10.18 Mozart in Paris2 Program & Notes
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A Comparative Analysis of the Six Duets for Violin and Viola by Michael Haydn and Wolfgang Amadeus Mozart
A COMPARATIVE ANALYSIS OF THE SIX DUETS FOR VIOLIN AND VIOLA BY MICHAEL HAYDN AND WOLFGANG AMADEUS MOZART by Euna Na Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2021 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Frank Samarotto, Research Director ______________________________________ Mark Kaplan, Chair ______________________________________ Emilio Colón ______________________________________ Kevork Mardirossian April 30, 2021 ii I dedicate this dissertation to the memory of my mentor Professor Ik-Hwan Bae, a devoted musician and educator. iii Table of Contents Table of Contents ............................................................................................................................ iv List of Examples .............................................................................................................................. v List of Tables .................................................................................................................................. vii Introduction ...................................................................................................................................... 1 Chapter 1: The Unaccompanied Instrumental Duet... ................................................................... 3 A General Overview -
Julie Andrijeski's Cabinet of Wonders at Tregoning & Company (Nov
Julie Andrijeski’s Cabinet of Wonders at Tregoning & Company (Nov. 12) by Nicholas Jones Cleveland-based Baroque violinist Julie Andrijeski, well-known to area audiences for her performances with Les Délices and Apollo’s Fire, premiered a new project on Saturday, November 12 in a lively concert at the Tregoning & Company gallery on West 78th Street. Surrounded by Giancarlo Calicchia’s striking sculptures, Andrijeski and friends performed fascinating works by neglected 17th-century European composers. With the support of a 2016 Creative Workforce Fellowship from the Community Partnership for Arts and Culture (funded by Cuyahoga Arts & Culture), Andrijeski is currently on research leave from her teaching and conducting duties at Case Western Reserve University. She is devoting her time to studying the enormous archive of early Baroque music for the violin, collections that are still for the most part unedited, and little performed. Spending time in this treasure trove of music, according to Andrijeski, is like visiting one of the strange cabinets of curiosities that scholars and collectors assembled in that time of scientific and artistic exploration. In such a “Wonder Chamber” — in German, a Wunderkammer — one might encounter such diverse specimens as a stuffed crocodile, a nautilus shell, a neolithic axe, or a cloisonné bowl: things that fascinated and baffled the inquisitive minds of the times. A sense of discovery was evident throughout the evening. While the composers included some familiar names, such as Dieterich Buxtehude and Jan Pieterszoon Sweelinck, we also heard pieces by the little-known German Johann Schop (ca. 1590-1667) and the Austrian violinist Johann Heinrich Schmeltzer (ca. -
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557249bk Buxtehude US 7/10/05 5:16 pm Page 8 Dietrich Buxtehude (c.1637–1707): Complete Chamber Music • 2 Seven Trio Sonatas, Op. 2 BUXTEHUDE Sonata No. 1 in B flat major, 8:33 Sonata No. 5 in A major, 9:15 BuxWV 259 BuxWV 263 Seven Trio Sonatas, Op. 2 1 Allegro 1:23 ^ Allegro 1:01 2 Adagio – Allegro 2:23 & Violino solo – Concitato 3:19 John Holloway, Violin 3 Grave 1:34 * Adagio: Viola da gamba solo 1:21 4 Vivace – Lento 1:14 ( Allegro – Adagio 1:19 Jaap ter Linden, Viola da gamba 5 Poco adagio – Presto 1:59 ) 6/4 – Poco presto 2:14 Lars Ulrik Mortensen, Harpsichord Sonata No. 2 in D major, 9:06 Sonata No. 6 in E major, 8:37 BuxWV 260 BuxWV 264 6 Adagio – Allegro – Largo 3:13 ¡ Grave – Vivace 3:23 7 Ariette, Parte I–X 3:40 ™ Adagio – Poco presto – Lento 3:39 8 Largo – Vivace 2:14 £ Allegro 1:34 Sonata No. 3 in G minor, 10:54 Sonata No. 7 in F major, 8:15 BuxWV 261 BuxWV 265 9 Vivace – Lento 3:07 ¢ Adagio – 4/4 3:02 0 Allegro – Lento 1:25 ∞ Lento – Vivace 2:20 ! Andante 3:16 § Largo – Allegro 2:53 @ Grave – Gigue 3:06 This recording has been based on the following editions: Dieterich Buxtehude: VII. Suonate à doi, Sonata No. 4 in C minor, 8:32 Violino & Violadagamba, con Cembalo, Opus. 1, BuxWV 262 Hamburg [1694] – Opus 2, Hamburg 1696. Facsimile # Poco adagio 1:45 edition, vol. 1-2, with an introduction by Kerala J $ Allegro – Lento 2:03 Snyder. -
Nov 23 to 29.Txt
CLASSIC CHOICES PLAYLIST Nov. 23 - Nov. 29, 2020 PLAY DATE: Mon, 11/23/2020 6:02 AM Antonio Vivaldi Concerto for Viola d'amore, lute & orch. 6:15 AM Wolfgang Amadeus Mozart Divertimento for Winds 6:29 AM Georg Muffat Sonata No.1 6:42 AM Marianne Martinez Sinfonia 7:02 AM Georg Philipp Telemann Concerto for 2 violas 7:09 AM Ludwig Van Beethoven Eleven Dances 7:29 AM Henry Purcell Chacony a 4 7:37 AM Robert Schumann Waldszenen 8:02 AM Johann David Heinichen Concerto for 2 flutes, oboes, vn, string 8:15 AM Antonin Reicha Commemoration Symphony 8:36 AM Ernst von Dohnányi Serenade for Strings 9:05 AM Hector Berlioz Harold in Italy 9:46 AM Franz Schubert Moments Musicaux No. 6 9:53 AM Ernesto de Curtis Torna a Surriento 10:00 AM Wolfgang Amadeus Mozart Rondo for horn & orch 10:07 AM Wolfgang Amadeus Mozart Divertimento No. 3 10:21 AM Wolfgang Amadeus Mozart Piano Sonata 10:39 AM Wolfgang Amadeus Mozart Allegro for Clarinet & String Quartet 10:49 AM Wolfgang Amadeus Mozart Divertimento No. 8 11:01 AM Aaron Copland Appalachian Spring (Ballet for Martha) 11:29 AM Johann Sebastian Bach Violin Partita No. 2 12:01 PM Bedrich Smetana Ma Vlast: The Moldau ("Vltava") 12:16 PM Astor Piazzolla Tangazo 12:31 PM Johann Strauss, Jr. Artist's Life 12:43 PM Luigi Boccherini Flute Quintet No. 3 12:53 PM John Williams (Comp./Cond.) Summon the Heroes 1:01 PM Ludwig Van Beethoven Piano Trio No. 1 1:36 PM Margaret Griebling-Haigh Romans des Rois 2:00 PM Johann Sebastian Bach Konzertsatz (Sinfonia) for vln,3 trpts. -
Amherst Early Music Festival Directed by Frances Blaker
Amherst Early Music Festival Directed by Frances Blaker July 8-15, and July 15-22 Connecticut College, New London CT Music of France and the Low Countries Largest recorder program in U.S. Expanded vocal programs Renaissance reeds and brass New London Assembly Festival Concert Series Historical Dance Viol Excelsior www.amherstearlymusic.org Amherst Early Music Festival 2018 Week 1: July 8-15 Week 2: July 15-22 Voice, recorder, viol, violin, cello, lute, Voice, recorder, viol, Renaissance reeds Renaissance reeds, flute, oboe, bassoon, and brass, flute, harpsichord, frame drum, harpsichord, historical dance early notation, New London Assembly Special Auditioned Programs Special Auditioned Programs (see website) (see website) Baroque Academy & Opera Roman de Fauvel Medieval Project Advanced Recorder Intensive Ensemble Singing Intensive Choral Workshop Virtuoso Recorder Seminar AMHERST EARLY MUSIC FESTIVAL FACULTY CENTRAL PROGRAM The Central Program is our largest and most flexible program, with over 100 students each week. RECORDER VIOL AND VIELLE BAROQUE BASSOON* Tom Beets** Nathan Bontrager Wouter Verschuren It offers a wide variety of classes for most early instruments, voice, and historical dance. Play in a Letitia Berlin Sarah Cunningham* PERCUSSION** consort, sing music by a favorite composer, read from early notation, dance a minuet, or begin a Frances Blaker Shira Kammen** Glen Velez** new instrument. Questions? Call us at (781)488-3337. Check www.amherstearlymusic.org for Deborah Booth* Heather Miller Lardin* Karen Cook** Loren Ludwig VOICE AND THEATER a full list of classes by May 15. Saskia Coolen* Paolo Pandolfo* Benjamin Bagby** Maria Diez-Canedo* John Mark Rozendaal** Michael Barrett** New to the Festival? Fear not! Our open and inviting atmosphere will make you feel at home Eric Haas* Mary Springfels** Stephen Biegner* right away. -
Join Us for This Summer's Baroque a Cadem Y!
FACULTY Aaron Sheehan, voice PAID U.S. Postage Postage U.S. Brockton, MA Brockton, Non-Profit Org. Non-Profit Org. Julie Andrijeski, violin 1000 No. Permit Debra Nagy, oboe Na’ama Lion, flute Saskia Coolen, recorder Wouter Verschuren, bassoon Jaap ter Linden, cello Heather Miller Lardin, double bass Sarah Cunningham, Paolo Pandolfo, viol Arthur Haas, Peter Sykes, harpsichord Xavier Diaz-Latorre, lute, guitar, and theorbo Drew Minter, opera director Amherst Early Music Festival Jason McStoots, Vocal Soloist Project director at Connecticut College, New London CT Adam Pearl, orchestra conductor Music of France and the Low Countries Saskia Coolen, Director DAILY SCHEDULE MONDAY-FRIDAY 9:00 am Master class 11:00 am Baroque ensembles 1:45 pm Ensembles and special topics 3:30 pm Opera and Vocal Soloists rehearsals PERFORMANCES Thursday, July 12 8:00 pm Baroque Academy Faculty concert Friday, July 13 8:00 pm Opera Project: Lully’s Cadmus et Hermione Saturday, July 14 1:00 pm Baroque Academy Concert 4:30 pm Staged Baroque Cantatas with Vocal Soloists www.amherstearlymusic.org Amherst Early Music, Inc. Amherst Director Marilyn Boenau, Executive Allen House Nathaniel Street Webster 35 MA 02465 Newton West this summer’s Join us for Academy! Baroque THE BAROQUE ACADEMY is a program VIOL INTENSIVE Viol players will work for emerging professional singers and instrumentalists with two master viol teachers: Sarah Cunningham who want to develop their understanding and perfor- and Paolo Pandolfo. All-day viol program will mance of Baroque repertoire in a high-powered musi- include technical work and coaching on gorgeous cal environment. Immerse yourself in 17th and 18th viol repertoire by Marais, Couperin, and Forqueray. -
Boccherini and the Prussian Court the Famous Praise of Boccherini By
Filling the void – Boccherini and the Prussian Court The famous praise of Boccherini by the French Violin Master, Jean Baptiste Cartier, says it all: (Quote): Si Dieu voulait parler à l’homme en musique, il le ferait avec les œuvres de Haydn, mais s’Il desirait Lui-même écouter de la musique, Il choisirait Boccherini." “If God wanted to speak to men through music, He would do it with the oeuvres of Haydn, but if He himself wished to listen to music, He would choose Boccherini”. Elegance and lucidity, softness and sensibility are some of the outstanding qualities of Luigi Boccherini´s music. In his time he was one of the most loved composers in Europe, one of a few. His music was held in high esteem in Spain, France, the Netherlands and Belgium as well as in Scandinavia, Austria and in Germany. During the short period of 14 years, from 1783 to 1797, chamber music compositions by Boccherini were played frequently in Berlin and in Potsdam by the prince and heir Friedrich Wilhelm, who was a nephew of the late Friedrich II, “the Great” and a passionate cello player. He became King of Prussia after the death of his predessor on August 17th 1786. Already at the beginning of this year, on the 21st of January, Friedrich Wilhelm had appointed Boccherini to be his “compositore della nuestra camera”. From that time on Boccherini delivered about twelve new works of chamber music every year to the Prussian Court. Boccherini´s service was rewarded by 1000 Prussian crowns (Taler) yearly. From now on Boccherini dedicated all his compositions to the King of Prussia and he always signed his letters with the words “compositor di camera di S. -
ROCKPORT CHAMBER MUSIC FESTIVAL 1992-1996 June 4-28, 1992
ROCKPORT CHAMBER MUSIC FESTIVAL 1992-1996 LOCATION: ROCKPORT ART ASSOCIATION 1992 June 4-28, 1992 Lila Deis, artistic director Thursday, June 4, 1992 GALA OPENING NIGHT CONCERT & CHAMPAGNE RECEPTION New Jersey Chamber Music Society Manhattan String Quartet Trio in C major for flute, violin and cello, Hob. IV: 1 Franz Joseph Haydn (1732-1809) Suite No. 6 in D major, BWV 1012 (arr. Benjamin Verdery) Johann Sebastian Bach, (1685-1750) Trio for flute, cello and piano Ned Rorem (1923-) String Quartet in D minor, D. 810 Franz Schubert (1797-1828) Friday, June 5, 1992 MUSIC OF THE 90’S Manhattan String Quartet New Jersey Chamber Music Society Towns and Cities for flute and guitar (1991) Benjamin Verdery (1955-) String Quartet in D major, Op. 76, No. 5 Franz Joseph Haydn (1732-1809) Quartet in E-flat major for piano and strings, Op. 87 Antonín Dvořák (1841-1904) Saturday, June 6, 1992 New Jersey Chamber Music Society Manhattan String Quartet Sonata in F minor for viola and piano, Op. 120, No. 1 Johannes Brahms (1833-1897) String Quartet No. 4 Dmitri Shostakovich (1906-1975) Trio in E-flat major for piano and strings, Op. 100, D.929 Franz Schubert (1797-1828) Sunday, June 7, 1992 SPANISH FIESTA Manhattan String Quartet New Jersey Chamber Music Society With Lila Deis, soprano La Oración del Torero Joaquin Turina (1882-1949) Serenata for flute and guitar Joaquin Rodrigo (1902-) Torre Bermeja Isaac Albeniz (1860-1909) Cordóba (arr. John Williams) Albeniz Siete Canciones Populares Españolas Manuel de Falla (1876-1946) Navarra for two violins and piano, Op. -
The String Quartet from 1750 to 1870: from the Private to the Public Sphere
INTERNATIONAL CONFERENCE THE STRING QUARTET FROM 1750 TO 1870: FROM THE PRIVATE TO THE PUBLIC SPHERE 29 November – 1 December 2013 Lucca, Complesso monumentale di San Micheletto PROGRAMME ORGANIZED BY CENTRO STUDI OPERA OMNIA LUIGI BOCCHERINI www.luigiboccherini.org THE STRING QUARTET FROM 1750 TO 1870: FROM THE PRIVATE TO THE PUBLIC SPHERE International Conference 29 November – 1 December 2013 Lucca, Complesso monumentale di San Micheletto Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane - Centre de musique romantique française, Venice In association with Italian National Edition of Luigi Boccherini’s Complete Works Ad Parnassum Journal ef SCIENTIFIC COMMITEE Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini) Étienne Jardin (Palazzetto Bru Zane - Centre de musique romantique française) Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini) Luca Lévi Sala (Université de Poitiers) Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini) Christian Speck (Universität Koblenz-Landau) ef KEYNOTE SPEAKERS Cliff Eisen (King’s College, London) Christian Speck (Universität Koblenz-Landau) FRIDAY 29 NOVEMBER 9.00-10.00: Welcome and Registration 10.00-10.30: Opening • MASSIMILIANO SALA (President Centro Studi Opera Omnia Luigi Boccherini) • ÉTIENNE JARDIN (Scientific Coordinator Palazzetto Bru Zane) • CHRIstIAN SPECK (President Italian National Edition of Boccherini’s Complete Works) Room 1 – Beethoven and the String Quartet (Chair: Rohan H. Stewart-MacDonald, Cheltenham, UK) 10.30-12.30 • Nancy -
Peoria Symphony Orchestra Program Notes March 9, 2019 Michael Allsen
Peoria Symphony Orchestra Program Notes March 9, 2019 Michael Allsen This program brings together four works from the late 18th century, opening with the Beethoven’s classically-styled first symphony, a work that pays tribute to his mentor Haydn. Our principal cellist, Adriana LaRosa Ransom, then takes center stage as soloist in two works by the Italian composer and cellist Luigi Boccherini: his fine Concerto in B- flat Major, and his Spanish-flavored Fandango, which has been specially arranged for this program by Maestro Stelluto. We close with Haydn’s dramatic Symphony No. 103, one of his great “London” symphonies—the capstones of his long career as a symphonist. Ludwig van Beethoven (1770-1827) Symphony No. 1 in C Major, Op. 21 Beethoven composed his first symphony in 1799-1800, and it was first performed in 1800 in Vienna. Duration 25:00. Beethoven’s early career seems to have been a period of systematically mastering successive genres, starting from the small and working towards the large. While he was still a teenager in Bonn, he produced mostly small-scale Lieder, piano works, and chamber works. By the time he published his Op. 1 piano trios (1795) and Op. 2 piano sonatas (1796), he was a young composer who had already made the Viennese public sit up and take notice. These early works are thoroughly Classical in character, very much in the style of Mozart and Haydn—it is obvious that the younger composer had carefully studied the works of his great Viennese predecessors, and adopted many of their techniques. The Op. -
Sonatas Troisième Livre De Sonates Op
ECM Jean-Marie Leclair: Sonatas Troisième Livre de Sonates op. 5 Sonatas Nos. 1, 3, 4, 7 and 8 John Holloway: violin; Jaap ter Linden: violoncello; Lars Ulrik Mortensen: harpsichord ECM New Series 2009 0289 476 6280 (8) Release: November 2008 This is playing that fizzes with intelligence, combining intensity, percipience and drama in equal measure. Peter Quinn, International Record Review, reviewing John Holloway’s recording of the complete unaccompanied works by Bach (2006) Lacemaker, dancer, ballet master, violinist, composer. Founder of the French violin school and a typical exponent of the “mixed tastes” of Italian and French compositional styles. Wayfaring virtuoso and victim of a never fully elucidated murder in his own garden in Paris: Jean-Marie Leclair (1697–1764) is one of the most fascinating figures in French music history. He was famous for the rare beauty of his sound on the violin and for the originality of his compositions in which, according to his contemporaries, he created “new things which were entirely his own.” In today’s concert life, though, Leclair is all but forgotten. John Holloway now offers a strong plea for Leclair’s violin sonatas. “The best violinist- composers write things for the instrument which non-violinists normally don’t trust themselves to do, they explore colours and shades in a quite unique way”, says Holloway in an interview for this CD’s booklet. Leclair is a logical step after his exemplary recordings of works by Corelli, Schmelzer, Biber, Veracini and others. However, conceiving of his trio as a partnership among equals, it is not the demonstratively virtuosic pieces Holloway is most interested in, but, rather, sonatas with elaborate chamber music qualities and ambitious contrapuntal settings. -
T. Koopman & Amsterdam Baroque Orchestra & Choir
_crar ~cr- :xxh :2- -5: =-:.-:: 7' .ocr _o(ob -e __- ::Si2"a::-:cc--~ ,,::" JC' fC :::e;:: .--,: 2 Johann Sebastian BACH(1685-1750) COMPLETE CANTATAS/L'INTEGRALE DES CANTATES DAS KANTATENWERK . VOLUME 3 BARBARASCHLICK,CAROLINESTAM,RUTHHOLTON,ELSBONGERS,soprano ELISABETHYON MAGNUS, soprano If, alto ANDREASSCHOU,alto(BWV 54) PAULAGNEW,lenor KLAUSMERTENS,boss THE AMSTERDAM BAROQUE ORCHESTRA & CHOIR TON KOOPMAN 3 2 JohannSebastianBACH(1685-1750) COMPLETECANTATAS/L'INTEGRALEDESCANTATES DASKANTATENWERK VOLUME3 BARBARASCHLICK,CAROLINESTAM,RUTHHOLTON,ELSBONGERS,soprano ELISABETHVON MAGNUS,sopranoII, alto ANDREASSCHOU,alto (BWV 54) PAULAGNEW,lenor KLAUSMERTENS,boss THEAMSTERDAMBAROQUEORCHESTRA& CHOIR TON KOOPMAN 3 COMPACTDISC1 70'13 P~/ 5eite "Christen, iitzet diesen Tag" BWV 63 28'20 Feria 1 Nativitatis Christi For the 1st day. of Christmas/Pour Ie I~ jour de Noel/Erster Weihnachtstag Text: Anon., Johann Michael Heineccios (?). 171.8 Ruth Holton, soprano [I] Chorale (Chorus): "Christen, otzel diesen Ta~" £148 [43] Violins, Violas, Cel/o, Double bass, Oboes, Trumpets, Timpani, Bassoon, Organ W Recitative(Altol:"a seiger Tag! 0 ungemeines Heute" -< " [43J Violins, Violas, Cel/o, Double -bass, Organ OJ Duel (Soprano, Bassi: "Gott. du hast es wohl gefuget" v [45] Oboe, Cel/o, Organ ""':::,' m Recitative (Tenor): "So kehret sich nun heut das bange leid" [45] Cel/a, Organ []] Duet (Alto, Tenorl: "Run und flehl den Himmel an" [45] Violins, Violas, Cel/i, Double bass, Organ W Recitative(Bass): "Verdoppelt euch demnach" [45] Violins, Violas, Cel/i, Double bass, Oboes, Bassoon, Organ [[] Chorale (Chorus): "HOchsler,schau in Gnaden an" [47] Violins, Violas, Cel/i, Double bass, Oboes, Trumpets,Timpani Bossoor C>-F "Ach, ich sehe, ilzt, do ich zur Hachzeit gehe" BWV 162 16"22 Dominica 20 post Trinitatis For the 20th Sunday aner Trinity/Pour Ie 20' Dimanche ap<es Ie ~""" e.