Wind-Induced Vibration Performance of Early Chinese Hall-Style Timber Buildings Based on Numerical Simulations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Olympic Cities Chapter 7
Chapter 7 Olympic Cities Chapter 7 Olympic Cities 173 Section I Host City — Beijing Beijing, the host city of the Games of the XXIX Olympiad, will also host the 13th Paralympic Games. In the year 2008, Olympic volunteers, as ambassadors of Beijing, will meet new friends from throughout the world. The Chinese people are eager for our guests to learn about our city and the people who live here. I. Brief Information of Beijing Beijing, abbreviated“ JING”, is the capital of the People’s Republic of China and the center of the nation's political, cultural and international exchanges. It is a famous city with a long history and splendid culture. Some 500,000 years ago, Peking Man, one of our forefathers, lived in the Zhoukoudian area of Beijing. The earliest name of Beijing 174 Manual for Beijing Olympic Volunteers found in historical records is“JI”. In the eleventh century the state of JI was subordinate to the XI ZHOU Dynasty. In the period of“ CHUN QIU” (about 770 B.C. to 477 B.C.), the state of YAN conquered JI, moving its capital to the city of JI. In the year 938 B.C., Beijing was the capital of the LIAO Dynasty (ruling the northern part of China at the time), and for more than 800 years, the city became the capital of the Jin, Yuan, Ming and Qing dynasties. The People’s Republic of China was established on October 1, 1949, and Beijing became the capital of this new nation. Beijing covers more than 16,000 square kilometers and has 16 subordinate districts (Dongcheng, Xicheng, Chongwen, Xuanwu, Chaoyang, Haidian, Fengtai, Shijingshan, Mentougou, Fangshan, Tongzhou, Shunyi, Daxing, Pinggu, Changping and Huairou) and 2 counties (Miyun and Yanqing). -
Chinese Religious Art
Chinese Religious Art Chinese Religious Art Patricia Eichenbaum Karetzky LEXINGTON BOOKS Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Lexington Books A wholly owned subsidiary of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 10 Thornbury Road, Plymouth PL6 7PP, United Kingdom Copyright © 2014 by Lexington Books All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Karetzky, Patricia Eichenbaum, 1947– Chinese religious art / Patricia Eichenbaum Karetzky. pages cm Includes bibliographical references and index. ISBN 978-0-7391-8058-7 (cloth : alk. paper) — ISBN 978-0-7391-8059-4 (pbk. : alk. paper) — ISBN 978-0-7391-8060-0 (electronic) 1. Art, Chinese. 2. Confucian art—China. 3. Taoist art—China. 4. Buddhist art—China. I. Title. N8191.C6K37 2014 704.9'489951—dc23 2013036347 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Contents Introduction 1 Part 1: The Beginnings of Chinese Religious Art Chapter 1 Neolithic Period to Shang Dynasty 11 Chapter 2 Ceremonial -
The Spreading of Christianity and the Introduction of Modern Architecture in Shannxi, China (1840-1949)
Escuela Técnica Superior de Arquitectura de Madrid Programa de doctorado en Concervación y Restauración del Patrimonio Architectónico The Spreading of Christianity and the introduction of Modern Architecture in Shannxi, China (1840-1949) Christian churches and traditional Chinese architecture Author: Shan HUANG (Architect) Director: Antonio LOPERA (Doctor, Arquitecto) 2014 Tribunal nombrado por el Magfco. y Excmo. Sr. Rector de la Universidad Politécnica de Madrid, el día de de 20 . Presidente: Vocal: Vocal: Vocal: Secretario: Suplente: Suplente: Realizado el acto de defensa y lectura de la Tesis el día de de 20 en la Escuela Técnica Superior de Arquitectura de Madrid. Calificación:………………………………. El PRESIDENTE LOS VOCALES EL SECRETARIO Index Index Abstract Resumen Introduction General Background........................................................................................... 1 A) Definition of the Concepts ................................................................ 3 B) Research Background........................................................................ 4 C) Significance and Objects of the Study .......................................... 6 D) Research Methodology ...................................................................... 8 CHAPTER 1 Introduction to Chinese traditional architecture 1.1 The concept of traditional Chinese architecture ......................... 13 1.2 Main characteristics of the traditional Chinese architecture .... 14 1.2.1 Wood was used as the main construction materials ........ 14 1.2.2 -
Spatial Distribution Pattern of Minshuku in the Urban Agglomeration of Yangtze River Delta
The Frontiers of Society, Science and Technology ISSN 2616-7433 Vol. 3, Issue 1: 23-35, DOI: 10.25236/FSST.2021.030106 Spatial Distribution Pattern of Minshuku in the Urban Agglomeration of Yangtze River Delta Yuxin Chen, Yuegang Chen Shanghai University, Shanghai 200444, China Abstract: The city cluster in Yangtze River Delta is the core area of China's modernization and economic development. The industry of Bed and Breakfast (B&B) in this area is relatively developed, and the distribution and spatial pattern of Minshuku will also get much attention. Earlier literature tried more to explore the influence of individual characteristics of Minshuku (such as the design style of Minshuku, etc.) on Minshuku. However, the development of Minshuku has a cluster effect, and the distribution of domestic B&Bs is very unbalanced. Analyzing the differences in the distribution of Minshuku and their causes can help the development of the backward areas and maintain the advantages of the developed areas in the industry of Minshuku. This article finds that the distribution of Minshuku is clustered in certain areas by presenting the overall spatial distribution of Minshuku and cultural attractions in Yangtze River Delta and the respective distribution of 27 cities. For example, Minshuku in the central and eastern parts of Yangtze River Delta are more concentrated, so are the scenic spots in these areas. There are also several concentrated Minshuku areas in other parts of Yangtze River Delta, but the number is significantly less than that of the central and eastern regions. Keywords: Minshuku, Yangtze River Delta, Spatial distribution, Concentrated distribution 1. -
Open Building and the Role of Craftsmanship in Ancient China: a Title Historical Literature Interpretation of Construction
Open building and the role of craftsmanship in Ancient China: a Title historical literature interpretation of construction Author(s) Jiang, Y; Jia, B International Conference on Changing Roles: New Roles New Citation Challenges, Noordwijk, The Netherlands, 5-9 October 2009. In Proceedings of Changing Roles, 2009, p. 633-644 Issued Date 2009 URL http://hdl.handle.net/10722/125862 Rights Creative Commons: Attribution 3.0 Hong Kong License OPEN BUILDING AND THE ROLE OF CRAFTSMANSHIP IN ANCIENT CHINA ----- A HISTORICAL LITERATURE INTERPRETATION OF CONSTRUCTION JIANG YINGYING The Department of Architecture, The University of Hong Kong Room 232, The Research Bureau of the Department of Architecture The old wing of Main Library, The University of Hong Kong, Pokfulam Road Hong Kong [email protected] JIA BEISI The Department of Architecture, The University of Hong Kong 311 Knowles Building, The University of Hong Kong http://www.arch.hku.hk/~jia/ Abstract The open building, although a new term of architecture that appeared at the end of the 20th century, is not a new concept as far as traditional and has allowed changes and improvements in structure space and function through generations. This paper discusses the relationship between the main building structures, infill elements, and space through examples in ancient China. It then describes the roles of owners, users, and craftsmen via examples from historical records. In studying these examples, this paper concludes that the craftsmen in ancient China are not merely involved in the period of construction but also in the whole period of use. Thus, the relationship between craftsmen and owners or users can continue for generations in some cases. -
CHINAINSIGHT to Celebrate Its 10Th Anniversary of Publication
HINA NSIGHT CFostering business and cultural harmonyI between China and the U.S. VOL. 11 NO. 1 January 2012 CHINAINSIGHT to celebrate its 10th anniversary of publication By Greg Hugh, Staff Writer hina Insight was conceived back in to ensure that a variety of views and perspec- 2001 when 3 young, entrepreneurial tives are presented as to what is happening C co-workers from China decided that in these areas. publishing a newspaper would be a good Over the years China Insight has pub- way to generate interest and leads for a con- lished a series of articles on topics such as sulting business which resulted in the print- Chinese language, speech and communica- ing of China Insight’s first issue in February, tion that resulted in a book of these articles, CAAM Annual Banquet 2002. Well, next month China Insight will the sister state and sister city relationships be celebrating its 10th Anniversary. between Minnesota and the PRC. China Page 8 As noted, China Insight was started in Insight also initiated a series of articles 2001, and is an independent, locally owned describing how the Chinese government is company that is headquartered in Minne- structured and has featured each of the 55 trista, MN. It is the only English-language different ethic groups within China. Articles American newspaper to focus exclusively on how to conduct business in China along on building a bridge between the United with travel tips are frequently included. States and the People’s Republic of China In addition to publishing the newspaper, (PRC). Its goal is to develop a mutual China Insight also promotes or sponsors understanding of each other’s cultures and events that foster U.S.-China cultural and business environment by fostering U.S.- business harmony. -
The Caisson – Review of a Unique Wooden Construction Typology in China
The caisson – review of a unique wooden construction typology in China Corentin Fivet École Polytechnique Fédérale de Lausanne, Fribourg, Switzerland Jingxian Ye Shanghai, China Peiliang Xu Ninghai County Cultural Heritage Administration Office, Zhejiang, China ABSTRACT: The caisson is a wooden construction system that covers opera stages for rain protection and sound control. Caissons in China display a diverse range of geometric expressions, delicate manufacturing, structural behaviours, and acoustic qualities. Despite their uniqueness and patrimonial interest, very little liter- ature is known to exist, and it lacks comprehensiveness. First, this paper attempts to compile for the first time a comprehensive list of publications on caissons. Fifteen sources are identified, among which six papers address the origin and interpretation of douba and spiral caissons. In addition, other types are here recorded, based on an original field research in Zhejiang and Shanxi provinces. Following this survey, the paper also suggests a classification for caisson types according to their geometries, construction process, and structural behaviour. This classification is further supported by the interviews with a local carpenter master who specialized in the renovation and component replacement of caissons. Considerations on carving artistries, painting, and pest control are also given eventually. As a result, this study brings forward the caisson’s diversity, fineness, and significance for the history of wood joinery construction. KEYWORDS: 12th-19th centuries, China, Wood-only-construction, Typology, Construction Technology 1 INTRODUCTION refers to the aquatic plants, and ‘well’ means the wa- ter source. Therefore, the caisson is traditionally the In China, a large amount of the world’s persistent ar- symbol of a steady flow of water, hoping to suppress chitectural heritage in wood-only construction has the trouble caused by the fire-devil and to protect the been preserved for several generations. -
Your Paper's Title Starts Here
2019 International Conference on Humanities, Cultures, Arts and Design (ICHCAD 2019) The Embodiment of the Moralization Function of Buddhist Murals in Guanyin Pavilion, Dule Temple, Ji County, Tianjin Province-- from the Perspective of Artistic Expressions Such as Schema, Dynamic Space, Pattern, Line and Color Jingwen Qiu1, a, Zhiji Zhang 2,b , Tiewa Cao 3,c 1 Tianjin University, Art Major, Second Year Bachelor, No. 92 Weijin Road, Nankai District, Tianjin, China 2 Tianjin University, Education Major, Second Year Bachelor, No. 92 Weijin Road, Nankai District, Tianjin, China 3 Tianjin University, Associate Professor of Arts, No. 92 Weijin Road, Nankai District, Tianjin, China [email protected], [email protected] b, [email protected] Keywords: Buddhist murals, Moralization function, Spatial structure, Psychology of art Abstract: Different expressions of space, pattern, and color reflect different artistic connotations and intentions. The special figure composition of Guanyin Pavilion murals, the interaction and spatial relationship between array characters in the painting, and the internal psychological space created by sixteen portraits of Arhat enrich the spatial concept of Guanyin Pavilion murals. Different from the three-dimensional spatial representation of linear perspective under western visual technology, the spatial representation method of special nonlinear perspective in Guanyin Pavilion murals is closely related to the Buddhist theme advocated under the specific social background of Yuan Dynasty. Behind the artistic expression of mural composition, pattern elements and color design are the special social context of this period and the visual reflection under the rule of ideology and culture. To a great extent, it reflects the thought of the rulers. In the artistic creation with certain restrictions, the meaning of the content given by the society or the ruling class was hidden behind the visual expression of the image. -
Inhabiting Literary Beijing on the Eve of the Manchu Conquest
THE UNIVERSITY OF CHICAGO CITY ON EDGE: INHABITING LITERARY BEIJING ON THE EVE OF THE MANCHU CONQUEST A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY NAIXI FENG CHICAGO, ILLINOIS DECEMBER 2019 TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS .............................................................................................................v ABSTRACT ................................................................................................................................. viii 1 A SKETCH OF THE NORTHERN CAPITAL...................................................................1 1.1 The Book ........................................................................................................................4 1.2 The Methodology .........................................................................................................25 1.3 The Structure ................................................................................................................36 2 THE HAUNTED FRONTIER: COMMEMORATING DEATH IN THE ACCOUNTS OF THE STRANGE .................39 2.1 The Nunnery in Honor of the ImperiaL Sister ..............................................................41 2.2 Ant Mounds, a Speaking SkulL, and the Southern ImperiaL Park ................................50 -
HST Catalogue
HANSHAN TANG BOOKS • L IST 179 NEW PUBLICATIONS TIBET LATEST ACQUISITIONS H ANSHAN TANG B OOKS LTD Unit 3, Ashburton Centre 276 Cortis Road London SW 15 3 AY UK Tel (020) 8788 4464 Fax (020) 8780 1565 Int’l (+44 20) [email protected] www.hanshan.com CONTENTS N EW & R ECENT P UBLICATIONS / 3 T IBET / 17 F ROM O UR S TOCK / 28 [Our apologies in that there was no room in this catalogue for the usual subject index] T E R M S The books advertised in this list are antiquarian, second-hand or new publications. All books listed are in mint or good condition unless otherwise stated. If an out-of-print book listed here has already been sold, we will keep a record of your order and, when we acquire another copy, we will offer it to you. If a book is in print but not immediately available, it will be sent when new stock arrives. We will inform you when a book is not available. Prices take account of condition; they are net and exclude postage. Please note that we have occasional problems with publishers increasing the prices of books on the actual date of publication or supply. For secondhand items, we set the prices in this list. However, for new books we must reluctantly reserve the right to alter our advertised prices in line with any suppliers’ increases. P O S TA L C H A RG E S & D I S PATC H United Kingdom: For books weighing over 700 grams, minimum postage within the UK is GB £12.00. -
Open Building and the Role of Craftsmanship in Ancient China ----- a Historical Literature Interpretation of Construction
OPEN BUILDING AND THE ROLE OF CRAFTSMANSHIP IN ANCIENT CHINA ----- A HISTORICAL LITERATURE INTERPRETATION OF CONSTRUCTION JIANG YINGYING The Department of Architecture, The University of Hong Kong Room 232, The Research Bureau of the Department of Architecture The old wing of Main Library, The University of Hong Kong, Pokfulam Road Hong Kong [email protected] JIA BEISI The Department of Architecture, The University of Hong Kong 311 Knowles Building, The University of Hong Kong http://www.arch.hku.hk/~jia/ Abstract The open building, although a new term of architecture that appeared at the end of the 20th century, is not a new concept as far as traditional and has allowed changes and improvements in structure space and function through generations. This paper discusses the relationship between the main building structures, infill elements, and space through examples in ancient China. It then describes the roles of owners, users, and craftsmen via examples from historical records. In studying these examples, this paper concludes that the craftsmen in ancient China are not merely involved in the period of construction but also in the whole period of use. Thus, the relationship between craftsmen and owners or users can continue for generations in some cases. Finally, this paper suggests one possible strategy for the building industry and technology in the context of sustainable development. Keywords: traditional buildings, flexibility, roles, craftsman INTRODUCTION With today’s concern on the global environment and more demand for environmental protection, we often encounter “sustainability” and “recycling” in our daily lives. People have begun to realize the significance of the balance between developments in all respects. -
Discover Your 2 Welcome
DISCOVER YOUR 2 WELCOME Welcome to China Holidays We were immensely proud to be a Queen’s Award winner. We are an independently owned and managed company, founded in 1997, specialising in providing beset value travel arrangements to China only. Therefore we can offer you a highly personalised service with my colleagues in London and Beijing working hard to ensure you have an unforgettable, high quality and value-for-money holiday. It is because of our dedication to providing this that we have managed to prosper in one of the most competitive industries in the world. For thousands of years China has been the mysterious Middle Kingdom, the fabled land Welcome to my homeland and between heaven and earth, steeped in legends, the land of my ancestors. I almost enthralling travellers and explorers who undertook the most gruelling journeys to discover for envy those of you who have not themselves this exotic civilisation. Nowadays, yet been to China as the surprises travelling is easier but the allure of China remains and pleasures of my country are the same. We at China Holidays have the in-depth understanding, knowledge and passion needed still yours to discover, whilst for to create some of the best journeys by bringing those of you who have already been, together authentic cultural experiences and there are still so many more riches imaginative itineraries, combined with superb service and financial security. to savour – the rural charms of the minority villages in the west, sacred On the following pages you will find details of our new and exciting range of China Holidays, ranging mountains inhabited by dragons and from classic itineraries to in-depth regional journeys gods, nomadic life on the grasslands and themed holidays, which mix the ever-popular of Tibet and Inner Mongolia, along sights with the unusual.