Fred Frith Trio

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Pressemitteilung Jazzwerkstatt präsentiert FRED FRITH TRIO Freitag, 27. Februar 2015 Ort: Maschinenhaus der Kulturbrauerei, Knaackstr. 97, 10435 Berlin Eintritt: VVK: 20 Euro | AK: 20 Euro | erm. 15 Euro * Beginn: 20.00 Uhr Organisation: Sören Birke | 030-44315-100 | [email protected] & Ulli Blobel | 030-5527 2093 | [email protected] Promotion: Johannes Martin | 030-44315-140 | [email protected] „Frith macht eine Musik, die zu der mächtigsten und originellsten der Gegenwart zählt“ (Libération, France) "Meister der krummen Takte" (Die Zeit, Germany) Mit seinem aktuellen Trio kehrt Fred Frith zurück zu seinen musikalischen Ursprüngen - mit der klassischen Besetzung: Gitarre, Bass und Schlagzeug. Verspielt, persönlich und eingebettet in ein feinfühliges Zusammenspiel, erinnert die Band daran, worum es beim Zuhören wirklich geht. Fred Frith - der Improvisateur, Komponist, Multi-Instrumentalist und Underdog. Er war Gründer der Artrock-Band Henry Cow und musikalischer Partner von John Zorn, Bill Laswell, Brian Eno, Louis Sclavis, Peter Kowald, Sonny Sharrock oder Peter Brötzmann. Darüber hinaus widmeten ihm die Schweizer Dokumentarfilmer Nicolas Humbert und Werner Penzel im Jahr 1990 den preisgekrönten Film „Step Across the Border“, der auch hier zu Lande mit großem Erfolg in den Kinos lief und ihn über die musikalischen Grenzen hinaus bekannt machte. Seine Kompositionen wurden u.a. aufgeführt von berühmten Ensembles wie dem Rova Saxofon Quartet, dem Arte Quartet, den Bang On A Can Allstars oder auch von Robert Wyatt. Frith präsentiert sein neues Trio mit dem fantastischen Jordan Glenn am Schlagzeug und dem renommierten Bassisten Jason Hoopes im Rahmen einer großen Europatournee. Website: www.fredfrith.com Youtube: www.youtube.com/watch?v=8vOs6yIsuo0 www.jasonhoopes.com/listening/fred-frith-trio/ *Ticket-Direktverkauf: Kesselhaus in der Kulturbrauerei: [email protected] | 030 - 44 31 51 00 Jazzwerkstatt: [email protected] | 030 – 55 2720 93 Dussmann Kulturkaufhaus: www.kulturkaufhaus.de Oldschool Plattenladen: www.facebook.com/oldschoolberlin Wenn Du den Newsletter nicht mehr erhalten möchtest, schicke bitte eine E-Mail an [email protected] und schreibe "unsubscribe" in die Betreffzeile. .

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Fred Frith Played 80 Concerts at New York's Unique Space for Experimental Music the Stone
New on INTAKT RECORDS www.intaktrec.ch Between 2006 and 2016, Fred Frith played 80 concerts at New York's unique space for experimental music The Stone. A selection of his encounters with such powerful and creative personalities as Laurie Anderson, Pauline Oliveros, Sylvie Courvoisier, Evan Parker, Nate Wooley has been combined in this 3-CD box set comprising 23 fascinat- ing tracks. A decade-long adventure in improvisation. The musician Theresa Wong writes: „I was struck by the musicality. What I mean by that is: there‘s this presence of songs and song forms – the music can be harmonic and melodic, there‘s noise, there‘s rhythm, a joyfulness, an exploration, a sensuality of sounds, but always underlining that is a musicality that feels to me like songs.“ FREd FRITH Fred Frith spielte zwischen 2006 und 2016 im New Yorker Jazz- LIVE AT THE STONE – ALL IS ALWAYS NOW club The Stone, dem einmaligen Künsterraum für exerimentelle Musik, achtzig Konzerte mit einigen der kreativsten Musikerinnen Fred Frith with und Musikern der aktuellen Szene: Von Laurie Anderson über Laurie Anderson Amma Ateria Pauline Oliveros, Sylvie Courvoisier, Evan Parker bis Nate Wooley. Sylvie Courvoisier 23 Höhepunkte sind auf der 3er-CD-Box „Fred Frith Live at the Nava dunkelman Jordan Glenn Stone. All Is Always Now“ versammelt. „Die Kraft der auftretenden Shelley Hirsch Persönlichkeiten ist so stark, dass jedes Stück in seiner Einzigar- Jason Hoopes tigkeit fasziniert“, sagt Fred Frith. Und die Mitmusikerin Theresa Annie Lewandowski Wong schreibt: "Ich war beeindruckt von der Musikalität. Damit Jessica Lurie Miya Masaoka meine ich: Es gibt diese Präsenz von Liedern und Gesangsfor- Ikue Mori men – die Musik kann harmonisch und melodisch sein, es gibt Pauline Oliveros Geräusche, es gibt Rhythmus, Freude, Erkundung, Sinnlichkeit Else Olsen Storesund Evan Parker von Klängen, aber gleichzeitig ist immer eine Musikalität da, die Gyan Riley sich für mich wie Songs anfühlt." Sudhu Tewari Clara Weil Theresa Wong Recorded between 2006 and 2016 at the Stone, New York, USA .
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NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
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Larry Ochs' Interview with Luca Canini for Allaboutjazzitalia.Com Via Email in Winter 2013.(Published April 2013.) Questions
Larry Ochs’ interview with Luca Canini for AllAboutJazzItalia.com via email in winter 2013.(published April 2013.) Questions in bold. Some years ago, when I first listened to “Electric Ascension”, I was shocked by the intensity and power of the performance: past/future, tradition/innovation. That disc and the few concerts around the world are a deep reflection on jazz, history, improvisation, sound. But everything started back in 1995, when Rova decided to celebrate the 30th anniversary of John Coltrane’s masterpiece. Can you tell me something about the birth of the project? How do you decide to approach such a “problematic” piece (if you consider Ascension a “piece”)? And do you remember the first time you listen to Ascension? I think Coltrane’s “Ascension” is one of the great jazz compositions of all time. A great formal structure; a great piece. Not that I consider myself an expert on all jazz music. I really don’t. But I am an expert on the greatness of that composition. We have played it 11 times as “Electric Ascension.” And yes it is true that we re- arranged the piece and changed the instrumentation, but the basic composition “Ascension” is absolutely at the center of “Electric Ascension;” it totally influences all the music we play in the spontaneous performance. There is no doubt of that. I remember seeing John Coltrane live at the Village Vanguard with his late great quartet in 1967. I was 18. The music overwhelmed me completely. There were maybe 20 people there for that second set of their night.
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97 rue Henri Barbusse 92110 CLICHY FRANCE [email protected] www.rejuvenationrecords.com Voici une petite liste de distrib sans prétention juste pour faire plaisir à tes oreilles, on espère que tu trouveras des choses intéressantes… Notre but n'est pas de faire du profit, mais juste de rentrer dans nos frais. Les disques sont neufs (ou alors c'est précisé), et nous garantissons tout ce que nous vendons. READ THIS BEFORE ANY ORDER ! 1 - Because of our very limited stocks, please send an e-mail to Agnès before any order : agnes(at)rejuvenationrecords.com 2 - All Prices are in EURO. 3 - Shipping is not included, notify us where you live and we will give it to you. 4 - You can pay with well hidden cash (in EURO, please, and at your own risk). 5 - You can pay by paypal to rejuvenation(at)wanadoo.fr. Please add 5% for paypal fees. 6 - You can pay by IMO, just ask us ! 7 - If payment is not received within two weeks of e-mailing us to reserve an order, the order is cancelled. 8 - Now if you're agree with previous lines, we can being very good friends. To have an idea of what can be the shipping costs look at the board below. Thank you ! T'es super nul en anglais (pire que nous ?), ok c'est pas grave : A LIRE AVANT TOUTE COMMANDE ! 1 - En raison de nos quantités super limitées merci de contacter Agnès avant toute commande : agnes(at)rejuvenationrecords.com 2 - Tous les prix sont en EURO. 3 - Le port n'est pas compris, donc dis nous où tu habites et on te donnera le port.
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THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC INTERNATIONAL JAZZ NEWS TOP 10 ALBUMS - CADENCE CRITIC'S PICKS, 2019 TOP 10 CONCERTS - PHILADEPLHIA, 2019 FESTIVAL REVIEWS CONCERT REVIEWS CHARLIE BALLANTINE JAZZ STORIES ED SCHULLER INTERVIEWS FRED FRITH TED VINING PAUL JACKSON COLUMNS BOOK LOOK NEW ISSUES - REISSUES PAPATAMUS - CD Reviews OBITURARIES Volume 46 Number 1 Jan Feb Mar Edition 2020 CADENCE Mainstream Extensions; Music from a Passionate Time; How’s the Horn Treating You?; Untying the Standard. Cadence CD’s are available through Cadence. JOEL PRESS His robust and burnished tone is as warm as the man....simply, one of the meanest tickets in town. “ — Katie Bull, The New York City Jazz Record, December 10, 2013 PREZERVATION Clockwise from left: Live at Small’s; JP Soprano Sax/Michael Kanan Piano; JP Quartet; Return to the Apple; First Set at Small‘s. Prezervation CD’s: Contact [email protected] WWW.JOELPRESS.COM Harbinger Records scores THREE OF THE TEN BEST in the Cadence Top Ten Critics’ Poll Albums of 2019! Let’s Go In Sissle and Blake Sing Shufﬂ e Along of 1950 to a Picture Show Shufﬂ e Along “This material that is nearly “A 32-page liner booklet GRAMMY AWARD WINNER 100 years old is excellent. If you with printed lyrics and have any interest in American wonderful photos are included. musical theater, get these discs Wonderfully done.” and settle down for an afternoon —Cadence of good listening and reading.”—Cadence More great jazz and vocal artists on Harbinger Records... Barbara Carroll, Eric Comstock, Spiros Exaras,
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Druckaecht Und Natürlich Auf Unserer Gen, Während Von Homophobie, Verstrahlung, Li - Immerhin Für Ein Jahr Dieses „Narrisch Guate“ TV- Homepage
Österreichische Post AG / Sponsoring Post 02Z030262 Retouren vernichten! echt a ft 193. k els. He c echt W u s wascha r erein d Kulturv es cht.at Zeitung d . ht.at office@waschae mma40. Für die Vielfalt 56375 www.waschaec Einzelpreis Euronullko Infotainment: 07242/ n Lenz! ’ Wir machen uns einen r tail eating #2” h ne “nose to E m Trost & Rat 1 KarenzKochKolu outh n Cline | Plym i Euer Lieblingskulturverein würde sage! Frith | Klampfan l rz 2015 euch gerne öfter in ungezwunge - r Mä 5/8erl in Ehr’n e ner und gemütlicher Atmosphäre 8 So 1. März, 20.00 treffen - zum Essen, Musik hören estra / GIS Orch 5 KLAMPFANSAGE #1 und einfach nur plaudern. Deshalb Fred Frith Trio findet ab 25.2., 19 Uhr immer am VVK €16 öticket, strassmair, neugebauer, hermanns letzten Mittwoch des Monats die “Kochwäsche” (Arbeitstitel) statt, Sa 7. März, 20.00 wo wir uns genau diesen kulinari - KLAMPFANSAGE #2 schen, akustischen und sozialen Nels Cline Singers Freuden hingeben. Beim ersten VVK €16 öticket, strassmair, neugebauer, hermanns Mal kochen Peli und Greti Risotto Sa 14. März, 20.00 und Kuchen, zu hören gibts Gitar - KLAMPFANSAGE #3 renmusik als Vorschau auf die Plymouth Klampfansage. Also: Henry, kau! VVK €16 öticket, strassmair, neugebauer, hermanns Trost & Rat 2 Fr 20. März, 20.00 Super im Frühjahr ist auch: Wanda 5/8erl in Ehr’n & Fijuka (3.4.), Gebrüder Moped VVK €18 öticket, strassmair, neugebauer, hermanns “Tellerrandtango” (10.4.), Attwen - ger (17.4.), Mike Watt and the Mi - Mo 30. März, 20.00 nutemen & Uz jsme doma (27.5.), GIS Orchestra Rad & Roll 10 (13.6.).
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Monterey Jazz Festival
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Freier Download BA 90 Als
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