Mexico 45 John

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Mexico 45 John APPLE 6538 - GIVE PEACE A CHANCE / REMEMBER LOVE Plastic Ono Band on right Apple rotated 90⁰ Plastic Ono Band on left Apple rotated 90⁰ Prod. JOHN Y YOKO on left Prod. JOHN Y YOKO on right APPLE 6599 - COLD TURKEY / DON'T WORRY KYOKO (MUMMY'S ONLY LOOKING FOR A HAND IN THE SNOW) APPLE 6657 - INSTANT KARMA ! / WHO HAS SEEN THE WIND ? TOQUESE FUERTE print on bottom right TOQUESE FUERTE print on left APPLE 6824 - MOTHER / WHY M in MOTHER starts over M in No wording around stem on -Madre- B-side, promo stamp M in MOTHER starts before M No wording around stem on Dark green Apple labels With wording around in -Madre- B-side, promo stamp stem on B-side Light green Apple labels With wording around stem on B-side APPLE 6869 - POWER TO THE PEOPLE / TOUCH ME Promo stamp, B in BMI. starts under o in Ono M. Inc. B in BMI. starts under M. in Ono M. Inc. APPLE 7000 - IMAGINE / IT'S SO HARD With print Del L.P. SLEM-309 No wording around Imagine stem on B-side With print Del L.P. SLEM-309 With wording around With print Del L.P. SLEM-309 With wording around Imagine stem on B-side, No spacing Imagine stem on B-side, with spacing between Records and It's So between Records and It's So Hard Hard, A in APPLE starts under g in Inglaterra With print Del L.P. SLEM-309 With wording around Without print Del L.P. SLEM-309 Imagine stem on B-side, with spacing Imagine between Records and It's So Hard, A in APPLE starts under a in Inglaterra APPLE 7049 - HAPPY XMAS (WAR IS OVER) / LISTEN, THE SNOW IS FALLING Without credits to the right side With credits to the right side of of the cover the cover Records starts to the Records starts to the right of Apple, M. in O.M.I. right of Apple, M. in O.M.I. starts after L in Lado starts before L in Lado Records starts to the Sliced Apple on A-side left of Apple APPLE 7137 - WOMAN IS THE NIGGER OF THE WORLD / SISTERS O SISTERS Cover with orange bar B&W cover T in The starts over G in T in The starts after G in Gramophone Gramophone APPLE 7468 - MIND GAMES / MEAT CITY Promo stamp APPLE 7636 - WHATEVER GETS YOU THRU THE NIGHT / BEEF JERKY Prod. starts after 3 in 3:20, 7 Promo stamp in 7636 starts over 7 in (7636-1) Prod. starts under 3 in 3:20, 7 in Prod. starts under 3 in 3:20, 7 in 7636 starts over spacing 7636 starts over spacing between 7 and 6 in (7636-1), between 7 and 6 in (7636-1), L in Ltd. starts before i in Emi L in Ltd. starts after i in Emi APPLE 7673 - #9 DREAM / WHAT YOU GOT (B&W scan) Promo stamp APPLE 7721 – STAND BY ME / MOVE OVER Ms. L APPLE 7755 - SLIPPIN' AND SLIDIN' / AIN'T THAT A SHAME Ltd. starts over b in Album Ltd. starts over l in Album .
Recommended publications
  • John Lennon – Człowiek I Artysta Niespełniony?
    Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence.
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  • Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING
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  • Apple Label Discography
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  • The Accent of John Lennon 5: British and American Pronunciation in the Songs
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  • Brazil 45 John
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  • KLOS BWTB Jan. 19Th 2014
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  • Note: USA Apple Test Pressings Usually Come with Standard White Labels As Printed Above
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  • 45 Inventory
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  • Autonomy and Recognition. However, It Has to Be Suspected, Though He
    autonomy and recognition. However, it has to be suspected, though he would never once have said as much in an interview, that there was a tiny part of Lennon that hated Yoko as much as his detractors did. The macho, chauvinist part of Lennon who once erupted at Yoko in the studio, "Remember the River Kwai, you fuck!" The part that laughed at what he'd JOHN LENNON/PLASTIC ONO BAND (1970)***** turned into, fawning over Yoko like some soft get. The Lennon's "Primal Scream" LP is part that had prevented the release of " Oh, Yoko!" as a regarded by most as his finest. With single because he didn't feel comfortable with what he a cover -featuring John as a small saw as its soupiness and sentimentality, :he part that boy, it's a soul exorcism unmatched resented the stern Motherliness which was an essential in the annals of rock. Its bile, tenderness and acerbic commentary (especially component of their relationship. "Working Class Hero") are matched by the sparseness Certainly, as Lennon decamped to LA for what would and restraint of the musical arrangements, with pro- turn out to be 18 months of debauchery, jamming and ducer Phil Spector resisting his usual lavish overdubs. bust-ups, many of his mates were glad :o have him IMAGINE (1971)**** back- Ringo Starr for one, who had always missed the With a cast of musicians including 'old' John. George Harrison, Imagine was a much However, Lennon off the leash, while adding grist to more accessible album than Plastic his legend, cut a piteous figure.
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  • KLOS Oct.6Th 2013
    1 PLAYLIST OCT. 6TH 2013 John Lennon Birthday Special 1 2 Ringo – Happy Birthday John A/Steve Stills, Billy Preston Chris & Klaus John’s 30th… 2 3 The Beatles – Birthday - The Beatles Recorded Sept. 18th 1968 Recorded after watching the movie The Girl Can Help It at Paul’s house. The 1956 film starred Jayne Mansfield and featured performances by Fats domino, the Platters, Gene Vincent and Little Richard. Lennon: “it was a piece a garbage”. Features backing vox by Pattie and Yoko. McCartney .7 Lennon .3 The Beatles – In My Life - Rubber Soul Recorded Oct.18th 1965 Of all the Lennon/McCartney collaborations only 2 songs have really been disputed by John & Paul themselves one being “Eleanor Rigby” and the other is “In My Life”. John saying that Paul only wrote the middle eight melody and Mr. McCartney saying that he created the entire melody and intro of the song. He adds that John had all the lyrics already down but needed a melody and that he (Paul) has vivid memories of composing it on John’s mellotron while Lennon had a cup of tea in another room. Lennon? / McCartney? 3 4 The Beatles – Good Morning Good Morning - Sgt. Pepper’s Lonely Hearts Club Band Recorded Feb. 8th 1967 Based on a Cornflakes TV commercial John heard while sitting at the piano and feeling a bit “stuck” trying to write something for Sgt. Pepper. Paul plays one of the guitar solos w/ his right-handed Fender Esquire. Lead vocal John Lennon 1.00 9.12 BREAK The Beatles – Because - Abbey Road Recorded August 1st 1969 4 5 Written by John after hearing Yoko playing Beethoven’s “Moonlight Sonata” on the piano…He then asked her to play the chords backwards and that how “Because“ was written.
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  • JOHN by Starts Over JOHN
    APPLE 13 - GIVE PEACE A CHANCE / REMEMBER LOVE Matte cover (Semi)-glossy cover Push-out center, Sold In UK, A in (APPLE.13B) starts over A in Push-out center, Sold In UK, A in (APPLE.13B) starts after A No R5795 print APPLE 13 No R5795 print in APPLE 13 Push-out center, No Sold In UK print, with R5795 print, Push-out center, No Sold In UK print, with R5795 print, ℗ 1969 starts under C in NCB, ℗ 1969 starts under spacing between C and B in NCB, the word Studios aligned to left in printing on right side printing on right side aligned, no Polo rings Push-out center, No Sold In UK print, with R5795 print, Push-out center, No Sold In UK/With R5795 print (later pressing) ℗ 1969 starts under spacing between C and B in NCB, printing on right side aligned, Polo rings Push-out center, No Sold In UK/No R5795 (later pressing) Push-out center, dish label Solid center, Sold In UK/No R5795 print, Solid center, Sold In UK/No R5795 print, by starts left of JOHN by starts over JOHN Solid center, crossover copy, No Sold in UK Solid center, No Sold In UK, no R5795 print, Sold In UK publishing credits not aligned Solid center, No Sold in UK, with R5795 Print, Solid center, No Sold in UK, with R5795 print, ℗ 1969 starts under B in NCB ℗ 1969 starts under C in NCB APPLE APPLES 1001 - COLD TURKEY / DON'T WORRY KYOKO (MUMMY'S ONLY LOOKING FOR A HAND IN THE SNOW) Solid center, Mfd.
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