T P Es '%'Ye I Fy2s El Ev Ence
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. -
Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING
InfoMail Nr. 730: JOHN LENNON LPs und CDs: ORIGINAL MASTER RECORDING Donnerstag, 29. November 2007 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES Fan, heute informieren wir Dich ueber JOHN LENNON-Alben, die als ORIGINAL MASTER RECORDING-LPs und CDs erschienen sind: ORIGINAL MASTER RECORDING LP LIVE PEACE IN TORONTO. MFSL 1-283 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD LIVE PEACE IN TORONTO. UDCD 763 Stereo, EMI. 34,90 Euro 13. SEPTEMBER 1969: VARSITY STADIUM, TORONTO, CANADA: THE PLASTIC ONO BAND: Blue Suede Shoes (live); Money (That's What I Want) (live); Dizzy Miss Lizzie (live); Yer Blues (live); Cold Turkey (live); Give Peace A Chance (live). / Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow) (live); John John (Let's Hope For Peace) (live). ORIGINAL MASTER RECORDING LP JOHN LENNON – PLASTIC ONO BAND. MFSL 1-280 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD JOHN LENNON – PLASTIC ONO BAND. UDCD 760 Stereo, EMI. 34,90 Euro Mother; Hold On (John); I Foud Out; Working Class Hero; Isolation (2:48). / Remember (4:29); Love (3:17); Well Well Well (5:52); Look At Me (2:49); God (4:04); My Mummy's Dead (0:48); Power To The People; Do The Oz. ORIGINAL MASTER RECORDING LP IMAGINE. MFSL 1-277 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD IMAGINE. UDCD 759 Stereo, EMI. 34,90 Euro Imagine; Crippled Inside; Jealous Guy; It’s So Hard; I Don’t Want To Be A Soldier. / Give Me Some Truth; Oh My Love; How Do You Sleep?; How ?; Oh Yoko. -
Eric Clapton
ERIC CLAPTON ERIC TRACK LISTING Blues all day long “The Mississippi Delta” StandingStanding aroundaround cryingcrying “The giants” Forty-four It hurts me too “So much emotion” Early in the morning “Like breaking glass” Five long years THE BLUES BUT NOTHING Crossroads “The black James Dean” Malted milk “Chop the cotton” Motherless child How long “Shuffl es” Reconsider baby In late November 1994, movie director and blues music fan Martin Scorcese fi lmed a Sinner’s prayer documentary on guitarist Eric Clapton, who was touring the United States with his “Vibrato” “Nothing but the blues” show. Scorcese recorded interviews with the musician on why the blues genre had infl uenced him so much, as well as two complete shows from the tour Everyday I have the blues at The Fillmore in San Francisco. Someday after a while “Make it sing like a voice” The results of Scorcese’s work were aired once on PBS television stations in the United States, but have never been seen since. Until now. Now on DVD, with visuals taken from Have you ever loved a woman a rare Warner Music promotional video and remastered concert sound from the original Tore down pre-FM master tapes, this fi lm provides a lasting chronicle of one of Clapton’s most “A more vibrant tone” critically-acclaimed tours. Groaning the blues MARTIN SCORCESE PRESENTS A WARNER BROS MUSIC/REPRISE PRODUCTION “I always come back” ERIC CLAPTON “NOTHING BUT THE BLUES” Ain’t nobody’s business ERIC CLAPTON, ANDY FAIRWEATHER-LOW, CHRIS STAINTON, DAVE BRONZE, JERRY PORTNOY, ANDY NEWMARK, Driftin’ SIMON CLARKE, TIM SANDERS & RODDY LORIMER WITH JIMMY ROGERS, BUDDY GUY & BB KING LIVE RECORDING TOUR PRODUCTION TOUR GUITAR SUPERVISION RUSS TITELMAN MANAGER MICK DOUBLE CO -ORDINATION PETER JACKSON TECHNICIAN LEE DICKSON WRITING & EXECUTIVE PRODUC TION STEPHEN “SCOOTER” WEINTRAUB PRODUCER MARTIN SCORCESE DVD MENUS DOLBY 2.0 DVD COVER Running time 1h 46m & AUTHORING GEETARZ, BUTTON PRODUCTIONS REMASTER ING JOEY JAY ARTWORK BLACK MOUSE ERIC CLAPTON NOTHING BUT THE BLUES A FILM BY MARTIN SCORCESE. -
Apple Label Discography
Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD. -
The Accent of John Lennon 5: British and American Pronunciation in the Songs
1 The Accent of John Lennon 5: British and American pronunciation in the songs Shinji Sato 1.1 Introduction British rock singers seem to use a certain amount of American pronunciation in their songs. Considering the fact that a style of music called ‘rock’n’roll’ is said to have been originated in the United States in the nineteen fi fties, it is not surprising that British youngsters who listened to it were infl uenced in their style of singing. However, this phenomenon seems to be limited to a certain number of phonemes and lexical items. This study aims to investigate this issue in detail, using the songs of John Lennon as its material. 1.2 RP, GA and Liverpool accent John Lennon’s native accent is that of Liverpool, and there are some differences from the British standard accent sometimes referred to as Received Pronunciation( RP), and similarities to the accent called General American( GA). Some of the main diff erences and similarities are shown below. 2 Table 1 RP, GA and Liverpool accent Liverpool RP GA examples accent LOT vowel / 㷜 / / ɑ: / / 㷜 / got, not, want, what BATH vowel(1) / ɑ: / / æ / / æ / dance, laugh, path BATH vowel(2) / ɑ: / / æ / / ɑ: / can't, part, bar STRUT vowel / ʌ / / ʌ / / 㷚 / love, sun, come rhoticity non-rhotic rhotic non-rhotic hard, girl, more, there intervocalic /t/[ t ] [ 㶵 (] tap)[ 㶵 ]( tap) better, getting, let it Note: LOT, BATH, and STRUT represent the keywords used by Wells(1982) . See Watt, Trudgill & Hughes(2013) for diff erent sets of words belonging to BATH vowel. -
Mexico 45 John
APPLE 6538 - GIVE PEACE A CHANCE / REMEMBER LOVE Plastic Ono Band on right Apple rotated 90⁰ Plastic Ono Band on left Apple rotated 90⁰ Prod. JOHN Y YOKO on left Prod. JOHN Y YOKO on right APPLE 6599 - COLD TURKEY / DON'T WORRY KYOKO (MUMMY'S ONLY LOOKING FOR A HAND IN THE SNOW) APPLE 6657 - INSTANT KARMA ! / WHO HAS SEEN THE WIND ? TOQUESE FUERTE print on bottom right TOQUESE FUERTE print on left APPLE 6824 - MOTHER / WHY M in MOTHER starts over M in No wording around stem on -Madre- B-side, promo stamp M in MOTHER starts before M No wording around stem on Dark green Apple labels With wording around in -Madre- B-side, promo stamp stem on B-side Light green Apple labels With wording around stem on B-side APPLE 6869 - POWER TO THE PEOPLE / TOUCH ME Promo stamp, B in BMI. starts under o in Ono M. Inc. B in BMI. starts under M. in Ono M. Inc. APPLE 7000 - IMAGINE / IT'S SO HARD With print Del L.P. SLEM-309 No wording around Imagine stem on B-side With print Del L.P. SLEM-309 With wording around With print Del L.P. SLEM-309 With wording around Imagine stem on B-side, No spacing Imagine stem on B-side, with spacing between Records and It's So between Records and It's So Hard Hard, A in APPLE starts under g in Inglaterra With print Del L.P. SLEM-309 With wording around Without print Del L.P. SLEM-309 Imagine stem on B-side, with spacing Imagine between Records and It's So Hard, A in APPLE starts under a in Inglaterra APPLE 7049 - HAPPY XMAS (WAR IS OVER) / LISTEN, THE SNOW IS FALLING Without credits to the right side With credits to the right side of of the cover the cover Records starts to the Records starts to the right of Apple, M. -
Brazil 45 John
APPLE 7-BT-24 GIVE PEACE A CHANCE / REMEMBER LOVE Small space under 1969 Large space under 1969 APPLE 31C006-90372M - GIVE PEACE A CHANCE / REMEMBER LOVE APPLE 7-BT-29 - COLD TURKEY / DON'T WORRY KYOKO (MUMMY'S ONLY LOOKING FOR A HAND IN THE SNOW) APPLE 31C006-90719M - COLD TURKEY / DON'T WORRY KYOKO (MUMMY'S ONLY LOOKING FOR A HAND IN THE SNOW) Brown Apple stalk Red Apple stalk APPLE 7BT-32 - INSTANT KARMA ! / WHO HAS SEEN THE WIND ? Apple wording starts under P in Play Loud, handwritten perimeter Apple wording starts under L in Printed perimeter Play Loud, handwritten perimeter APPLE 7-BT-44 - MOTHER / WHY ? With print "Lado 1/Lado 2" No print "Lado 1/Lado 2" Printed perimeter APPLE 31C006-04727Y - MOTHER / WHY ? Unboxed C.G.C. code in perimeter Boxed C.G.C. code in perimeter APPLE 7-BT-51 - POWER TO THE PEOPLE / OPEN YOUR BOX Handwritten perimeter Printed perimeter APPLE 7-BT-60 - IMAGINE / IT'S SO HARD Small 1972 print Tall 1972 print APPLE 31C006-04940Y - IMAGINE / IT'S SO HARD Unboxed C.G.C. code in perimeter Boxed C.G.C. code in perimeter APPLE 7BT-64 - HAPPY XMAS (WAR IS OVER) / LISTEN, THE SNOW IS FALLING Handwritten perimeter Printed perimeter APPLE 31C006-05183Y - HAPPY XMAS (WAR IS OVER) / LISTEN, THE SNOW IS FALLING Apple labels, C.G.C. code in perimeter unboxed Boxed C.G.C. code in perimeter Morphing faces labels, large pressing ring on A-side Morphing faces labels, small pressing ring on A-side APPLE 31C062-105183Z - HAPPY XMAS (WAR IS OVER) / LISTEN THE SNOW IS FALLING (12") APPLE S7BT-66 - WOMAN IS THE NIGGER OF THE WORLD/ SISTERS O SISTERS APPLE S7BT-72 - MIND GAMES / MEAT CITY APPLE 31C006-05494Y - MIND GAMES / MEAT CITY APPLE S7BT-77 - WHATEVER GETS YOU THRU' THE NIGHT / BEEF JERKY APPLE 31C006-05731Y - WHATEVER GETS YOU THRU' THE NIGHT / BEEF JERKY APPLE S7BT-81 - NUMBER 9 DREAM / WHAT YOU GOT APPLE 31C006-05776Y - NUMBER 9 DREAM / WHAT YOU GOT APPLE S7BT-83 - STAND BY ME / MOVE OVER MS. -
Přírůstkový Seznam
Blues & Blues Rock, Modern Electric Blues, Acoustic Blues ~60' ~ 00' ... 32 110 CD Allison, Bernard In the mix 10. léta 21. stol. 23 397 CD Allison, Luther Pay it forward : Luther Allison and friends Marla Glen, Joanna Connor 80. -90.léta 20. stol 32 711 CD Allman, Devon Ragged & dirty 10. léta 21. stol. Eric Clapton, James Cotton, Lonnie Donegan, Keith Memories of my trip Emerson, Rory Gallagher, Jeff Healey, Mark Knopfler, 50. -90. léta 20. stol., 31 758 CD 2 Barber, Chris (dále viz jazz) : blues, jazz & gospel Van Morrison, John Slaughter, Brownie McGhee, Sonny 10. léta 21. stol. Terry, Muddy Waters 32 356 CD Barnes, Mahalia Ooh Yea! The Betty Davis songbook Joe Bonamassa 10. léta 21. stol. 22 003 CD BBM (G.Baker, J.Bruce, G.Moore) Around the next dream Ginger Baker, Jack Bruce, Gary Moore 90. léta 20. stol. Debbie Davies, Kenny Neal, Bruce Katz, Rod Carey, CD 90. léta 20. stol. 22 033 Benoit / Davies / Neal Homesick for the road Per Hanson, Raful Neal 30 458 CD Benoit, Tab Power of the pontchartrain 10. léta 21. stol. 30 332 CD Bibb, Eric Booker's guitar 10. léta 21. stol. 30 333 CD Bibb, Eric Deeper in the well 10. léta 21. stol. 30 421 CD Bibb, Eric Diamond days 10. léta 21. stol. 28 144 CD Bibb, Eric Friends Taj Mahal, Odetta, Guy Davis 10. léta 21. stol. 23 410 CD Bibb, Eric Painting signs Wilson Pickett, Linda Tillery, Elouise Burrell, Dave Bronze 10. léta 21. stol. 30 459 CD Bibb, Eric Sisters & brothers 10. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 -
KLOS BWTB Jan. 19Th 2014
1 PLAYLIST JANUARY 19TH 2014 BROADCAST LIVE FROM THE KOBE STEAKHOUSE SEAL BEACH, CA 1 2 9AM The Beatles - Magical Mystery Tour - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocals: Paul and John When Paul McCartney was in the U.S. in early April 1967 he came up with the idea for a Beatles television film about a mystery tour on a bus. During the April 11 flight back home he began writing lyrics for the title song and sketching out some ideas for the film. Upon his arrival in London, Paul pitched his idea to Brian Epstein who happily approved. Paul then met with John to go over the details and the two began work on the film’s title track. The title track was written primarily by Paul but was not finished when McCartney brought the song in to be recorded on April 25, 1967. John helped with 2 3 the missing pieces during the session. The Beatles - The Fool On The Hill - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocal: Paul Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. A more proper recording would take place September 25. On the 25th three takes of the basic rhythm track were recorded, including harmonicas played by John and George. Paul first brought the song to John’s attention in mid-March while the two were working on the lyrics for “With A Little Help From My Friends.” John said to write down the lyrics so he wouldn’t forget them.