up in Airport West and attended Essendon State High School. Graduating with a Bachelor of Architecture from Melbourne University in 1951, he moved to Queensland in 1955 and was appointed staff architect to the University of Queensland in 1961. Birrell assisted in the Stephenson Plan development for James Cook University’s Townsville Campus (see James Cook University Site Plans Archive). He was responsible for the design of University Hall, Humanities II and the first stage of the Townsville campus library (officially named the Eddie Koiki Mabo Library on 21 May 2008). He was also responsible for a number of important Brisbane buildings including the Wickham Terrace car park, the Centenary Pool complex and the J. D. Story Building at the University of Queensland. James Birrell's distinguished career as an architect and town planner was recognised by the Royal Australian Institute of Architects in 2005 when he was awarded the prestigious RAIA Gold Medal. Birrell admired the work of Walter Burley Griffin and wrote a biography of him in 1964. The collection consists of: photographs; building plans; exhibition material; the RAIA 2005 Gold Medal Winner booklet; two CDs containing PowerPoint presentations to accompany addresses given by Birrell in Townsville and Cairns in 2005; and a third CD of photographs of JCU Townsville campus buildings taken when Birrell visited on 29 August 2005. Archive Location: 404M, Mabo Library Reading Room Plan Cabinet Drawers 10 and 11. BIR/1 (CD) The RAIA presents James Birrell LFRAIA: the Townsville Years. -
A Search for Understanding: the Architecture of R.J. Ferguson
A Search for Understanding: The Architecture of R.J. Ferguson. Andrew Marshall Murray ORCID: 0000-0002-6199-8666 Submitted in total fulfilment of the requirements for the degree of: Master of Philosophy January 2018 Melbourne School of Design. Faculty of Architecture, Building and Planning. The University of Melbourne 1 Abstract. This thesis is an historical study examining the work of Western Australian architect Ronald Jack (Gus) Ferguson (1931-). It argues that the regional practice of R.J Ferguson was one developed out of a global postwar “anxiety” over the role of architecture in a rapidly changing world, and is the result of a complex interplay of geo-political factors specific to Western Australia. Following an extensive tour of Africa, Europe and Asia between 1957 and 1960, Ferguson set out on what he termed a “search for architectural understanding”: seeking out lessons and principles drawn from a variety of traditional architectural practices as a way to mediate this anxiety. Motivated by Perth’s geographic isolation, Ferguson’s search involved extensive travel, research and application, resulting in a practice that relied on evolving relationships between regional and global traditions. Through an exploration of Ferguson’s work between 1960 and 1975, this study contributes to a better understanding of the conditions which directly affected his practice, including geography, harsh climatic conditions, an active local discourse, and the pragmatics of construction. The thesis explores three key campus projects: the Hale School Memorial Hall (1961); The University of Western Australia campus buildings, including the Law School (1967), the Sports Centre (1970), and the Student Guild (1972); and Murdoch University, Stage One (1975). -
No Mean Plans
NO MEAN PLANS Designing the Great Court at the University of Queensland by John W. East 2014 © John W. East The author would like to express his gratitude for much information and assistance provided by Bruce Ibsen (University of Queensland Archivist) and all the staff of the Fryer Library at the University of Queensland. CONTENTS 1. Introduction . 1 2. Prelude . 4 3. Jack F. Hennessy, Architect of the Great Court . 20 4. The First Phase (1936-1942) . 37 5. Post-War (1945-1960) . 64 6. The 1960s . 94 7. The 1970s . 119 8. The 1980s . 135 9. The 1990s . 140 10. 2000-2010 . 147 11. Afterword . 153 1. INTRODUCTION Whoever has the honour to be entrusted with the architecture of St. Lucia … must make no mean plans, for mean plans have no magic to stir any man's blood, or awaken inspiration in anyone, and the University should be an inspiration to her students. (J.J.C. Bradfield, June 22, 1936)1 The University of Queensland is blessed with perhaps the most attractive university campus in Australia. Nestled in a pocket of the Brisbane River at St Lucia, a leafy western suburb of Brisbane, it stands about five kilometres by road from the centre of the city, but is best approached by water, on one of the high-speed ferries which skim up-river from the central business district. The wide, meandering river surrounds the campus on three sides. Normally a placid, tidal waterway, it floods severely about once in a generation. This fact of nature has preserved the lower-lying parts of the campus from development, and the riverside areas are used mainly for sporting ovals and other recreational pursuits, creating a green girdle around much of the university. -
Alastair Hall Swayn 1944–2016 Alastair Swayn, Who Died on 4
Alastair Hall Swayn 1944–2016 Alastair Swayn, who died on 4 August 2016 of brain cancer, left his distinctive mark on Australia’s national capital, Canberra, through his many striking and innovative public and private buildings designed in his role as director of Daryl Jackson Alastair Swayn Architects. As the inaugural Australian Capital Territory Government Architect, Alastair ensured that design and contemporary thinking was at the fore of decision-making in creating Canberra as a small ‘new world city’. As Professorial fellow in Architecture of the University of Canberra he was widely recognised as a distinguished teacher and mentor. The boldness and imaginativeness of his vision are reflected in some of the city’s most distinctive buildings such as the Brindabella Business Park, the Centre for Arab and Islamic Studies at the Australian National University, the Singapore High Commission, and many others. Alastair Hall Swayn was born on 8 December 1944 in the small Scottish coal mining port of Methil in Fife. With its industrial maritime feel, the town marked the start of Alastair’s lifelong love of ships and industrial architecture. In 1948 Alastair and his parents moved to Liverpool, where his father, Frank, managed the British Cunard Line’s laundry service. As a young boy, Alastair would accompany him aboard some of the line’s famous ships such as the Mauretania and Caroni. The Art Deco interiors of these and other luxury liners inspired an abiding interest in the form. At Merchant Taylors, Alastair showed a flair for architectural drawing, and he went on to study architecture at Liverpool Polytech. -
Break out Your Black Turtle Neck Jumper: It’S Time to Talk About Design
Break out your black turtle neck jumper: it’s time to talk about design ADAM DAVIES, PRINCIPAL 19 September 2017 Some people think design means how it looks. But of course, if you dig “deeper, it’s really how it works. - Steve Jobs, former CEO, Apple For places to be well-used and well-loved, they must be safe, comfortable, varied and attractive. They also need to be distinctive and offer variety, choice and fun - Urban “Design Compendium Randwick Health and Education Super Precinct Positioning Strategy, HASSELL, 2016, Sydney UK Design Renaissance 1999 The majority of new developments remain poorly designed, with public realm and buildings of low“ quality… too many housing projects… lack the core social and commercial institutions that sustain urban life and a sense of place and beauty… The Urban Renaissance Task Force, 1999. CABE COMMISSION FOR ARCHITECTURE AND THE BUILT ENVIRONMENT CABE DESIGN VALUE EXCHANGE VALUE IMAGE VALUE > Book value > Brand awareness > Return on capital > Prestige > Rental Yield > Identity > Design excellence > Public relations SOCIAL VALUE ENVIRONMENTAL > Place making > Sense of community TYPES OF > Environmental impact > Civic pride VALUE > Whole-life-value > Neighbourly behaviour > Ecological footprint > Safety and security > Inclusiveness USER VALUE CULTURAL VALUE > User satisfaction > Contribution the city and society > Teamwork > Relationship to location and context > Productivity > Symbolism > Profitability > Inspiration > Retail footfall > Aesthetics > Educational attainment Design value RETURN ON INVESTMENT -
The Art of the Brick Reviewed
Internasionaal • International Derham Groves The art of the brick Reviewed Abstract To celebrate Australia’s strong tradition of brick architecture, as well as the largely unsung art of bricklaying, Australian architect and curator, Derham Groves, organized two complementary public exhibitions of full-scale brick structures designed by various architects and artists. The results were an intriguing mixture of art and the everyday, as Groves describes in the following article. Keywords: Bricks, architecture, bricklaying Abstrak Derham Groves, die Australiese argitek en kurator het twee openbare uitstal- lings oor volskaalse steen strukture wat deur verskeie argitekte en kunstenaars ontwerp is, georganiseer om die sterk Australiese tradisie van steen argitektuur asook die kuns van messelwerk te vier. Die resultaat was ’n intrigiese mengsel van kuns en die alledaagse soos wat deur Groves in die volgende artikel beskryf word. Sleutelwoorde: Stene, argitektuur, messelwerk Dr. Derham Groves is a Senior Lecturer in Architecture at the University of Melbourne, Australia. 71 Acta Structilia 2004:11(1&2) 1. The Ubiquitous Brick ricks are part of everyday life. They are the fabric of countless buildings – everything from cathedrals to privies. They also hold Bopen doors, support drawing boards and prevent cars from rolling down hill. Before the advent of the half-flush toilet, two bricks placed inside the cistern worked very nicely. Children contentedly play for hours with toy bricks, constructing imaginary worlds on the living-room floor. Significantly, one of the first lessons we learn as children is that a brick house is far superior to one built of either straw or wood. In the popular nursery tale, “The Three Little Pigs”, bricks not only represent durability and strength, but also security and wisdom. -
Australian National University Acton Campus — Site Inventory
Australian National University Acton Campus — Site Inventory Study Item/ Area School of Music Acton Campus Precinct BALDESSIN Precinct Building Nos. & Names 100 (Canberra School of Music), 121 (Peter Karmel Building), 105B (National Institute of the Arts (NITA) (Administration), 123 (Section 16/28, Canberra City) Figure 1: Location of study area within the ANU Acton Campus site. Heritage Ranking School of Music—High—Meets the criteria for Commonwealth Heritage List Peter Karmel Building—Neutral—Does not meet criteria for Commonwealth Heritage List Heritage Listing The School of Music is listed on the Commonwealth Heritage List (CHL). Condition—Date The condition noted here is at December 2011. The extant buildings and trees of the Canberra School of Music continue to be well maintained for academic study and research and are in good condition. Relevant Documentation A (draft) Heritage Management Plan was prepared for the School of Music in 2010 by the ANU Heritage Office. 1 ANU Acton Campus — Site Inventory — School of Music (100, 121, 105b & 123) Australian National University Acton Campus — Site Inventory Context of the Buildings Figure 2: Canberra School of Music in its setting of the Baldessin Figure 3: Canberra School of Music in its setting off Childers Street near Precinct. the School of Art (Building 105). Brief Historical Overview The idea for a school or Conservatorium of Music for Canberra can be traced back to the foundation years of the city. In March 1926 the Secretary of the Federal Capital Commission (FCC) CS Daley wrote to Dr WA Orchard, then Director of the NSW State Conservatorium of Music. -
Sub-Tropical Modernism, Featurism and Building Innovation: the Institu- Tional Projects of Stephen Trotter and James Birrell
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Lindquist, Marissa& Sanders, Paul (2019) Sub-tropical modernism, featurism and building innovation: The institu- tional projects of Stephen Trotter and James Birrell. In Musgrave, Elizabeth, Guedes, Pedro, & Rann, Lara (Eds.) Urban Tropi- cality:Proceedings of the 7th International Network of Tropical Architecture (iNTA). The University of Queensland, Brisbane, Australia, pp. 259-278. This file was downloaded from: https://eprints.qut.edu.au/133930/ c The authors This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Creative Commons: Attribution-Noncommercial 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. -
Drawing Out: Weave and the Environment in the Work of James Birrell and Walter Burley Griffin
Drawing Out: Weave and the Environment in the biography of Walter Burley Griffin will be analysed through work of James Birrell and Walter Burley Griffin drawings and literature review to establish Griffin’s influence on Birrell’s planning in relation to surrounding landscape and Rachael McCall - November 2012 material selection. Don Watson argues Birrell’s study of Griffin began whilst he was a student1 and is evidenced in 2 Preamble Birrell’s 1953 article Current Building in Canberra . This study of Griffin, leads to analysis of Frank Lloyd Wright’s ‘textile 3 The Drawing Out research seminars have discussed using tectonic’ and Birrell’s work at the three scales; conceptual abstract and conceptual drawing and redrawing as a method weave, campus weave and crafted weave. of researching and revealing intrinsic architectural elements 4 and ideas in constructing architectural space. Questions In the polemic text, The Four Elements of Architecture, have been raised that query how research can be developed Semper celebrates the intrinsic nature of making and craft in and posed in architectural practice and within the practice of architecture. Of the four elements; roof, ground, enclosure design, rather than rhetorically lying in the field of theory and and hearth, the enclosure or wall, seemingly the most criticism of architecture. This discussion has lead to neglected element is chosen for further investigation. In conclusions that review of secondary source literature and Semper’s theory the wall is the moderator of the 5 drawings can lead to a closed and cyclical argument that environment . Semper sees the wall as implicitly linked to the tends not to reach or feed design practice. -
UQ Centenary Map: Improvement Around and Between Buildings
1910-1949 committee’s desires for the campus these words were well chosen. Effectively the architects had Smith building (administration, arts and law), the first two stories of the Duhlg library, and the Steele 1970 1980 architecture could contribute positive outdoor spaces to the campus, enhancing the relationship founding Hennessy Hennessy & Co plan. New thinking was required in facing up to a looming problem. NOTES dispensed with the strict quadrangle form favoured by the committee and replaced It with a grander building (chemistry) were the only buildings whose construction was completed at the opening. Two between buildings, their users and the campus landscape, The first project was the Therapies and The university sought further sites to develop on a campus that was already seen as filling up with 1 Pay! Venable Turner, Campus: An American Planning Tradition (Cambridge. Mass.: MIT Press, 1984). 167 \ 2 Malcolm CREATING THE GREAT COURT: The architectural and urban centerpiece of the St Lucia Campus - By the end of the 1960s, the perceived lack of space and the Increasing amount of vehicle traffic Through the 1980s the numbers of students attending university steadily grew and UQ continued its I Thornis, A Place of Light & Learning; The University of Queensland's First Seventy-Five Years (St. Lucia: University of Anatomy Building Stage 3. What might seem a relatively modest proposal today was actually a buildings. How could the university effectively plan for the development of its land without adversely UQ’s famous Great Court - clearly defines the University as a place. Its enclosing space makes a more open space.