DOCSLIB.ORG

Cléa Galhano's Farewell

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cléa Galhano's Farewell CLÉA GALHANO’S FAREWELL Cléa Galhano, recorder and friends Donald Livingston, harpsichord, Margaret Humphrey, baroque violin Tulio Róndon, baroque cello May 19, 2021 Noon – 1pm Live streamed concert –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– TODAY’S PROGRAM Pavane Lacrimae Jacob van Eyck (1644-c.1655) Pavane Lacrimae Johann Schop (1590-1667) Sonata 7 Dario Castello (c. 1602-1631) Canzona Tarquino Merula (1595-1665) Fantazia in C Major G. Ph. Telemann (1681-1767) Sonata Sexta Francesco Maria Veracini (1690-1768) Largo Allegro, Adagio, Allegro, Allegro Follia Variations Antonio Vivaldi (1671-1741) Two Moments Kilza Setti (b. 1932) Passarim Jobim/Paul Leenhouts (b. 1957) ABOUT THE PERFORMERS Brazilian recorder player Cléa Galhano is an internationally renowned performer of early, contemporary and Brazilian music. Galhano has performed in the United States, Canada, South America and Europe as a chamber musician, collaborating with recorder player Marion Verbruggen, Jacques Ogg, Belladonna, Lanzelotte/Galhano Duo and Kingsbury Ensemble. As a featured soloist, Galhano has worked with the Saint Paul Chamber Orchestra, New World Symphony, Musical Offering and Lyra Baroque Orchestra. Among other important music festivals, Ms. Galhano has performed at the Boston Early Music Festival and at the Tage Alter Music Festival in Germany. Venues at which she has performed include Wigmore Hall in London, Weill Hall at Carnegie Hall and Merkin Hall in New York, and Palazzo Santa Croce in Rome, always receiving acclaimed reviews. Galhano studied at Faculdade Santa Marcelina in Brazil, the Royal Conservatory (The Hague), and the New England Conservatory of Music in Boston, earning a LASPAU, Fulbright Scholarship and support from the Dutch government. Ms. Galhano recently received the prestigious 2013 McKnight fellowship award, and MSAB Cultural Collaborative and MSAB Arts Initiative grants. Currently, she is the Executive Artistic Director of the St. Paul Conservatory of Music and a faculty member at Macalester College, Music Director of the Recorder Orchestra of the Midwest, and has recently been appointed Adjunct Lecturer in Music, Recorder at HPI, Jacobs School of Music, IU. Ms. Galhano has recordings available on Dorian, Ten Thousand Lakes and Eldorado labels and she is the recipient of the National Arts Associate of Sigma Alpha Iota Violinist Margaret Humphrey maintains a vibrant freelance schedule as soloist, chamber musician, and orchestra member, performing in ensembles in the US and Europe. Previously a 25 year core member of the Minnesota Opera Orchestra, she now performs regularly with Lyra Baroque Orchestra, the Bach Society, Ensemble Carrissimi, and Tempesta is Mare in Philadelphia. A founding member of Belladonna Baroque quartet, she has toured throughout the US, Europe and Brazil. Cerulean Fire, her most recent ensemble, collaborates with dancers and percussionists crossing over genres to create dynamic performance experiences. Ms. Humphrey is also a member of the Kingsbury Ensemble in St. Louis as well as soloing yearly in the Ancient Music Series in St. Savin France. She has recorded on the Chondos, Dorian, Ten Thousand Lakes and Naxos labels. Cellist and Gambist Tulio Rondón performs throughout North and South America, Europe, Asia, and the Middle East as a soloist and chamber musician. Known for his vivid and passionate performances, he started his professional life early as principal cellist of the Aragua Symphony Orchestra in Venezuela. Tulio Rondón's performance career has taken him all over the world, sharing the stage with many internationally celebrated artists. Born in Venezuela, Tulio Rondón began his cello studies through El Sistema. He received his Bachelor of Music from the Simón Bolivar Conservatory, his Master of Music from Miami University (Oxford, OH), and Doctoral Degree in performance at the University of Arizona. Pursuing his strong interest in historic performance practice, he continued his studies in The Netherlands, completing post- graduate studies on baroque cello and viola da gamba with Jaap ter Linden and Rainer Zipperling at The Royal Conservatory in The Hague. Tulio Rondón is in demand as a chamber musician and early music specialist. Currently Tulio Rondón is the violoncello professor at the University of Wisconsin – Eau Claire. Keyboardist Donald Livingston collaborates with musicians from across the musical spectrum. Founding director of the Twin Cities Early Music Festival and director of Ensemble Sprezzatura, he has performed with such ensembles as Bach Sinfonia (Washington DC), Musica Antigua (Panama City), La Donna Musicale (Boston), Lyra Baroque (St. Paul), Minnesota Orchestra, the St. Paul Chamber Orchestra and the Phoenix Symphony, as well as with soloists and collaborators Cléa Galhano, Anton Nel, Jacques Ogg, Elisabeth Wright, Joel Frederiksen, Ryland Angel, Jed Wentz, Barthold Kuijken, and Dame Emma Kirkby. He has sung as a member of the Rose Ensemble, as well as with the Pro Arte Singers under the direction of Thomas Binkley and Paul Hillier at the Historical Performance Institute of the renowned Jacobs School of Music at Indiana University where he received the Doctor of Music in historical keyboard performance. He recently left a positions as Lecturer of Organ and Harpsichord at the University of Texas Butler School of Music and organist at St. Martin's Lutheran Church to become organist at Hennepin Avenue United Methodist Church in Minneapolis. In addition to musical endeavors, Livingston holds the Juris Doctor degree from the Mitchell-Hamline College of Law, where his studies focused on copyright, entertainment and art law, and where he was a recipient of the CALI Award for Entertainment Law. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, and through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund. Additional funding is made possible by generous donations from Boss Foundation, Patrick and Aimee Butler Family Foundation, Ecolab Foundation, Anna M. Heilmaier Foundation, the Art and Martha Kaemmer Fund of HRK Foundation, the Twin Cities Opera Guild, and an anonymous donor. .
Load more

Recommended publications
  • Julie Andrijeski's Cabinet of Wonders at Tregoning & Company (Nov
    Julie Andrijeski’s Cabinet of Wonders at Tregoning & Company (Nov. 12) by Nicholas Jones Cleveland-based Baroque violinist Julie Andrijeski, well-known to area audiences for her performances with Les Délices and Apollo’s Fire, premiered a new project on Saturday, November 12 in a lively concert at the Tregoning & Company gallery on West 78th Street. Surrounded by Giancarlo Calicchia’s striking sculptures, Andrijeski and friends performed fascinating works by neglected 17th-century European composers. With the support of a 2016 Creative Workforce Fellowship from the Community Partnership for Arts and Culture (funded by Cuyahoga Arts & Culture), Andrijeski is currently on research leave from her teaching and conducting duties at Case Western Reserve University. She is devoting her time to studying the enormous archive of early Baroque music for the violin, collections that are still for the most part unedited, and little performed. Spending time in this treasure trove of music, according to Andrijeski, is like visiting one of the strange cabinets of curiosities that scholars and collectors assembled in that time of scientific and artistic exploration. In such a “Wonder Chamber” — in German, a Wunderkammer — one might encounter such diverse specimens as a stuffed crocodile, a ​ nautilus shell, a neolithic axe, or a cloisonné bowl: things that fascinated and baffled the inquisitive minds of the times. A sense of discovery was evident throughout the evening. While the composers included some familiar names, such as Dieterich Buxtehude and Jan Pieterszoon Sweelinck, we also heard pieces by the little-known German Johann Schop (ca. 1590-1667) and the Austrian violinist Johann Heinrich Schmeltzer (ca.
    [Show full text]
  • Æ'xªêgš3{ Þi—ºes"Ƒ Wuãe"
    557249bk Buxtehude US 7/10/05 5:16 pm Page 8 Dietrich Buxtehude (c.1637–1707): Complete Chamber Music • 2 Seven Trio Sonatas, Op. 2 BUXTEHUDE Sonata No. 1 in B flat major, 8:33 Sonata No. 5 in A major, 9:15 BuxWV 259 BuxWV 263 Seven Trio Sonatas, Op. 2 1 Allegro 1:23 ^ Allegro 1:01 2 Adagio – Allegro 2:23 & Violino solo – Concitato 3:19 John Holloway, Violin 3 Grave 1:34 * Adagio: Viola da gamba solo 1:21 4 Vivace – Lento 1:14 ( Allegro – Adagio 1:19 Jaap ter Linden, Viola da gamba 5 Poco adagio – Presto 1:59 ) 6/4 – Poco presto 2:14 Lars Ulrik Mortensen, Harpsichord Sonata No. 2 in D major, 9:06 Sonata No. 6 in E major, 8:37 BuxWV 260 BuxWV 264 6 Adagio – Allegro – Largo 3:13 ¡ Grave – Vivace 3:23 7 Ariette, Parte I–X 3:40 ™ Adagio – Poco presto – Lento 3:39 8 Largo – Vivace 2:14 £ Allegro 1:34 Sonata No. 3 in G minor, 10:54 Sonata No. 7 in F major, 8:15 BuxWV 261 BuxWV 265 9 Vivace – Lento 3:07 ¢ Adagio – 4/4 3:02 0 Allegro – Lento 1:25 ∞ Lento – Vivace 2:20 ! Andante 3:16 § Largo – Allegro 2:53 @ Grave – Gigue 3:06 This recording has been based on the following editions: Dieterich Buxtehude: VII. Suonate à doi, Sonata No. 4 in C minor, 8:32 Violino & Violadagamba, con Cembalo, Opus. 1, BuxWV 262 Hamburg [1694] – Opus 2, Hamburg 1696. Facsimile # Poco adagio 1:45 edition, vol. 1-2, with an introduction by Kerala J $ Allegro – Lento 2:03 Snyder.
    [Show full text]
  • Booklet & CD Design & Typography: David Tayler Cover Art: Adriaen Coorte
    Voices of Music An Evening with Bach An Evening with Bach 1. Air on a G string (BWV 1069) Johann Sebastian Bach (1685–1750) 2. Schlummert ein (BWV 82) Susanne Rydén, soprano 3. Badinerie (BWV 1067) Dan Laurin, voice flute 4. Ich folge dir gleichfalls (St. John Passion BWV 245) Susanne Rydén, soprano; Louise Carslake, baroque flute 5. Giga (BWV 1004) Dan Laurin, recorder 6. Schafe können sicher weiden (BWV 208) Susanne Rydén, soprano 7. Prelude in C minor (BWV 871) Hanneke van Proosdij, harpsichord 8. Schlafe mein Liebster (BWV 213) Susanne Rydén, soprano 9. Prelude in G major (BWV 1007) David Tayler, theorbo 10. Es ist vollbracht (St. John Passion BWV 245) Jennifer Lane, alto; William Skeen, viola da gamba 11. Sarabanda (BWV 1004) Elizabeth Blumenstock, baroque violin 12. Kein Arzt ist außer dir zu finden (BWV 103) Jennifer Lane, alto; Hanneke van Proosdij, sixth flute 13. Prelude in E flat major (BWV 998) Hanneke van Proosdij, lautenwerk 14. Bist du bei mir (BWV 508) Susanne Rydén, soprano 15. Passacaglia Mein Freund ist mein J.C. Bach (1642–1703) Susanne Rydén, soprano; Elizabeth Blumenstock, baroque violin Notes The Great Collectors During the 1980s, both Classical & Early Music recordings underwent a profound change due to the advent of the Compact Disc as well as the arrival of larger stores specializing in music. One of the casualties of this change was the recital recording, in which an artist or ensemble would present an interesting arrangement of musical pieces that followed a certain theme or style—much like a live concert. Although recital recordings were of course made, and are perhaps making a comeback, most recordings featured a single composer and were sold in alphabetized bins: B for Bach; V for Vivaldi.
    [Show full text]
  • Amherst Early Music Festival Directed by Frances Blaker
    Amherst Early Music Festival Directed by Frances Blaker July 8-15, and July 15-22 Connecticut College, New London CT Music of France and the Low Countries Largest recorder program in U.S. Expanded vocal programs Renaissance reeds and brass New London Assembly Festival Concert Series Historical Dance Viol Excelsior www.amherstearlymusic.org Amherst Early Music Festival 2018 Week 1: July 8-15 Week 2: July 15-22 Voice, recorder, viol, violin, cello, lute, Voice, recorder, viol, Renaissance reeds Renaissance reeds, flute, oboe, bassoon, and brass, flute, harpsichord, frame drum, harpsichord, historical dance early notation, New London Assembly Special Auditioned Programs Special Auditioned Programs (see website) (see website) Baroque Academy & Opera Roman de Fauvel Medieval Project Advanced Recorder Intensive Ensemble Singing Intensive Choral Workshop Virtuoso Recorder Seminar AMHERST EARLY MUSIC FESTIVAL FACULTY CENTRAL PROGRAM The Central Program is our largest and most flexible program, with over 100 students each week. RECORDER VIOL AND VIELLE BAROQUE BASSOON* Tom Beets** Nathan Bontrager Wouter Verschuren It offers a wide variety of classes for most early instruments, voice, and historical dance. Play in a Letitia Berlin Sarah Cunningham* PERCUSSION** consort, sing music by a favorite composer, read from early notation, dance a minuet, or begin a Frances Blaker Shira Kammen** Glen Velez** new instrument. Questions? Call us at (781)488-3337. Check www.amherstearlymusic.org for Deborah Booth* Heather Miller Lardin* Karen Cook** Loren Ludwig VOICE AND THEATER a full list of classes by May 15. Saskia Coolen* Paolo Pandolfo* Benjamin Bagby** Maria Diez-Canedo* John Mark Rozendaal** Michael Barrett** New to the Festival? Fear not! Our open and inviting atmosphere will make you feel at home Eric Haas* Mary Springfels** Stephen Biegner* right away.
    [Show full text]
  • Join Us for This Summer's Baroque a Cadem Y!
    FACULTY Aaron Sheehan, voice PAID U.S. Postage Postage U.S. Brockton, MA Brockton, Non-Profit Org. Non-Profit Org. Julie Andrijeski, violin 1000 No. Permit Debra Nagy, oboe Na’ama Lion, flute Saskia Coolen, recorder Wouter Verschuren, bassoon Jaap ter Linden, cello Heather Miller Lardin, double bass Sarah Cunningham, Paolo Pandolfo, viol Arthur Haas, Peter Sykes, harpsichord Xavier Diaz-Latorre, lute, guitar, and theorbo Drew Minter, opera director Amherst Early Music Festival Jason McStoots, Vocal Soloist Project director at Connecticut College, New London CT Adam Pearl, orchestra conductor Music of France and the Low Countries Saskia Coolen, Director DAILY SCHEDULE MONDAY-FRIDAY 9:00 am Master class 11:00 am Baroque ensembles 1:45 pm Ensembles and special topics 3:30 pm Opera and Vocal Soloists rehearsals PERFORMANCES Thursday, July 12 8:00 pm Baroque Academy Faculty concert Friday, July 13 8:00 pm Opera Project: Lully’s Cadmus et Hermione Saturday, July 14 1:00 pm Baroque Academy Concert 4:30 pm Staged Baroque Cantatas with Vocal Soloists www.amherstearlymusic.org Amherst Early Music, Inc. Amherst Director Marilyn Boenau, Executive Allen House Nathaniel Street Webster 35 MA 02465 Newton West this summer’s Join us for Academy! Baroque THE BAROQUE ACADEMY is a program VIOL INTENSIVE Viol players will work for emerging professional singers and instrumentalists with two master viol teachers: Sarah Cunningham who want to develop their understanding and perfor- and Paolo Pandolfo. All-day viol program will mance of Baroque repertoire in a high-powered musi- include technical work and coaching on gorgeous cal environment. Immerse yourself in 17th and 18th viol repertoire by Marais, Couperin, and Forqueray.
    [Show full text]
  • 10.18 Mozart in Paris2 Program & Notes
    Mozart in Paris – Part 2 Wolfgang Amadeus Mozart: Grand Quintetto (KV 360) arr. Schwencke Largo – Molto Allegro Luigi Boccherini: Sonate di cembalo e violino obbligato Op. 5 no. 1 in Bb Allegro con moto Adagio Presto assai Giuseppe Maria Cambini: Trio concertans Op 3 no. 4 in C Allegro Rondo Allegretto Johann Schobert: Sonate pour le clavecin (en quatuor), Op 14 no. 1 in Eb Allegro assai con sordini Andante Polonoise Menuetto – Trio Mozart:: Grand Quintetto arr. Schwencke Adagio Thema con variazioni Finale Performers: Sylvia Berry, fortepiano Debra Nagy, oboe Julie Andrijeski, violin Allison Monroe, violin and viola Jaap ter Linden, cello Notes on the Program: Leopold Mozart took his family (including wife Anna Maria, daughter Nannerl, and the amazingly precocious Wolfgang Amadeus) on a Grand Tour of Europe from 1763-1768 with the dual aim of educating his talented children and introducing them to all the tastemakers and nobility in Europe. He hoped they might not only be showered with gifts along the way (they were) but would also secure the most valuable item of all: a full-time job with benefits. Their five-year journey took them from provincial Salzburg to all the greatest cities and courts in Europe including Munich, Vienna, Amsterdam, London, and Paris, where the boy genius made an excellent impression. Back home in Salzburg in the late 1770s, the young Mozart was straining under the repressive conditions of his appointment and petitioned to be released from his contract. He had two professional options: secure a permanent court appointment (where Mozart insisted “one could expect to occupy a social status not too far above the cooks”) or establish a freelance career combining private patronage with commissions, publishing (engraved by subscription), and teaching.
    [Show full text]
  • Sonatas Troisième Livre De Sonates Op
    ECM Jean-Marie Leclair: Sonatas Troisième Livre de Sonates op. 5 Sonatas Nos. 1, 3, 4, 7 and 8 John Holloway: violin; Jaap ter Linden: violoncello; Lars Ulrik Mortensen: harpsichord ECM New Series 2009 0289 476 6280 (8) Release: November 2008 This is playing that fizzes with intelligence, combining intensity, percipience and drama in equal measure. Peter Quinn, International Record Review, reviewing John Holloway’s recording of the complete unaccompanied works by Bach (2006) Lacemaker, dancer, ballet master, violinist, composer. Founder of the French violin school and a typical exponent of the “mixed tastes” of Italian and French compositional styles. Wayfaring virtuoso and victim of a never fully elucidated murder in his own garden in Paris: Jean-Marie Leclair (1697–1764) is one of the most fascinating figures in French music history. He was famous for the rare beauty of his sound on the violin and for the originality of his compositions in which, according to his contemporaries, he created “new things which were entirely his own.” In today’s concert life, though, Leclair is all but forgotten. John Holloway now offers a strong plea for Leclair’s violin sonatas. “The best violinist- composers write things for the instrument which non-violinists normally don’t trust themselves to do, they explore colours and shades in a quite unique way”, says Holloway in an interview for this CD’s booklet. Leclair is a logical step after his exemplary recordings of works by Corelli, Schmelzer, Biber, Veracini and others. However, conceiving of his trio as a partnership among equals, it is not the demonstratively virtuosic pieces Holloway is most interested in, but, rather, sonatas with elaborate chamber music qualities and ambitious contrapuntal settings.
    [Show full text]
  • T. Koopman & Amsterdam Baroque Orchestra & Choir
    _crar ~cr- :xxh :2- -5: =-:.-:: 7' .ocr _o(ob -e __- ::Si2"a::-:cc--~ ,,::" JC' fC :::e;:: .--,: 2 Johann Sebastian BACH(1685-1750) COMPLETE CANTATAS/L'INTEGRALE DES CANTATES DAS KANTATENWERK . VOLUME 3 BARBARASCHLICK,CAROLINESTAM,RUTHHOLTON,ELSBONGERS,soprano ELISABETHYON MAGNUS, soprano If, alto ANDREASSCHOU,alto(BWV 54) PAULAGNEW,lenor KLAUSMERTENS,boss THE AMSTERDAM BAROQUE ORCHESTRA & CHOIR TON KOOPMAN 3 2 JohannSebastianBACH(1685-1750) COMPLETECANTATAS/L'INTEGRALEDESCANTATES DASKANTATENWERK VOLUME3 BARBARASCHLICK,CAROLINESTAM,RUTHHOLTON,ELSBONGERS,soprano ELISABETHVON MAGNUS,sopranoII, alto ANDREASSCHOU,alto (BWV 54) PAULAGNEW,lenor KLAUSMERTENS,boss THEAMSTERDAMBAROQUEORCHESTRA& CHOIR TON KOOPMAN 3 COMPACTDISC1 70'13 P~/ 5eite "Christen, iitzet diesen Tag" BWV 63 28'20 Feria 1 Nativitatis Christi For the 1st day. of Christmas/Pour Ie I~ jour de Noel/Erster Weihnachtstag Text: Anon., Johann Michael Heineccios (?). 171.8 Ruth Holton, soprano [I] Chorale (Chorus): "Christen, otzel diesen Ta~" £148 [43] Violins, Violas, Cel/o, Double bass, Oboes, Trumpets, Timpani, Bassoon, Organ W Recitative(Altol:"a seiger Tag! 0 ungemeines Heute" -< " [43J Violins, Violas, Cel/o, Double -bass, Organ OJ Duel (Soprano, Bassi: "Gott. du hast es wohl gefuget" v [45] Oboe, Cel/o, Organ ""':::,' m Recitative (Tenor): "So kehret sich nun heut das bange leid" [45] Cel/a, Organ []] Duet (Alto, Tenorl: "Run und flehl den Himmel an" [45] Violins, Violas, Cel/i, Double bass, Organ W Recitative(Bass): "Verdoppelt euch demnach" [45] Violins, Violas, Cel/i, Double bass, Oboes, Bassoon, Organ [[] Chorale (Chorus): "HOchsler,schau in Gnaden an" [47] Violins, Violas, Cel/i, Double bass, Oboes, Trumpets,Timpani Bossoor C>-F "Ach, ich sehe, ilzt, do ich zur Hachzeit gehe" BWV 162 16"22 Dominica 20 post Trinitatis For the 20th Sunday aner Trinity/Pour Ie 20' Dimanche ap<es Ie ~""" e.
    [Show full text]
  • Virtual BACH FESTIVAL OREGON BACH FESTIVAL 2021
    LISTENING GUIDE June 25- July 11, 2021 OREGONVirtual BACH FESTIVAL OREGON BACH FESTIVAL 2021 Welcome to the 2021 Oregon Bach Festival In times of uncertainty, music is a constant in our lives. Music offers catharsis. It keeps us entertained, conjures memories, and expresses our deepest emotions.Music is everywhere. And during this divisive and tumultuous moment, we’re grateful that music is a powerful and relentless force that universally connects us. As we continue to fight a world-wide pandemic together, OBF invites you to join the global community of music lovers who will listen and watch the 2021 virtual Festival from the comfort and safety of their own spaces.All events are presented free and on-demand. A new concert is posted every day at noon and, unless otherwise noted, will remain available throughout the Festival. Whether you’re watching at home alone or you’re gathered with a socially distanced group of friends for a watch party, we hope you enjoy the 2021 slate of brilliant works. We’ll see you for a return to live music in 2022! June 25 Bach Listening Room with Matt Haimovitz June 25 Dunedin Consort: Bach’s Brandenburg Concertos 5 & 6 June 26 Paul Jacobs: Handel & Bach Recital June 27 To the Distant Beloved with Tyler Duncan June 28 Visions of the Future Part 1: Miguel Harth-Bedoya (48 hours only) June 29 Dunedin Consort: Lagrime Mie June 30 Visions of the Future Part 2: Eric Jacobsen (48 hours only) July 1 Emerson String Quartet July 2 Visions of the Future Part 3: Julian Wachner (48 hours only) July 3 Lara Downes presents
    [Show full text]
  • Joseph Jones and Friends Joseph Jones – Baroque Bassoon Charles Asch – Baroque Cello Donald Livingston – Harpsichord
    Gotham Early Music Scene (GEMS) presents Thursday, September 24, 2020 1:15 pm Recorded at Hennepin Avenue United Methodist Church, Minneapolis Minnesota Streamed to YouTube, Facebook, and gemsny.org Joseph Jones and Friends Joseph Jones – baroque bassoon Charles Asch – baroque cello Donald Livingston – harpsichord Naturally Expressed in Music: the pioneering musical style of J. E. Galliard (1687−1749) Sonatas for Bassoon published 1733 Sonata no. 1 in A minor i. Cantabile ~ ii. Spiritoso e Staccato ~ iii. Largo e Staccato iv. Hornpipe à l’Inglese ~ v. Vivace Selections Sonata no. 2 in G Major i. Andante ~ ii. Vivace ~ iii. Alla Siciliana Cantabile ~ iv. Spiritoso e Allegro Selections Sonata no. 3 in F Major i. Largo ~ ii. Allegro ~ iii. Adagio ~ iv. Spiritoso Sonata no. 6 in C Major i. Larghetto ~ ii. Alla Breve ~ iii. Sarabande ~ iv. Menuet Midtown Concerts are produced by Gotham Early Music Scene, Inc., and are made possible with support from St. Bartholomew’s Church, The New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; public funds from the New York City Department of Cultural affairs in partnership with the City Council; the Howard Gilman Foundation; and by generous donations from audience members. Gotham Early Music Scene, 340 Riverside Drive, Suite 1A, New York, NY 10025 (212) 866-0468 Joanne Floyd, Midtown Concerts Manager Paul Arents, House Manager Live-stream staff: Paul Ross, Dennis Cembalo, Adolfo Mena Cejas Gene Murrow, Executive Director www.gemsny.org About the Artists Joseph Jones is a graduate of The Juilliard School where he studied historical bassoon and dulcian.
    [Show full text]
  • LOC Series 2009
    Concerts from the Library of Congress 2009 Hosted by Bill McGlaughlin Program 1 - L09-01 Bernstein Program with guest co-host Mark Horowitz Ravel Piano Concerto - Excerpts Bernstein - The Girl with Two Left Feet The Reviewers Bernstein - Sonata for Clarinet and Piano David Oppenheim, clarinet Leonard Bernstein, piano Bernstein - Conch Town (Excerpt] John Kalbfleisch, piano Schumann - Quintet Juilliard Quartet Leonard Bernstein, piano Program 2 - L09-02 Baroque Program with guest co-host Denise Gallo Vivaldi - Sinfonia from La Senna festeggiante, RV 693 Europa Galante Vivaldi - Concerto in D minor for Viola d’amore and Lute Fabio Biondi/Europa Galante LOC 2009 Page 1 Vivaldi - “Oh infiusti numi! Andero, chiamero” from Orlando furioso Handel - “Dall’ondoso periglio ...Are, deh, per ieta” from Giulio Cesare Jennifer Larmore, soprano Ensembel Matheus Telemann - Concerto in E minor for Flute and Recorder Ensemble Matheus Program 3 - L09-03 Focus on Revueltas - Post Classical Ensemble Magueyes - Eugenia León, vocalist Batik (1926) Post Classical Ensemble Quartet No. 4 (“Música de Feria”) [1932] Cuarteto Latinoamericano Talk with Saúl Bitrán of Cuarteto Latinoamericano Canción de cuna (1938/39) - Eugenia León, vocalist Homenaje a Federica Garcia Lorca (1936) Canto a una muchacha negra (1938) - Eugenia León, vocalist Carminando - Eugenia León, vocalist Sensemayá Post Classical Ensemble Program 4 - L09-04 Inspired by Italy Stravinsky - Suite Italienne Lynn Harrell, cello/Victor Santiago-Asuncion, piano Tchaikovsky - Souvenir de Florence Borromeo String Quartet and two members of the Parker String Quartet LOC 2009 Page 2 Program 5 - L09-05 Beaux Arts Trio in their final concert at the Library with guest Menachem Pressler Beethoven - Trio Op.
    [Show full text]
  • FCM 005 Cursos De Música 2018 Folha De Sala6
    XXVIII Encontros 12 Agosto | 17:00 | Casa de Mateus 16 de Agosto | 19:00 | Capela da Casa de Mateus Internacionais CONFERÊNCIA DE ABERTURA L’Art de toucher le Clavecin Os Cursos de Mateus e o Movimento de Música Jacques Ogg – cravo solo RICARDO BERNARDES Antiga em Portugal DIRECÇÃO ARTÍSTICA Rui Vieira Nery 17 de Agosto | 19:00 | Igreja Paroquial de Mateus ANTÓNIO CARRILHO Concerto de Música de Câmara DIRECÇÃO PEDAGÓGICA 12 Agosto | 19:00 | Capela da Casa de Mateus Participantes dos XXVIII Encontros Internacionais Música CONCERTO DE ABERTURA de Música da Casa de Mateus Um Serão com Bach António Carrilho – flauta de bisel / recorder 18 de Agosto | 19:00 | Capela da Casa de Mateus Helena Marinho – fortepiano CONCERTO DE ENCERRAMENTO da Casa de Mateus 1ª parte | Música de Câmara 14 de Agosto | 19:00 | Capela da Casa de Mateus 2ª parte | Ensemble Vocal | dir. Ricardo Bernardes The Judgement of Paris e Marcio Soares Holanda Aimee Brown, Ingrid Fittler, Isabelle Palmer e Peter Petocz, flauta de bisel CURSOS INTERNACIONAIS Maria Cristina Kiehr l Canto Barroco Raquel Cravino l Violino barroco e repertório barroco adaptado ao violino moderno Enrico Gatti l Violino Barroco l Correpetição em Cravo e Jacques Ogg l Cravo Michio Ohara Pianoforte António Carrilho l Flauta de bisel Master-classes Ricardo Bernardes l Ensemble vocal Helena Marinho l Pianoforte e música de câmara (aberto a pianistas e cravistas) Márcio Soares Holanda l Preparação técnica do Ensemble vocal Concertos Conferências INSTRUMENTO OU VOZ MÚSICA DE CÂMARA ENSEMBLE INSTRUMENTAL ENSEMBLE
    [Show full text]