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Sheila Simmenes.Pdf (1.637Mb)
Distant Music An autoethnographic study of global songwriting in the digital age. SHEILA SIMMENES SUPERVISOR Michael Rauhut University of Agder, 2020 Faculty of Fine Arts Department of Popular music 2 Abstract This thesis aims to explore the path to music creation and shed a light on how we may maneuver songwriting and music production in the digital age. As a songwriter in 2020, my work varies from being in the same physical room using digital communication with collaborators from different cultures and sometimes even without ever meeting face to face with the person I'm making music with. In this thesis I explore some of the opportunities and challenges of this process and shine a light on tendencies and trends in the field. As an autoethnographic research project, this thesis offers an insight into the songwriting process and continuous development of techniques by myself as a songwriter in the digital age, working both commercially and artistically with international partners across the world. The thesis will aim to supplement knowledge on current working methods in songwriting and will hopefully shine a light on how one may improve as a songwriter and topliner in the international market. We will explore the tools and possibilities available to us, while also reflecting upon what challenges and complications one may encounter as a songwriter in the digital age. 3 4 Acknowledgements I wish to express my gratitude to my supervisor Michael Rauhut for his insight, expertise and continued support during this work; associate professor Per Elias Drabløs for his kind advice and feedback; and to my artistic supervisor Bjørn Ole Rasch for his enthusiasm and knowledge in the field of world music and international collaborations. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity Permalink https://escholarship.org/uc/item/0vg4w163 Author Zervou, Natalie Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Greek Body in Crisis: Contemporary Dance as a Site of Negotiating and Restructuring National Identity in the Era of Precarity A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Natalie Zervou June 2015 Dissertation Committee: Dr. Marta Elena Savigliano, Chairperson Dr. Linda J. Tomko Dr. Anthea Kraut Copyright Natalie Zervou 2015 The Dissertation of Natalie Zervou is approved: Committee Chairperson University of California, Riverside Acknowledgments This dissertation is the result of four years of intensive research, even though I have been engaging with this topic and the questions discussed here long before that. Having been born in Greece, and having lived there till my early twenties, it is the place that holds all my childhood memories, my first encounters with dance, my friends, and my family. From a very early age I remember how I always used to say that I wanted to study dance and then move to the US to pursue my dream. Back then I was not sure what that dream was, other than leaving Greece, where I often felt like I did not belong. Being here now, in the US, I think I found it and I must admit that when I first begun my pursuit in graduate studies in dance, I was very hesitant to engage in research concerning Greece. -
Mark Knopfler 2015 Veranstaltungsort Westfalenhalle Einlass Ca. 18:30
17.06.2015 Mark Knopfler 2015 Veranstaltungsort Westfalenhalle Einlass ca. 18:30 Uhr Beginn 20:00 Uhr Ende 22:45 Uhr Veranstalter Dirk Becker Entertainment GmbH Mark Knopfler hat der populären Musik mit einigen ihrer besten Songs immer wieder wichtige Impulse geliefert. Als genialer Gitarrist, Sänger und Songschreiber von Dire Straits, die sicher zu den größten Rockbands aller Zeiten gehören, erlangte er Weltruhm. Seine neun Soloalben knüpfen an die von ihm begründete Songtradition an und verbinden beide Schaffensperioden zu begeisternden Live-Erlebnissen. Mit rund 120 Millionen Alben zählt er zu einem illustren Kreis von Interpreten, die überragender Erfolg und bleibende Bedeutung auszeichnet. Auf den mehrfachen Grammy-Gewinner trifft die Bezeichnung Superstar wirklich zu, obwohl er sich nie als solcher geriert. Seine Musik bezeichnete ein Kritiker treffend als „Gegenentwurf zum hektischen Popzirkus, der selbst zum Welterfolg avancierte“. Mark Knopfler präsentiert seine aktuellen Songs, eine Auswahl aus seinen Soloalben und selbstverständlich einige markante Hits der 20-jährigen Dire Straits-Ära auf einer Europatournee, die ihn auch nach Deutschland führt. Salem, Hamburg, Dortmund, Mainz, Mannheim, Köln, Bad Kissingen, Stuttgart, Hannover, Berlin, Leipzig und München sind vom 31. Mai bis 11. Juli die Stationen. Sein neues Album „Tracker“ wird Anfang des Jahres veröffentlicht. Mark Knopfler, der kreative Dreh- und Angelpunkt der Dire Straits, wird von vielen Experten als Schlüsselinterpret der Rockgeschichte eingestuft. Er prägte einen einzigartigen Gitarrenstil und den für ihn typischen Sprechgesang, der dennoch eindrucksvolle melodische Züge trägt. Er gilt als ironischer Geschichtenerzähler, der ein Schicksal in drei bis vier Strophen auf den Punkt bringen kann. Sein Œuvre spiegelt Vielseitigkeit und Schaffenskraft des in Glasgow geborenen Musikers, der in Englisch promovierte, Vorlesungen hielt und seine akademische Karriere schließlich gegen die Gitarre eintauschte. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
The State of Black Children and Families 2011
The State Of Black Children & Families Black Perspectives On What Black Children Face And What The Future Holds Research Findings Based on qualitative and quantitative research conducted among Black adults, caregivers, young people, and national leaders Conducted For The Children’s Defense Fund On Behalf Of: The Black Community Crusade For Children By Hart Research Associates January 2011 Hart Research Associates 1724 Connecticut Avenue, NW Washington, DC 20009 Table Of Contents Introduction ............................................................................................2 Overview Of Research Methodology ............................................................3 Key Take-Away Findings ...........................................................................4 The Current Landscape: Tough Times For Black Children In America................6 Issues And Challenges Black Communities Face............................................9 ♦ Economic Isolation And Unemployment ..............................................10 ♦ An Unfair Criminal Justice System And Other Racial Injustices ...............10 ♦ Violence And Drugs .........................................................................11 ♦ The Negative Influence Of The Media And Hip Hop Culture ....................13 ♦ Failing Schools................................................................................14 ♦ Fractured Black Communities And Families .........................................15 ♦ The Splintering Black Community ......................................................17 -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Country Music Star Veronica Roberts ~ Stephanie Smith ~ George Yandle, Jr
Richmond Community College & the Cole Auditorium wishes to acknowledge the generous support of: The Cole Foundation The DeWitt Family The Richmond Community College Foundation The Richmond County Board of Commissioners RCC President Dr. Dale McInnis The Richmond Community College Board of Trustees Claudia S. Robinette, Chair C. Dean Nichols, Jr., Vice-Chair 2014/2015 Charles E. Brown ~ Richard G. Buckner ~ Dr. Al H. Covington Robert C. Davis ~ Emma B. Ellerbe ~ Shirley S. Fuller ~ John P. Hutchinson Joe C. Kindley ~ Joseph C. Liles ~ James C. McCaskill Malcolm R. McLester ~ Willa C. Spivey ~ Bert Unger Behind the Scenes... The technical crew has worked diligently to make each performance a success. It is a love of the theatre that inspires this great crew to tackle each show with enthusiasm. We want to take this opportunity to thank our wonderful crew for their work during the past season. Technical Director: Sherrie Jenks Technical Crew: Nick Benton ~ Garrett Boyd ~ Owen Dockery Susie Goins ~ Elijah Ratliff ~ Wallace Jones ~ Ellis Brooks Tammy McInnis ~ Aaron Burgess ~ Leonard Terry ~ Erin Voorhees Wade Lewis ~ Jason Buckner ~ Dennis Hardison ~ Jessica Walters Adam Simms ~ Holly Voorhees ~ Brenda Arko ~ Cameron Miles Kaylee Miles ~ Anthony Bristow ~ Ronnie Caulder Box Office Manager: Kiana L. Taylor Box Office Support Staff: Clara Johnson ~ Sabrina McDonald Ushers for Performing Arts Season: Brian Mitchell & RCC Ambassadors: Brandy Covington ~ Ashley Hancock ~ Amanda Kohl Thomas McDonald ~ Jorden Norton ~ Rebecca Rainwater Country Music Star Veronica Roberts ~ Stephanie Smith ~ George Yandle, Jr. Katie Williams – Junior Ambassador Marvena Rush-Wall, RCC Director of Student Services, Scotland County RCC Special Thanks To... Maintenance/Housekeeping Staff & Scottie Mabe, Director for the faithful backup support of the Cole Auditorium staff and technical crew. -
Newsies Digital Program
Director’s Note This show was neither for me, nor about me. It was for the kids. It was for every theatre person who has been denied putting on theatre for the last year. It was for artists, and technicians, and house managers, and designers, and everyone across the country who lost their jobs in the performing arts and have no idea when or if they will be able to return. This show was to let people know that theatre will go on, theatre is important, and whether you realize it or not, theatre is needed. This was a show that I thought we might never be able to pull off, but just to prove that people are capable of so much more than we give ourselves credit for - I decided to do it for these kids. Act One Scenes and Musical Numbers 1. Rooftop: Dawn Santa Fe (Prologue) Jack & Crutchie 2. Newsie’s Square Carrying the Banner Jack, Newsies, & Nuns Carrying the Banner (Tag) Newsies 3. Pulitzer’s Office The Bottom Line Pulitzer, Switzer, Bunsen & Hannah Carrying the Banner(Reprise) Newsies 4. A Street Corner 5. Medda’s Theatre That’s Rich Medda I Never Planned on You/ Don’t Come a-Knocking Jack & Bowery Beauties 6. Newsies Square The World Will Know Jack, Davey, Les, Crutchie & Newsies 7. Jacobi’s Deli & Street The World Will Know(Reprise) Jack, Davey, Les & Newsies 8. Katherine’s Office Watch What Happens Katherine 9. Newsies Square Seize the Day Davey, Jack, Les & Newsies 10. Rooftop Santa Fe Jack Act Two Scenes and Musical Numbers 1. -
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The Guitar Guru
Bjørn L. Drengsgaard ● Görgengasse 23/8/6, 1190 Wien, AT ● Phone: +43 677 61915756 ● Email: [email protected] The guitar guru By Bjørn L. Drengsgaard Many consider him one of the greatest guitar slingers in the world. Others think that his songs are best used as sleeping pills. The British musician Mark Knopfler has a tendency to make people dis- agree. He has done that ever since he entered the international music scene with a red Fender guitar around his neck more than 25 years ago and started creating a name for himself. What Knopfler’s fans especially admire him for is his elegant fingerpicking technique and his melancholy, personal songs that he sings with his subdued, hoarse voice. In the general public he is probably most well-known as the frontman of Dire Straits, one of the world's biggest rock groups up through the 1980s. Mark Knopfler was born in Glasgow, Scotland, in 1949. Later, the family moved to northern England, where Knopfler studied to become a journalist and later an English teacher. Although he did use both his educations professionally, the guitar appealed more to the young Knopfler. As a teenager, he fell in love with the instrument and managed to save up £50 for his first electric guitar. From the mid-1960s he played in various local groups in Leeds, and in 1973 he went to London to try his luck as a rock musician. Here his guitar was heard in various contexts, but without great success. In 1977 he moved into a flat with his brother David, who also played guitar, and the bassist John Illsley. -
Through People Like Me - Mass Anthem
Through People Like Me - Mass Anthem Mass Anthem is a Christian pop band originally from the Chicagoland area now located in Nashville, TN. The trio is comprised of brothers, Chad and Tyler Sowards, as well as Joey Atansio. Their debut album 'ALIVE' was released in June 2014 followed by their Single 'To Get To Me' in April 2016 and 'The Real Me' in January 2017. Their second full-length Independent album entitled "Through People Like Me" is set to release June 2, 2017. "We hope this new album will capture our creativity and energy that we want to bring to the stage," says Tyler. "Our goal is to create a diverse album of fun, energetic music with lyrics that will encourage people to live a life for Someone greater than themselves." Ben Calhoun, lead singer of popular Christian band Citizen Way, has been a major catalyst of Mass Anthem since its' founding, involved in much of the writing and producing of Mass Anthems latest singles. "Having Ben has been such a blessing to us. He's taught us so much about the music industry and given us opportunities we wouldn't have otherwise had," says Chad, lead singer of the group. Mass Anthem relocated to Nashville, TN in pursuit of signing with a major Record Label in 2016, and has high hopes that the coming album will launch them to the next level. "It's been amazing making new connections with writers and promoters since moving to Nashville. We know we are taking steps in the right direction and are so excited for what the future holds," says Chad. -
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