November 2013 Photo Notes

Total Page:16

File Type:pdf, Size:1020Kb

November 2013 Photo Notes Park West PHOTO NOTES Camera Club November 2013 In This Issue Club News.......................................2 - 11 Photography News......................12 - 18 Exhibits, Workshops, Etc............19 - 22 Schedule of Activities..................23 - 29 November 2013 www.ParkWestCameraClub.org 1 Park West Camera Club Committee Chairs The Park West Camera Club is an independent not-for- Archives!Myrna Harrison-Changar profit corporation. Guests are always welcome at meet- !212 663 1422 [email protected] ings and activities. Competition George Hansen The Park West Camera Club newsletter, Photo Notes, is !212 595 7869 [email protected] published every month by and for the members of the !!Hedy Klein Park West Camera Club. Subscriptions are included !718 793 0246 [email protected] with Club membership. Yearly subscriptions are avail- !! Joan Slatkin! able to non-members by e-mail at no charge. Printed !212 260 7091 [email protected] issues are available at PWCC meetings. Field Trip!Susan Sigrist! Submissions of full-length articles or smaller items of !212 758 0036 [email protected] photographic or general interest are always accepted. !!Paul Grebanier The staff of Photo Notes reserves the right to edit any !718 629 7164 [email protected] submissions which are published. Gallery! vacancy Deadline for submissions is the first Monday of each House! vacancy month. Membership!Marlene Schonbrun Photo Notes is optimized for viewing on the internet. !212 662 3107 [email protected] !!Elena Pierpont Contact Information ! 212 956 4519 [email protected] Website Newsletter!Chuck Pine! www.parkwestcameraclub.org !212 932 7665 [email protected] Program!Marilyn Fish-Glynn E-Mail Address !212 685 8784 mfi[email protected] [email protected] Social!! Marvin Fink Club Mailing Address !718 469 5478 marvfi[email protected] 345 East 73rd Street, #8L, NY, NY 10021 !!Marjorie Gurd ! 212 662 5032 [email protected] Photo Notes Mailing Address 680 West End Avenue, #5D, NY, NY 10025 Website!Bob Wine !212 758 5762 [email protected] Club Officers Workshop!Jerry Harawitz !212 673 2096 [email protected] President!!Ed Lee! !212 242 8714 [email protected] ! V. President!!Michael Schleiff! !917 359 6823 [email protected] Treasurer!!Myron Galef !212 249 1270 [email protected] Corres. Sec.!!Helen Bohmart Pine! !! Cover Photo !212 932 7665 [email protected] Curious Elephant Rec. Sec.!!Lee Backer! ! by Chuck Pine ©2013 !212 662 6740 [email protected] Pres. Emeritus!Chuck Pine!!!! !212 932 7665 [email protected] November 2013 www.ParkWestCameraClub.org 2 Holiday Party Club Dues joined at the end of last season (as a participant of Expanding CLUB The Park West Camera Club’s Renewal time for Park West Visions), your membership is annual holiday party is right Camera Club has come and good through September 2014.] around the corner. It is sched- gone. The Club’s fiscal year Everyone else, it’s time! uled for Monday evening, De- ended on September 30th. If You can, however, still re- cember 16th, and will take you have not yet renewed your new by bringing a check, made place at the home of our Presi- dues, you are no longer a out to PWCC, to any meeting dent Emeritus and our former member of the Club. As of Oc- and handing it to Membership first lady, Chuck and Helen tober 31st, non-renewing Chairperson Marlene Schon- Pine, on the Upper West Side. members will be removed from brun or by sending your check Plans will be announced at the Photo Notes mailing list (un- (made out to PWCC) to Club the November business meet- less you have indicated to Corresponding/Memberhsip ing. But I’m sure we’ll need Membership Chairperson Mar- Secretary, Helen Pine, 680 West plenty of volunteers to make lene Schonbrun that you want End Avenue #5D, New York some purchases, set up before to continue receiving the news- NY 10025. the party, run the kitchen op- letter). Of course, if you have any eration, plan some entertain- Yearly dues are $150, allo- questions about your member- ment, and clean up after the cated as $75 for membership ship, please contact Marlene at festivities. and $75 for the rental of Soho < [email protected]> or All members, their families, Photo Gallery. [Note—if you at 212-662-3107. and friends of the Club are in- vited to attend. The costs are Photo Notes yet to be determined but we Publisher:!Ed Lee usually keep them quite low. If you’ve got any sugges- Editor:!Chuck Pine tions, if you’d like to volunteer, Committee:!Bill Apple, Elsa Blum, Madeleine Barbara, contact either of the Social !! Ann Broder, Ruth Formanek, Gladys !! Committee’s co-chairs: Marvin !! Hopkowitz, Hedy Klein, Paul Perkus,!! Fink and Marjorie Gurd. !! Helen Pine, and Judy Rosenblatt Contributors:! Bill Apple, Sarah Corbin, Ruth Formanek, !! Paul Grebanier, George Hansen, Elena Old Saying !! Pierpont , Chuck Pine, Helen Pine, and !! !! Judy Rosenblatt When you photograph people in color,… Photo Notes is produced on a MacBook Pro you photograph their clothes. using iWork Pages and Adobe Photoshop. All uncredited images are royalty-free clip art or other- But when you photograph wise believed to be in the public domain. people in black and white,… you photograph their souls. Credited images remain the sole property of their copyright holders—all rights reserved. November 2013 www.ParkWestCameraClub.org 3 Park West History month to see and hear Arthur dance by nominating the new- Tress. His images. were differ- comer as president. CLUB The year was 1971, almost 43 ent,… very different. They No one was more surprised years ago, when a prospective were kind of dream-like, but than the newcomer himself. member showed up at the door more night-marish. The new- You could see his jaw drop. in the basement of the West comer was taken in—hook, You could see the expressions Side line, and sinker. of puzzlement on the faces of YMCA the members. Who is this new- to attend comer? Where did he come his first from? Why would the presi- meeting dent nominate him? of the If you haven’t figured it out Park by now, this newcomer was/is West Chuck Pine—and he declined Camera the nomination. His reason? Club. He He was too new to the Club. came to be There were others who knew at the meeting because the in- more about Park West and formation was published in Hockey Player were in a better position to one of the photography col- ©1970 Arthur Tress lead the group. umns that appeared in the The vice president at that He joined the Club the fol- daily newspapers of the time. time was Dan Arthur. His de- lowing week, at the monthly The guest speaker was pho- sire was to remain in that posi- business meeting, and learned tographer Eva Rubinstein, the tion. The treasurer, Rick of a class being offered by the daughter of pianist Artur McMillan, agreed to become then president, Gordon Wat- Rubinstein. She showed president. And so it was,… for son. It was a class in advanced dream-like images of nudes about a month. darkroom techniques. He and others of architectural in- Rick served as president in signed up for that class and September until his company began attending it as well as all suddenly transferred him to the regular Club meetings. Texas. Reluctantly, Dan as- At the March business sumed the presidency as per meeting, President Watson an- our Constitution. And, with a nounced that he would be little arm-twisting, he talked stepping down from his posi- Chuck into becoming the VP. tion at the end of the year. His In those years, with the last meeting as presiding offi- Club’s membership some- cer would be the annual year- where in the mid-20s, everyone Nude Sitting end competition and dinner. had to wear several hats. In ©1972 Eva Rubinstein (They were both held on the addition to being VP, Chuck same night, back then, at a res- was also the chair of the Dark- teriors. The visitor was so im- taurant.) He further shocked room and Workshop Commit- pressed by the speaker and the the 15 or so members in atten- group of people in attendance, tees as well as liaison to the Y. he came back the following November 2013 www.ParkWestCameraClub.org 4 October Competition by George Hansen CLUB Cumulative Point Totals PDIs Prints George Hansen!32 Elsa Blum!34 Marjorie Gurd!30 Hedy Klein!34 Michael Wakslicht!30 George Hansen!32 Paul Grebanier!28 Paul Grebanier!30 Carole de Beer!28 Bill Apple!26 Chuck Pine!28! Sarah Corbin!26 Paula Paterniti!24 Barbara Martens!22 Bill Apple!22 Paula Paterniti!20 Marilyn Fish-Glynn!22 Alice Somma!20 Hedy Klein!22 Madeleine Barbara!14 Natalie Manzino!22 Natalie Manzino!14 Joan Slatkin!22 Sarah Davis!20 Julie Foehrenback!20 Barbara Martens!20 Thanks to our November Evelyne Appel!18 judge, Ellen Denuto, for her Cheryl Richer!18 excellent commentary on our Christine Doyle!16 images. George Grubb!16 Myra Resnick!16 Thanks also to all those who Rita Russo!16 made this competition run so Karen Corrigan!14 smoothly: Jerry Harawitz!14 !George Hansen Dottie Mills!14 !Hedy Klein Dolores Roddy!14 !Joan Slatkin Madeleine Barbara!10 !Susan Sigrist Nicole Dosso!8 !Susan Hoehn Elena Pierpont!8 !Rita Russo Wilmarie Rios!8 !Bill Apple Thank you to all who com- peted and congratulations to all of the Image-of-the-Month and Honors Image winners. November 2013 www.ParkWestCameraClub.org 5 Images of the Month ! by George Hansen CLUB PDI-of-the-Month Restaurant by Karen Corrigan Honor PDIs Cellar by Paul Grebanier Green Rose Hips by George Hansen Print-of-the-Month Sparring Stallions by Sarah Corbin Honor Prints Window Reflection by Bill Apple PDI-of-the-Month Bandshell Birds by Hedy Klein Restaurant Lexington and 53rd by Hedy Klein ©2013 Karen Corrigan Print-of-the-Month Sparring Stallions ©2013 Sarah Corbin November 2013 www.ParkWestCameraClub.org 6 Competition Info Did You Know? CLUB If you enter the competitions, please read care- Did you know that the on-line PDF version of fully and save these notes for future reference: Park West Camera Club’s Photo Notes offers you advantages? You may enter up to four images each month Did you know that all of the website and but no more than two in any one category.
Recommended publications
  • A Person Who Creates Still Photographic Images for the Publicity of Films and Television Programs and Other Photography: Producing Still Images
    BA Still Photography Still photography refers to unit still photographer: a person who creates still photographic images for the publicity of films and television programs and other photography: producing still images. The liberalization, globalisation and opening up of economy has led to the setting up of a host of 24X7 news channels as well as a large number of entertainment channels. Further, with the mindset of Indian masses undergoing sea change, the working in the entertainment Industry is no more a limitation. More and more young men and women are taking to entertainment industry. Courses of Film and Television is driven by the singular desire to create New Media Communicators using cinema and television as a means of dialogue with their world. We aim to provide a global platform for quality media and film professionals. Eligibility Criteria: 10+2 or equivalent in any stream To earn a BA (Hons) in Still Photography, a student has to earn a minimum of 90 credits. Minimum 24 credits are to be earned from Still Photography subjects and the remaining can be taken from any stream. Every student has to attain a minimum of D grade in all courses; a student may however, and repeat or change any course being offered. Notwithstanding, every student must acquire the desired number of credits. The detailed course structure under different categories is given in succeeding pages. Brief description of the course content follows thereafter. Codes Subject Name Credit 16A.101 Creative Writing 4 16A.102 Still Photography 4 16A.103 Media Appreciation
    [Show full text]
  • The ABC's of Photography
    The ABC’s of Photography Susan Wingfield Lamar High School INTRODUCTION Students today are exposed to photography on a level that has never been experienced before. Cameras of one sort or another are immediately accessible. Students take pictures with cell phones that fit in the palm of their hands and digital cameras that are slightly larger than a credit card. When they are not taking pictures, they are showing pictures to their friends, or looking at their friends‟ pictures. Anyone can take photographs. But, questions arise. First, how do you get students to evaluate their images? And, do they need to? What kind of standards in photography are important and why? How can I teach photography to students and make it relevant and interesting? I don‟t want to turn teaching photography into a sit-and-get experience. In order for my photography curriculum to generate student enthusiasm, I have to create a curriculum unit that my students can relate to. So, my next step is to combine all these questions into a workable idea that students can learn from. I have decided to base the curriculum unit on what I think would be an intuitive student point of view. I begin with what students already know – how to shoot pictures. The format of each part of the unit will be five steps. First, I will ask students to take pictures of something relevant to them. These assignments will be according to subject and will vary. I find that assignments help focus the student. If I say “Go take pictures of whatever you want,” students get lost trying to decide “Of what?” If I give them an assignment, then they can get creative within those boundaries.
    [Show full text]
  • Creating Compelling Compositions
    Creating Compelling Compositions Lesson 1 Rule of Thirds The Rule of Thirds is a very basic rule but an important one to know and remember as you develop your “eye” for composition. Remember that it’s a starting point to composing really good images. It was meant to be broken like most all rules. But let’s learn it first and then we can have fun breaking the rules later! It is important to learn the rule so that it will be the foundation of your images and how you see things. As you begin to see and use shapes, lines, textures etc. you will begin to use the Rule of Thirds while utilizing other techniques into your image to create outstanding photographs. Think of composition like designing a new home and the Rule of Thirds as your blueprint. The Rule of Thirds grid resembles a Tic-tac-toe board. It calls for points of interest in the scene to be placed either one third of the way from the top or bottom and one third of the way in from either side. The horizon will either be placed one third of the way down from the top or one third up from the bottom of the frame. Although there are some exceptions, be sure to be careful and NOT place your horizon in the center of the frame (see example below). I often ask myself this question “What is more interesting, the top third of my image or the bottom third”. That often will answer the question of where to place the horizon.
    [Show full text]
  • Digital Photography- JB
    COURSE OF STUDY UNIT PLANNING GUIDE FOR: DIGITAL PHOTOGRAPHY GRADE LEVEL: 9-12 PREPARED BY: CAROLYN WAGNER SUPERVISOR: JACQUELINE BELLO REVISED AUGUST 2019 Dumont High SCHOOL DUMONT, NEW JERSEY [Born Date: August 20, 2015] ALIGNED TO THE NJSLS AND B.O.E. ADOPTED AUGUST 22, 2019 Digital Photography – Grade 9-12 – Full Year – 5 Credits This course will explore camera functions and basic principles of photography. Students will use Adobe Photoshop to gain an understanding of post-production photography techniques. Students will also gain an understanding of digital file types and resolution for quality printing and online distribution. Major topics of study will include, lighting, composition, as well as various photography genres, such as landscape, portrait and still photography. An additional component of this course will be the history of photography and influential photographers, both historical and current. Grade Distribution Categories - Class participation 20% Teacher will make an assessment as to how well the student is prepared for class each day, attentiveness and energy to projects being created. Class participation follows through to project participation. Each student is expected to work to the best of their individual ability. Project grades 60% Students are expected to complete all projects assigned. Teacher will make an assessment as to students work based on their individual ability, following of directions, craftsmanship* and meeting the objectives of the given assignment. * The ability to demonstrate pride and neatness in one’s own work. Care/Use of Materials/Equipment 20% Students will be evaluated on their use of tools and materials in the art room. Care and safety will be followed at all times.
    [Show full text]
  • Photography Rules of Composition Examples
    Photography Rules Of Composition Examples RaymundUntillable Winfredimmigrates unweaves very raving. some Czechoslovakian stinkweed and pawns Rudolfo his always ingurgitations agitated so his hereto! sixtieth Outsized if Vern isGarey postoral styles or whirrher diskette spasmodically. so eighth that Which means of the rules late afternoon are strong composition photography awards were Want variety by! My opinion i was a specific problem: rule that could even more impact of. Composition rules aside, compositional lines are only two horizontal axis. Could their community get involved to adopt the impact together? Founder of Click and Learn Photography. For you follow these points mentioned briefly earlier concept before we put either using off! When you box these steps and guidelines you have rich solid shoulder for how your clean your camera sensor. The theory proposes that road even found of elements in a scene is distracting as the viewer is not sure which one to focus his or capture attention on. Jenn Mishra is a fine art travel and landscape photographer based in the St. Black and white conversion. Below into a flow of shots of marriage same subject search with they focus. Static balance out of photography example, examples of objects in how do you want that we must be a feel. Composition is where all the fun and creativity really gets going in our photography adventure. Learn me to extend better photos with our extensive collection of tutorials and inspiration from photography leaders around hello world. This couch be that waste substantial time and result in you losing the money light. Consider like for reflective surfaces to create mirrored images, such as ponds or reflective building sides.
    [Show full text]
  • Rule of Thirds.Indd
    Rules of Composition in Photography Composition is the arrangement of objects or people within the photograph. The Rule Of Thirds: The rule of thirds is probably the most popular and easy to use rules of composition. The basic idea behind the rule of thirds is that the image is divided into thirds, both horizontally and vertically. Placing the subject or subjects of a photo on one of these lines will cause your picture to appear more dynamic and interesting to the viewer. Try to place your subject on or near one of the inter- sections created by the lines that divide your image into thirds. The face of the singer, as well as the microphone and keyboard, all closely follow the dividing lines, creating a pleasing image. more examples of the Rule Of Thirds: Get up Close: By moving in close to your subject you eliminate potentially distracting backgrounds, (Point of Interest) adding impact to your photograph. This photo of a professor who turns crickets and other bugs into tasty snacks is given added impact by moving right in and almost eliminating the cluttered offi ce in the background. This from seems almost ready to jump out of the photograph. There are virtually no distract- ing details in this compo- sition. more examples of getting in close: Change the Angle: Beginning photographers tend to take all of their shots from a normal standing position. Move the camera around by crouching on the fl oor or standing on a (Viewpoint) chair in order to create more interest in your photograph. The LCD display on a digital camera offers an excellent opportunity to preview your image and move the camera around to fi nd the most interesting angle.
    [Show full text]
  • Basic Photography Welcome!!
    6/16/2017 Basic Photography By Jeff Barnes, Recreational Safety Officer Iowa Dept of Natural Resources Welcome!! • Introductions • Level of experience • Goals and expectations 1 6/16/2017 DEFINITIONS APERTURE • Lens aperture is a measurement of how much light your camera's lens is capturing. It's a key part of getting proper exposure in your photos, and it allows you to control depth of field. Aperture is often referred to as f/stop. The smaller the number, the larger the aperture opening. DEPTH OF FIELD • Depth of field is the amount of distance between the nearest and farthest objects that appear in focus in a photograph. A preferred Depth of field ("DOF") in an image can be quite subjective. Remember this, adequate selection of DOF for one situation or application may be unacceptable for another photographer. It is all a matter of personal preference when trying to determine the appropriate use of DOF to enhance an effect in a photograph. 2 6/16/2017 Aperture and depth of field f/4.5, 1/250, ISO‐200 f/40, 1/3, ISO‐200 3 6/16/2017 APERTURE PRIORITY • Often it has a symbol of ‘A’ or Av’ to indicate it’s selected. In this mode, you as the photographer sets the aperture that you wish to use, but the camera decides what shutter speed is appropriate in the conditions that you’re shooting in. 4 6/16/2017 • Use AV/A with regards to Depth of Field (DOF). As a result most people use Aperture Priority Mode when they are attempting to have some control in this area.
    [Show full text]
  • Texas 4-H Photography Project Explore Photography
    Texas 4-H Photography Project Explore Photography texas4-h.tamu.edu The members of Texas A&M AgriLife will provide equal opportunities in programs and activities, education, and employment to all persons regardless of race, color, sex, religion, national origin, age, disability, genetic information, veteran status, sexual orientation or gender identity and will strive to achieve full and equal employment opportunity throughout Texas A&M AgriLife. TEXAS 4-H PHOTOGRAPHY PROJECT Description With a network of more than 6 million youth, 600,000 volunteers, 3,500 The Texas 4-H Explore professionals, and more than 25 million alumni, 4-H helps shape youth series allows 4-H volunteers, to move our country and the world forward in ways that no other youth educators, members, and organization can. youth who may be interested in learning more about 4-H Texas 4-H to try some fun and hands- Texas 4-H is like a club for kids and teens ages 5-18, and it’s BIG! It’s on learning experiences in a the largest youth development program in Texas with more than 550,000 particular project or activity youth involved each year. No matter where you live or what you like to do, area. Each guide features Texas 4-H has something that lets you be a better you! information about important aspects of the 4-H program, You may think 4-H is only for your friends with animals, but it’s so much and its goal of teaching young more! You can do activities like shooting sports, food science, healthy people life skills through hands- living, robotics, fashion, and photography.
    [Show full text]
  • Photo Composition
    January 2011 4-H/Photography/2011-01pr Photo Composition Stephen Sagers, Tooele County 4-H Agent, and Ron Patterson, Carbon County Ag/4-H Agent Techniques Used to Improve Photos position in relation to the subject so the background is more desirable. Photography is the art of capturing an image with a camera to produce satisfying artwork. There are several elements that go into a well-composed photograph. While some people have a natural eye for composition, it is a skill that can be learned with observation and lots of practice. Digital photography makes this trial and error method of learning much less expensive. The following topics covered in this fact sheet can be used to improve photos. • Simplicity • Orientation • Distance from Subject • Rule of Thirds • Silhouettes • Subject Framing Since photography is not guided by strict rules there may be instances where these guidelines must be broken in order to achieve the desired artistic effect. Figure 1. The above photos show how moving around the Simplicity subject can help to reduce some of the background “noise”, A photograph should tell a story. Foreground and but there is still a lot to distract from the subject. The aperture in these photos is f/22. background clutter distract from the story of the photograph, unless clutter is part of the story. A simple photograph that doesn’t distract from the subject is more visually appealing than one with too many details and disorder around it. The background can be blurred by changing the aperture setting of your camera, or the photographer can change Distance from Subject While most digital photographs can be easily blown up to a fairly large size before becoming pixilated, it is a good practice to get as close as possible to the subject for the desired picture.
    [Show full text]
  • Photography101
    Photography101 Technical Mumbo Jumbo Exposure in photography is measured in “stops.” A stop is twice the amount of light. So if you are increasing the exposure by one stop then you are doubling the light hitting the sensor. If you are decreasing by one stop then you are halving the light that is reaching the sensor. The exposure that your camera makes is controlled by 3 factors: shutter speed – how fast a cover over your camera’s sensor opens and then closes again to allow light to hit the sensor 1/60 of a second shutter speed lets in twice as much light as a shutter speed of 1/120 because the shutter is open twice as long. Aperture – an opening in the lens that can be adjusted larger or or smaller to allow more or less light to pass through. The size of the opening is measured in f-stops and a lower number equals a larger diameter. For instance f/2.8 is a larger or wider aperture than f/4, which is considered to be one stop smaller than f/2.8. ISO – ISO is a measure of the sensitivity setting of your camera sensor. A larger number equals greater sensitivity. 400 ISO is one stop more sensitive (or twice the light sensitivity) than 200 ISO. These three factors are all controlled either manually by the photographer (M mode on your camera), automatically by the camera (Auto or P for “program”) or a combination of those (A/Av, S/Tv). Composition Rule of thirds: Divide your picture into thirds both horizontally and vertically.
    [Show full text]
  • Astrophotography Handbook for DSLR Cameras
    Astrophotography Handbook for DSLR Cameras Michael K. Miller Oak Ridge, TN Quick Start Guide The three most common forms of wide-angle astrophotography with DSLR cameras adjust red values DLSR cameras Lens Modes ISO, Post as necessary for RAW preferred NR noise reduction aperture, processing proper exposure shutter speed Star trails Full frame better Wide angle M mode, ISO 400, Combine Point N for circles 16-50mm Manual focus Widest f-stop, frames in Remote shutter e.g., 24 mm at in 30 min.- 2h Photoshop release (hold or lock (16 mm for a crop in multiple 20 -30s down release) Liveview, (see slide 30) sensor camera) shots (camera on CL or intervalometer set NR OFF continuous low), Star trails on 20s (LONG) or BULB setting for exposure time intervalometer Stars/Milky Full frame better Wide angle M mode, ISO 400-1600, Normal Way Remote shutter 16-50mm Manual focus Widest f-stop, release e.g., 24 mm at in 10-20s max. (16 mm for a crop Liveview, Single shot, S Stars sensor camera) NR ON The moon Crop factor Longest focal Spot meter, ISO 200, Normal cameras better length: Spot focus, f/5.6, Remote shutter 400-500mm Auto focus ~1/1000s, Moon release on moon Single shot, S The explanations for these settings are discussed in the following slides Tripod is required for all these celestial objects; remove lens filters, use lens hoods 2 Types of Astrophotography Wide-field, or landscape, astrophotography - photographs of the night sky revealing the stars and galaxies, including the Milky Way, that are acquired with DSLR and other cameras with wide-angle lenses with focal lengths shorter than roughly 35 mm.
    [Show full text]
  • Digital Photography Composition Techniques1 Ricky Telg2
    WC095 Digital Photography Composition Techniques1 Ricky Telg2 This EDIS publication, focusing on digital photography element in focus while deemphasizing another, which is out composition, is the second of a three-part series on taking of focus. good digital photos for your local Extension program. This series also includes publications on the basics of digital photography and photo editing. Introduction Composition is organizing the subject—the person or object of the photograph—through the viewfinder. Practice these composition techniques for better-looking photos. Start with holding the camera properly. Holding the Camera The quickest and surest way to get a sharp, clear picture is to hold the camera correctly. Blurred pictures are caused most frequently by moving the camera as you press the shutter button. Stand comfortably, with your legs slightly apart, or lean against a tree or wall. Hold your elbows to your side to minimize shaking. Breathe at a slow, steady pace as you get ready to take the shot, and then hold your breath as you slowly press the Figure 1. This woman is holding a camera correctly. Holding a camera shutter button. correctly is the best way to get a sharp, clear picture. Credits: UF/IFAS Focus and Flash Digital cameras also have several flash modes. Most allow you to select a flash, a red-eye reduction flash, or no Most cameras’ automatic modes do an excellent job of flash. The flash setting that the camera chooses when the auto-focusing for you. Pressing the shutter button halfway automatic flash is selected—by pressing the shutter button allows the camera to calculate the focus, white balance, halfway—is not always correct.
    [Show full text]