St. Michael the Archangel in Late Antiquity Christopher West University of Colorado at Boulder, [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

St. Michael the Archangel in Late Antiquity Christopher West University of Colorado at Boulder, Christophertmwest@Gmail.Com View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CU Scholar Institutional Repository University of Colorado, Boulder CU Scholar Undergraduate Honors Theses Honors Program Fall 2014 St. Michael the Archangel in Late Antiquity Christopher West University of Colorado at Boulder, [email protected] Follow this and additional works at: http://scholar.colorado.edu/honr_theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, History of Religion Commons, and the Medieval History Commons Recommended Citation West, Christopher, "St. Michael the Archangel in Late Antiquity" (2014). Undergraduate Honors Theses. Paper 737. This Thesis is brought to you for free and open access by Honors Program at CU Scholar. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of CU Scholar. For more information, please contact [email protected]. Christopher West Department of Classics University of Colorado at Boulder November 4, 2014 Primary Thesis Advisor Noel Lenski, Department of Classics Honors Council Representative Sarah James, Department of Classics Committee Members Scott Bruce, Department of History Anne Lester, Department of History CONTENTS INTRODUCTION .......................................................................................................................... 3 CHAPTER I: Michael and Angels in Biblical Scripture ............................................................... 5 CHAPTER II: Michael and Angels in Patristic Doctrine ............................................................. 24 CHAPTER III: Michael’s Cult in the Greek East ......................................................................... 49 CHAPTER IV: Greek East to Latin West..................................................................................... 79 BIBLIOGRAPHY ....................................................................................................................... 104 ABSTRACT This study examines the late ancient cult of St. Michael the Archangel, focusing on its emergence in the eastern Roman Empire during the closing centuries of antiquity and ensuing transfer into the western Mediterranean world by the early medieval period. Chapter I surveys portrayals of angels and Michael in the biblical canon and reviews basic patristic interpretations of these scriptural sources. Chapter II reconstructs intertwined fourth-century Christological and angelological doctrinal controversies, the resolution of which established fundamental ontological and cosmological understandings about angels, including Michael, on literary planes of Christian doctrine. Chapter III recounts the blossoming of imperially sanctioned Michaeline veneration within cultic and ritual settings throughout the late ancient eastern empire. Finally, Chapter IV explores the gradual spread of the cult of St. Michael the Archangel from Greek East to Latin West over the course of the fifth, sixth, and seventh centuries. Together, these chapters argue that by the closing centuries of Late Antiquity the tense religious environment of the eastern Roman Empire had forged Michael’s nascent cult into a doctrinally elucidated and imperially sanctioned religious system equipped for “export” to the western Mediterranean. Subsequently, over the course of the fifth, sixth, and seventh centuries the eastern cult of the Archangel was successfully introduced into the Latin West. Therefore, the vibrant setting of the late ancient Greek East proved to be the crucible of St. Michael’s later efflorescence as a figure of sanctioned veneration in the cultic and liturgical practices of the Roman Church in Western Europe. INTRODUCTION A late ancient hagiography composed in Greek tells the story of a hermit who lived at a shrine in Anatolia. There, heralded by a pillar of bright flame searing upwards from earth into the heavens, Michael the Archangel appeared to him. The Archangel made a promise: All who flee to this place in faith and in fear, calling upon the Father and the Son and the Holy Spirit and Michael the Arxistrategos, swearing an oath by my name and the name of God, will not depart in despair, but instead the grace of God and my power will overshadow this place.1 A few centuries later Michael showed himself again, this time far to the west across the waters of the Mediterranean in Italy. A Latin hagiography describes the intent of his coming: Lo! I am Michael the Archangel, who stands always in sight of the Lord. And undertaking to protect this place and the people of this land, I resolved to demonstrate by this sign that I am the watcher and guardian of this place and all things which are done here.2 After Michael’s appearance the Latin hagiography reports, “When the revelation was told and made known to the citizens they established the custom of praying there to God and St. Michael.”3 By the end of antiquity, the Archangel had thus augured his presence in both Greek East and Latin West, separate spheres of a far-flung Mediterranean world, commanding devotees in each who entreated his character. What processes precipitated these expressions of religious faith? 1 M. Bonnet, ed., Narratio de miraculo a Michaele Archangelo Chonis patrat (Paris, 1890). πᾶς ὅστις καταφύγῃ ἐν τῷ τόπῳ τούτῳ ἐν πίστει καὶ φόβῳ ἐπικαλούμενος πατέρα καὶ υἱὸν καὶ ἅγιον πνεῦμα καὶ Μιχαὴλ τὸν ἀρχιστράτηγον, μὰ τὸ τοῦ θεοῦ ὄνομα καὶ τὸ ἐμόν, οὐ μὴ ἐξέλθῃ λυπούμενος. ἡ δὲ χάρις τοῦ θεοῦ καὶ ἡ δύναμίς μου ἔσται ἐπισκιάζουσα ἐνταῦθα. 2 Richard Johnson, ed., Liber de apparitione sancti Michaelis in monte Gargano, printed in St. Michael the Archangel in Medieval English Legend, (Woodbridge: The Boydell Press, 2005), 111. Ego enim sum Michaelus archangelus, qui in conspectu Domini semper adsisto. Locumque hunc in terra incolasque servare instituens, hoc volui probare inditio omnium quae ibi geruntur ipsiusque loci esse inspectorem atque custodem. 3 Johnson, Liber de apparitione. Hac revelatione conperta, consuetudinem fecerunt cives hic Dominum sanctumque deposcere Michaelem. | 4 This study examines the late ancient cult of St. Michael the Archangel, focusing on its emergence in the eastern Roman Empire during the closing centuries of antiquity and ensuing transfer into the western Mediterranean world by the early medieval period. Chapter I surveys portrayals of angels and Michael in the biblical canon and reviews basic patristic interpretations of these scriptural sources. Chapter II reconstructs intertwined fourth-century Christological and angelological doctrinal controversies, the resolution of which established fundamental ontological and cosmological understandings about angels, including Michael, on literary planes of Christian doctrine. Chapter III recounts the blossoming of imperially sanctioned Michaeline veneration within cultic and ritual settings throughout the late ancient eastern empire. Finally, Chapter IV explores the gradual spread of the cult of St. Michael the Archangel from Greek East to Latin West over the course of the fifth, sixth, and seventh centuries. Together, these chapters reveal that by the closing centuries of Late Antiquity the tense religious environment of the eastern Roman Empire had forged Michael’s nascent cult into a doctrinally elucidated and imperially sanctioned religious system equipped for “export” to the western Mediterranean. Subsequently, over the course of the fifth, sixth, and seventh centuries the eastern cult of the Archangel was successfully introduced into the Latin West. Therefore, the vibrant setting of the late ancient Greek East proved to be the crucible of St. Michael’s later efflorescence as a figure of sanctioned veneration in the cultic and liturgical practices of the Roman Church in Western Europe. CHAPTER I Michael and Angels in Biblical Scripture Portrayals of Michael and angels in both the Hebrew Bible and the New Testament constituted essential antecedents for the development of the Archangel’s character in late ancient Christianity. Although mentions of Michael in the biblical canon prove relatively sparse (his name appears only in brief passages from Daniel, Revelation, and Jude) the coupling of these portrayals with numerous canonical accounts involving anonymous angels provided late ancient Christians with ample scriptural sources for determining the nature of the Archangel’s character on planes of both literary doctrine and cultic ritual practice. As we shall see throughout this study, churchmen consistently depended upon scriptural material as they engaged various passages of an increasingly authoritative biblical canon to craft enduring conceptions about angels and Michael over the course of Late Antiquity.1 Moreover, because the raw biblical canon preserved dramatic ambiguities in its portrayals of angels, patristic churchmen derived competing, and oftentimes even conflicting, understandings about angels from scripture as they formulated ideas in response to the opposing doctrines of their theological rivals. Within the context of the heated doctrinal feuds that racked late ancient Christianity, such conflicting interpretations usually centered upon disparate understandings about the nature of the relationship between angels and Christ: some Christian sects associated Christ with angels, whereas others emphasized the Son’s inherent supremacy 1 Of course, the set of texts known today as “the Bible” was not a universally accepted, neatly packaged canon throughout much of Late Antiquity. The canonicity of
Recommended publications
  • St. Michael and Attis
    St. Michael and Attis Cyril MANGO Δελτίον XAE 12 (1984), Περίοδος Δ'. Στην εκατονταετηρίδα της Χριστιανικής Αρχαιολογικής Εταιρείας (1884-1984)• Σελ. 39-62 ΑΘΗΝΑ 1986 ST. MICHAEL AND ATTIS Twenty years ago, when I was working on the apse mosaics of St. Sophia at Constantinople, I had ample opportunity to contemplate what is surely one of the most beautiful works of Byzantine art, I mean the image of the archangel Gabriel, who stands next to the enthroned Theotokos (Fig. 1). Gabriel is dressed in court costume; indeed, one can affirm that his costume is imperial, since he is wearing red buskins and holding a globe, the symbol of universal dominion. Yet neither the Bible nor orthodox doctrine as defined by the Fathers provides any justification for portraying an archangel in this guise; no matter how great was his dignity in heaven, he remained a minister and a messenger1. Only God could be described as the equivalent of the emperor. How was it then that Byzantine art, which showed extreme reluctance to give to Christ, the pambasileus, any visible attributes of royalty other than the throne, granted these very attributes to archangels, who had no claim to them? An enquiry I undertook at the time (and left unpublished) suggested the following conclusions: 1. The Byzantines themselves, I mean the medieval Byzantines, could offer no reasonable explanation of the iconography of archangels and seemed to be unaware of its meaning. On the subject of the globe I found only two texts. One was an unedited opuscule by Michael Psellos, who, quite absurdly, considered it to denote the angels' rapidity of movement; "for", he says, "the sphere is such an object that, touching as it does only a tiny portion of the ground, is able in less than an instant to travel in any direction"2.
    [Show full text]
  • Ce Document Fait Partie Des Collections Numériques Des Archives Paul Perdrizet, Le Projet De Recherche Et De Valorisation Des A
    G. F. Hill « Apollo and St. Michael : some analogies » Journal of Hellenic Studies, 1916, Vol. XXXVI, p. 134-162. Ce document fait partie des collections numériques des Archives Paul Perdrizet, le projet de recherche et de valorisation des archives scientifiques de ce savant conservées à l’Université de Lorraine. Il est diffusé sous la licence libre « Licence Ouverte / Open Licence ». http://perdrizet.hiscant.univ-lorraine.fr J_\POLLO AND ST. 1VIICHAEL: . SOME ANALOGIES BY G. F. HILL REPRINTED :fROM THE JOURNAL OF HELLENIÇ STUDIES, VOL. XXXYI 1916 . APOLLO AND S'l'. MICHAEL: SOME AN ALOGIES. L-'l'HE FouNDATION LEGEND ·oF THE SHRINE OF APOLLO SMINTHEus. ON the coins of Alexandria Troas of Roman date we find certain types, which are evidently related to the story of the foundation of th e Smintheion; as well as another which may refer to the foundation of the city itself. They have been discussed at length by W roth.1 The most remarkable (Fig. 1, c~) shows on t he left a grotto, surmounted by a cultus-statue of a b d J FIG. l.- ÜOINS OF A LEXANDRIA T ROAS. Apollo Srnin ~heus; within t he grotto is another statue, precisely similar, but lying on the ground. Before the grotto stands a herdsman, holding a pedum in his left hand, and raising his right in a gesture which, as Wroth says, may be interpreted as expressing eit her adoration or surprise. ' On the right, a bull is seen running away, as if terror-stricken, with its head turned back 1 B.M-0.
    [Show full text]
  • C:\NBWIN\MSCRIPT\THESIS~1.MST Job 1
    Our Present Object: Dynamic and Powerful Eschatology Alongside Dynamic and Powerful Political Ideology in the Historical Work of Eusebius and His Continuators by Drew Kenley Maxwell A Thesis submitted to the Faculty of the University of St. Michael’s College and the Historical Department of the Toronto School of Theology. In partial fulfilment of the requirements for the degree of Doctor of Philosophy in Theology awarded by the University of St. Michael’s College. © Copyright by Drew Kenley Maxwell 2015 Our Present Object: Dynamic and Powerful Eschatology Alongside Dynamic and Powerful Political Ideology in the Historical Work of Eusebius and His Continuators Drew Kenley Maxwell Doctor of Philosphy in Theology University of St. Michael’s College 2015 Abstract This study identifies and expounds upon two key constituent elements in the work of the historians of the Eusebian tradition; eschatology and political ideology. Using the ecclesiastical histories of Eusebius, Socrates Scholasticus, Sozomen and Theodoret as its essential primary documents, the study demonstrates that in the content of each historical work there resides a dynamic and powerful eschatology which is also accompanied by a dynamic and powerful political ideology in every instance. Though it is impossible to objectively prove that such a coincidence is absolutely interrelated, the study suggests in a compelling way, and based on the research, that a causal relationship is very likely. In a secondary way, the study is also a witness to an emergent understanding that in Late Antiquity there was a revisioning of eschatology among the theologians of the Early Church which turned from a predominantly apocalyptic understanding of eschatology to one more grounded in history and, more importantly, the historiography of Early Christiainity.
    [Show full text]
  • A Guide to Constantinople
    'JUfV ?n fpop A GUIDE CONSTANTINOPLE " The Galata Bridge From Constantinople" By Ooble and Mfflingen [A. & C BlacKn C8546 ^A GUIDE TO CONSTANTINOPLE BY DEMETKIUS COUFOPOULOS FOURTH EDITION ^ LONDON ADAM AND CHARLESCHAI BLACK * 1910 First Edition published September 1S95. Second Edition, October 1S99 Third March 190'2 Edition, ; reprinted January 1900. Fourth Edition. May 1910. PREFACE TO SECOND EDITION The rapid sale of this Guide, and the praise it has received from tourists that have used it, as well as the changes that have occurred since its publication in the city of Constantinople, encourage me to issue a second edition. In preparing this I have care- rally revised the book throughout, re -writing or adding to some passages where necessary. The maps have been brought up to date, and an alpha- betical index has been added D. G. COUFOPOULOS. September 1899. PREFACE TO FIRST EDITION In issuing this Guide to Constantinople let me say at once that it is designed rather for the use of the ordinary sight-seer than of the specialised student. My aim has been to avoid confusing the reader with too great fulness of historical, topo- graphical, or technical details, but rather to fix his attention on salient points, and to convey to him as succinctly as possible such information as is most likely to be of use to one who, without much previous study, wishes to devote a limited time as pleasantly and profitably as may be to the explora- tion of the City and its Environs. In carrying out this aim I hope that my many years' experience as Dragoman in Constantinople will be found to have been not without their use in enabling me to divine the wants of such a traveller as I have indicated.
    [Show full text]
  • Byzantine and Modern Greek Studies 2 • 2016 Byzantine and Modern Greek Studies
    SCANDINAVIAN JOURNAL OF SCANDINAVIAN JOURNAL OF BYZANTINE AND MODERN GREEK STUDIES 2 • 2016 JOURNAL OF BYZANTINE SCANDINAVIAN BYZANTINE AND MODERN GREEK STUDIES Albrecht Berger 9 Magical Constantinople: statues, legends, and the end of time Paolo Cesaretti 31 The Life of St Andrew the Fool by Lennart Rydén: vingt ans après Hedvig von Ehrenheim 53 Pilgrimage for dreams in Late Antiquity and Early Byzantium: continuity of the pagan ritual or development within Christian miracle tradition? Isabel Kimmelfield 97 Defining Constantinople’s Suburbs through Travel and Geography Paul Magdalino 115 The Apostolic Tradition in Constantinople Myrto Veikou 143 Space in Texts and Space as Text: A new approach to Byzantine spatial notions AnnaLinden Weller 177 Marrying the Mongol Khans: Byzantine Imperial Women and the Diplomacy of Religious Conversion in the 13th and 14th Centuries 201 Book Reviews ISSN 2002-0007 No 2 • 2016 SCANDINAVIAN JOURNAL OF BYZANTINE AND MODERN GREEK STUDIES Vol. 2 2016 1 We gratefully thank the Ouranis Foundation, Athens for the financial support of the present volume Printed by MediaTryck 2016 Layout: Bengt Pettersson 2 CONTENTS ARTICLES Albrecht Berger Magical Constantinople: statues, legends, and the end of time..............9 Paolo Cesaretti The Life of St Andrew the Fool by Lennart Rydén: vingt ans après.....31 Hedvig von Ehrenheim Pilgrimage for dreams in Late Antiquity and Early Byzantium: continuity of the pagan ritual or development within Christian miracle tradition?..................................................................53
    [Show full text]
  • Apollo and St. Michael: Some Analogies Author(S): G
    Apollo and St. Michael: Some Analogies Author(s): G. F. Hill Source: The Journal of Hellenic Studies, Vol. 36 (1916), pp. 134-162 Published by: The Society for the Promotion of Hellenic Studies Stable URL: http://www.jstor.org/stable/625772 . Accessed: 22/10/2013 19:00 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Society for the Promotion of Hellenic Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Hellenic Studies. http://www.jstor.org This content downloaded from 144.32.128.51 on Tue, 22 Oct 2013 19:00:08 PM All use subject to JSTOR Terms and Conditions APOLLO AND ST. MICHAEL: SOME ANALOGIES. 1.-THE FOUNDATION LEGEND OF THE SHRINE OF APOLLO SMINTHEUS. ON the coins of Alexandria Troas of Roman date we find certain types, which are evidently related to the story of the foundation of the Smintheion; as well as another which may refer to the foundation of the city itself. They have been discussed at length by Wroth.1 The most remarkable (Fig. 1, a) shows on the left a grotto, surmounted by a cultus-statue of a -.1 (1 Z f FIcw.
    [Show full text]
  • Das Kloster Von Mavromolos Am Bosporus. Materialien Zur Geschichte Eines Griechischen Klosters in Osmanischer Zeit
    DAS KLOSTER VON MAVROMOLOS AM BOSPORUS. MATERIALIEN ZUR GESCHICHTE EINES GRIECHISCHEN KLOSTERS IN OSMANISCHER ZEIT Dr. MARKUS KOHBACH Der 29. Mai 1453 markiert das Ende einer Epoche griechischer Geschichte. An diesem Tag fiel Konstantinopel in die Hand Osmanen, und wenn man von geringfügigen Resten byzantinischer Gebiete absieht, die zu diesem Zeitpunkt noch unabh.ngig waren und erst in den folgenden Jahren von den Osmanen erobert wurden, kann man verallgemeinernd sagen, daB der Fall Konstantinopels, das Ende des Byzantinischen Reiches, den AbschluB der Unterwerfung des kleinasiatischen und Balkangriechentums unter die türkische Herrschaft bildet. Damit begann für die Griechen jene fast 400 Jahre whrende Periode der ToupxoxpaT(.0c, die Zeit der Fremdherrschaft unter Herren anderer Sprache, Religion und Kulturtradition. Zweifellos war diese Periode drückend, doch bot das von den Osmanen praktizierte millet - System einen gesetzlich definierten Spielraum, innerhalb dessen das Griechentum Religion, Sprache, Kultur- tradition etc. weiterhin pflegen konnte und sich so seine "nati- onale" Identitt bewahrte. Reprsentanten der einzelnen millets, die dem Staat gegenüber verantwortlich waren, waren die geistlichen 11.upter, sodaB dem Klerus in dieser Periode nicht nur eine tra- gende Rolle in Religion und Kultur, sondern auch im politischen Leben zukam 1. Wenn auch im ersten Furor der Eroberung — ob in Konstan- tinopel oder anderswo — zahlreiche Kirchen und Klöster zerstört Eine umfassende, leider vielfach einseitig polemische Darstellung der As- pekte der Dimma, d. h. der rechtlichen Bestimmungen des Islams über den Status der Nichtmuslime, sowie der speziellen osmanischen Praxis enth.1t das Buch von Karl Binswanger, Untersuchungen zum Status der Nichtmuslime im Osmanischen Reich des 16. Jahrhunderts. Mit einer Neudefinition des Begriffes "Dimma".
    [Show full text]
  • GLENN PEERS Subtle Bodies Representing Angels in Byzantium
    Subtle Bodies the transformation of the classical heritage Peter Brown,General Editor i Art and Ceremony in Late Antiquity, by Sabine G. MacCormack ii Synesius of Cyrene: Philosopher-Bishop, by Jay Alan Bregman iii Theodosian Empresses: Women and Imperial Dominion in Late Antiquity, by Kenneth G. Holum iv John Chrysostom and the Jews: Rhetoric and Reality in the Late Fourth Century, by Robert L. Wilken v Biography in Late Antiquity: The Quest for the Holy Man, by Patricia Cox vi Pachomius: The Making of a Community in Fourth-Century Egypt, by Philip Rousseau vii Change in Byzantine Culture in the Eleventh and Twelfth Centuries, by A.P. Kazhdan and Ann Wharton Epstein viii Leadership and Community in Late Antique Gaul, by Raymond Van Dam ix Homer the Theologian: Neoplatonist Allegorical Reading and the Growth of the Epic Tradition, by Robert Lamberton x Procopius and the Sixth Century, by Averil Cameron xi Guardians of Language: The Grammarian and Society in Late Antiquity, by Robert A. Kaster xii Civic Coins and Civic Politics in the Roman East, a.d. 180–275, by Kenneth Harl xiii Holy Women of the Syrian Orient, introduced and translated by Sebastian P. Brock and Susan Ashbrook Harvey xiv Gregory the Great: Perfection in Imperfection, by Carole Straw xv “Apex Omnium”: Religion in the “Res gestae” of Ammianus, by R.L. Rike xvi Dioscorus of Aphrodito: His Work and His World, by Leslie S.B. MacCoull xvii On Roman Time: The Codex-Calendar of 354 and the Rhythms of Urban Life in Late Antiquity, by Michele Renee Salzman xviii Asceticism and Society in Crisis: John of Ephesus and The Lives of the Eastern Saints, by Susan Ashbrook Harvey xix Barbarians and Politics at the Court of Arcadius, by Alan Cameron and Jacqueline Long, with a contribution by Lee Sherry xx Basil of Caesarea, by Philip Rousseau xxi In Praise of Later Roman Emperors: The “Panegyrici Latini,” introduction, translation, and historical commentary by C.E.
    [Show full text]
  • Apse Mosaics of the Virgin Mary in Early Byzantine Cyprus
    APSE MOSAICS OF THE VIRGIN MARY IN EARLY BYZANTINE CYPRUS by Brooke L. Shilling Vol. I A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland October, 2013 © 2013 Brooke L. Shilling All Rights Reserved ABSTRACT The dissertation examines three early Christian apse mosaics preserved in medieval churches on the island of Cyprus. The mosaics of the Panagia Kanakariá at Lythrankomi, the Panagia Angeloktistos at Kiti, and the Panagia tes Kyras at Livadia portray the Virgin Mary as a central figure, representing a significant development after the Council of Ephesos in 431, when she was confirmed as Theotokos (God-bearer). Similar depictions of the Virgin or Virgin and Child would occupy the apse consistently in middle and late Byzantine programs. Despite the notable subject matter and the rare survival of wall and vault mosaics in the Eastern Mediterranean, the group has never been the subject of an extensive inquiry. Part one of the dissertation determines the dates of the apse mosaics using conventional art historical methods and evaluates the original production, decline, and preservation of the mosaics. Part two analyzes and contextualizes the mosaics more fully by concentrating on a set of themes: sacred space and liturgy, metaphor, and intercession. Through these themes, the dissertation explores the prominence of the Virgin Mary in the apse mosaics of Cyprus and investigates the multiple functions of apse decoration in the early Christian period. Prevailing theological interpretations of early Christian apse decoration emphasize the importance of the Virgin for Christology, but overlook other essential functions elaborated here.
    [Show full text]
  • Graham Jones
    Ni{ i Vizantija VI 327 Graham Jones CONSTANTINE’S LEGACY: TRACING BYZANTIUM IN THE HISTORY AND CULTURE OF THE BRITISH ISLES: THE CASE OF THE ARCHANGEL MICHAEL Within England’s historical world-view, Rome has been in continuous focus since the departure of the legions, whether as role-model (through ‘Romanitas’), imperial precursor, or the post-Reformation ‘Other’. Constantinople, on the other hand, particularly after the Great Schism, was increasingly seen through later medieval and into early modern times as the seat of a political and social system caricatured as effete and inward-looking. This gave the word ‘byzantine’ to the English language, meaning tortuous, secretive, conniving. After the fall of Constantinople to the Ottomans in 1453 this caricature was compounded with the stereotypical presentation of what was now Istanbul as Turkish, Muslim, Oriental, and therefore itself ‘Other’, personifying mystery, threat, and deca- dence. This view intensified through the wars with Turkey (whose climaxes, such as Lepanto and Vienna, impacted on western popular consciousness); the Decline of Venice (an important window on the East); and finally the slow de- mise of the Ottoman Empire, the so-called ‘Sick Man of Europe’. Before the eleventh century, it was quite another story, and a number of aspects of a significant influence from the Byzantine world on Insular art and religion have been well explored.1 One thinks of the rich silk, perhaps depict- ing the nature goddess Atargatis, discovered in St Cuthbert’s tomb at Durham, and comparisons
    [Show full text]
  • Constantine the Great and the Churches of Saint Michael at Anaplous and Sosthenion: Some Further Notes on Their Location
    CONSTANTINE THE GREAT AND THE CHURCHES OF SAINT MICHAEL AT ANAPLOUS AND SOSTHENION: SOME FURTHER NOTES ON THEIR LOCATION CONSTANTINO “EL GRANDE” Y LA IGLESIAS DE SAN MIGUEL EN ANAPLOUS Y SOSTHENION: ALGUNAS NOTAS SOBRE SU LOCALIZACIÓN Victoria Casamiquela Gerhold Instituto Multidisciplinario de Historia y Ciencias Humanas Consejo Nacional de Investigaciones Científicas y Técnicas [email protected] Fecha de recepción: 28/08/2020 Fecha de aprobación: 25/02/2021 Resumen Constantino “el Grande” fue considerado por los bizantinos como el fundador de las dos iglesias del Arcángel Miguel en Hestia/Anaplo y Sostherion. Sin embargo, la localización de estas iglesias sigue siendo problemática. Jules Pargoire, en su estudio pionero, ha proporcionado ideas esenciales sobre la cuestión, pero algunos temas necesitan ser reconsiderados. El propósito de este artículo es sistematizar la información existente y ofrecer algunas precisiones con respecto a la posición topográfica de esos santuarios. Palabras clave Constantino “el Grande” - San Miguel – Hestia – Anaplo - Sosthenion Abstract Constantine the Great was considered by the Byzantines to be the founder of two churches of the Archangel Saint Michael at Hestia/Anaplous and Sosthenion. The location of these churches, however, remains somehow problematic. Jules Pargoire’s pioneer study has provided essential insight into the matter, but some issues need to be reconsidered. The purpose of this paper is to systematize the existing information and offer some precisions regarding the topographic
    [Show full text]
  • 1 the Problem with Michael 1
    NOTES 1 The Problem with Michael 1 . Bernardus monachus francus, Itinerarium 18, PL 121.574; F. Avril and J.-R. Gaborit discuss the pilgrimage, “L’Itinerarium Bernardi monachi et les pèlerinages d’Italie du Sud pendant le Haut-Moyen-Âge,” M é langes d’arch é ologie et d’histoire 79 (1967): 269–298. The hagiographical Revelatio ecclesiae de sancti Michaelis details the foundation of Mont Saint-Michel by St. Aubert of Avranches, Revelatio ecclesiae sancti Michaelis archangeli in Monte qui dicitur Tumba V, edited by Pierre Bouet and Olivier Desbordes, Chroniques latines du Mont Saint-Michel (IXe–XIIe si è cle), vol. 1 (Caen: Presses universitaires de Caen, 2009), pp. 98–99. All Latin citations are from Bouet’s edition. Mabillon’s edition is published as Apparitio de Sancti Michaelis in Monte Tumba , AASS, September 8.76–79, which John Charles Arnold translates into English: “The ‘Revelatio Ecclesiae de Sancti Michaelis’ and the Mediterranean Origins of Mont St.-Michel,” The Heroic Age 10 (May 2007), http://www.mun.ca/mst/heroicage/issues/10/arnold. html . All English citations are from that publication. The Bayeux Tapestry famously depicts Harold Godwinson pulling soldiers from quicksand with Mont Saint-Michel in the background. The Museum of Reading has placed online images from its nineteenth- century copy of the tapestry, with that of Harold’s exploits found at http://www.bayeuxtapestry.org.uk/ Bayeux8.htm . 2 . For the most recent analysis of Notre-Dame-sous-Terre, see Christian Sapin, Maylis Bayl é et al., “Arch é ologie du b â ti et arch é om é trie au Mont- Saint-Michel, nouvelles approches de Notre-Dame-sous-Terre,” Arch é ologie m é di é vale 38 (2008): 71–122 and 94 and 97 for the mortar of the “cyclo- pean” wall.
    [Show full text]