Garments (Textiles, Readymade Garments, Woolen, Hosiery & Knitwears)

Total Page:16

File Type:pdf, Size:1020Kb

Garments (Textiles, Readymade Garments, Woolen, Hosiery & Knitwears) JC Groups Garments (Textiles, Readymade Garments, Woolen, Hosiery & Knitwears) JC Groups Kids Boys Clothing For complete design E.mail us and you shall send your own design also. Kids Girls Clothing For complete design E.mail us and you shall send your own design also. Mens Wear Shirts For complete design E.mail us and you shall send your own design also. T-shirts For complete design E.mail us and you shall send your own design also. Winter wear Denims For complete design E.mail us and you shall send your own design also. Ethnic Wear Trousers For complete design E.mail us and you shall send your own design also. Suits & Blazers Track Wear and Rain wear For complete design E.mail us and you shall send your own design also. Inner Wear & Sleepwear Clothing accessories For complete design E.mail us and you shall send your own design also. Saree Different Type of Sarees Available:- for current design Email us for catalogue. Assam Silk Saree Sambalpuri Saree Banarasi Silk saree Sambalpuri or ‗Ikat‘ is the pride of Odisha. This pure Bandhani/Bandhej Saree handloom sarees is available in cotton, silk, and Baluchari Saree Taussor. Bhagalpuri Saree Tant – Cotton sari from Bengal Bomkai Sarees Chanderi sari– Madhya Pradesh Chanderi Saree Maheshwari – Maheshwar, Madhya Pradesh Dhakai Saree Kosa silk – Chhattisgarh Kalamkari Saree Dhokra silk – Madhya Pradesh Kantha Saree Jamdani sari of Bangladesh. Kanchipuram silk Saree Taant sari – throughout Bengal Kota Saree Tashore silk saree – Maldah, West Bengal Konrad Saree—Tamil nadu Baluchari sari – Bishnupur, West Bengal Leheriya Saree Murshidabad silk – Murshidabad, West Bengal Paithani Saree Dhaniakhali cotton – Dhaniakhali, West Bengal Patola Saree Kaantha sari – throughout Bengal Garode / Korial – Murshidabad, West Bengal Mysore silk – Karnataka Shantipuri cotton – Shantipur, West Bengal Mysore silk saree with golden zari. Phulia cotton – Phulia, West Bengal Ilkal saree – Karnataka Begampur cotton – Begampur, West Bengal Molakalmuru Sari – Karnataka Batik saree – Bengal Sulebhavi sari – Sulebhavi, Karnataka Jamdani / Dhakai – Dhaka, Bangladesh Venkatagiri – Andhra Pradesh Tangail Tant Saree – Tangail, Bangladesh Mangalagiri Silk Sarees – Andhra Pradesh Rajshahi silk / Eri – Rajshahi, Bangladesh Uppada Silk Sarees – Andhra Pradesh Dhakai Katan – Dhaka, Bangladesh Chirala Sarees – Andhra Pradesh Khadi saree – Comilla, Bangladesh Bandar Sarees – Andhra Pradesh Jute cotton – Bangladesh Bandarulanka – Andhra Pradesh Mooga silk – Assam Kuppadam Sarees – Andhra Pradesh Mekhla Cotton – Assam Dharmavaram silk saree – Andhra pradesh Sambalpuri Silk & Cotton Saree – Sambalpur, Odisha Kanchipuram sari (locally called Kanjivaram pattu) – Ikkat Silk & Cotton Saree – Bargarh, Odisha Tamil Nadu Bomkai Silk & Cotton Sari – Bomkai, Ganjam, Odisha Kasaragod saris – Kerala Khandua Silk & Cotton Saree – Nuapatna, Cuttack, Kumbakonam – Tamil Nadu Odisha Thirubuvanam – Tamil Nadu Pasapali Sari – Bargarh, Odisha Coimbatore cotton – Tamil Nadu Sonepuri Silk & Cotton Saree – Subarnapur, Odisha Chinnalampattu or Sungudi – Tamil Nadu Berhampuri silk – Behrampur, Odisha Balarampuram – Kerala Mattha Silk Saree – Mayurbhanj, Odisha Mundum Neriyathum – Kerala Bapta Silk & Cotton Saree – Koraput, Odisha Mayilati silk – Kerala Tanta Cotton Saree – Balasore, Odisha Kannur cotton – Kerala Manipuri Tant Saree – Manipur Kalpathi silk sarees – Kerala Kota sari Maradaka silk – Kerala Paithani – Maharashtra Samudrikapuram silk and cotton – Kerala Bandhani saris of Gujarat and Rajasthan Banarasi sari Bandhani – Gujarat, Rajasthan, Pakistan Pochampally Sari or Puttapaka sari – Telangana Kota doria – Rajasthan, Pakistan Gadwal sari – Telangana Lugade – Maharashtra Narayanpet – Telangana or Maharashtra Patola – Gujarat, Pakistan Northern styles[edit] Bagru – Rajasthan, Pakistan Banarasi – Uttar Pradesh Gharchola Saree – Gujarat Shalu – Uttar Pradesh Southern styles Tanchoi – Uttar Pradesh For complete design E.mail us and you shall send your own design also. Women‘s western Wear Women‘s Ethnic Wear For complete design E.mail us and you shall send your own design also. Women‘s Lingerie & Night Wear Women‘s Winter Wear For complete design E.mail us and you shall send your own design also. Women‘s Sport Wear For complete design E.mail us and you shall send your own design also. Women‘s Gowns Women‘s Rupatta For complete design E.mail us and you shall send your own design also. Wool and Woolen Textile Industry India is the seventh-largest producer of wool in the world with a global production share of nearly 1.8 per cent. India‘s wool consumption was estimated at 135 million kg. This is expected to increase to 260 million kg by 2019– 20. India‘s wool and woollen textile industry is the seventh-largest in the world. India‘s wool and woollen industry can broadly be divided into 10 major product categories: worsted yarn, woollen yarn, wool tops, fabric (woollen/worsted), shoddy yarn, shoddy fabrics, blankets, knitwear, hand-made carpets and machine-made carpets. EXPORT The US and the EU are key export destinations for Indian wool and wool-blended products. Indian exporters are geographically diversifying their exports to other regions such as the Middle East, Latin America, South East Asia, and East Asia to increase their footprint globally. Exports of wool and wool-blended products (including ready-made woollen garments, woollen yarn, fabrics, made-ups and woollen hand-made carpets) totalled US$ 1,869.8 million. Wool exports (including wool yarn, fabrics, made-ups, readymade garments of wool and woollen hand-made carpets) stood at US$ 1,869.8 million. Woollen hand-made carpets contributed 72.7 per cent to total woollen exports. The US and EU are the key importers of Indian wool and wool-blended products. The export of wool and wool-blended products from India (readymade garment wool, woollen yarn, fabrics and made-ups) was US$ 2,326 million. Disclaimer: This information has been collected through secondary research and ―JC Groups‖ is not responsible for any errors in the same. .
Recommended publications
  • Information Published Under Section 4(1)(A) & (B) to Right to Information Act 2005
    Information published under Section 4(1)(a) & (b) to Right to Information Act 2005 As per Section 4(1)(a) & (b) of the Right to Information Act 2005, every public authority has to make known the information to the Public as enumerated in the said act. Accordingly, the following details are furnished as per the Section 4(1)(a) & (b) in respect of our Corporation i.e. Karnataka Silk Industries Corporation Limited. As per Section 4(1) (a) the following records and registers duly indexed a) Personnel Department : Details of List of files LIST OF FILES RELATING TO PERSONNEL DEPARTMENT Sl. Name of the File File No. No. 1 Circular File Vol-I KSIC/E-2/EST/102/83-84 2 Circular File Vol-II KSIC/E1/KSIC/PER/22/02-03 3 Guidelines on Disciplinary Action E4-1/DCP/90-91 4 Shortage of 4 Nos. of sarees HO/MKTG/KGS-Exb-Shortage/11-12 occurred at Karnataka Govt. Secretariate Club Exhibition, Bangalore n 22.10.2011. 5 Exhibition cum Sales of KSIC KSIC/MKTG/EXBN-KALINGA/ 2010-11 sarees at Kalinga Cultural Trust, Hyderabad 6 Shortage of 4 Nos. of Sarees KSIC/MKTG/EXBN-UBSR/ 2011-12 occurred at Unity Building Showroom, Bangalore on 22.10.2011. 7 Appeal Preferred by Sri R.Byroji KSIC/PER/APP/11-12 Rao, Sales Attender, Reshmalaya, Bangalore 8 Rs. 27.68 lakhs Doubtful Debts for KSIC/PER/AA-DD/11-12 the financial year 10-11 9 Appointment of local Advocates for KSIC/PER/WUA/4/10-11 conducting enquiries – regarding workers unauthorized absence ©2016 Karnataka Silk Industries Corporation 10 Theft of 17 Nos.
    [Show full text]
  • 11. Contemporary Traditions a Chronicle of Exhibition Practice of the Jamdani by Abeer Gupta.Pdf
    Projects / Processes Volume I Series Editor: Senjuti Mukherjee Constructing Traditions: The Jamdani within Exhibition Practice of Handicrafts Abeer Gupta Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. Weftscapes Jamdani Across New Horizons Curated by Pramod Kumar KG Venue Adil Shah Palace Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. PROJECTS / PROCESSES Curatorial Note Curatorial By Pramod Kumar KG Curatorial Assistant Ankita Chugh Artists Bappaditya Biswas, Rumi Biswas Exhibition Design Vertex Inc. Weftscapes examines a fresh approach to the creation and making of jamdani fabrics, both in its weaving, choice of raw materials, colour, patterns, designs and the end product – a finished garment. Multiple intertwined yet disparate stories coming together in this contemporary initiative. The versatility of the jamdani weaving technique involves the use of a supplementary weft technique. The idea here is to explore the various possibilities of introducing different yarns, materials, and constructions into the weave. The ingenuity of Indian handlooms and the dexterity of its weavers allows for a unique experiment where diverse materials and objects are strung and woven in by hand through the fabric. Bengal’s history is strewn with references to the Indigo trade and its impact on her people. An important aspect of jamdani was the use of the colour indigo which also lent its name to several lengths of fabric with the iconic Nilambari sari becoming popular across the subcontinent. This project has exclusively used the Indigo palette with its non-traditional yarns being dyed in organic Indigo vats; 10 Constructing Traditions namely in a banana vat, dates vat, and the henna vat.
    [Show full text]
  • IBTEX No. 48 of 2016 March 04, 2016
    IBTEX No. 48 of 2016 March 04, 2016 USD 67.29 | EUR 73.63 | GBP 95.26| JPY 0.59 Spot Prices of Overseas Ring Spun Yarn in Indicative Prices of Cotton Grey Fabrics in China Chinese Market Date: 3 Mar-2016 FOB Price Date:3 2-Mar-2016 Price (Post-Tax) (Pre-Tax) Description Prices Prices (USD/Kg.) (Domestic Production) (Yuan/Meter) Country C32Sx32S 130x70 63” 2/1 fine 20S 30S 7.20 Carded Carded twill India 2.10 2.30 C40Sx40S 133X72 63” 1/1 poplin 6.40 Indonesia 2.81 3.26 C40Sx40S 128X68 67” 2/1 twill 6.00-6.20 Pakistan 2.22 2.60 24Sx24S 72x60 54” 1/1 batik Turkey 2.60 2.80 4.60 Source CCF Group dyeing 20Sx20S 60x60 63” 1/1 plain cloth 6.20 Exhibit your company at www.texprocil.org at INR 990 per annum Please click here to register your Company’s name DISCLAIMER: The information in this message July be privileged. If you have received it by mistake please notify "the sender" by return e-mail and delete the message from "your system". Any unauthorized use or dissemination of this message in whole or in part is strictly prohibited. Any "information" in this message that does not relate to "official business" shall be understood to be neither given nor endorsed by TEXPROCIL - The Cotton Textiles Export Promotion Council. Page 1 News Clippings NEWS CLIPPINGS INTERNATIONAL NEWS No Topics 1 Call to adopt BT cotton production 2 Pakistan: Govt importing 50 lac cotton bales to meet local demands 3 Hopes raised Turkey can save Nigeria textile industry 4 Cambodia Mulls Joining TPP to Boost Trade 5 Time to put the TPP out of its Misery? 6 Pakistan textile
    [Show full text]
  • Khandua Sarees and Fabrics:Tradition and Pride of Orissa
    Khandua Sarees & Fabrics : Tradition and Pride of Orissa A project of Ministry of Commerce & Industry UNCTAD and DFID Prepared by P Nayak T.K Rout P.K Samantray Pradip Dash Textiles Committee & Mumbai ORIFAB Government of India Bhubaneswar © Textiles Committee, June, 2008 This is an official document prepared by the Textiles Committee. All rights reserved. Unless otherwise specified, no part of this publication may be reproduced or utilized in any form or by means, electronic or mechanical, including photocopying and microfilm, without permission in writing from the Textiles Committee at the address given below: Director, Market Research Textiles Committee, Ministry of Textiles, Government of India, P. Balu Road, Prabhadevi Mumbai 400 025, India Telephone : 91+ 22 + 66527515/16 Telefax : 91+ 22 + 66527509/653 Email : [email protected] Website : www.textilescommittee.gov.in Preface The entrepreneurial history of handloom production in the country has been traced back to even as early as Rig Veda, when the hiranya (gold cloth) existed in the society. Village industries and handlooms were well integrated into the rural economy and the whole organisation was a part and parcel of socio-cultural fabric of the society. The social traditions, ethos and values were reflected in the handloom products. The handloom products, which have survived against the competition from machine made cloth, represent the rich artistic traditions of our country. Globalised economy has contributed to the ever-increasing competition among the developing nations. Due to this, the traditional crafts of the country are under threat from the neighboring countries by way of replication of the traditional items.
    [Show full text]
  • Use Style: Paper Title
    Volume 6, Issue 7, July – 2021 International Journal of Innovative Science and Research Technology ISSN No:-2456-2165 Impact of Traditional Textile on the Gross Domestic Product- GDP of Bangladesh 1*Engr. Md. Eanamul Haque Nizam, 1Sheikh Mohammad Rahat, 1*Assistant Professor. Department of Textile Engineering, 1Albert Loraence Sarker, Bangladesh University of Business and Technology 2Abhijit Kumar Asem, [BUBT], Rupnagar, Mirpur-2, Dhaka-1216, Bangladesh 2Rezwan Hossain, 3Rayek Ahmed, 3Mashrur Wasity 1,2,3Textile Graduate, Department of Textile Engineering, Bangladesh University of Business and Technology [BUBT], Rupnagar, Mirpur-2, Dhaka-1216, Bangladesh Abstract:- Bangladesh is a country loaded with share of GDP. Consultancy firm McKinsey and Company has craftsmanship, culture, and legacy. For the most part, the said Bangladesh could double its garments exports in the next specialty of attire or material is the most seasoned legacy 10 years. In Asia, Bangladesh is the one of the biggest largest that introduced the land to the external world since such exporter of textile products providing employment to a great countless years prior. Customary material is perhaps the share percent of the work force in the country [1]. Currently, main piece of its material area. Customary legacy is the textile industry accounts for 45% of all industrial covered up in each edge of Bangladesh where Jamdani, employment in the country and contributes 5% of the total Muslin, Tangail, Banarasi, Lungi, and so forth assume an national income. However, although the industry is one of the indispensable part. It is assessed that there are 64,100 largest in Bangladesh and is still expanding, it faces massive handlooms in the region.
    [Show full text]
  • The Crafts Council of India “
    THE CRAFTS COUNCIL OF INDIA “...ng tnty rss n tr cr...” February 2018 An Exhibition in Calcutta 1922: Moorings of Indian Craft and Design Ahk Ch j The Crafts Councils and their colleagues have had such a tumultuous year of assault on artisans: first the impact of demonetization at a season that should provide peak earnings through craft sales, and then less than a year later with the organized chaos of GST, again at a time that has devastated artisans’ earnings. CCI has been in the forefront of working with partners and with authorities to find more humane and practical ways to ‘mainstream’ Indian craft, and to create a realization at the highest levels of policy-making that it is not artisans who need mainstreaming. Artisans in their millions, along with others still delegated to the humiliating category of ‘informal, unorganized sectors’, are the mainstream. These citizens constitute by far the bulk of India’s economic activity. It is the so-called formal sectors and decision-makers that are in dire need of being mainstreamed into an Indian reality. In the midst of our efforts at lifting the quality of sector data and advocating a GST interim period of review and capacity- building, some of us have also been trying to put together the proceedings of the 2016 CCI seminar on the craft legacy of Rabindranath Tagore. A century ago his efforts at Santiniketan encountered huge challenges of ignorance and disrespect for artisans and their heritage, at a time when enlightened souls in the West were attempting to humanize the industrial revolution through a revival of craft cultures.
    [Show full text]
  • Jas Textile, Hooghly
    We are counted as one of the most reliable manufacturer, exporter and supplier of premium quality designer sarees. These have massive demand in the market due to their optimal quality and attractive designs. - Profile - Incorporated in the year 2011, at Hooghly (West Bengal, India), we, Jas Textile are involved in manufacturing, exporting and supplying the finest quality range of Designer Sarees. The offered range comprises Classical Embroidery Sarees, Dhakai Jamdani Sarees, Cotton Tangail Sarees, Block with Kantha Stitch Dress Material, Block with Reverse Kantha Stitch, Tant Fabric Sarees, Tant Banarasi Sarees, etc. These are designed with high precision in order to meet the set global standards. Furthermore, the fabric we use in the fabrication purpose is procured from only certified and reliable vendors of the market. The offered range is available in variegated colors, styles and patterns. To meet the diverse requirements of customers, we offer our exclusive range of sarees in numerous customized options. We are offering these products to our esteemed clients at the most competitive prices. To fabricate the finest quality range of products, our organization has established a well-organized state-of-the-art infrastructure facility. This is equipped with all the most recent and essential technology to match the global quality parameters. In addition to this, we have segregated our infrastructure into various departments such as manufacturing, quality testing, warehousing and packaging. Handloom Sarees: The exclusive range of Handloom Sarees offered by us is widely appreciated across the globe due to its designer pallu and border. Our teams of creative designers beautifully design these sarees and suits using zari or kasavu (gold thread work).
    [Show full text]
  • Dr. Mahuya Hom Choudhury Scientist-C
    Dr. Mahuya Hom Choudhury Scientist-C Patent Information Centre-Kolkata . The first State level facility in India to provide Patent related service was set up in Kolkata in collaboration with PFC-TIFAC, DST-GoI . Inaugurated in September 1997 . PIC-Kolkata stepped in the 4th plan period during 2012-13. “Patent system added the fuel to the fire of genius”-Abrham Lincoln Our Objective Nurture Invention Grass Root Innovation Patent Search Services A geographical indication is a sign used on goods that have a specific geographical origin and possess qualities or a reputation that are due to that place of origin. Three G.I Certificate received G.I-111, Lakshmanbhog G.I-112, Khirsapati (Himsagar) G.I 113 ( Fazli) G.I Textile project at a glance Patent Information Centre Winding Weaving G.I Certificate received Glimpses of Santipore Saree Baluchari and Dhanekhali Registered in G.I registrar Registered G.I Certificates Baluchari G.I -173-Baluchari Dhanekhali G.I -173-Dhaniakhali Facilitate Filing of Joynagar Moa (G.I-381) Filed 5 G.I . Bardhaman Mihidana . Bardhaman Sitabhog . Banglar Rasogolla . Gobindabhog Rice . Tulaipanji Rice Badshah Bhog Nadia District South 24 Parganas Dudheswar District South 24 Chamormoni ParganasDistrict South 24 Kanakchur ParganasDistrict Radhunipagol Hooghly District Kalma Hooghly District Kerela Sundari Purulia District Kalonunia Jalpaiguri District FOOD PRODUCTS Food Rasogolla All over West Bengal Sarpuria ( Krishnanagar, Nadia Sweet) District. Sarbhaja Krishnanagar, Nadia (Sweet) District Nalen gur All over West Bengal Sandesh Bardhaman Mihidana Bardhaman &Sitabhog 1 Handicraft Krishnanagar, Nadia Clay doll Dist. Panchmura, Bishnupur, Terrakota Bankura Dist. Chorida, Baghmundi 2 Chhow Musk Purulia Dist.
    [Show full text]
  • Micro Finance SHG Wise Utilisation Report from 01.08.16 to 28.12.2016
    LIST OF DISBURSEMENT FOR MICRO CREDIT FROM 01/08/2016 TO 28/12/2016 TOTAL AMOUNT MINORITY SANCTION SL. NAME OF THE SHGs DISTRICT BLOCK VILLAGE POST PIN SANCTION MEMBER IN DATE ED THE GROUP 1 ANKUR SWANIRVAR DAL DAKSHIN GANGARAMPUR KASHIPUR ASHOKGRA 733141 13 130000 03/08/2016 DINAJPUR M 2 DANA SWANIRVAR DAL DAKSHIN KUSHMANDI NANDAPUKUR KUSHMAND 733132 12 120000 03/08/2016 DINAJPUR I 3 KHODA HAFEJ DAKSHIN GANGARAMPUR ASHAKGRAM ASHAKGRA 733141 10 100000 03/08/2016 SWANIRVOR DAL DINAJPUR DARIYA PARA M 4 LAL JABA SWANIRVAR DAKSHIN KUSHMANDI BATESHWA NAHIT 733132 12 120000 03/08/2016 DAL DINAJPUR (MALIHAR) 5 MALA SWANIRVAR DAL DAKSHIN KUSHMANDI BOTESHWAR NAHIT 733132 11 110000 03/08/2016 DINAJPUR 6 SATHI SWANIRVAR DAL DAKSHIN KUSHMANDI BOTESHWAR NAHIT 733132 11 110000 03/08/2016 DINAJPUR 7 SWARNALATA DAKSHIN GANGARAMPUR RAYPUR ASHOKGRA 733141 10 100000 03/08/2016 SWANIRVAR DAL DINAJPUR M 8 ABADATH WSHG BAKURA BARJORA HAT ASHURIA HAT 722204 12 120000 05/08/2016 ASHURIA 9 BISMILLA SHG BAKURA BANKURA KABBAR DANGA BANKURA 722201 10 100000 05/08/2016 10 BLASHING SHG BAKURA BANKURA MUNI CHRISTIAN BANKURA 722101 10 100000 05/08/2016 DANGA 11 DIP SHG BAKURA BANKURA MUNI CHRISTIAN BANKURA 722101 10 100000 05/08/2016 DANGA 12 ID MOBARAK WSHG BAKURA BARJORA PAKHANNA PAKHANNA 722204 14 140000 05/08/2016 13 JISU SWAHAI SHG BAKURA BANKURA CHRISTIAN BANKURA 722201 10 100000 05/08/2016 DANGA 14 MADINA SHG BAKURA BANKURA MUNI KABBAR DANGA BANKURA 722101 10 100000 05/08/2016 15 MOBAROK WSHG BAKURA BARJORA KANTA BANDH HAT 722204 12 120000 05/08/2016 ASHURIA
    [Show full text]
  • Baluchari Silk Saree Back Ground
    Baluchari Silk Saree Back ground This fabric is named after the village ‘Baluchar’ located on the bank river of Bhagirathi in Murshidabad district, West Bengal and presently known as Jiaganj. Baluchari weaving was flourished during the period of Musid Quli Khan, the Diwan of Bengal, an erstwhile Hindu Bramin who embraced Islam and these textiles are famous for their elaborate ‘anchal’ (palloo). It has been eulogized as the “loveliest and most charming of all silks of India”. It is a highly decorative silk fabric having extra weft on ‘palloo’, border and body. The motifs are mainly derived from then social / religious customs, animals, life styles of people etc. For example man smoking hukkah, lady with flower, man riding horse, chariot, marriage, mosque, temple, vignettes from Ramayana etc. are some of the motifs generally used and organize in narrative style in palloo portion. And the important feature of the technique is the white outlining of the motifs. Also paisley motifs are arranged centrally in the palloo portion and all over ‘butties’ are in the body portion. Materials used Murshidabad variety of less twisted mulberry silk yarn was originally used in Baluchari sarees. Coarser silk varieties like matka silk was also used some time back. Later, it has been replaced by 18/20 D (2ply) organzine silk yarn for warp and single yarn of malda variety mulberry silk in 3 ply is used for weft. 96s to 100s steel reed is normally used for Baluchari saree weaving and the extra warp designs are woven with Jacquards replacing’ Jala’ technique of olden days.
    [Show full text]
  • At Season Cover Page 2019
    Treasures of India Dear Associate, Greetings from A. T. Seasons & Vacations Travel Pvt. Ltd.! We are New Delhi, India based Govt. of India, Ministry of Tourism recognized Destination Management Company and are committed to offer you a wide range of services at the best prices, starting from arrival to your safe departure from India! We are also well equipped to facilitate you with the Meet & AMARESH TIWARI Assistance services at Airport, Airport transfers, Accommoda- Managing Director tions, Transportations, Multi-language guides, Interpreter, sightseeing options, Exciting Tours of most exotic and sought after destinations, Foreign Exchange Facilities, etc. We well understand that customers look up to us to obtain the best value for their money spent – to be available if any problem arises, to ensure quality accommodations and transportations for best comfort and conveniences. And, we deliver what we promise with no compromise to our commitments made! Our philosophy is to make journey of our travelers a memorable one for lifetime, keeping in mind there purpose of travel. On behalf of my team, I assure you of the highest services standards in serving all the segments of the travelers. Thank you. Amaresh Tiwari Managing Director Colourful Rajasthan Rajasthan is a colorful mixture of forts, palaces, diverse cultures, delicious cuisines and warm people, set amidst a rugged yet inviting landscape. It is a land that has inspires countless visitors. In Rajasthan you will ind every hue in Nature's colour - the red sands, the blue of royalty, the pink cities or the amber sunsets. Sight and sounds that are far removed from any city.
    [Show full text]
  • July 2015–December 2015
    ACUITAS-The Journal of Management ACUITAS The Journal of Management Research Volume VI Issue-II July 2015–December 2015 Vol VI, Issue-II, (July-December, 2015) Page 1 ACUITAS-The Journal of Management ACUITAS - The Journal of Management Research Volume VI Issue-I January 2015–June 2015 Patron: Bhadant Arya Nagarjuna Shurei Sasai Chairman, P.P. Dr. Babasaheb Ambedkar Smarak Samiti, Deeksha Bhoomi, Nagpur Shri. S.J. Fulzele Secretary, P.P. Dr. Babasaheb Ambedkar Smarak Samiti, Deeksha Bhoomi, Nagpur Advisory Board: Dr. Vilas Chopde, Vice-Principal, Dr. Ambedkar College, Nagpur Capt. C.M. Chitale, Dean, Faculty of management, Savitribai Phule Pune University Dr. Babanrao Taywade, Dean, Faculty of Commerce, RTM Nagpur, University, Nagpur Editorial Board: Dr. Sudhir Fulzele, Director, Dr. Babasaheb Ambedkar Institute of Management Studies and Research, Nagpur Dr. S.G. Metre, Professor, Dr. BabasahebAmbedkar Institute of Management Studies and Research, Nagpur Dr. Charles Vincent, Professor, Centrum Catolica, Pontificia Universidad Catalica de Peru, South Africa Dr. S.S. Kaptan, Head of the Department and Research Centre, Savitribai Phule Pune University Dr. V.S. Deshpande, Professor, Department of Business Management, RTM Nagpur University, Dr. D.Y. Chacharkar, Reader, SGB Amravati University Dr. S.B. Sadar, Head of the Department, Department of Business Management, SGB Amravati University Dr. J.K. Nandi, Associate Dean, IBS, Nagpur Dr. Anil Pathak, Assistant Professor, MDI, Gurgaon Mr. Sangeet Gupta, Managing Director, Synapse World Wide, Canberra, Australia Ms. Sanchita Kumar, GM-HRD, Diffusion Engineering Ltd. Vol VI, Issue-II, (July-December, 2015) Page 2 ACUITAS-The Journal of Management Editorial Committee: Dr. Nirzar Kulkarni Executive Editor Dr.
    [Show full text]