Metro Boston's Arts and Cultural Nonprofits

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VitalSigns_cover 2 11/15/07 11:36 AM Page 1 UNDERSTANDING BOSTON Vital Signs: Metro Boston’s Arts and Cultural Nonprofits 1999 2004 Vital Signs: Metro Boston’s Vital Signs Metro Boston’s Arts and Cultural Nonprofits 1999 and 2004 The Boston Foundation The Boston Foundation 75 ARLINGTON STREET, BOSTON, MA 02116 617-338-1700 WWW.TBF.ORG The Boston Foundation The Boston Foundation, Greater Boston’s community foundation, is one of the oldest and largest community founda- tions in the nation, with assets of almost $900 million. In 2007, the Foundation and its donors made more than $92 million in grants to nonprofit organizations and received gifts of $90 million. The Foundation is made up of some 900 separate charitable funds established by donors either for the general benefit of the community or for special purposes. The Boston Foundation also serves as a major civic leader, provider of information, convener, and sponsor of special initiatives designed to address the community’s and region’s most pressing challenges. For more information about the Boston Foundation, visit www.tbf.org or call 617-338-1700. UNDERSTANDING BOSTON is a series of forums, educational events, and research sponsored by the Boston Foundation to provide information and insight into issues affecting Boston, its neighborhoods, and the region. By working in collaboration with a wide range of partners, the Boston Foundation provides opportunities for people to come together to explore challenges facing our constantly changing community and to develop an informed civic agenda. Publication Credits Authors Susan Nelson, Principal, TDC Ann McQueen, Senior Program Officer, The Boston Foundation Additional Research Anne Freeh Engel, TDC Rebecca Ginns, TDC Kate Greene, TDC Report Editor Emily Hiestand, Elements Communications Design Kate Canfield, Canfield Design Cover Illustration: Rendering of the Huntington Theatre Company’s Virginia Wimberly Theater, located in the Stanford Calderwood Pavilion at the Boston Center for the Arts Courtesy Wilson Butler Architects Second printing. Copyright © 2008 The Boston Foundation. All rights reserved. Contents Preface . 5 Executive Summary. 6 Introduction . 9 Context . 9 The Questions . 10 The Data . 11 The Healthy Sector . 12 Vital Signs . 14 CHAPTER ONE The Sector in Context . 15 National and State Trends . 15 The Arts and Culture Sector in Metro Boston. 15 CHAPTER TWO The Innovative Marketplace . 16 Are Mergers the Answer?. 17 Evidence of Churn and Innovation in the Marketplace . 18 Activity or Institution—What is the Difference? . 18 More Shakespeare? Another Nonprofit? . 19 Key Findings . 21 Art, History and Culture Consolidated . 22 CHAPTER THREE The Supportive Environment . 25 Key Findings . 29 CHAPTER FOUR The Engaged Audience . 30 Against the Odds . 32 Key Findings . 36 Matching Art and Audience—Today and Tomorrow. 37 CHAPTER FIVE The Right-Sized Organization . 40 Financial Health Isn’t One Size Fits All . 40 The Dynamic Small Nonprofit . 41 What are Unrestricted Net Assets?. 41 The Squeezed Middle. 42 Building to Scale . 43 The Resource Rich Top. 45 Is a Staffing Crisis Looming?. 45 Key Findings . 46 Growth in a Competitive Environment . 48 CHAPTER SIX Conclusion . 50 Looking Ahead . 51 A Final Word . 52 APPENDIX A Data Sources . ii APPENDIX B Supporting Data, 1999 and 2004 . v APPENDIX C Massachusetts Cultural Facilities Fund Grants. xiii APPENDIX D Bibliography . xvii APPENDIX E Advisors . xix ENDNOTES. xxi CHARTS AND FIGURES FIGURE 1—Changing Economic Indicators . 11 FIGURE 2—The Boston Primary Metropolitan Statistical Area . 12 FIGURE 3—Each Vital Sign is Grounded in Multiple Data Sets. 13 FIGURE 4—Each Vital Sign Has Positive and Negative Indicators . 14 FIGURE 5—Components of Metro Boston’s Arts/Culture Sector in 2004 . ..

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16_043539 bindex.qxp 10/10/06 8:49 AM Page 176 176 B Boston Public Library, 29–30 Babysitters, 165–166 Boston Public Market, 87 Index Back Bay sights and attrac- Boston Symphony Index See also Accommoda- tions, 68–72 Orchestra, 127 tions and Restaurant Bank of America Pavilion, Boston Tea Party, 43–44 Boston Tea Party Reenact- indexes, below. 126, 130 The Bar at the Ritz-Carlton, ment, 161–162 114, 118 Brattle, William, House A Barbara Krakow Gallery, (Cambridge), 62 Abiel Smith School, 49 78–79 Brattle Book Shop, 80 Abodeon, 85 Barnes & Noble, 79–80 Brattle Street (Cambridge), Access America, 167 Barneys New York, 83 62 Accommodations, 134–146. Bars, 118–119 Brattle Theatre (Cambridge), See also Accommodations best, 114 126, 129 Index gay and lesbian, 120 Bridge (Public Garden), 92 best bets, 134 sports, 122 The Bristol, 121 toll-free numbers and Bartholdi, Frédéric Brookline Booksmith, 80 websites, 175 Auguste, 70 Brooks Brothers, 83 Acorn Street, 49 Beacon Hill, 4 Bulfinch, Charles, 7, 9, 40, African Americans, 7 sights and attractions, 47, 52, 63, 67, 173 Black Nativity, 162 46–49 Bunker Hill Monument, 59 Museum of Afro-Ameri- Berklee Performance Center, Burleigh House (Cambridge), can History, 49 130 62 African Meeting House, 49 Berk’s Shoes (Cambridge), Burrage Mansion, 71 Agganis Arena, 130 83 Bus travel, 164, 165 Air travel, 163 Big Dig, 174 airline numbers and Black Ink, 85 C websites, 174–175 Black Nativity, 162 Calliope (Cambridge), 81 Alcott, Louisa May, 48, 149 The Black Rose, 122 Cambridge Common, 61 Alpha Gallery, 78 Blackstone
Community in August Wilson and Tony Kushner

FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay.
Cabot Corporation

CASE........................................................................................................................................................... STUDY: MARKET NICHE Rubber Chemicals ........................................................................................................................................................... POSITION NICHE R&D ........................................................................................................................................................... JOB TITLE Applications Development Manager ........................................................................................................................................................... CLIENT Cabot Corporation ........................................................................................................................................................... COMPANY Cabot Corporation POSITION Applications Development Manager LOCATION Boston, MA For more information contact: Patrick Ropella President & CEO Ropella 850-983-4997 [email protected] Cabot Corporate Headquarters ROPELLATM GROWING GREAT COMPANIES 8100 Opportunity Drive, Milton, Florida 32583 850-983-4777 | www.ropella.com Cabot Corporation 2 Applications Development Manager Company Information Cabot Corporation Cabot Corporation is a global leader in the specialty chemicals and performance More Information: solutions industry with more than 130 www.cabotcorp.com years of experience and approximately 4,600 employees working in 21 countries.
Boston Theatres Collection 1868-1919 Inventory

Boston Theatres Collection 1868-1919 Inventory A selection of late 19th and early 20th century theatre programs from Boston theatres, together with a scrapbook of programs from 1870-1881. 1 scrapbook; 8 files of loose programs; .08 linear metres File #1: Boston Museum* (1870-1881) – 6 items File #2: Boston Theatre* (1869-1883) – 47 items Includes performances by Mlle. Aimeé, Kitty Blanchard, Edwin Booth, Dion Boucicault, Kate Claxton, Charlotte Cushman, Clara Kellogg, Carlotta LeClercq, Frank Mayo, Maggie Mitchell, McKee Rankin, Lydia Thompson, Jennie Van Zandt, the Vokes Family. File #3: Castle Square (1901 and 1912) – 2 items File #4: The Globe* (1879-1880) – 12 items Includes performances by Charlotte Cushman, Carlotta LeClercq, Adelaide Neilson, C.H. Vandengoff. File #5: Howard Athenaeum* (1880) – 1 item File #6: Park Theatre (1881-1910) – 3 items File #7: Plymouth Theatre (1913 and 1919) – 3 items Includes performance of John and Lionel Barrymore. File #8: Selwyn’s (1868) – 1 item Performance of C.H. Vandenhoff Boston Theatres Collection Inventory Page 2 of 4 File #9: Scrapbook (1870-1875) – pages A-38 File#10: Scrapbook (1876-1881) – pages 39-75 Scrapbook includes performances by Mlle Aimée, Emma Albani, Sarah Bernhardt, Dion Boucicault, Charlotte Cushman, Fanny Davenport, Mr. & Mrs. Florence, Edwin Forrest, Haverly’s United Mastodon Minstrels, Mme. Janauschek, Joseph Jefferson, Clara Kellogg, Adelaide Neilson, Vittoria Potentini, George Rignold, Adelaide Ristori, Tommaso Salvini, Mme. Madeline Schiller, Emily Soldene, E.A. Sothern, Theatre Francais, Charlotte Thompson, J.L. Toole, C.H. Vandenhoff, Goerge Vandenhoff, Jennie Van Zandt, the Vokes Family, and Lester Wallack. *see also Scrapbook. The scrapbook and many of the early programs are the gift of Professor Donald Mullin, University of Guelph, 1985 Inventory: A.Goluska, Feb.
American Repertory Theater Partners with Creative Action Project and 826 Boston on Podcast Play Series

For Immediate Release August 6, 2012 Contact: Kati Mitchell 617-496-2000x8841 [email protected] American Repertory Theater partners with Creative Action Project and 826 Boston on Podcast Play Series Cambridge, MA — The American Repertory Theater (A.R.T.) collaborates this summer with 826 Boston, a not-for-profit writing center based in Roxbury, MA, and Creative Action Project, a program of Cambridge Community Services, on a series of site-specific “podcast plays” designed to creatively engage local teens with public spaces around Greater Boston. A.R.T. teaching artists are leading three-day workshops in Cambridge and in Roxbury, in which groups of teenagers learn about the fundamentals of playwriting, practice collaborative storytelling, and participate in a writing immersion exercise at the Fresh Pond Reservation and Franklin Park, respectively. The young playwrights are challenged to locate a place in the park that inspires them, and then imagine a short play that could happen at that site. The resultant plays are recorded as audio, by a mix of teen playwrights and graduate acting students from the A.R.T./MXAT Institute for Advanced Theater Training at Harvard University. These plays will be uploaded to the A.R.T. website, as well as the Cambridge Water Department and Franklin Park Coalition websites. The A.R.T., with staff from the Cambridge Water Department and the Franklin Park Coalition, is developing a “theatrical walking tour” map for each park, which park-goers can download along with the podcast series and enjoy on their next visit to the Fresh Pond Reservation or Franklin Park.
Masterpieces

MORE MASTERPIECES Robert Brustein n 1967, I wrote a controversial essay called “No More Masterpieces,” in which, following the French radical theorist Antonin Artaud (The Theatre and Its Double) and the Polish critic Jan Kott (Shakespeare Our Contemporary), I argued against Islavish reproduction of classical works. I agreed that we had reached the end of some cycle in staging these plays, that actor-dominated classics, particularly Shakespeare, were beginning to resemble opera more than theatre, with their sumptuous settings, brocaded costume parades, and warbled arias. I believed that modern directors were now obliged to freshen our thinking about classical writers in the same way that modern playwrights (notably O’Neill, Cocteau, Sartre, and T.S. Eliot) were freely revisioning the Greeks. My hope was for approaches that would revitalize familiar works wrapped in a cocoon of academic reverence or paralyzed by arthritic convention. Theatre, being a material medium, was settling too cozily into ostentatious display, disregarding the poetic core of a text, its thematic purpose and inner meaning. One way to avoid this, I thought, was through metaphorical investigation by an imaginative director, in close collaboration with a visionary designer, locating the central image of a play through visual icons and a unified style. This was what Peter Brook was doing with the Royal Shakespeare Company in his revitalized productions of A Midsummer Night’s Dream (channeling its youthful energies into acrobatics and circus acts) and King Lear (translating its vision of old age and death into a bleak visual vocabulary influenced by Beckett). Such produc- tions were making Shakespeare our contemporary through suggestive associations, bringing audiences a fresh appreciation of classics in danger of dying from hardened stage arteries.
11 Amber Trail, Madison, Ct 06443 203 668-3153 Mobile 203 245-3175 Ph

11 amber amber trail, madison, trail, ct 06443 madison, ct 06443 203 668 -3153 203mobile 203668 245-3175- 3153 ph/fax [email protected] LIGHTING DESIGNER RESUME DIRECTORS, CHOREOGRAPHERS: JOANN AKALAITIS, ANDREI BELGRADER, ROBERT BRUSTEIN, JAMES BUNDY, ALISON CHASE, DESDEMONA CHIANG, MARTHA CLARKE, JON COPLEY, GRACIELA DANIEL, RON DANIELS, GORDON EDELSTEIN, BARRY EDELSTEIN, MICHAEL ENGLER, DAVID ESBJORNSON, RICHARD FOREMAN, ATHOL FUGARD, KEN FRANKEL, LORETTA GRECO, RICHARD HAMBURGER, JON JORY, MICHAEL KAHN, ANNE KAUFMAN, MARK LAMOS, WILFORD LEACH, IRENE LEWIS, EMILY MANN, KATHLEEN MARSHALL, MARIAN MCCLINTON, TARELL MCCRANEY, JONATHAN MOSCONE, TREVOR NUNN, SHARON OTT, ROMAN PASKA, DIANE PAULUS, CAREY PERLOFF, DAVID PETRARCA, LISA PETERSON, TRAVIS PRESTON, JAMES ROBINSON, JOHN GOULD RUBIN, ERICA SCHMIDT, SERET SCOTT, BARTLETT SHER, HARRY SILVERSTEIN, WOLE SOYINKA, REBECCA TAICHMAN, JENNIFER TARVER, JOHN TILLINGER, ERIC TING, SUSANNA TUBERT, MICHAEL TRACY, LES WATERS, MARK WING-DAVEY, ROBERT WILSON, ROBERT WOODRUFF, STAN WOJEWODSKI, EVAN YIONOULIS, FRANCESCA ZAMBELLO AWARDS AND NOMINATIONS: AMERICAN THEATRE WING, BAY AREA THEATRE CRITICS CIRCLE, CONNECTICUT CRITICS CIRCLE, DALLAS-FORT WORTH THEATER CRITICS FORUM, DRAMA DESK, HELEN HAYES, HENRY HEWES DESIGN, LUCILLE LORTEL AND OUTER CRITICS CIRCLE. CURRENT ACADEMIC APPOINTMENT: PROFESSOR AND CO-CHAIR, DESIGN DEPARTMENT, YALE SCHOOL OF DRAMA NEW YORK: AMERICAN PLACE THEATER; BROOKLYN ACADEMY OF MUSIC; CRITERION CENTER (BROADWAY); DELACORTE THEATER; CLASSIC STAGE COMPANY; GRAMERCY
2019 Alumni Notes Newsletter

ALUMNI & FRIENDS OF ALUMNI NOTES FIORELLO H. LAGUARDIA HS OF 2019 MUSIC & ART AND PERFORMING ARTS "I loved the freedom of going to school where people could be whatever they 1 wanted to be, that the creative 2 side of us was "A family of artists that as important as represented all walks the academic." of life and cultures, – Laurie J. Greenwald were accepting 4 (PA '74) and encouraging 3 of one another and demonstrated what people should be like, what America should be like, what the world should be like." – Rudy Valentine (M&A '67) 7 6 – Marlon Wayans "Going to LaGuardia was a blessing." (LaG '90) 5 1 I would not be frank or human if I did not take pride in this institution and its students. – Mayor Fiorello Henry LaGuardia, 1939 DID YOU KNOW? The bust of Toscanini that once graced the halls of the High School of Music & Art now stands guard opposite the entrance to LaGuardia's Concert Hall. WE’RE Please LIKE and FOLLOW us at facebook.com/AlumniandFriends and on Instagram @lagalumniandfriends. Stay up-to-date on alumni news, reunion information, and 2 SOCIAL! event details. Keep an eye out for FREE tickets to LaGuardia performances! Award and the Florence Mandell Memorial Art Award; Michelle Li (LaG '19), recipient of the Class of M&A 1960 Award and the Class of M&A 1952 Award Michelle Li (LaG '19), recipient of the Class M&A 1960 Award and the Florence Mandell Memorial Art Award; Award Photography to bottom) Rebecca Park (LaG '18), recipient of the Mary Zoe Descoteaux (LaG '18), recipient of the King Sang Wong Frank & Pablo Award; (Top THANK YOU FROM ALUMNI & FRIENDS (A&F) Dear Friends, When I entered LaGuardia in 1985 I was part of the second incoming class at the “new building.” My classmates and I have the distinction of being the first to audition at the LaGuardia building, which was not quite finished.
Opening Night at the POPS Keith Lockhart and the Boston Pops Return to Symphony Hall

what to do • where to go • what to see May 4–17, 2009 The OOfficialfficial Guide to BBOSTON OSTON Opening Night at the POPS Keith Lockhart and the Boston Pops Return to Symphony Hall PLUS: Things to Love about Spring in the Hub The Boston Cyberarts Festival panoramamagazine.com now iPhone and Windows® smartphone compatible! oyster perpetual gmt-master ii The moon landing 40th anniversary. Media Sponsors: JFK See it again at the JFK Presidential Library and Museum. OFFICIALROLEXJEWELER Columbia Point, Boston. jfklibrary.org ROLEX OYSTER PERPETUAL AND GMT-MASTER II ARE TRADEMARKS. contents FEATURE STORY BIRDS OF A FEATHER: The Public Garden’s iconic Swan Boats are a sure sign of spring in 10 Spring Flings the Hub. Refer to story, page 10. PHOTOBY Panorama’s guide to S COTT ROBERTO ExquisiteWedding Gifts spring fun in Boston DEPARTMENTS 8 hubbub The Boston Pops’ new season 14 calendar of events 15 exploring boston 15 SIGHTSEEING 20 FREEDOM TRAIL 22 NEIGHBORHOODS Furnishings, Murano Glass, Sculptures, Paintings, 37 MAPS Tuscan Leather, Chess Sets, Capodimonte Porcelain on the cover: Keith Lockhart 44 around the hub embarks upon his 44 CURRENT EVENTS 15th season at the 52 ON EXHIBIT helm of the 124-year- 56 SHOPPING H:K:CIN C>C: C:L7JGN HIG::I s 7DHIDC B6HH68=JH:IIH old Boston Pops. 62 NIGHTLIFE telephone s LLL <6AA:G>6;ADG:CI>6 8DB Photo: Michael Lutch 63 DINING ___ PANORAMAMAGAZINE.COM 5 The Official Guide to BOSTON www.panoramamagazine.com May 4–17, 2009 Volume 58 • Number 25 Jerome Rosenfeld • CHAIRMAN 4HE SHOPPING 4HE DINING Tim Montgomery • PRESIDENT/PUBLISHER Josh B.
FENWAY Project Completion Report

BOSTON PUBLIC LIBRARY Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/fenwayprojectcomOObost 1983 Survey & Planninsr Grant mperty Of bGblu^ MT A.nTunKifv PART I -FENWAY Project Completion Report submitted August 31, 1984 to Massachusetts Historical Commission Uteary Boston Landmarks Commission Boston Redevelopment Authority COVER PHOTO: Fenway, 1923 Courtesy of The Bostonian Society FENWAY PROJECT COMPLETION REPORT Prepared by Rosalind Pollan Carol Kennedy Edward Gordon for THE BOSTON LANDMARKS COMMISSION AUGUST 1984 PART ONE - PROJECT COMPLETION REPORT (contained in this volume) TABLE OF CONTENTS I. INTRODUCTION Brief history of The Fenway Review of Architectural Styles Notable Areas of Development and Sub Area Maps II. METHODOLOGY General Procedures Evaluation - Recording Research III. RECOMMENDATIONS A. Districts National Register of Historic Places Boston Landmark Districts Architectural Conservation Districts B. Individual Properties National Register Listing Boston Landmark Designation Further Study Areas Appendix I - Sample Inventory Forms Appendix II - Key to IOC Scale Inventory Maps Appendix III - Inventory Coding System Map I - Fenway Study Area Map II - Sub Areas Map III - District Recommendations Map IV - Individual Site Recommendations Map V - Sites for Further Study PART TWO - FENWAY INVENTORY FORMS (see separate volume) TABLE OF CONTENTS I. INTRODUCTION II. METHODOLOGY General Procedures Evaluation - Recording Research III. BUILDING INFORMATION FORMS '^^ n •— LLl < ^ LU :l < o > 2 Q Z) H- CO § o z yi LU 1 L^ 1 ■ o A i/K/K I. INTRODUCTION The Fenway Preservation Study, conducted from September 1983 to July 1984, was administered by the Boston Landmarks Commission, with the assistance of a matching grant-in-aid from the Department of the Interior, National Park Service, through the Massachusetts Historical Commission, Office of the Secretary of State, Michael J.
The Life of Photographs

Montclair State University Montclair State University Digital Commons 2015-2016 Art Between Real and Imagined PEAK Performances Programming History 10-15-2015 Rooms of Light : The Life of Photographs Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2015-2016 Part of the Theatre and Performance Studies Commons 2015 | 2016 SEASON World Premiere! Rooms of Light: The Life of Photographs A Song Cycle October 15–18, 2015 Alexander Kasser Theater Photo by Marina Levitskaya Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts & Cultural Programming World Premiere! The Builders Association Rooms of Light: The Life of Photographs A Song Cycle Lyrics by Mary Jo Salter Music composed and orchestrated by Fred Hersch Director Daniella Topol Lighting Designer Eric Cornwell Music Director/Conductor Gregg Kallor Performers Jonathan Estabrooks, Rebecca Faulkenberry, Kathryn Guthrie, Gabrielle Stravelli, Michael Winther The Fred Hersch Ensemble Laura Seaton, violin Lois Martin, viola Jody Redhage, cello Sam Sadigursky, woodwinds Bruce Williamson, woodwinds Matt Aronoff, bass Ross Pederson, drums/percussion Fred Hersch, piano Management by Staci Levine for Groundswell Theatricals. PROGRAM 1. Aperture (Fred Hersch Ensemble) 2. Light Years (Kathryn) 3. Rooms of Light (Company) 4. Outer Space, Deep Blue Sea (Jonathan) 5. Paparazzi (Kathryn) 6. I’ve Got Your Picture (Michael, Rebecca) 7. Here’s Looking at You, Kid (Gabrielle) 8. My Father’s Playboy (Michael) 9. Interlude: Landscape (Instrumental Ensemble) 10. Hold Still! (Company) 11. The Medical Waltz (Kathryn, Michael) 12. Hard Evidence (Rebecca) 13.
First Name Last Name Organization Rick Dimino a Better City Mike Bodman AIG Kristanya Florentino AIG Eileen Garrity AIG Meghan L

Greater Boston Chamber of Commerce 2018 Annual Meeting & Dinner Tuesday, May 15, 2018 First Name Last Name Organization Rick Dimino A Better City Mike Bodman AIG Kristanya Florentino AIG Eileen Garrity AIG Meghan Leary AIG Scott Shapiro AIG Lisa Shapiro AIG Ron Willett AIG Samuel Chase Alexion Pharmaceuticals, Inc. Ellen Chiniara Alexion Pharmaceuticals, Inc. Becky Lillie Alexion Pharmaceuticals, Inc. Stephanie Macholtz Alexion Pharmaceuticals, Inc. Leigh Owano Alexion Pharmaceuticals, Inc. Sofia Pacheco Alexion Pharmaceuticals, Inc. Bonnie Perkins Alexion Pharmaceuticals, Inc. Anna Petryk Alexion Pharmaceuticals, Inc. Yelena Pinkhasik Alexion Pharmaceuticals, Inc. Vanessa Procter Alexion Pharmaceuticals, Inc. Julianna Akuamoah Allen & Gerritsen Lacey Berrien Allen & Gerritsen Katelynn Conlon Allen & Gerritsen Brian Donovan Allen & Gerritsen Andrew Graff Allen & Gerritsen Kyle Koslick-Shah Allen & Gerritsen Kayla Niedziejko Allen & Gerritsen Amy Snelling Allen & Gerritsen Kevin Sweeney Allen & Gerritsen Chris Woods Allen & Gerritsen Christy Loy Aloft & Element Boston Seaport Sarah Connors AMAG Pharmaceuticals Shannon Gath AMAG Pharmaceuticals Additional Attendee American Heart Association Additional Attendee American Heart Association Additional Attendee American Heart Association Additional Attendee American Heart Association Additional Attendee American Heart Association Additional Attendee American Heart Association Additional Attendee American Heart Association Jay Blackwell American Heart Association Meg Greybill American Heart Association