Television Scripts Collection
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Michael Zinberg Is a Director, Writer and Producer of Prime-Time Television Dramas, Comedies and Movies
MICHAEL ALLAN ZINBERG SUMMER 2014 Michael Zinberg is a Director, Writer and Producer of prime-time television dramas, comedies and movies. Moving to Los Angeles in the summer of 1968, he began his award-winning career as an usher at CBS-Television City, and as a writer and production assistant. He soon became Associate Producer of NICHOLS, starring James Garner. He then joined the Mary Tyler Moore (MTM) Company (72), where he wrote, produced and directed The Bob Newhart Show (Six Seasons) and worked on MTM’s other series, including the Mary Tyler Moore Show. From MTM he took his first turn at NBC as VP Program Development (79-81), bringing Hill Street Blues, and Cheers to air. Later, as President NBC-P (93-95), he supervised Homicide, JAG and all NBC Late Night programming. His time at the Network gave him unique insight as a Writer and Creator-Producer, but he always saw himself primarily a Director. His Directing career includes shows in every format, many of which he wrote and produced. Among them, Newhart, WKRP in Cincinnati, Family Ties, Taxi, The Yellow Rose, Til I Kissed Ya (MOW), Cold Steel & Neon, The Practice, Everybody Loves Raymond, Midnight Caller, Gilmore Girls, NCIS, LOST, Rizzoli & Isles, Private Practice, The Unit, Lie To Me, NCIS New Orleans, The Michael Fox Show, The Blacklist and The Good Wife. He received the Directors Guild of America Award for Outstanding Directing in Television Drama for the Viet Nam Trilogy of QUANTUM LEAP, a series he also Executive Produced. A four time Emmy nominee, he received The Lifetime Achievement Award from The Caucus of Writers, Producers and Directors. -
Popular Television Programs & Series
Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B. -
Legal Challenges to State Censorship, 1915–1981
392 Book Reviews moral, family-focused, citizen ideals . were contrasted with images of urban-affiliated youth and Left political activist movements that suggested a ‘rejection of American values’ and of ‘straight American society’’’ (79). Expanding on this theme, a fascinating overview of MTM Productions’ ‘‘quality comedies’’ of the 1970s offers richly detailed analyses of The Mary Tyler Moore Show, The Bob Newhart Show, and WKRP in Cincinnati, contending that while these shows presented a ‘‘newly urbane imagination of the Midwest’’ (113) they also deflected larger issues of dissent and unrest prevalent in the Vietnam and post-Vietnam eras, representing the Heartland as a place ‘‘untouched by political turmoil . which survived the sixties unfazed, unaltered and in balance’’ (117). Among other topics, remaining chapters explore the controversial portrayals of lesbianism in Rosanne and Ellen, as well as how news coverage and commemora- tion of the 1995 Oklahoma City bombing drew insistently on the Heartland narrative. There are a few problematic areas. Although the book is for the most part engagingly written, it is occasionally burdened with dense and repetitive academic jargon, revealing its origins as a dissertation. Also, while likely the decision of the publisher and not the author, the absence of a bibliography is inappropriate for a major work of scholarship. These concerns do not detract from Johnson’s overall accomplishment, however. Her work is thoroughly researched, conceptually sophisticated, and offers a fresh rethinking of the history and cultural politics of television. A fine example of the exciting new scholarship emerging in television studies, Heart- land TV is a ground-breaking study and likely to become a future classic. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
NIGHT BEAT Nightside Is Different
nightbeat_2009.qxd:8 pg. Booklet 11/18/09 10:20 AM Page 1 05/22/1952 “Target for a Week” by David Ellis A campaign by a reporter on a rival paper lands Randy NIGHT BEAT in the most desperate situation of his life: facing a murder charge. Nightside is Different 05/29/1952 “The Jockey Brothers” by Larry Roman Two feuding brothers carry Randy on a wild ride through the world of horse racing. Program Guide by Elizabeth McLeod 06/05/1952 “The Marvelous Machine” by Arthur Ross The pen is mightier than the sword, but is it mightier than the .45? That’s the dilemma Randy probes the case of a computer scientist whose faced by hard-nosed crime reporter Randy Stone each week in one of radio’s most invention has brought him into unfortunate contact with memorable newspaper dramas: Night Beat . One in a wave of realistic crime shows Frank Lovejoy the underworld. to sweep the networks at the dawn of the 1950s, it failed to make much of an impression during its original run. However, in the decades since, it’s been 07/17/1952 “A Taste of Peaches” by Irwin Ashkenazi rediscovered by a new generation of radio enthusiasts as a prime example of what Randy becomes enmeshed in the case of an ex-convict desperate to recover his lost might be called “newspaper noir.” loot before rival thugs find it. Night Beat was the heir to a 09/11/1952 “Larry the Understudy” by Gwen Bagni long tradition of newspaper Randy is caught up in the backstage drama as a crime lord determines to make his dramas when it came to girlfriend a star…no matter what. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Out of the Chute 24
18. Owen Marshall ABC 55. CBS Tuesday Night Movie CBS Programing 19. Sunday Mystery Movie NBC 56. Dick Van Dyke CBS 20. Wednesday Mystery Movie NBC 57. Mannix CBS 21. Cannon CBS 58. Streets of San Francisco ABC NBC is first 22. Ghost Story NBC 59. Brady Bunch ABC 23. Doris Day CBS 60. McGovern CBS out of the chute 24. Mary Tyler Moore CBS 61. Anna & the King CBS 25. Little People NBC 62. McGovern CBS in new Nielsens Hawaii Five -O CBS 63. McGovern CBS 27. The Rookies ABC 64. NBC Reports NBC Most new shows are sampled, 28. Rowan and Martin NBC 65. Alias Smith & Jones ABC but no network claims decisive wins 29. Adam -12 NBC in opening readings of the season Room 222 ABC 31. Dean Martin NBC Much from Munich. Worldwide tele- NBC -TV led by more than a rating point Banyon NBC vision coverage of the Olympic Games last week in averages in the first national Sandy Duncan CBS generated a record amount of televi- Nielsens on the 1972 -73 network TV 34. Julie Andrews ABC sion traffic, in connection with a single season, with ABC second and CBS more Bob Newhart CBS event, for Intelsat-1,005 half -channel than two points below ABC. 36. FBI ABC hours in the Aug. 26 - Sept. 10 pe- CBS had the only new show in the top 37. Bill Cosby CBS riod, according to a spokesman for 10- Bridget Loves Bernie ranked sixth - Odd Couple ABC Communications Satellite Corp., man- and almost had two, with Cousin Maude 39. -
Highway Patrol Dragnet Saved by the Bell (E/I) the Waltons the Flintstones Have Gun, Will Travel the Jetsons (Eff. 2/21) The
Daniel Boone EFFECTIVE 2/21/21 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Toon In With Me Popeye and Pals 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Jetsons (Eff. 2/21) 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Have Gun, Will Travel 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C. -
Ahc-Annual-Report-2019.Pdf
American Heritage Center ANNUAL REPORT 2018-19 LOCATION Centennial Complex 2111 Willett Drive Laramie, WY MAILING ADDRESS 1000 E. University Ave. Dept 3924 Laramie, WY 82071 CONTACT 307-766-4114 (phone) 307-766-5511 (fax) [email protected] VISITOR INFORMATION American Heritage Center Hours Monday–Friday: 8 a.m. – 5 p.m. Reference Services and Toppan Rare Books Monday: 10 a.m. – 7 p.m. Tuesday–Friday: 9 a.m. – 5 p.m. Saturday (display area only): 10am – 5 pm SOCIAL AND WEB @ahcwyo Blog: ahcwyo.org Digital Collections: digitalcollections.uwyo.edu/LUNA ON THE COVER: Construction of Centennial Complex, circa 1992. ON THIS PAGE: Architect’s model for Centennial Complex. 2 From the Director CONTENTS 4 By the Numbers 5 The Buddy Epsen Collection 6 Reference Services and Toppan Rare Books 7 Born Digital 8 Research Publications: Citing the Collections 9 Public Programs 10 University Archives 11 Internships 12 Wyoming History Day 14 Collection Management 16 Travel Grants and Fellowships 17 Newly Accessible Collections 24 Philanthropy 25 Faculty & Staff Activities 28 Board of Advisors 29 Financials The American Heritage Center (AHC) is the University of Wyoming’s home for historical manuscripts, rare books, and University archives. The AHC collects and shares unique and significant material in all formats, documenting the lives of people, communities, organizations, and landscapes. Strengths include Wyoming and the American West, politics and public policy, ranching and energy, entertainment and popular culture, industry, transportation, and military history. The documents and archives held by AHC serve as raw data for scholarship and heritage work, and support thriving communities of place, identity, and interest in Wyoming and beyond. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Highway Patrol the Facts of Life Hogan's Heroes the Twilight Zone the Jeffersons Carol Burnett and Friends M*A*S*H Svengoolie Cl
Daniel Boone EFFECTIVE 9/2/19 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a The Facts of Life The Beverly Hillbillies ALF 6:00a 6:30a Diff'rent Strokes The Beverly Hillbillies ALF 6:30a 7:00a The Beverly Hillbillies Bat Masterson Mystery Hunters (E/I) 7:00a 7:30a My Three Sons Bat Masterson Mystery Hunters (E/I) 7:30a 8:00a Leave It to Beaver Trackdown Beakman's World (E/I) 8:00a 8:30a Leave It to Beaver Trackdown Beakman's World (E/I) 8:30a 9:00a Have Gun, Will Travel Bill Nye, the Science Guy (E/I) 9:00a Perry Mason 9:30a Have Gun, Will Travel Bill Nye, the Science Guy (E/I) 9:30a 10:00a Saved by the Bell (E/I) 10:00a Matlock Maverick 10:30a Saved by the Bell (E/I) 10:30a 11:00a Saved by the Bell (E/I) 11:00a Diagnosis Murder Wagon Train 11:30a Saved by the Bell (E/I) 11:30a 12:00p 12:00p In the Heat of the Night The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Wanted: Dead or Alive 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p The Rifleman The Monkees 5:00p Charlie's Angels 5:30p The Rifleman The Monkees 5:30p 6:00p Mama's Family 6:00p The Three Stooges The Love Boat 6:30p The Jeffersons 6:30p 7:00p M*A*S*H M*A*S*H 7:00p Wonder Woman 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.