Booming Internet Video Sites in China: Current Situation and Challenges*
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Joint Action Against Online Video Piracy in China
November 13, 2013 Joint Action Against Online Video Piracy in China Lawsuits Seeking RMB300 Million in Damages Filed Against Baidu and QVOD on Claims of Spreading Pirated Videos and Engaging in Hotlinking BEIJING, Nov. 13, 2013 /PRNewswire/ -- Youku Tudou, Sohu Video, Tencent Video, LeTV, MPA, the Motion Picture Association of America (MPAA), CODA, Wanda Films, Enlight Media, Letv Films announce a joint declaration today in Beijing to fight online video infringement and piracy both on PC and mobile Internet in China. Meanwhile, the joint action announces legal action has been taken against Baidu and QVOD for compensation as high as RMB300 million. Representatives from more than a dozen Chinese and international film and television production companies attended the joint action announcement in Beijing. International attendees included the Motion Picture Association of America, Sony Pictures Entertainment, Warner Brothers, Disney and Paramount. Chinese attendees included the Capital Copyright Industry Alliance Capital Protection Division, the China Radio and Television Association of the Television Production Committee, and many Chinese production companies. "Since 2009, the video industry is facing a more severe anti-piracy situation," Sohu Group Chairman and CEO Charles Zhang said. "Especially when those big Internet companies with resource advantages participate in large-scale piracy. We cannot keep competing because where thieves and robbers are having their way, law-abiding companies cannot survive. We may even have to exit online video industry if such practices continue. Nobody will invest in content, and China's online video industry will face the sad situation as the music industry, which has already been destroyed by piracy, had faced before. -
Internet Economy 25 Years After .Com
THE INTERNET ECONOMY 25 YEARS AFTER .COM TRANSFORMING COMMERCE & LIFE March 2010 25Robert D. Atkinson, Stephen J. Ezell, Scott M. Andes, Daniel D. Castro, and Richard Bennett THE INTERNET ECONOMY 25 YEARS AFTER .COM TRANSFORMING COMMERCE & LIFE March 2010 Robert D. Atkinson, Stephen J. Ezell, Scott M. Andes, Daniel D. Castro, and Richard Bennett The Information Technology & Innovation Foundation I Ac KNOW L EDGEMEN T S The authors would like to thank the following individuals for providing input to the report: Monique Martineau, Lisa Mendelow, and Stephen Norton. Any errors or omissions are the authors’ alone. ABOUT THE AUTHORS Dr. Robert D. Atkinson is President of the Information Technology and Innovation Foundation. Stephen J. Ezell is a Senior Analyst at the Information Technology and Innovation Foundation. Scott M. Andes is a Research Analyst at the Information Technology and Innovation Foundation. Daniel D. Castro is a Senior Analyst at the Information Technology and Innovation Foundation. Richard Bennett is a Research Fellow at the Information Technology and Innovation Foundation. ABOUT THE INFORMATION TECHNOLOGY AND INNOVATION FOUNDATION The Information Technology and Innovation Foundation (ITIF) is a Washington, DC-based think tank at the cutting edge of designing innovation policies and exploring how advances in technology will create new economic opportunities to improve the quality of life. Non-profit, and non-partisan, we offer pragmatic ideas that break free of economic philosophies born in eras long before the first punch card computer and well before the rise of modern China and pervasive globalization. ITIF, founded in 2006, is dedicated to conceiving and promoting the new ways of thinking about technology-driven productivity, competitiveness, and globalization that the 21st century demands. -
Jiajia Luo, Et Al. V. Sogou Inc., Et Al. 19-CV-00230-Complaint for Violation
Case 1:19-cv-00230-JPO Document 1 Filed 01/09/19 Page 1 of 25 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK JIAJIA LUO, Individually and on Behalf of All Case No. Others Similarly Situated, Plaintiff, CLASS ACTION vs. COMPLAINT FOR VIOLATION OF THE FEDERAL SECURITIES LAWS SOGOU INC., SOHU, INC., TENCENT HOLDINGS LIMITED, XIAOCHUAN WANG, CHARLES (CHAOYANG) ZHANG, DEMAND FOR JURY TRIAL YUXIN REN, JOANNA (YANFENG) LU, BIN GAO, JOSEPH CHEN, JANICE LEE, and JAMES (XIUFENG) DENG, Defendants Plaintiff Jiajia Luo, individually and on behalf of all the other persons similarly situated, by plaintiff’s undersigned attorneys, alleges the following based upon personal knowledge as to plaintiff and plaintiff’s own acts, and upon information and belief as to all other matters based on the investigation conducted by and through plaintiff’s attorneys, which included, among other things, a review of Securities and Exchange Commission (“SEC”) filings by Sogou Inc. (“Sogou” or the “Company”), as well as conference call transcripts and media and analyst reports about the Company. Plaintiff believes that substantial evidentiary support will exist for the allegations set forth herein after a reasonable opportunity for discovery. SUMMARY OF THE ACTION 1. This is a federal securities class action on behalf of a class consisting of all persons other than defendants who purchased or otherwise acquired Sogou American Depository Shares (“ADSs”) pursuant and/or traceable to Sogou’s false and misleading Registration Statement and Prospectus issued in connection with the Company’s initial public offering on November 9, 2017 (the “IPO” or the Case 1:19-cv-00230-JPO Document 1 Filed 01/09/19 Page 2 of 25 “Offering”), seeking to recover compensable damages caused by defendants’ Securities Act of 1933 (the “Securities Act”) violations (the “Class”). -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Managing Real Options in Television Broadcasting
Munich Personal RePEc Archive User Generated Content: Web 2.0 Taking the Video Sector by Storm Mabillot, David communications strategies March 2007 Online at https://mpra.ub.uni-muenchen.de/4579/ MPRA Paper No. 4579, posted 23 Aug 2007 UTC User Generated Content: Web 2.0 Taking the Video Sector by Storm David MABILLOT University Paris XIII - CEPN – UMR CNRS 7115 and Maison des Sciences de l'Homme Paris Nord Abstract: This article examines the communities involved in the distribution and sharing of videos on the internet. Firstly, we study the practices connected with user generated content and describe the appearance of new players (YouTube, Dailymotion, Google Video, Zudeo, etc.) in the audiovisual landscape. We then discuss regulation of the new community model of digital content distribution before moving on to underline the need for the film and audiovisual industries to socially construct new cultural and commercial experiences with film fans. Key words: user generated content, information good, communities, markets, audiovisual, film, common good, regulation and intellectual property. ith the advent of Web 2.0, individuals and their social relations Whave moved to the centre of the internet stage (MOUNIER, 2005; GUILLAUD, 2005). A new combination of technologies (Ajax), which encourages total interaction between users and on-line services, is transforming the web from a medium supplied by millions of isolated sites into a platform for the free exchange of information and content produced, edited and distributed by internet surfers, belonging to organised communities and brought together by common interests. This exchange has been made possible by the digitisation and low-cost reproduction of content (MABILLOT, 2006a, 2006b). -
From Western TV Sets to Chinese Online Streaming Services: English-Language TV Series in Mainland China
. Volume 16, Issue 2 November 2019 From Western TV sets to Chinese online streaming services: English-language TV series in mainland China Xiaoran Zhang, University of Nottingham, UK Abstract: In the age of multiple screens, online streaming has in the 2010s become the most significant way of consuming overseas television programs in Mainland China. Due to rather strict government policy and censorship, foreign television series are presently only legally distributed and circulated on licensed online streaming services. Focusing on the streaming of US/UK TV series, this paper examines online streaming services’ distribution activities in order to understand both streaming websites’ business practices surrounding transnational TV and the features they employ to cater to online audiences for these series. To grasp how the online distribution of English-language TV series operates in China, I begin by looking at China’s five major video streaming services, analyzing the design of their interfaces, scheduling of programs, and accessibility for different tiers of users. I then examine how streaming services use social media as a major tool to promote their US and UK TV series. Through this analysis, I argue that transnational TV flow has had to be localized to achieve distribution and marketing goals in a Chinese context, resulting in the uniqueness of these streaming practices. This article concludes that, with the development of online streaming technologies, distinctive modes of audience consumption in China have informed the localization of this specific transnational TV content. Keywords: Online streaming, streaming consumption, television distribution, transnational TV, Tencent Video, HBO, Game of Thrones Introduction As one of HBO’s most successful high-end shows, Game of Thrones (2011-) has earned a worldwide reputation that includes the fandom of Chinese viewers. -
Exam Preparation Through Directed Video Blogging Using Electronically-Mediated Realtime Classroom Interaction
2016 ASEE Southeast Section Conference Exam Preparation through Directed Video Blogging and Electronically-Mediated Realtime Classroom Interaction Ronald F. DeMara, Soheil Salehi, and Sindhu Muttineni Department of Electrical and Computer Engineering University of Central Florida, Orlando, FL 32816-2362 e-mail: [email protected] Abstract A structured approach to video blogging (“vlogging”) has been piloted at the University of Central Florida (UCF) as a pedagogical tool to increase engagement in large-enrollment undergraduate courses. This two-phased activity enables a “risk-free” approach of increasing participation from all students enrolled in the course, as well as the opportunity for students who volunteer to advance their technical exposition soft-skills through professional video composition. A review of subject matter content without requiring the viewing of an excessive quantity of vlogs along with a rubric supporting automated grading mechanisms in real-time are some of the objectives that will be met through the implementation of this pedagogical tool. The resulting Learner Video Thumbnailing (LVT) hybrid individual/group exercise offers a highly- engaging interactive means for all students to review course topics in preparation for larger objective formative assessments. Keywords Formative Assessment, Cyberlearning, Student Engagement, vlog, YouTube Introduction Video Blog postings, also known as vlogs in a shared online environment can facilitate learners’ reflective thinking1. In addition, it can provide a medium to express the students’ understanding, triggering a meaning-making process thereby making it a significant aspect of formative assessment in online higher education1, 4, 5, 6, 7. A vlog can be defined as a blog in which the postings are in video format2. -
Youtube Download Convert to Mp3 Online
Youtube download convert to mp3 online allows you to convert and download your favourite videos from YouTube, Dailymotion and Clipfish in a format like MP3, MP4 and more. It's fast addon for · Infos · Current music charts · Addon. You can now download YouTube videos as MP3 files with HD audio quality. Our leading YouTube to MP3 Converter is also compatible with many other online. Convert YouTube video links to MP3, MP4, AVI with our YouTube Converter and Downloader. Convert your favourite YouTube videos to various formats using our YouTube Converter. Convert and download in these formats: MP3, OGG, AAC, FLAC, WMA, WAV, M4A, MP4, AVI, MOV, MPG, MKV, FLV, WMV. Download YouTube videos to MP3 files in 30 sec. Easy Our FREE YouTube converter makes converting YouTube to mp3 online easier and faster than ever!YouTube Downloader for · YouTube to MP3 · How to download music from. The easiest way to download and convert YouTube to MP3 and MP4. Free YouTube to MP3 and YouTube to MP4 online converter and downloader. Convert and download online video and audio to MP3 from YouTube, SoundCloud, Vimeo, Mixcloud, Bandcamp and more. Unlimited conversions and. Convert any YouTube Video to MP3 with our Totally Free cloud based service. It's lightning fast and no download or registration is required! is the most convenient online application for converting YouTube flash video to MP3 audio. Enjoy music with 2conv - your online mp3 converter. Have you ever needed a fast and reliable YouTube to mp3 converter to download videos and favourite. Converts YouTube videos to MP3; Download YouTube videos; Download MP3 from SoundCloud; Convert Dailymotion videos to MP3; Download Dailymotion. -
3.4.2 Sentiment Analysis
Information School INF6000 Dissertation COVER SHEET (TURNITIN) Registration Number 160128947 Family Name Zhao First Name Pan Use of unfair means. It is the student's responsibility to ensure no aspect of their work is plagiarised or the result of other unfair means. The University’s and Information School’s advice on unfair means can be found in your Student Handbook, available via http://www.sheffield.ac.uk/is/current Assessment Word Count _____10893_____________. If your dissertation has a word count that is outside the range 10,000 – 15,000 words or if you do not state the word count then a deduction of 3 marks will be applied Late submission. A dissertation submitted after 10am on the stated submission date will result in a deduction of 5% of the mark awarded for each working day after the submission date/time up to a maximum of 5 working days, where ‘working day’ includes Monday to Friday (excluding public holidays) and runs from 10am to 10am. A dissertation submitted after the maximum period will receive zero marks. Ethics documentation should be included in the Appendix if your dissertation has been judged to be Low Risk or High Risk. R (Please tick the box if you have included the documentation) A deduction of 3 marks will be applied for a dissertation if the required ethics documentation is not included in the appendix; and the same deduction will be applied if your research data has not been available for inspection when required. The deduction procedures are detailed in the INF6000 Module Outline and Dissertation Handbook. -
A User-Oriented Performance Comparison of Video Hosting Services
Computer Communications 116 (2018) 118–131 Contents lists available at ScienceDirect Computer Communications journal homepage: www.elsevier.com/locate/comcom A user-oriented performance comparison of video hosting services T ⁎ Alessio Botta ,a,b, Aniello Avallonea, Mauro Garofaloa, Giorgio Ventrea,b a University of Napoli Federico II, Napoli, Italy b NM2 srl, Napoli, Italy ARTICLE INFO ABSTRACT Keywords: Internet streaming is responsible for a significant fraction of Internet traffic. It has been reported to account up to Network neutrality 70% of peak traffic in North American fixed access networks, and this figure is expected to reach 80% by Internet video streaming 2020 [1]. Regarding such a killer service of the Internet, much has been discussed regarding if and how video Network performance hosting providers violate or may violate neutrality principles, in order to give users a “better” service compared to their competitors or other services. In this paper, we provide a contribution to this discussion studying three video hosting providers (i.e. YouTube, Vimeo, and Dailymotion). Specifically, we analyze their delivery infra- structures, including where the servers that provide videos are located, and the performance from a user viewpoint. To assess the performance, we measure throughput and RTT as experienced by users watching real videos of different popularity from several locations around the world and at different day hours. We uncover the performance differences of these providers as a function of the different variables under control and move a step forward to understand what causes such differences. We also study the changes in the infrastructures and related performance over time, performing different measurement campaigns over different years. -
Understanding Affective Content of Music Videos Through Learned Representations
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Enlighten: Publications Understanding Affective Content of Music Videos Through Learned Representations Esra Acar, Frank Hopfgartner, and Sahin Albayrak DAI Laboratory, Technische Universitat¨ Berlin, Ernst-Reuter-Platz 7, TEL 14, 10587 Berlin, Germany {name.surname}@tu-berlin.de Abstract. In consideration of the ever-growing available multimedia data, anno- tating multimedia content automatically with feeling(s) expected to arise in users is a challenging problem. In order to solve this problem, the emerging research field of video affective analysis aims at exploiting human emotions. In this field where no dominant feature representation has emerged yet, choosing discrimi- native features for the effective representation of video segments is a key issue in designing video affective content analysis algorithms. Most existing affective content analysis methods either use low-level audio-visual features or generate hand-crafted higher level representations based on these low-level features. In this work, we propose to use deep learning methods, in particular convolutional neural networks (CNNs), in order to learn mid-level representations from auto- matically extracted low-level features. We exploit the audio and visual modality of videos by employing Mel-Frequency Cepstral Coefficients (MFCC) and color values in the RGB space in order to build higher level audio and visual represen- tations. We use the learned representations for the affective classification of music video clips. We choose multi-class support vector machines (SVMs) for classi- fying video clips into four affective categories representing the four quadrants of the Valence-Arousal (VA) space. -
Alibaba Pictures , Ruyi Films and Enlight Pictures' Once Upon a Time to Be
IMAX CORPORATION ALIBABA PICTURES , RUYI FILMS AND ENLIGHT PICTURES’ ONCE UPON A TIME TO BE RELEASED IN IMAX® THEATRES ACROSS CHINA SHANGHAI – July 20, 2017 – IMAX Corporation (NYSE:IMAX) and IMAX China Holding Inc. (HKSE: 1970) today announced that Enlight Pictures’, Ruyi Films’ and Alibaba Pictures Group’s much-anticipated fantasy flick, Once Upon a Time, will be digitally re-mastered in the immersive IMAX 3D format and released in approximately 420 IMAX® theatres in China, beginning Aug. 3. Directed by Zhao Xiaoding and Anthony LaMolinara, Once Upon a Time was adapted from the popular fantasy romance novel, illustrating the story of Bai Qian (Liu Yifei) and Ye Hua (Yang Yang). It is produced by well-known filmmaker Zhang Yibai, and stars Liu Yifei, Yang Yang, Luo Jin, Yan Yikuan, Lichun, Gu Xuan and Peng Zisu. Once Upon a Time marks the first Chinese local-language IMAX DMR film in partnership with Alibaba Pictures Group and Ruyi Films, and the second with Enlight Pictures, which released Lost in Hong Kong in 2015. “We are excited to team up with Alibaba Pictures, Ruyi Films and Enlight Pictures, and directors Zhao Xiaoding and Anthony LaMolinara to bring this beloved fantasy novel to life in IMAX,” said Greg Foster, CEO of IMAX Entertainment and Senior Executive Vice President, IMAX Corp. “The film's incredible visual effects showcase The IMAX Experience and create a powerful addition to our summer movie slate.” The IMAX 3D release of Once Upon a Time will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology.