Most Recent Chinese 'Ad Block' Judgment Affirms Ad-Based Revenue Model for Internet Businesses 13 November 2015
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jiajia Luo, Et Al. V. Sogou Inc., Et Al. 19-CV-00230-Complaint for Violation
Case 1:19-cv-00230-JPO Document 1 Filed 01/09/19 Page 1 of 25 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK JIAJIA LUO, Individually and on Behalf of All Case No. Others Similarly Situated, Plaintiff, CLASS ACTION vs. COMPLAINT FOR VIOLATION OF THE FEDERAL SECURITIES LAWS SOGOU INC., SOHU, INC., TENCENT HOLDINGS LIMITED, XIAOCHUAN WANG, CHARLES (CHAOYANG) ZHANG, DEMAND FOR JURY TRIAL YUXIN REN, JOANNA (YANFENG) LU, BIN GAO, JOSEPH CHEN, JANICE LEE, and JAMES (XIUFENG) DENG, Defendants Plaintiff Jiajia Luo, individually and on behalf of all the other persons similarly situated, by plaintiff’s undersigned attorneys, alleges the following based upon personal knowledge as to plaintiff and plaintiff’s own acts, and upon information and belief as to all other matters based on the investigation conducted by and through plaintiff’s attorneys, which included, among other things, a review of Securities and Exchange Commission (“SEC”) filings by Sogou Inc. (“Sogou” or the “Company”), as well as conference call transcripts and media and analyst reports about the Company. Plaintiff believes that substantial evidentiary support will exist for the allegations set forth herein after a reasonable opportunity for discovery. SUMMARY OF THE ACTION 1. This is a federal securities class action on behalf of a class consisting of all persons other than defendants who purchased or otherwise acquired Sogou American Depository Shares (“ADSs”) pursuant and/or traceable to Sogou’s false and misleading Registration Statement and Prospectus issued in connection with the Company’s initial public offering on November 9, 2017 (the “IPO” or the Case 1:19-cv-00230-JPO Document 1 Filed 01/09/19 Page 2 of 25 “Offering”), seeking to recover compensable damages caused by defendants’ Securities Act of 1933 (the “Securities Act”) violations (the “Class”). -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Analysis and Discussion on the Network Self Made Drama Under the Network Platform
Analysis and Discussion on the Network Self Made Drama under the Network Platform Xiaoxia LI Zibo Vocational Institute Abstract: In recent years, with the continuous deepening of the integration of Internet and film and television creation, China has entered the online drama world spawned by the “Internet”. In the development trend of online drama, self-made content has become the foundation of every major platform. In 2020, the network self-made drama will be stable and new. Under the benign situation of stable development, it will move towards higher quality and broader stage. Keywords: Network; Platform; Homemade drama; Film and television DOI: 10.47297/wspciWSP2516-252708.20200409 1. The Rise of Self-made Drama in the Network Video Platform (1) The characteristics of network communication and the platform advantage of mastering the front market data, the network self-made drama has high interaction and market sensitivity. (2) Behind the rise of the network self-made drama is the network video platform that is eager for more control. n the increasingly fierce and cruel competition of “film and television winter”, Ithe network self-made drama makes these online video platforms escape the copyright purchase cost of the sky price, and change from passive content competition to active participation in content production, and become the core of platform differentiation competition. At the same time, this benign change also contains the vision of the film and television industry to reshape the content ecology. About the author: Xiaoxia LI (1978-02), female, from Zibo City, Shandong Province, master, lecturer, engaged in computer applications, network big data and artificial intelli- gence. -
Read the Report
23 Dec 2020 CMB International Securities | Equity Research | Company Initiation iQIYI (IQ US) BUY (Initiation) China’s online Disney in the making Target Price US$23.2 Up/Downside +34.8% Current Price US$17.2 We keep positive on IQIYI’s long-term subs trend and margin improvement , backed by its sizable users, unique original content and valuable IP. We forecast iQIYI to deliver 11% revenue CAGR during FY20-22E, with subs price hike and China Internet Sector ads recovery. Given fundraising partly priced in, we think iQIYI’s valuation is attractive. Initiate with BUY with DCF-based TP US$23.2. Sophie Huang An online video leader: Not only “Netflix”, but more. iQIYI is a leading (852) 3900 0889 online video platform in China, with 105mn subs. Backed by its sizable users, [email protected] vibrant original content and IP reserve, we forecast iQIYI to deliver 11% rev CAGR in FY20-22E, with subs price hike, ads recovery, and user expansion. Miriam Lu (852) 3761 8728 Original content makes the difference. With online video industry growth [email protected] tapering off, we believe content matters more to users than traffic or subsidies. iQIYI exceled itself with exclusive original content in both popular dramas and variety shows. Moreover, it bore initial fruits from short-episode dramas (e.g. Stock Data Mkt Cap (US$ mn) 13,499 the popularity of The Bad Kids <隐秘的角落>), and would further enrich Light Avg 3 mths t/o (US$ mn) 180.41 on Series (迷雾剧场) with stronger pipeline. We expect short-episode dramas 52w High/Low (US$) 28.03/ 14.51 series to stimulate its subs & brand ads momentum with higher ROI, such as Total Issued Shares (mn) 373 Who is Murderer<谁是凶手> in 2021 pipeline. -
From Western TV Sets to Chinese Online Streaming Services: English-Language TV Series in Mainland China
. Volume 16, Issue 2 November 2019 From Western TV sets to Chinese online streaming services: English-language TV series in mainland China Xiaoran Zhang, University of Nottingham, UK Abstract: In the age of multiple screens, online streaming has in the 2010s become the most significant way of consuming overseas television programs in Mainland China. Due to rather strict government policy and censorship, foreign television series are presently only legally distributed and circulated on licensed online streaming services. Focusing on the streaming of US/UK TV series, this paper examines online streaming services’ distribution activities in order to understand both streaming websites’ business practices surrounding transnational TV and the features they employ to cater to online audiences for these series. To grasp how the online distribution of English-language TV series operates in China, I begin by looking at China’s five major video streaming services, analyzing the design of their interfaces, scheduling of programs, and accessibility for different tiers of users. I then examine how streaming services use social media as a major tool to promote their US and UK TV series. Through this analysis, I argue that transnational TV flow has had to be localized to achieve distribution and marketing goals in a Chinese context, resulting in the uniqueness of these streaming practices. This article concludes that, with the development of online streaming technologies, distinctive modes of audience consumption in China have informed the localization of this specific transnational TV content. Keywords: Online streaming, streaming consumption, television distribution, transnational TV, Tencent Video, HBO, Game of Thrones Introduction As one of HBO’s most successful high-end shows, Game of Thrones (2011-) has earned a worldwide reputation that includes the fandom of Chinese viewers. -
Insight Notes Linked to the J.P. Morgan Quest 5G Thematic Basket (Jan 2021) Due February 18, 2022 Fully and Unconditionally Guaranteed by Jpmorgan Chase & Co
The information in this preliminary pricing supplement is not complete and may be changed. This preliminary pricing supplement is not an offer to sell nor does it seek an offer to buy these securities in any jurisdiction where the offer or sale is not permitted. Subject to completion dated December 15, 2020 January , 2021 Registration Statement Nos. 333-236659 and 333-236659-01; Rule 424(b)(2) JPMorgan Chase Financial Company LLC Structured Investments Insight Notes Linked to the J.P. Morgan Quest 5G Thematic Basket (Jan 2021) due February 18, 2022 Fully and Unconditionally Guaranteed by JPMorgan Chase & Co. The notes are designed for investors who seek exposure to the performance of the J.P. Morgan Quest 5G Thematic Basket (Jan 2021) of 32 unequally weighted Reference Stocks, which we refer to as the Basket, as reduced by the Basket Deduction of 1.50%. The Reference Stocks in the Basket represent the common stocks / common shares / American depositary shares / ordinary shares of 32 U.S.-listed companies associated with the ongoing roll-out of fifth-generation wireless technologies (“5G”). Investors should be willing to forgo interest and dividend payments and, if the Basket is flat, declines or does not increase by at least 1.50%, be willing to lose some or all of their principal amount at maturity. The notes are unsecured and unsubordinated obligations of JPMorgan Chase Financial Company LLC, which we refer to as JPMorgan Financial, the payment on which is fully and unconditionally guaranteed by JPMorgan Chase & Co. Any payment on the notes is subject to the credit risk of JPMorgan Financial, as issuer of the notes, and the credit risk of JPMorgan Chase & Co., as guarantor of the notes. -
Demystifying Commercial Content Delivery Networks in China
CONCURRENCY AND COMPUTATION: PRACTICE AND EXPERIENCE Concurrency Computat.: Pract. Exper. (2015) Published online in Wiley Online Library (wileyonlinelibrary.com). DOI: 10.1002/spe.3464 SPECIAL ISSUE PAPER Demystifying commercial content delivery networks in China Hao Yin1,*,†,BoQiao1,YanLuo2,ChenTian3 and Y. Richard Yang4 1Dept.t of CS, Tsinghua University, Beijing, China 2Dept. of ECE, University of Massachusetts Lowell, Lowell, MA, USA 3Dept. of EIE, Huazhong Univ. of Sci. and Tech., Wuhan, China 4Dept. of CS, Yale University, New Haven, CT, USA SUMMARY Over the past decade, content delivery networks (CDNs) have attracted substantial Internet traffic and improved quality of experience for Internet users. However, the evolution of the Internet ecosystem, which is driven by underlying economic incentives and ever emerging technologies, posts great challenges to the existing commercial CDNs (CCDNs). Thoroughly understanding the CDN industry from different aspects including market choice, technology, performance, tendency and infrastructure is indispensable to future Internet. In this paper, we conduct the first comprehensive study of China’s CDNs using continuous, at-scale, content-driven measurements. Based on the massive amount of measurement data with multidimensional properties, we demystify the CCDNs in China and answer two important questions: (1) what is the develop- ment trend of CCDNs in China and (2) what are their unique characteristics. The answers to these questions have significant implications on CDN providers and users. Copyright © 2015 John Wiley & Sons, Ltd. Received 25 September 2014; Accepted 24 November 2014 KEY WORDS: CDN 1. INTRODUCTION 1.1. Motivation To bridge the gap between network applications and best effort Internet provider (IP) networks, the technique of content delivery networks (CDNs) has emerged and been developed over the last decade. -
Tbivision.Com April/May 2017
Kids TBIvision.com April/May 2017 KidspOFC AprMay17.indd 1 15/03/2017 18:01 LAGARDERE_SONIC_TBICOVER_0317_def.indd 1 15/03/2017 17:20 TBI KODY KAPOW FULL PAGE.pdf 1 13/03/2017 17:58:07 C M Y CM MY CY CMY K KidspIFC Zodiak AprMay17.indd 1 14/03/2017 14:45 CONTENTS INSIDE THIS ISSUE This issue 2 6 2 TBI Kids interview: Dan Povenmire and Jeff ‘Swampy’ Marsh The Phineas and Ferb creators tell Stewart Clarke about their new showMilo Murphy’s Law, and their take on the animation business 4 Kids Matrix What’s going on in kids TV, from digital to linear, and live-action to animated, at a glance 6 Kids OTT tidal wave 10 The people behind the growing number of kid-focused streaming services open up about their strategies and goals, and how younger consumers are enagaging with content 10 Emerging studios 14 Several kids studios are evolving from work-for-hire shops into content-creation hubs. Jane Marlow speaks to the wave of emerging studios about balancing service work with origination 14 Hot Picks The best new kids shows launching at MIPTV, from a newMr Magoo, to a live-action ballet series, to a princess knight 20 TBI Kids interview: Christina Miller, Boomerang The president of Cartoon Network, Adult Swim and Boomerang talks SVOD Editor Stewart Clarke • [email protected] • @TBIstewart Television Business International (USPS 003-807) is published bi-monthly (Jan, Mar, Apr, Jun, Aug and Oct) by KNect365 TMT, Maple House,149 Tottenham Court Road, London, W1T 7AD, United Kingdom. -
Hengten Networks (00136.HK)
22-Feb-2021 ︱Research Department HengTen Networks (00136.HK) SBI China Capital Research Department T: +852 2533 3700 Initiation: China’s Netflix backed by Evergrande and Tencent E: [email protected] ◼ Transforming into a leading online long-video platform with similar Address: 4/F, Henley Building, No.5 Queen's DNA to Netflix. Road Central, Hong Kong ◼ As indicated by name, HengTen (HengDa and Tencent) (136.HK) will leverage the resources of its two significant shareholders in making Ticker (00136.HK) Pumpkin Film the most profitable market leader Recommendation BUY ◼ New team has proven track record in original content production Target price (HKD) 24.0 with an extensive pipeline. Current price (HKD) 13.8 ◼ Initiate BUY with TP HK$24.0 based on 1.0x PEG, representing 74% Last 12 mth price range 0.62 – 17.80 upside potential. Market cap. (HKD, bn) 127.8 Source: Bloomberg, SBI CHINA CAPITAL Transforming into a leading online long-video platform with similar DNA to Netflix. HengTen Networks (“HT”) (136.HK) announced to acquire an 100% stake in Virtual Cinema Entertainment Limited. The company has two main business lines: “Shanghai Ruyi” engages in film and TV show production while “Pumpkin Film”operates an online video platform. Currently one of the only two profitable online video platforms, we expect the company to enjoy similar success as Netflix given their common genes such as: a) a highly successful and proven content development team b) focus on big data analytics which improves ROI visibility and c) enjoyable user experience with an ads-free subscription model As indicated by name, HengTen (HengDa and Tencent) (136.HK) will leverage the resources of its two significant shareholders in making Pumpkin Film the most profitable market leader. -
Analysis of Bytedance with a Close Look on Douyin / Tiktok ——————————————————
—————————————————— Analysis of ByteDance with a close look on Douyin / TikTok —————————————————— Author: Xiaoye SHI Supervisor: Prof. Dr. Didier SORNETTE A thesis submitted to the Department of Management, Technology and Economics (D-MTEC) of the Swiss Federal Institute of Technology Zurich (ETHZ) in partial fulfilment of the requirements for the degree of Master of Science in Management, Technology and Economics June 2019 Acknowledgements I would like to thank my supervisor Prof. Dr. Didier Sornette, who has kindly given me countless guidance and advice throughout the Master thesis. I appreciate the opportunity to work on this interesting topic under the Chair of Entrepreneurial Risks and is deeply grateful for all the help received along the process. I also want to express my deepest gratitude to my parents, who have been supportive and encouraging under all circumstances. Without them, I would not be able to become the person I am today. - 2 - Abstract In 2018, ByteDance, a young Internet company with only 6 years of history, broke out on various news headlines as the highest valued unicorn. With the acquisitions of musical.ly and Flipgram, the company’s flagship product Douyin strikes to develop its global presence under the name TikTok. This thesis analyzed Douyin’s historical growth and revenue model. As a main revenue driver, future user growth is predicted and calibrated by extending the methodology proposed in earlier studies by Cauwels and Sornette. We considered three growth scenarios – base, high and extreme, and estimated Douyin as well as ByteDance’s value based on comparable company analysis. ByteDance’s key performance metrics and multiples were compared with four other firms in the similar industry, Facebook, Weibo, Momo and iQIYI. -
System: Pipeline Performance Enhancement
Cross Cultural Analysis System Improvements Guandong Liu Yiyang Zeng Columbia University Columbia University [email protected] [email protected] 1 Introduction Cross-cultural analysis investigates the new task of determining which textual tags are preferred by different affinity groups for news and related videos. We use this knowledge to assign new group-specific tags to other videos of the same event that have arisen elsewhere. We map visual and multilingual textual features into a joint latent space using reliable visual cues, and determine tag relationships through deep canonical correlation analysis (DCCA). We are interested in any international events such as epidemics and transportation disasters and detect country-specific tags from different countries’ news coverage [1]. Our current pipeline is able to collect data, preprocess data, and analyze data. This semester, we investigated and improved system performances in different aspects to make it more reliable and flexible. This report consists of two parts: the first part gives a thorough overview to the whole pipeline and the second part talks about several bug fixes and performance improvements of the current system. 2 Pipeline User Manual This section gives a thorough overview to the whole pipeline and goes through each step with AlphaGo in Chinese and English task as an example. 2.1 Get Video Metadata The pipeline starts from getting video metadata from various sources. In our experiments, we got video metadata about AlphaGo from Chinese sources (Tencent, Iqiyi, Youku, BiliBili) and English source (YouTube). Note that to get video metadata from YouTube, one must first enable YouTube Data API and get own API credentials (key.txt is the API credentials). -
Sohu Profit Tumbles to $2 Million, Revenue up 10 February 2014
Sohu profit tumbles to $2 million, revenue up 10 February 2014 Chinese portal Sohu.com Inc. said Monday its © 2014 The Associated Press. All rights reserved. latest quarterly profit tumbled to $2 million due to higher expenses but revenue rose 29 percent, reflecting intense competition in China's Internet industry. Earnings for the three months ended Dec. 31 were down 91 percent from the $23 million reported for the same quarter a year earlier. The Beijing-based company said revenue rose 29 percent to $385 million. The company was squeezed by a 78 percent rise in operating expenses that it said was due mainly to a bigger staff and increased costs for marketing and promotion. Sohu provides entertainment, games and communication services. Its properties include search engine Sogou, games company Changyou and an online video site. Sohu and Tencent Holdings Ltd., an online games and entertainment company, agreed in September to merge their search engines in a deal in which Tencent also would invest $448 million in the new combined operation. "By partnering with Tencent, Sogou has become a stronger contender in China's search market," said chairman Charles Zhang in a statement. "And Changyou delivered solid financial results while investing aggressively in multiple new initiatives for long-term growth." China has the world's biggest population of Internet users, with 618 million people online at the end of 2013, according to an industry group, the China Internet Network Information Center. Internet companies are scrambling to roll out new services as Chinese shift rapidly to surfing the Web from mobile phones and other wireless devices.