Wireless-Engineer-19

Total Page:16

File Type:pdf, Size:1020Kb

Wireless-Engineer-19 THE WIRELESS ENGINEER A ND EXPERIMENTAL WIRELESS VOL. XI. JANUARY, 1934. No. 124 Editorials What is Demodulation? to a non-military condition, and not the collection of the military elements for use. IN our correspondence columns we. publish Similarly, if we turn to a dictionary for a letter from a Canadian reader with examples, we find decarbonise, to deprive reference to the regrettable fact that the of carbon ; dechristianise, to destroy Chris- word " demodulation " is used by different tian elements ; deconsecrate, to deprive in people two entirely different senses. Our of the character given by consecration ; correspondent plumps for the American depopulate, to deprive of population ; and usage, and it may be that there is something so on. In every case the idea is that of the to say for it, but we certainly do not agree restoration or conversion to a different that " demodulation here has its logical condition by the removal or destruction of meaning as related to modulation." In our something. In this country demodulation opinion the American use of the word to is used in this sense, viz.: the partial or mean detection or rectification is a misuse entire removal or suppression of the modu- of the word ; it may be a convenient misuse ; lation, thus restoring the carrier more or it is certainly a very common one in America. less to its original unmodulated condition. Starting from an unmodulated high -fre- If one wanted to use the water which was quency carrier, it is modulated by causing absorbed in a body one would speak of its amplitude to vary. What would anyone extracting the water and not of dehydrating whose judgment had not been warped by the body ; the latter expression would give continual use of the word in a special sense an entirely wrong idea. In our opinion understand by the demodulation of this it is equally wrong and misleading to refer modulated carrier ? Surely the restoration to a valve as a demodulating valve when its to the previous unmodulated state, either function is to extract and pass on the wholly or in part. When an ionised space modulating element from the modulated is said to have been de -ionised one merely carrier, the carrier itself being generally means that the space has been restored to its destroyed. If " rectifier " is undesirable- un -ionised condition, and, generally speaking, and our correspondent appear_, to dislike one does not care what has become of the it in spite of the time-honoured grid -leak ions. When a State is demilitarised, one and anode -bend rectifiers-and it is thought thinks only of the restoration of the State necessary to include the term " modulation," January, '934 2 THE WIRELESS ENGINEER & we would suggest that our American friends correspondent for twenty years. If it is should find something equivalent to " modu- true, or even if there is any truth whatever lation extractor," and leave the word in it, it is a very important matter which " demodulator " for that which really de- calls for immediate investigation. There modulates in the proper sense of the term. should now be available ample data to It would be wrong, however, to assume that prove or disprove the truth of the statement. everybody in America uses the term in Field strength measurements have been preference to " detection" or "rectification." made on many transmitting aerials and it In Radio Engineering, by Terman of Stanford should he a relatively simple matter for University, the word " Demodulation " is to broadcasting authorities to compare measure- be found in the index, but with the reference ments made after one or two years' operation results obtained when the aerial ; the ' ` see Detectors " and it is as Detectors with that they are described in the text. Our was undergoing its preliminary tests. If correspondent is probably correct as to the these investigations show any appreciable date of the coining of the term demodulation. variation in the radiating efficiency of the It is not mentioned in Morecroft's Principles aerial we shall be very surprised, and we of Radio Engineering published in 1921. shall certainly be faced with a problem which will merit the serious attention of all broadcasting organisations. Our corres- The Earth Resistance of pondent does not say whether he suspects Transmitting Aerials the aerial current of falling away from its IN this issue we publish a letter from a initial value-which would be detected by correspondent suggesting that trans- means of an aerial ammeter or whether mitting stations deteriorate rapidly after he thinks that the earth becomes so poisoned commencing operations, and that within that the radiation for a given aerial current a short time the signals which were originally is reduced. Such points can safely be left loud fade away until they can only he heard until we know if there is any objective with difficulty. This is referred to as a experimental support for the alleged pheno- phenomenon which has been known to our menon. G. W. O. H. The new German short-wave centre at Zeesen, near Berlin, with directional aerial " arrays" for transmission to North and South America, South Africa and the Far East. An omni-directional service is also provided for. EXPERIMENTAL. WIRELESS 3 January, 1934 Ultra -short Radio Waves * Refraction in the Lower Atmosphere By R. L. Smith -Rose, D.Sc., Ph.D., A.M.LE.E., and J. S. McPetrie, B.Sc., A.M.I.E.E. (The National Physical Laboratory) ABSTRACT.-This paper considers some aspects of the problem of the refraction of electric waves in the lower atmosphere due to the variation of density of the air with altitude. As a result of this refraction the path of waves between a transmitter and receiver is curved in a manner concave to the earth's surface. It is shown that for average atmospheric con- ditions the radius of curvature of this path is about six times the radius of the earth. The effective maximum range between a transmitter and receiver using waves following such a curved path is calculated for different heights of the two stations, and is shown to be materially greater than the maximum range obtainable assuming that the waves employed follow a straight line tangential to the earth's surface. A summary of previous work is given and particular attention is drawn to the experi- mental evidence on wavelengths between 0.5 and 8 metres indicating possible communication ranges of nearly fifty per cent. in excess of those determined by the rectilinear or optical path.t On the basis of the calculations made in this paper, it appears that the curvature of the waves by refraction is not sufficient to explain some of the experimental results. The phenomenon of fading, which was encountered in some of the experiments, is explicable, however, as the result of convection currents in the air causing a variation in the refractive index. The possible contribution of diffraction effects around the curvature of the earth is mentioned, but is not considered in any detail. I. General transmitter, elevated to 2,460 feet, would CnNSIDERABLE interest has been pass tangentially along the earth's surface, aroused recently as the result of success- and then on to the receiver at an altitude of ful experiments demonstrating the 1,115 feet.$ It was evident, therefore, that application of electric waves of less than one the waves from the transmitter were subject metre in wavelength to practical radio to a considerable deviation, which allowed communication. In March, 1931, a demon- them to bend round the earth's surface. stration was given by the International This deviation could be produced either by Telephone and Telegraph Laboratories of optical diffraction of the waves round the radio communication across the English curvature of the earth, or by the refraction Channel on a wavelength of about 17 cm.1 of the waves in passing through the lower More recently, Marconi' has obtained com- regions of the atmosphere. It is the purpose of of munication on a wavelength of 50 cms. over this paper to discuss some aspects the distances up to 168 miles from a transmitter latter possibility. near Rome and a receiver situated on the of by Path island of Sardinia. In each of these experi- II. Limitation Range Rectilinear ments reflectors were used at the trans- If the waves from a transmitter T in Fig. i mitting end to concentrate the radiation into are restricted to rectilinear paths then the a beam, and a similar reflector was used at maximum range obtainable will be TR1, the receiving end to improve the efficiency where R1 is the point at which the tangent of the whole system. A feature of Marconi's TR1R2 touches the earth's surface. The experiment which attracted attention was distance d1 between transmitter and re- that the range obtained (168 miles) was in ceiver is commonly referred to as the maxi- excess of the maximum distance (about 107 miles) at which a straight line from the $ In the lecture by Marchese Marconi, the optical range as determined by this rectilinear path was * MS. accepted by the Editor, March, 1933. given as only 72 miles, which is inconsistent with the t Since the writing of this paper, the above heights of transmitter (75o m.) and receiver (34o m.) communication ranges have been considerably described. (See I 'orld Radio, December 30th, extended. 1932, p. 1,380.) January, 1934 4 THE WIRELESS ENGINEER & mum range obtainable by the so-called ments an experimental radio channel was optical path. At points within the range installed in 1929 to link up Corsica with the TR, reception will be possible by means of French land -line telephone system.
Recommended publications
  • "Et in Arcadia Ille – This One Is/Was Also in Arcadia"
    99 BARBARA PUSCHMANN-NALENZ "Et in Arcadia ille – this one is/was also in Arcadia:" Human Life and Death as Comedy for the Immortals in John Banville's The Infinities Hermes the messenger of the gods quotes this slightly altered Latin motto (Banville 2009, 143). The original phrase, based on a quotation from Virgil, reads "et in Arcadia ego" and became known as the title of a painting by Nicolas Poussin (1637/38) entitled "The Arcadian Shepherds," in which the rustics mentioned in the title stumble across a tomb in a pastoral landscape. The iconography of a baroque memento mori had been followed even more graphically in an earlier picture by Giovanni Barbieri, which shows a skull discovered by two astonished shepherds. In its initial wording the quotation from Virgil also appears as a prefix in Goethe's autobiographical Italienische Reise (1813-17) as well as in Evelyn Waugh's country- house novel Brideshead Revisited (1945). The fictive first-person speaker of the Latin phrase is usually interpreted as Death himself ("even in Arcadia, there am I"), but the paintings' inscription may also refer to the man whose mortal remains in an idyllic countryside remind the spectator of his own inevitable fate ("I also was in Arcadia"). The intermediality and equivocacy of the motto are continued in The Infinities.1 The reviewer in The Guardian ignores the unique characteristics of this book, Banville's first literary novel after his prize-winning The Sea, when he maintains that "it serves as a kind of catalogue of his favourite themes and props" (Tayler 2009).
    [Show full text]
  • Poetry, Place, and Spiritual Practices by Katharine Bubel BA, Trinity
    Edge Effects: Poetry, Place, and Spiritual Practices by Katharine Bubel B.A., Trinity Western University, 2004 M.A., Trinity Western University, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Katharine Bubel, 2018 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Edge Effects: Poetry, Place, and Spiritual Practices by Katharine Bubel B.A., Trinity Western University, 2004 M.A., Trinity Western University, 2009 Supervisory Committee Dr. Nicholas Bradley, Department of English Supervisor Dr. Magdalena Kay, Department of English Departmental Member Dr. Iain Higgins, Department of English Departmental Member Dr. Tim Lilburn, Department of Writing Outside Member iii Abstract "Edge Effects: Poetry, Place, and Spiritual Practices” focusses on the intersection of the environmental and religious imaginations in the work of five West Coast poets: Robinson Jeffers, Theodore Roethke, Robert Hass, Denise Levertov, and Jan Zwicky. My research examines the selected poems for their reimagination of the sacred perceived through attachments to particular places. For these writers, poetry is a constitutive practice, part of a way of life that includes desire for wise participation in the more-than-human community. Taking into account the poets’ critical reflections and historical-cultural contexts, along with a range of critical and philosophical sources, the poetry is examined as a discursive spiritual exercise. It is seen as conjoined with other focal practices of place, notably meditative walking and attentive looking and listening under the influence of ecospiritual eros.
    [Show full text]
  • The ESSE Messenger
    The ESSE Messenger A Publication of ESSE (The European Society for the Study of English Vol. 26-2 Winter 2017 ISSN 2518-3567 All material published in the ESSE Messenger is © Copyright of ESSE and of individual contributors, unless otherwise stated. Requests for permissions to reproduce such material should be addressed to the Editor. Editor: Dr. Adrian Radu Babes-Bolyai University, Cluj-Napoca, Romania Faculty of Letters Department of English Str. Horea nr. 31 400202 Cluj-Napoca Romania Email address: [email protected] Cover illustration: Jane Austen’s Reading Nook at Chawton House Picture credit: Alexandru Paul Margau Contents Jane Austen Ours 5 Bringing the Young Ladies Out Carmen María Fernández Rodríguez 5 Understanding Jane Austen Miguel Ángel Jordán Enamorado 18 A Historical Reflection on Jane Austen’s Popularity in Spain Isis Herrero López 27 Authorial Realism or how I Learned that Jane Was a Person Alexandru Paul Mărgău 40 Adaptations, Sequels and Success Anette Svensson 46 Reviews 59 Herrero, Dolores and Sonia Baelo-Allue (eds.), The Splintered Glass: Facets of Trauma in the Post-Colony and Beyond. Cross Cultures 136. (Amsterdam and New York: Rodopi, 2011). Irene Visser 59 Nancy Ellen Batty, The Ring of Recollection: Transgenerational Haunting in the Novels of Shashi Deshpande (New York: Amsterdam, 2010). Rabindra Kumar Verma 63 Konstantina Georganta, Conversing Identities: Encounters between British, Irish and Greek Poetry, 1922-1952 (Amsterdam and New York: Rodopi, 2012). Aidan O’Malley 64 George Z. Gasyna, Polish, Hybrid, and Otherwise: Exilic Discourse in Joseph Conrad and Witold Gombrowicz (London: Continuum, 2011). Noelia Malla García 66 David Tucker, Samuel Beckett and Arnold Geulincx: Tracing a literary fantasia.
    [Show full text]
  • Banville and Lacan: the Matter of Emotions in the Infinities Banville E Lacan: a Questão Das Emoções Em the Infinities
    ABEI Journal — The Brazilian Journal of Irish Studies, v.22, n.1, 2020, p. 147-158 Banville and Lacan: The Matter of Emotions in The Infinities Banville e Lacan: A Questão das Emoções em The Infinities Hedwig Schwall Abstract: Both Banville and Lacan are Freudian interpreters of the postmodern world. Both replace the classic physical-metaphysical dichotomy with a focus on the materiality of communication in an emophysical world. Both chart the ways in which libidinal streams combine parts of the self and link the self with other people and objects. These interactions take place in three bandwidths of perception, which are re-arranged by the uncanny object a. This ‘object’ reawakens the affects of the unconscious which infuse the identity formations with new energy. In this article we look briefly at how the object a is realised in The Book of Evidence, Ghosts and Eclipse to focus on how it works in The Infinities, especially in the relations between Adam Godley junior and senior, Helen and Hermes. Keywords: Banville and Lacan; emotions; The Infinities; Object a; Scopic drive; the libidinal Real Resumo: Banville e Lacan são intérpretes freudianos do mundo pós-moderno. Ambos substituem a dicotomia físico-metafísica clássica pelo foco na materialidade da comunicação em um mundo emofísico. Ambos traçam a diferentes maneiras pelas quais os fluxos libidinais combinam partes do eu e vinculam o eu a outras pessoas e objetos. Essas interações ocorrem em três larguras de banda da percepção, que são reorganizadas pelo objeto misterioso a. Esse “objeto” desperta os afetos do inconsciente que infundem as formações identitárias com nova energia.
    [Show full text]
  • GENRE and CODE in the WORK of JOHN BANVILLE Kevin Boyle
    GENRE AND CODE IN THE WORK OF JOHN BANVILLE Kevin Boyle St. Patrick’s College, Drumcondra Dublin City University School of Humanities Department of English Supervisor: Dr Derek Hand A thesis submitted in fulfilment of the requirements for the degree of PhD April 2016 I hereby certify that this material, which T now submit for assessment on the programme of study leading to the award of PhD is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_____________________________ ID No.: 59267054_______ Date: Table of contents Abstract 3 Acknowledgements 4 Introduction: Genre and the Intertcxlual aspects of Banville's writing 5 The Problem of Genre 7 Genre Theory 12 Transgenerie Approach 15 Genre and Post-modernity' 17 Chapter One: The Benjamin Black Project: Writing a Writer 25 Embracing Genre Fiction 26 Deflecting Criticism from Oneself to One Self 29 Banville on Black 35 The Crossover Between Pseudonymous Authorial Sell'and Characters 38 The Opposition of Art and Craft 43 Change of Direction 45 Corpus and Continuity 47 Personae Therapy 51 Screen and Page 59 Benjamin Black and Ireland 62 Guilt and Satisfaction 71 Real Individuals in the Black Novels 75 Allusions and Genre Awareness 78 Knowledge and Detecting 82 Chapter Two: Doctor Copernicus, Historical Fiction and Post-modernity:
    [Show full text]
  • Beckettian Irony in the Work of Paul Auster, John Banville and J.M
    ‘Permanent Parabasis’: Beckettian Irony in the Work of Paul Auster, John Banville and J.M. Coetzee Michael Springer Doctor of Philosophy University of York Department of English and Related Literature April 2014 iii Abstract This thesis considers the influence of the writing of Samuel Beckett on that of Paul Auster, John Banville and J.M. Coetzee through the lens of Romantic irony, as formulated by Friedrich Schlegel and, later, Paul de Man. The broad argument is that the form of irony first articulated by the Jena Romantics is brought in Beckett’s work to something of an extreme, and that this extremity represents both one of his most characteristic achievements and a unique and specifically troublesome challenge for those who come after him. The thesis hence explores how Auster, Banville and Coetzee respond to and negotiate this irony in their own work, and contrasts their respective responses. Put briefly, I find that all three writers to one extent or another deflect Beckett’s irony, while engaging with it: Auster adopts certain stylistic and structural aspects of Beckett’s work, but on the whole reaches fundamentally different epistemological and existential conclusions; Banville engages closely with the epistemological and existential challenge posed by Beckett’s irony, and attempts to balance this with a contrasting sense of the capacity of art and the imagination to make meaning of the world; and Coetzee, after an initial attempt at stylistic imitation, moves away from this but remains fundamentally influenced by certain insights
    [Show full text]
  • The Problem of Rebirth
    Sri Aurobindo The Problem of Rebirth SRI AUROBINDO ASHRAM PODICHERRY Essays first published in the monthly review Arya in 1915 and 1919-21 First edition 1952 Fourth edition 1999 Fourth impression 2013 © Sri Aurobindo Ashram Trust 1952, 1999 Published by Sri Aurobindo Ashram Publication Department Pondicherry 605 002 Web http://www.sabda.in This e-book has been prepared by Digital Publishing Agency Auro e-Books: http://www.auro-ebooks.com/ We will be very appreciative if you provide feedback on any error found in this book by writing to: [email protected] Table of Contents Publisher’s Note..................................................................4 Section I. Rebirth and Karma............................................7 Rebirth...........................................................................8 The Reincarnating Soul..............................................19 Rebirth, Evolution, Heredity.....................................27 Rebirth and Soul Evolution.......................................35 The Significance of Rebirth.......................................45 The Ascending Unity..................................................57 Involution and Evolution...........................................67 Karma..........................................................................80 Karma and Freedom..................................................88 Karma, Will and Consequence................................101 Rebirth and Karma..................................................108 Karma and Justice....................................................117
    [Show full text]
  • 1 Introduction 2 Banville's Narcissists
    Notes 1 Introduction 1. There is a degree of uniformity to these characters, their situations and their mindsets, that allows us to speak of a typical Banville protagonist with as much legitimacy as we may speak of a typical Beckett or Kafka protagonist. There is an undeniable continuity – much more pronounced than mere fictional family resemblance – between all of Banville’s pro- tagonists, stretching arguably from Nightspawn’s Ben White, but certainly from Freddie Montgomery in The Book of Evidence, to The Sea’s Max Morden. 2. Freud’s first use of the term ‘narcissism’ appears in a footnote added in 1910 to his ‘Three Essays on the Theory of Sexuality’, to denote a phase in the development of male homosexuality. His interpretation of the classical myth is, in this sense, quite a literal one. 2 Banville’s Narcissists 1. This article of faith is one which character and creator evidently hold in common. In the essay ‘Making Little Monsters Walk’, Banville delivers the following series of excessively lofty aphoristic paradoxes: ‘Nietzsche was the first to recognize that the true depth of a thing is in its surface. Art is shallow, and therein lies its deeps. The face is all, and, in front of the face, the mask.’ (Banville, 1993c: 108). 2. Kleist and Amphitryon have proven enduring inspirations for Banville. The Infinities is plainly based on the story, and contains a number of meta- fictional allusions not just to the story itself, but to Banville’s own, not particularly successful, stage adaptation of it. One of the novel’s central characters, the actress Helen, is preparing for her role as Amphitryon’s wife Alcemene in the play.
    [Show full text]
  • From Banville to Black and Back Again: Beyond the Post-Saussurean Signifier
    30 SOFIA PHILOSOPHICAL REVIEW From Banville to Black and Back Again: Beyond the post-Saussurean Signifier John McSweeney (Cork, Ireland) Irish novelist John Banville suggests that his turn to the crime genre with Christine Falls, under the pseudonym Benjamin Black,1 was not a mere diversion from the more “serious” business of literary writing, but part of a “transition”, a process of getting out of a “rut”, of “breaking free from the books I had been writing for the last 20 years, these first-person narra- tives of obsessed half-demented men going on and on and on and on.”2 If, arguably, signs of such transition can be detected in the narrative structure of the most recent “Banville” novel, The Infinities,3 questions remain as to the significance of Banville’s “turn to crime” and the precise transition be- ing effected therein – questions for the growing literary study of Banville’s work certainly,4 but questions also, I wish to argue, for philosophy within the continental tradition, given Banville’s self-conscious creation of “Euro- pean novels of ideas.”5 (Banville 2006) In this article, I will examine the 1 Benjamin Black, Christine Falls (London: Picador, 2006). 2 John Banville, “John Banville Takes on Benjamin Black (interview with Nathan Ihara)”, LA Weekly, 24 April 2007, available at http://www.laweekly.com/2007- 04-26/art-books/john-banville-takes-on-benjamin-black/. 3 John Banville, The Infinities (London: Picador, 2009). As shall be discussed be- low, The Infinities is narrated by the god Hermes, a move which suggests a com- plex disruption of the first-person narrative, in which a multiplicity of characters” inner monologues can be narrated by a quasi-transcendent narrator and a shared world narrated in a way irreducible to any subjective perspective.
    [Show full text]
  • Collected Poems
    COLLECTED POEMS SRI AUROBINDO SRI AUROBINDO ASHRAM PONDICHERRY NOTE This edition includes content of the 5-th volume of Sri Aurobindo Birth Centenary Library and several poems from 27 volume: I cannot equal, I have a doubt, My life is wasted, O face that I have loved, O letter dull and cold, Rose, I have loved, Still there is some- thing, Thou didst mistake. One sonnet was added (Now I have borne). Titles of some writings are differed from Sri Aurobindo Birth Centenary Library: Man the Mediator (old title is The Dumb Inconscient), Discoveries of Science (old title is Discoveries of Science I), The Ways of the Spirit (old title is Discoveries of Science II), Science and the Unknowable (old title is Discoveries of Science III), Man the Enigma (old title is The Human Enigma), The Call of the Impossible (old title is Our godhead calls us). This E-representation of the book was made at 09.2007. First edition 1972 First impression 1994 (Pb) ISBN 81-7058-016-1 (Bb) ISBN 81-7058-333-0 © Sri Aurobindo Ashram Trust 1972 Published by Sri Aurobindo Ashram Publication Department Printed at Sri Aurobindo Ashram Press, Pondicherry PRINTED IN INDIA I SHORT POEMS 1890-1900 The poems dated 1890-92 were written by Sri Aurob- indo between the age of eighteen and twenty in England. I. Short Poems. 1. 1890-1900 1 Songs to Myrtilla GLAUCUS Sweet is the night, sweet and cool As to parched lips a running pool; Sweet when the flowers have fallen asleep And only moonlit rivulets creep Like glow-worms in the dim and whispering wood, To commune with the quiet heart and solitude.
    [Show full text]
  • The Role of Female Characters in the Narrator's Quest for Identity in John
    Estudios Irlandeses, Special Issue 13.2, 2018, pp. 44-59 __________________________________________________________________________________________ AEDEI The Role of Female Characters in the Narrator’s Quest for Identity in John Banville’s Eclipse Mar Asensio Aróstegui University of La Rioja, Spain Copyright (c) 2018 by Mar Asensio Aróstegui. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. Eclipse is a novel that contributes to John Banville’s idiosyncratic worlds of fiction in presenting the reader with a male narrator who engages in the telling of a journey back to the spatial context of his childhood in an attempt to retrieve what he deems to have lost, his true self. Criticism on the novel has dealt with the narrator’s narcissism, the novel’s narrative style and technique, its modernist/postmodernist allegiance, its intertextual and intermedial nature and its status as trauma narrative. A few attempts have also been made at revisiting the novel from the standpoint of gender, although women have been invariably read as subject to the male gaze, whether as mundane objects of desire or idealized objets d’art. This article aims at showing that women in Eclipse refuse to be mere erotic or artistic objects in a male story. In my view, the narrative centrality of the male figure is progressively challenged by the female characters, both puzzling and fascinating, who stubbornly keep on intruding into the narrator’s solipsistic activities, eventually break free from their usual position as objects of the male gaze and redirect the narrator’s quest and his narrative into an unexpected, moving finale.
    [Show full text]
  • VNDE WOOD-MILLE NOVATO, Callfo
    LM VNDE�WOOD-MILLE� NOVATO, CALlFO�NIA In Pursuit of Valis: �elections from the Exegesis Clothbound: ISBN 0-88733-091-6 Softcover: ISBN 0-88733-093-2 Copyright © 1991 by The Estate of Philip K. Dick Cover art © 1991 by Ilene Meyer Preface copyright © 1991 by Lawrence Sutin. Afterword copyright © 1991 by Terence McKenna Introduction copyright © 1991 by Jay Kinney. "A PKD Chronology" is by Paul Williams A shorter version of the Introduction appeared as "The Mysterious Revelations of Philip K. Dick" in Gnosis Magazine, issue #1, Fall, 1985. (Gnosis Magazine, P.O. Box 14217, San Francisco, CA 94114.) An Underwood-Miller book by arrangement with the authors and The Estate of Philip K. Dick. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without explicit permission from the author or the author's agent, except by a reviewer who may quote brief passages. For information address the publisher: Underwood-Miller, 708 Westover Drive, Lancaster, PA 1760 1. For information about the Philip K. Dick Society, write to: PKDS, Box 611, Glen Ellen, CA 95442. Book design by Underwood-Miller Softcover type designed by Daniel Will-Harris Printed in the United States of America All Rights Reserved FIRST EDITION Library of Congress Catalog Number 89-20532 CONTENTS Preface by Lawrence Sutin .. .. .. .. .. .. .. .. .. vii Introduction by Jay Kinney .......................xvii A PKD Chronology ............................. xxxiii One: Direct Accounts oj Personal Experience . .. 1 Two: Theoretical Explanations ................. 63 Three: On His Writing Techniques and the Creative Quest jor Truth ......13 1 Four: Interpretations of His Own Works .........165 Five: Plot Outlines and Explorations jor Works-in-Progress ..............
    [Show full text]