partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors

Fran Watters We acknowledge the support of president the Province of British Columbia Supported by the Province of British Columbia Chris Guzy past president Johanna Shapira vice president FOUNDATIONS

Ron Kruschen THE BRENNAN SPANO treasurer FAMILY FOUNDATION Ilia Korkh THE DRANCE FAMILY secretary EARLY MUSIC VANCOUVER FUND Sherrill Grace 2019-20 PRODUCTION PARTNERS Tony Knox

Melody Mason EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Vincent Tan Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia.

÷ pacific José Verstappen cm alexander weimann MUSIC director artistic director emeritus ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates

event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator

Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected]

1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada www.knoxlex.com Marketing Group We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff You can be in good company too! emv ticket office: 604.822.2697 The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts make a meaningful difference for concertgoers and musicians alike. 1254 West 7th Avenue, Our wide range of activities offers unique sponsorship opportunities for both large and Vancouver BC, V6H 1B6 small companies to support us while also reaching their corporate goals. A range of sponsorship advantages is available, including logo recognition, complimentary tickets for tel: 604.732.1610 your clients, employee discounts, and many other benefits tailored to your specific needs. fax: 604.732.1602 Contact Michelle Herrewynen to discuss how our audience profile may fit [email protected] with your company’s objectives: 604 732 1610 or [email protected] earlymusic.bc.ca Early Music Vancouver acknowledges that it operates and performs on the unceded Indigenous land belonging to the Coast Salish peoples, including the territories of the xʷməθkʷəy̓ əm (Musqueam), Sḵwx̱ wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations. We are grateful for this privilege.

2  Early Music Vancouver 2019 | 2020 Telemann and C.P.E. Bach Chamber Works [email protected] the artists programme

Marc Destrubé Carl Philipp Emanuel Bach (1714 – 1788) violin Sonata in d minor for , violin and basso continuo Wq.145 (Berlin 1747) Wilbert Hazelzet Allegretto traverso Largo Allegro violoncello Georg Philipp Telemann (1681 – 1767) Sonata in D Major for and basso continuo (“Der getreue Musikmeister” TWV 41:D6, Hamburg 1728/29) Lento Allegro Largo Allegro

Jean-Philippe Rameau (1683 – 1764) Concert V in d minor for harpsichord, flute and violin (“Pieces de Clavecin en Concerts”, Paris 1741) La Forqueray, Fugue La Cupis La Marais interval

Carl Philipp Emanuel Bach Sonata in D Major for harpsichord and violin, Wq.71 (Potsdam 1747) Poco adagio Allegro Adagio Menuet I&II

Jean Marie Leclair (1697 – 1764) Sonata in e minor generously supported by for flute and basso continuo Op.9 No. 2(Paris 1743) José Verstappen Dolce: Andante Allemanda: Allegro ma non tropo Sarabanda: Adagio Pre-concert chat with Minuetto: Allegro non tropo host Matthew White at 6:45: Marc Destrubé Georg Philip Telemann Concerto Primo in G major for flute, violin, violoncello & basso continuo TWV 43 (“Six Quatuors”, Paris 1730)

THE UNAUTHORISED USE OF Grave ANY VIDEO OR AUDIO RECORDING Allegro DEVICE IS STRICTLY PROHIBITED Largo - Presto – Largo Allegro earlymusic.bc.ca Telemann and C.P.E. Bach Chamber Works Early Music Vancouver 2019 | 2020  3 Help EMV take advantage of a historic gift! An anonymous donor will match all gifts up to $50,000 for the commissioning of an exquisite new copy of an early 19th century in celebration of EMV’s 50th Anniversary.

Brief description of the EMV’s mandate and activities: Founded in 1970 and celebrating its 50th anniversary in May 2020, Early Music Vancouver (EMV) has a long-standing international reputation for the presentation, production and study of musical repertoires played on period instruments and using historically informed performance practices. Historically informed performance is an approach to the performance of music which aims to be faithful to the approach, manner and style of the era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, and the use of historical instruments or replicas of those in use at the time of the music’s composition. The 50th anniversary season in 2019-2020 has, for the first time, seen the organizations’ budget grow to just under $2 million. EMV has become one of the most active and prolific organizations of our type in North America.

About the instrument and the maker: To mark our 50th anniversary and embark on presenting a whole new repertoire of period performance practices, EMV has commissioned Paul McNulty to build a copy of an instrument originally designed by the Viennese builder Conrad Graf in 1819. This is the instrument that the which it was written is utterly transformative and at the heart of what early romantic composers would have known and for which they were we value as an organization. writing. The availability of such an instrument in Vancouver will have a significant During Beethoven’s time (and partly thanks to his influence and his and long-term impact on the early music scene in Vancouver, and on demands on contemporary builders), fortepiano construction underwent the musical community in general. Preliminary plans include festive a substantial development. One of the most influential builders of the inaugural performances and workshops by world-renowned artists time was Conrad Graf. He created an instrument for Beethoven in the including Kristian Bezuidenhout and Andreas Staier, a Beethoven piano last years of his life, offering a 6½-octave range rather than the 5-octave, works cycle featuring a number of young Vancouver keyboard players, designed especially to fulfil the demands for larger instruments by and a special two-week summer course focusing on piano works and Beethoven and contemporaries. Lieder from Beethoven to Schubert. Paul McNulty is an American living in the Czech Republic and is considered the most experienced living builder of copies of 19thcentury Potential other partners: . Since 1985 he has made more than 220 historical pianos. Although EMV will be the sole owner of the instrument, it will be His customers have included Kristian Bezuidenhout, Malcolm available to the UBC School of Music for teaching purposes and for Bilson, Nicolas Harnoncourt, The Chopin Institute in Warsaw, The performances. It will also be made available for partnerships with valued Glyndebourne Festival, The Amsterdam Conservatory, The Chinese arts organizations in and around the city including The Vancouver University of Hong Kong, The Royal College of Music and many more. Recital Society, The Vancouver Chopin Society, The Friends of Chamber Music, The Vancouver Symphony, The Vancouver and more. Why do we need this instrument now? Project revenues and expenses: For years, EMV has maintained and made available to the broader community an outstanding historical instrument collection. Though The cost for a McNulty 6½-octave fortepiano after Conrad Graf, including we own a “stable” of keyboard instruments that trace almost the whole a padded cover, shipping crate, and shipping costs & insurance presently basic history of the keyboard from the late Renaissance to the present, stands at approximately $100,000 Cdn. As a special gift in honour of we are sadly still missing a vital piece of the puzzle. This early romantic the late Dr. Ralph Spitzer, a long-time supporter of EMV, an anonymous piano is that missing piece. Hearing the music of late Beethoven, donor is willing to match all donations up to $50,000 to help us with the Schubert, Schumann, Mendelssohn, and others, on the instrument for purchase of this instrument.

To support this campaign, please contact: Michelle Herrewynen, EMV Resource Development Manager (Vancouver Society for Early Music) 1254 West 7th Avenue, Vancouver BC, V6H 1B6 | Tel: 604-732-1610 | E-mail: [email protected] Charitable registration number: BN 10816 7776 RR0001

4  Early Music Vancouver 2019 | 2020 Telemann and C.P.E. Bach Chamber Works [email protected] programme notes

BY JUSTIN HENDERLIGHT

In the middle of the Eighteenth Century, European courtiers fashionable. Even though it was composed in 1728 at the were expected to be galant. This term first appeared emergence of galant music, Telemann already embraced that in writings of seventeenth-century authors such as le aesthetic in his Sonata in D major for cello and continuo TWV Chevalier de Méré, who wrote a series of Conversations 41:D6. The work was published in his Getreue Musikmeister, describing the ideal way to conduct oneself in courts of a publication aimed at delineating all of the current styles the nobility. To be galant was to be “sparkling”, “cheerful”, in the major Western European nations for the edification and to know how to insinuate oneself into a conversation. of musicians and connoisseurs. One of the most salient A successful galant courtier would be knowledgeable but galant features appears in the first movement – the surprise not overly learned – in a modern sense, a Renaissance Man appearance of triplets in a work where the beat is primarily rather than a scholar. Some opponents of this aesthetic duple. Such a rhythmic device was novel, considering that decried a galant homme as overly effeminate, and yet movements generally maintained a highly consistent rhythmic by the early Eighteenth Century, such protests did not character in the music of the preceding decades. The triplets disappear but certainly diminished. In music, embracing the have the effect of a flirtatious laugh, very in keeping with the galant aesthetic resulted in certain changes from the more galant aesthetic. dramatic, contrast-riddled world of the Baroque. “Learned” If Telemann’s 1728 piece looked forward, Rameau’s 1741 techniques such as fugues and dense counterpoint gave publication of his Pièces de Clavecin en Concerts maintained way to lighter textures where a charming melody reigned some rather conservative compositional techniques. The fifth supreme over the highly subordinated lower parts. Concert in d minor contains three character pieces named Unexpected changes in harmony or rhythm became not after famous musicians of the previous generation: the viola elements to dramatically shock but rather to delightfully da gamba virtuosi Forqueray and Marais, and the violinist surprise. Whereas conversational imitation of musical and dance master Cupis. Rameau himself commented on ideas between parts could sometimes (but not always) be the contrapuntal complexity of the music – a learned, not heard as argumentative in earlier styles, imitation almost so galant aspect – when he says in the preface “I thought it always sounds flattering and agreeable in the context of necessary to publish a score, because it is necessary that the the style galant. Not all composers, however, unilaterally instruments not get confused with each other.” In fact, it was adopted this change of ethos in their music as it became more common (and cheaper) simply to print only partbooks fashionable, and older techniques stood alongside the for the individual players, but for practical reasons, we see more modern, as evidenced in this programme. Rameau acknowledging the possibility for players to get lost in C.P.E. Bach’s Sonata in d minor, Wq. 145 presents us with the musical tapestry he weaves. some hallmarks of the style galant. Imitation between the The remaining pieces also stand on the more conservative flute and violin suggest an amorous dialogue, as one part does side. Bach’s Sonata for harpsichord and violin strongly not counter the other with an immediate contrasting idea resembles those in the vein of his father Johann Sebastian, but rather frequent confirmations of what came before. Bach which is unsurprising given that it was written in 1731 and delivers surprises such as chromaticism and appoggiaturas later revised. At that early date, Bach, in more remote Leipzig (graceful dissonances) in a suave manner so as to delight than Telemann’s Hamburg, would have had less access to rather than jar the listener. The bass, as typical in the style the newest music trends. Italian-trained Jean-Marie Leclair’s galant, seldom engages in the conversation but rather provides Sonata in e minor is equally conservative and completely in the an unrelenting foundation, mostly of steady rhythm where the vein of the Italian baroque chamber sonata form popularized harmony changes relatively slowly and in even increments, by . Telemann’s so-called Paris Quartets, giving a sense of nonchalance even at a quick tempo, such as including the concerto on this programme, use a very baroque in the third movement. equal treatment of voices, as they were written for some of C.P.E. Bach, incidentally, took over his godfather Georg Philip Paris’s most gifted musicians of the day, who were all equally Telemann’s job in Hamburg when the latter died. Hamburg, talented. Telemann had a great gift for writing in multiple as a highly cosmopolitan city, exposed the older Telemann styles appropriate to the situation at hand, as evidenced on to recent developments in musical style as they became this programme. n earlymusic.bc.ca Telemann and C.P.E. Bach Chamber Works Early Music Vancouver 2019 | 2020  5 the artists

Marc Destrubé Wilbert Hazelzet Jaap ter Linden Jacques Ogg

Marc Destrubé 1978. He was member of Musica Antique Köln until 1985, and until 1995 he performed with Ensemble Sonnerie London and As a concertmaster, Marc Destrubé has played under Sir Cantus Coelln. Simon Rattle, Kent Nagano, Helmuth Rilling, Christopher Hogwood, Philippe Herreweghe, and Frans Apart from his recitals with Jacques Ogg and lutenist Joachim Brüggen. He is co-concertmaster of the Orchestra of the 18th Held, Hazelzet is a frequent guest in The Lyra Baroque Century with which he has toured the major concert halls and Orchestra Minneapolis, Camerata Kilkenny, Passamezzo festivals of the world. He was concertmaster of the CBC Radio Antiguo Bilbao and Musica Amphion . Orchestra from 1996 to 2002, concertmaster of the Oregon Erato France, Die Deutsche Grammophon Gesellschaft – Bach Festival Orchestra, and founding director of the Pacific Archiv Hamburg, edel-Classics Berlin, Harmonia Mundi Baroque Orchestra. Germany, Philips, Harlekijn and Globe Holland, Virgin- He is first violinist with the Axelrod String Quartet, quartet- EMI London and Glossa Music published Hazelzet’s in-residence at the Smithsonian Institution in Washington recordings. D.C., where the quartet plays on the museum’s exceptional Hazelzet teaches at the Conservatories of The Hague and collection of Stradivari and Amati instruments. He has also Utrecht; his masterclasses take place at the universities performed and recorded with L’Archibudelli and is a member of Salamanca, Granada, Seville, Vancouver, London and of the Turning Point and la Modestine ensembles and Minneapolis. Microcosmos string quartet in Vancouver. He has appeared as soloist and guest director with symphony orchestras in Victoria, Windsor, Edmonton Jaap ter Linden and Halifax as well as with the Australian Brandenburg Cellist, gambist and conductor Jaap ter Linden has a long Orchestra, Portland Baroque Orchestra and Lyra Baroque history in the Historical Performance world. His many tours Orchestra. A founding member of Tafelmusik Baroque have taken him to countries throughout Europe, Japan, Orchestra, he has appeared with many of the leading Australia and the United States, often with only the music of period-instrument orchestras in North America and Bach in his backpack. Europe including as guest concertmaster of the Academy As conductor, he has worked with ensembles such as the of Ancient Music and of the Hanover Band. Handel and Haydn Society, Philharmonia, Portland and Marc has recorded for Sony, EMI, Teldec, Channel Classics, Lyra Baroque; Arion and Tafelmusik; the Wroclaw Symfonie Hänssler, Globe and CBC Records. in ; Bordeaux Opera in France, and many others, performing repertoire from the 18th and 19th century, from Purcell to Mendelssohn and Schubert. Wilbert Hazelzet He has numerous recordings to his name, notably the Bach Wilbert Hazelzet started his career in 1972 in Musica Antiqua , which he has recorded twice. His latest recording, Amsterdam (Marie Leonhardt); he has been principal flautist the complete sonatas for cello and piano by Beethoven, with of The Amsterdam Baroque Orchestra () from David Breitman, has been released this year. >

6  Early Music Vancouver 2019 | 2020 Telemann and C.P.E. Bach Chamber Works [email protected] With his Mozart Akademie in Amsterdam he recorded the complete Mozart symphonies, to great acclaim. He finished many years of teaching at the Royal Conserva- tory Den Haag in 2016 when he moved to the United States where he started teaching at Case Western Reserve Univer- sity and the Cleveland Institute of Music in September 2018. His latest tour, in March 2019, brought him to China where he performed all of Bach’s 6 cello suites.

Jacques Ogg Jacques Ogg is a performer and recording artist on both harpsichord and fortepiano, as well as a conductor. He teaches at the Royal Conservatory in The Hague. He was born in (The Netherlands) and studied harpsichord in the city of his birth with Anneke Uittenbosch. In 1970 he went to study with Gustav Leonhardt at the Amsterdam Conservatory, from which he graduated in 1974. He currently serves as Professor of Harpsichord at the Royal Conservatoire in The Hague, where he teaches primarily harpsichord. Jacques Ogg’s current activities include solo recitals on harpsichord or on fortepiano, concerts with flautist Wilbert Hazelzet. He has been a member of the Orchestra of the 18th Host an EMV Guest Musician Century and has performed regularly with Concerto Palatino. Do you have a guest room that often sits empty? He is frequently invited to conduct masterclasses and summer Do you enjoy well-educated, articulate houseguests courses, among others in Juiz de Fora () and Buenos from across the country and the world? Aires, in Mateus (), Salamanca (Spain) as well as in Cracow (Poland), Prague and Budapest. He was invited as a Do you like Classical music? juror in competitions such as “Bach Wettbewerb” (Leipzig) Would you like to get the ‘inside scoop’ and “Prague Spring”. Jacques Ogg is artistic director of the about performing from a professional musician? Lyra Baroque Orchestra in Minneapolis/Saint Paul. If your answer to any of these questions is ‘yes’, then I invite you to consider joining the growing number of EMV supporters who house visiting guest musicians.

UBC/EMV Get to know some of the wonderful musicians YOUNG PERFORMERS AT KNOX UNITED that come to Vancouver to bring you great music. Host only when it is convenient for you; all you need to provide is a private room. Music of Rosenmüller, Johann Bernhard Bach, For more information Telemann, and Handel please contact Jonathan Evans, Production Manager, Early Music Vancouver: Baroque Mentorship Orchestra [email protected] or 604.732.1610, extension 2004 Sunday, March 15 at 2 pm Knox United Church Special thanks to the following for hosting our guest musicians: 5600 Balaclava Street Delma Hemming, Janice & J. Evan Kreider, Marlene LeGates & Al Dreher, Admission by donation Marc White & Joey Schibild, Judy & Bern Storr, Kim & Stuart Smith, Olivia PRESENTED IN PARTNERSHIP WITH & Nicholas Swindale, Rosemary & Alex Waterhouse-Hayward, Valerie KNOX UNITED AND EARLY MUSIC VANCOUVER Weeks & Barry Honda, Penny Williams, and Jane & Michael Woolnough. earlymusic.bc.ca Telemann and C.P.E. Bach Chamber Works Early Music Vancouver 2019 | 2020  7 Interested in joining the EMV Board? Interested in rolling up your sleeves to help one of the most active and acclaimed musical organizations in our region? The EMV board of directors is a varied and collegial group of individuals dedicated to providing support and leadership to our professional artistic and management team.

We are always interested in hearing from potential new directors and welcome energetic, positive people with broad community connections, business experience, and skills relevant to non-profit governance, including fundraising, leadership, and strategic planning. Directors serve a two-year term, meeting once a month from September to June at Hodson Manor (West 7th Ave and Birch) in Vancouver.

If you have some of this experience and if you would relish a leadership role in building something truly great in our community, please get in touch with us by emailing us your resume and a short note outlining what you feel you can contribute and why taking up the challenge of helping shape EMV interests you.

We look forward to hearing from you! All enquiries can be emailed to [email protected]

THANK YOU TO OUR VOLUNTEERS! EMV’s activities are made possible through the generous Classical Music on the Danube assistance of many volunteers who offer their time. Hungary - Slovakia - Austria - Germany We would like to thank the following: September 18 - 28, 2020 Experience the rich culture and history of the Danube on the MS Pam Atnikov, Leslie Bauming, Richard Cameron, AmaViola with the Juno Award-winning Gryphon Trio. Celebrate Alexandra Charlton, Catherine Crouch, Bill Dovhey, Beethoven’s 250th anniversary with extraordinary performances including the Vienna Boys’ Choir and the Vienna State Opera. Sandy Dowling, Susan Edwards, Helen Elfert, Beverly Superb concert series designed by renowned impresario George Zukerman, OC, OBC Ferguson, Elizabeth Ferguson, Nel Finberg, Jean-Pierre Fougères, Gail Franko, Stanley Greenspoon, Satoko Classics on the Volga Hashigasako, Delma Hemming, Margaret Hendren, Moscow - Volga Cruise - St. Petersburg Murray Hendren, Michiko Higgins, Maggie Holland, May 21 - June 4, 2021 Gene Homel, Richard Huber, Gigi Huxley, Nancy Illman, Join the Gryphon Trio aboard the MS Aleksandra for a feast of classical music as we cruise the Volga and discover the magnificent Gretchen Ingram, Ron Jobe, Gerald Joe, Susan Kaufman, artistic and cultural heritage of Russia from Moscow to St. Petersburg. Martin Knowles, Barb Knox, Susan Larkin, Pat Lim, Cindy Ma, Christina MacLeod, Wanda Madokoro, Kathryn McMullen, Vania Mello, Robert Middleton-Hope, Carole Nakonechny, Tom Nesbit, Sharon Newman, Veronika Ong, Gina Page, Betty Lou Phillips, Jessica Pereversoff, Melanie Ross, Selma Savage, Joey Schibild, Traudi Schneider, Jill Schroder, Eleanor Third, Sharron Wilson. Explore more on our website: A German Passion - Best of the Baltics - Greece - India & Sri Lanka 4603 Main Street, Vancouver, BC V5V 3R6 Interested in joining our volunteer corps? tel1 -800-665-0998 [email protected] Phone 604.732.1610 for details. www.sticanada.com

8  Early Music Vancouver 2019 | 2020 Telemann and C.P.E. Bach Chamber Works [email protected] early music vancouver | donors and supporters

Early Music Vancouver gratefully acknowledges our many contributors & donors, who play a vital role in supporting the well-being of our organisation, and ensuring our continuing success. Thank you!

 Benefactors ($50,000+The Drance Family * | Barbara Kozier | In memory of Ralph Spitzer  Presenters ($10,000-$49,999): Elaine Adair* | Bryan & Gail Atkins* | In memory of Vic Baker | The Mary & Gordon Christopher Foundation* | Helen & Frank Elfert* | Birgit Westergaard & Norman Gladstone* | Agnes Hohn* | Sharon Kahn* | José Verstappen*  Sponsors ($5,000-$9,999): The Estate of Gunnar Brosamler* | Meredith & Pat Cashion* | RPC Family Foundation* | Tama Copithorne* | Mark De Silva | Dorothy Jantzen* | Tony & Margie Knox* | Janette McMillan & Douglas Graves* | David McMurtry* | Estate of Lyn Myfanwy | Dr. Katherine E Paton* | Zelie & Vincent Tan* | Jo & Bob Tharalson* | The Lloyd Carr-Harris Foundation | In memory of Peter Wood* | Bruce Munro Wright* | Eric Wyness*  Co-Sponsors ($2,500-$4,999): The Brennan Spano Family Foundation | Chris Guzy & Mari Csemi* | Delma Hemming* | J. Evan & Janice Kreider* | Ron Kruschen & Louise Akuzawa | Estate of Dr Elizabeth Lamberton | David Layton & Zoe Druick | Melody Mason & Joseph Gilling* | The McLean Foundation | Pam Ratner & Joy Johnson* | Marlene Rausch & Tom Phinney | Johanna Shapira & John Geddes | Dr. Robert S. Rothwell | Anona Thorne & Takao Tanabe* | Fran Watters & Paul Devine* | Matthew White & Catherine Webster | One Anonymous Co-Sponsor  Supporters ($1,000-$2,499): Hugh & Jacqueline Anton* | Colleen & Martin Barlow* | Marti Barregar* | Alan & Elizabeth Bell* | Spencer Corrigal* | Virginia Evans* | Jane Flick & Robert Heidbreder* | Heather Franklyn* | Nancy & David Fraser* | Dr Val Geddes* | Maureen Girvan | Arlene Gladstone in honour of Sharon Kahn* | Sherrill & John Grace* | Ursula Graf* | The Hamber Foundation* | The Elsie & Audrey Jang Fund* | Brian Jones | Edward Kehler* | George Laverock & Jane Coop* | John C. Leighton* | Susanne Lloyd* | Yvonne McLean* | Bill Meyerhoff | Jocelyn Pritchard* | Meredith Quartermain | Tim & Janet Rendell* | Elaine Sawyer in memory of John | Karen Shuster* | Ingrid Söchting & Douglas Todd* | Fumiko Suzuki* | Dr. Carol Tsuyuki* | Urban Impact Recycling* | Gale Walker* | Bruno Wall* | James Walsh* | Karen Wilson* | Michelle Herrewynen & Alan Woodland | Jane & Michael Woolnough | Two Anonymous Supporters  Patrons ($500-$999): Christina Burridge* | Larry & Maggie Burr* | Andrew J A Campbell* | Mark Tindle & Leslie Cliff* | David Gordon Duke | Keith Farquhar & Koji Ito* | In memory of Eve Farson* | Charles & Lucile Flavelle Family Fund* | Michael Fuhrmann | Paul and Suzanne Geimer | Ruth Gill | Beth & Robert Helsley* | David Jennings | Ron Jobe | Joseph & Jeanette Jones | Lars & Anne Kaario* | In honour of Sharon Kahn | Joy and Tasos Kazepides* | Marianne Klein | In Memory of Harold Knutson | Michael Kobald* | Paula Kremer* | Peter Kwok* | Janet & Derwyn Lea* | Evelyn Leaf* | Leslie Loving* | Graeme & Paddy Macleod* | Marta & Nicolas Maftei* | In honour of Natalie Mackie | Lucie McNeill* | In memory of Greg Muller | Geoffrey Newman* | Margaret O’Brien* | Stephen Partridge* | David M. 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Field | Alex Fisher & Lisa Slouffman* | Judith Forst* | Irene Fritschi-Nelin* | Andrew Fyson* | Cull Family Fund* | Patrick Gilligan-Hackett* | Frances Gordon | Elizabeth Grace | Susan Grant | Gordon & Kathleen Gray* | Dr Beverley Green* | Elizabeth Guilbride* | Penelope & Lyman Gurney* | John Hall | Mark Halpern | Elizabeth & Keith Hamel* | Paul Gravett & Mark Hand* | Lisa Hansen & Peter Cameron | Dr. Evelyn J. Harden* | Don Harder & Laurie Townsend* | Kim Hart | David Harvey | William M Hay* | Margaret & Murray Hendren | Grace Hermansen | The Henkelman Family* | Ashley & Wendy Hilliard | Ada Ho & Doug Vance | Heather & Bill Holmes* | Barry Honda & Valerie Weeks* | Yan Hu | Ralph Huenemann & Deirdre Roberts | Elizabeth Hunter* | In memory of Judith Ince | Chris Jacques | Dr. PJ Janson | France-Emmanuelle Joly | Karen Jones | Valerie Jones | Patrick Jordan* | Dr. Stanislava Jurenka* | Douglas Justice | Lynn Kagan* | Dr Harry Karlinsky | Linda Kehler | Mira Keyes | Bela Kiss | In Memory of Harold Knutson | Barbara Kops | Ilia Korkh | Dalton Kremer | Drs. Nicholas & Patricia Lee | Marlene Legates | Cindy Leung | Gary Ley | Audrey Lieberman | Ursula Litzcke | Steven Lo | Janet Lowcock | In memory of Catherine Graff MacLaughlin* | Wanda Madokoro | Shelley Main | E. J. Makortoff* | Emil Marek* | Patrick May | In memory of Christopher McCrum* | James McDowell* | Alice McGinnis | Ray McGinnis | William McKellin | Peter Mercer | Patricia Merivale* | Colleen Midmore | Michael Millard | Barbara Moon* | Yolaine Mottet | Marguerite Mousseau | Linda Mueller | Wesley Mulvin | Alfred & Jennifer Muma* | Sarah Munro* | Dieter Nachtigall | Lee Napier | Sharon Newman* | Heather Nichol | Henry Numan* | Celia O’Neill | Wilfried Ortlepp* | Julie Ovenell | Elizabeth Paterson | Jane L Perry | JoAnn Perry* | Chantal Phan | Dan & Jan Phelps | Clare Philips | Hannelore Pinder | Anne Piternick* | David & Pat Plackett | Monique Prudhomme | Thomas Querner* | Dr. Rebecca Raglon | Henry and Susan Reece | Margot Richards | Peter & Kay Richards | Marika Roe | In memory of Peter Rohloff | Peter & Elfriede Rohloff* | Rhona Rosen* | Martha Roth | Chris Sallis | Selma Savage* | Erna Schaefer* | Iris Schindel | Traudi Schneider* | Stuart & Wendy Scholefield* | Verna Semotuk* | Shirley Sexsmith* | Juliet Simon | Gareth Sirotnik | Leah Skretkowicz | Colleen Smith | Rosalie Soregaroli | M L Stewart* | Patricia Evans & John Stonier* | G. Storey* | David & Lorraine Stuart | David & Eileen Tamblin* | Agnes Tao & Nelson Cheung | In memory of Becky Tarbotton | Lynne Taylor* | Kathy Thomas | Douglas Todd | Grant Tomlinson* | Pat Unruh | Helena Van der Linden | Robert Vandersanden | Elinor Vassar* | Leah Verdone | Mark Vessey | Barbara M. Walker* | In memory of Ulli Walker | Heddi & Tony Walter* | Norma Wasty* | Jim Wearing | Gwyneth Westwick* | John & Hilde Wiebe* | Elizabeth Wilson & Lauri Burgess | Audrey Winch* | Geoff Wing | Nancy Wong* | Dale & Ted Wormeli* | William J Worrall* | Reece Wrightman* | Elizabeth H. Yip | Yolanda Zeng | George Zukerman & Erika Bennedik | In memory of Becky | Twenty-eight Anonymous Friends  Donors ($25-$99): Jill Bain | James & Gabrielle Barrett-Lennard | Richard Beecher* | G. Pat Blunden* | David Brent | Edgar Bridwell | Gordon Briggs | David Bronstein | Alexandra Charlton | Norma Chatwin* | Brian Coleman* | Bette Cosar* | Greg Cross* | Bing Dai | Judith Davis* | Mary Davison | Jacqueline Day | Dr Gaelan de Wolf* | Colleen Dixon | Anne Duranceau | Gary Dunn | Gail Edwards | Jonathan Fink | Kenneth Friedman* | Joe Gilling | Jason Hall | Lois Johnson | Susan Johnson | Sylwia Karwowska | Heather Kennedy | Janet Kidnie | In Memory of Harold Knutson | Yolande LaFleur | In memory of Edgar Latimer* | Fiona MacKay | Reva Malkin* | Danielle Papineau | Scott Paterson* | Catherine Pedersen | Caroline Penn | Jenny Price | Lyse Rowledge | David Ryeburn* | In honour of Verna Semotuk | Kathryn Simonsen | Brian Sutherland | Mr. Ronald Sutherland* | Beverley Taylor* | Barbara Turner | Teresa Vandertuin | Esther Vitalis | In Honour of Valerie Weeks | In honour of Alexander Weimann | C & H Williams* | Nineteen Anonymous Donors These listings include donations received prior to February 26, 2020 * A Special Thank-You to our Loyal Long-Time Donors The names in these listings which are marked with an asterisk [*] indicate donors who have supported Early Music Vancouver annually for five years or more. Their loyal and ongoing generosity has been especially valued, and has helped ensure that we can plan our annual projects & seasons with confidence and with a solid sense of security. Thank you!

early music vancouver | endowment fund donors

We also gratefully acknowledge the select group of donors who, in addition to their annual donations, have generously contributed to Early Music Vancouver’s Endowment Fund – which is administered by the Vancouver Foundation, and which currently stands at over 1.8 million dollars. Interest from this Fund will continue to support our performances & activities in perpetuity.  ($100,000+): The Drance Family Early Music Vancouver Fund  ($20,000+): Vic & Joan Baker | Ralph Spitzer & Hisako Kurotaki | José Verstappen | Two Anonymous Donors  ($5,000+): A donation in memory of Tom Blom | Frank & Helen Elfert | Marianne Gibson | The Nemetz Foundation | Dr Katherine E Paton | Marcia Sipes | A donation in memory of Peter Wood  ($2,500+): The RPC Family Foundation | Maurice & Tama Copithorne | Heather Franklyn | Tony & Margie Knox | James C. & Wendy Russell | Anona Thorne & Takao Tanabe  ($1,000+): A donation in memory of Mrs Betty Drance | Patrick Gilligan-Hackett | Dorothy Jantzen | Ottie Lockey & Eve Zaremba | Susanne Lloyd | Greg Louis | Glenys McDonald | Dr Robert S Rothwell | Karen Shuster | Zelie & Vincent Tan | Lorna Weir | Four Anonymous Donors  (up to $1,000): Evelyn Anderson | Alan & Elizabeth Bell | Meo Beo | Jeffrey Black & Mary Chapman | L & C Bosman | A donation in memory of C Y Chiu | Mary Christopher | Gillian & Mike Collins | A donation in memory of Basil Stuart-Stubbs | Judith Davis | Jane Flick & Robert Heidbreder | Dr Val Geddes | Margot Guthrie | Linda Johnston | Peter Kwok | Elizabeth Lamberton | Rob Mayhew | Janette McMillan & Douglas Graves | Benjamin Milne | Alberto Mondani | A donation in memory of Nikolai Korndorf | Alfred & Jennifer Muma | Barbara Murray | Judith & Greg Phanidis | Connie Piper | Pam Ratner & Joy Johnson | Joan Rike | Elfriede & Peter Rohloff | David Ryeburn | Jo & Bob Tharalson | John Tulip | James Walsh | Fran Watters | Glenys Webster & Paul Luchkow | Donations in honour of Spencer & Pam Corrigal | Five Anonymous Donors earlymusic.bc.ca Telemann and C.P.E. Bach Chamber Works Early Music Vancouver 2019 | 2020  9 Insert - b  Early Music Vancouver 2019 | 2020 Telemann and C.P.E. Bach Chamber Works [email protected]