Context-Sensitive Design Around the Country Some Examples TRANSPORTATION Number E-C067, July 2004 RESEARCH ISSN 0097-8515 E-CIRCULAR
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Managing Uncertainty and Expectations in Building Design and Construction
SmartMarket Report Produced in Partnership with: Managing Uncertainty and Expectations in Building Design and Construction Premier Industry Partners: Industry Partners: ■ Design and Construction Intelligence SmartMarket Report McGraw Hill Construction Managing Uncertainty and Expectations in Design and President Construction Kathryn E. Cassino SmartMarket Report About McGraw Hill McGraw Hill Construction Executive Editor Research & Analytics/ Harvey M. Bernstein, F.ASCE, LEED AP Construction Industry Insights & Alliances McGraw Hill Construction’s data, Editorial Advisor and Chief Author analytics, and media businesses— Vice President, Industry Stephen A. Jones Insights & Alliances Dodge, Sweets, Architectural Record, Harvey M. Bernstein, F.ASCE, LEED AP Editorial Director and Engineering News-Record— Michele A. Russo, LEED AP create opportunities for owners, Senior Director, Research & Analytics Burleigh Morton Managing Editor architects, engineers, contractors, Donna Laquidara-Carr, LEED AP building product manufacturers, Director, Research Communications and distributors to strengthen their Michele A. Russo, LEED AP Senior Director, Head of Marketing market position, size their markets, William Taylor prioritize prospects, and target and Reproduction or dissemination build relationships that will win more of any information contained Creative Manager, Media business. McGraw Hill Construction herein is granted only by contract Juan Ramos serves more than one million or prior written permission from Art Director customers through its -
Analysis of the Application of Geometric Figures in Graphic Design Xiao Li Zhuhai College of Jilin University, Zhuhai, China
2019 International Conference on Art, Design and Cultural Studies (ADCS 2019) Analysis of the Application of Geometric Figures in Graphic Design Xiao Li Zhuhai College of Jilin University, Zhuhai, China Abstract. Geometric figures such as triangle, square, rhombus and circle are the basic elements of common graphics in our real life and graphic design, geometric figures are everywhere, and simple graphics can constitute all phenomena in the world, which can cause people's infinite reverie. The basic geometric figures are formed by conducting combination and change of complex representational figures, which is a reflection of people's summarization ability. The application performance in design is analyzed from the influence of geometric figures in graphic design. Keywords: geometric figure, graphic design, sign, font design, graphic creativity. 1. Introduction As a language of graphic design, geometry is getting more and more credit. In such a fast-paced living space, our graphic requirements for graphic design are also increasing accordingly, the time people stay on complex graphics is becoming shorter and shorter, and it is urgent for us to make changes, simplify complex graphics, make complicated things simple and return to its original nature. It makes people to quickly interpret graphic information under the environment of modern life rhythm. Geometric figures are ubiquitous in graphic design; it is indispensable in font design, sign design, and image design, printing process, package design and pop design. And this kind of expression form of simple geometric figures can convey people's simple, understandable and bright feelings. 2. Application of Geometric Figures in Sign Design The history of the sign can be traced back to the "totem" ancient times, in the evolution process from complexity to simplicity, it expresses emotion with graphics, transfers the expression of meaning to the viewer, and changes from complicated graphics to simple and easy-to-understand intuitive geometric graphics. -
Geometric Design Strategic Research TRANSPORTATION RESEARCH BOARD 2006 EXECUTIVE COMMITTEE OFFICERS
TRANSPORTATION RESEARCH Number E-C110 January 2007 Geometric Design Strategic Research TRANSPORTATION RESEARCH BOARD 2006 EXECUTIVE COMMITTEE OFFICERS Chair: Michael D. Meyer, Professor, School of Civil and Environmental Engineering, Georgia Institute of Technology, Atlanta Vice Chair: Linda S. Watson, Executive Director, LYNX–Central Florida Regional Transportation Authority, Orlando Division Chair for NRC Oversight: C. Michael Walton, Ernest H. Cockrell Centennial Chair in Engineering, University of Texas, Austin Executive Director: Robert E. Skinner, Jr., Transportation Research Board TRANSPORTATION RESEARCH BOARD 2006 TECHNICAL ACTIVITIES COUNCIL Chair: Neil J. Pedersen, State Highway Administrator, Maryland State Highway Administration, Baltimore Technical Activities Director: Mark R. Norman, Transportation Research Board Christopher P. L. Barkan, Associate Professor and Director, Railroad Engineering, University of Illinois at Urbana–Champaign, Rail Group Chair Shelly R. Brown, Principal, Shelly Brown Associates, Seattle, Washington, Legal Resources Group Chair Christina S. Casgar, Office of the Secretary of Transportation, Office of Intermodalism, Washington, D.C., Freight Systems Group Chair James M. Crites, Executive Vice President, Operations, Dallas–Fort Worth International Airport, Texas, Aviation Group Chair Arlene L. Dietz, C&A Dietz, LLC, Salem, Oregon, Marine Group Chair Robert C. Johns, Director, Center for Transportation Studies, University of Minnesota, Minneapolis, Policy and Organization Group Chair Patricia V. McLaughlin, Principal, Moore Iacofano Golstman, Inc., Pasadena, California, Public Transportation Group Chair Marcy S. Schwartz, Senior Vice President, CH2M HILL, Portland, Oregon, Planning and Environment Group Chair Leland D. Smithson, AASHTO SICOP Coordinator, Iowa Department of Transportation, Ames, Operations and Maintenance Group Chair L. David Suits, Executive Director, North American Geosynthetics Society, Albany, New York, Design and Construction Group Chair Barry M. -
Instrumentalists and Renaissance Culture, 1420–1600
Instrumentalists and Renaissance Culture, 1420–1600 This innovative and multilayered study of the music and culture of Renaissance instrumentalists spans the early institutionalization of instrumental music from c.1420 to the rise of the basso continuo and newer roles for players around 1600. Employing a broad cultural narrative interwoven with detailed case studies, close readings of eighteen essential musical sources, and analysis of musical images, Victor Coelho and Keith Polk show that instrumental music formed a vital and dynamic element in the artistic landscape, from rote function to creative fantasy. Instrumentalists occupied a central role in courtly ceremonies and private social rituals during the Renaissance, as banquets, dances, processions, religious celebrations, and weddings all required their participation – regardless of social class. Instrumental genres were highly diverse artistic creations, from polyphonic repertories revealing knowledge of notated styles, to improvisation and flexible practices. Understanding the contributions of instrumentalists is essential for any accurate assessment of Renaissance culture. victor coelho is Professor of Music and Director of the Center for Early Music Studies at Boston University, a fellow of Villa I Tatti, the Harvard University Center for Italian Renaissance Studies in Florence, and a lutenist and guitarist. His books include Music and Science in the Age of Galileo, The Manuscript Sources of Seventeenth- Century Italian Lute Music, Performance on Lute, Guitar, and Vihuela, and The Cambridge Companion to the Guitar. In 2000 he received the Noah Greenberg Award given by the American Musicological Society for outstanding contributions to the performance of early music, resulting in a recording (with Alan Curtis) that won a Prelude Classical Award in 2004. -
Introducing the NACTO Urban Design Guidelines What Is NACTO?
The NACTO USDG – expanding the toolkit Introducing the NACTO Urban Design Guidelines What Is NACTO? • Founded 1996 • Peer Network of Large Central Cities (32) • Advancing Sustainable Transportation and Street Design • Focus on Local Innovation and Expertise • City Counterpart to AASHTO San Mateo Training Overview MAY 13 Training for local policymakers and elected officials MAY 14 Training for Public Works and Engineering MAY 20 On-site street design charrette at Middlefield Road May 13 Agenda Overview 9:00 – 9:15 Opening Remarks 9:15 – 10:30 Presentations: Design Policies & Assumptions 10:30 - 10:40 Break 10:40 – 11:30 Presentations: Streets & Measurement 11:30 – 12:45 Interactive Design Exercise & Lunch 12:45 – 2:00 Presentations & Discussion: Bikeway Design & Safe Intersection Design May 7, 2014: Tacoma vows to prosecute rogue crosswalk painters “City Crosswalks must comply with federal guidelines…We look at sight distance, we look at traffic volumes, we look at street width…” -Kurtis Kingsolver, City of Tacoma Director of Public Works Current street design guidance Prevailing design guidelines define every street as a highway Fixed-object hazards vs. community assets The Need for Speed “The objective in design of any engineered facility used by public is to satisfy the public’s demand for service in an economical manner with efficient traffic operations and with low crash frequency and severity. The facility should, therefore, accommodate nearly all demands with reasonable adequacy and also should not fail under severe or extreme traffic -
Protecting the Industrial Designs of Today and the Future by VLADIMIR SAMOYLOV
Protecting the Industrial Designs of Today and the Future BY VLADIMIR SAMOYLOV A thesis Submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2020 1 This dissertation is dedicated to my father, Alexander Vladimirovich Samoylov, a man who led by example, advised and encouraged me in all my endeavours. You will never cease to inspire me. 2 Acknowledgments First and foremost, I would like to extend my gratitude to my two supervisors: Associate Professor Susan Corbett and Dr Jonathan Barrett, without whom this dissertation would have never come to be. Your specialist guidance, mentorship as well as general encouragement, was and always will be, most appreciated. Due to your patience and combined efforts, I am today a much more confident researcher and writer than I ever imagined myself becoming. Thank you both also for introducing me to the world of academia. More specifically, for always challenging me and encouraging me to take my research as far as possible. I am also extremely appreciative of, and grateful for, the many research and teaching opportunities you have provided me alongside my PhD studies. Thank you also to Professor John Creedy for your help with finalising this dissertation. I am very grateful for your advice and suggestions, which helped me improve my writing. I would also like to thank Dr Jessica Lai and Dr Amanda Reilly, as well as the other academics at the University who contributed to my academic development by providing me with tutoring and other related opportunities, whilst I underwent my PhD studies. -
Investigating the Role of Design in the Circular Economy
Report 01: June 2013 Investigating the role of designa. in the circular economy A N M A G E E C M R E U N O T S E R M LANDFILL MANAGERS RECYCLING FACILITIES RECYCLING A REPAIR, REFURB T & REMANUFACTURE RECOVERY MATERIAL E R I A MATERIAL TECHNOLOGISTS MEDIA & PRESS L E CAMPAIGNERS X S P CHEMISTS R E E R THINK TANKS THINK K T A S M MATERIAL SCIENTISTS EUROPEAN GOV. EUROPEAN Y C I L PUBLIC PROCUREMENT PUBLIC RAW MATERIALS O M P A POLICY WRITERS POLICY N U MATERIAL F MANUFACTURERS A STANDARD REGULATORS STANDARD C T U BRAND LICENSEES LOCAL AUTHORITIES LOCAL R E R S B2B COMPONENT MANUFACTURERS UK PLC LEADERS PLC UK B CONSUMER FACING BRANDS ENTREPRENEURS S R R A O N T D CONSTRUCTION COMPANIES S S VENTURE CAPITALISTS VENTURE E / V C O N I M CONSUMER FACING P A MANUFACTURERS INVESTORS BUSINESS N I E S RETAILERS COUNCILS RESEARCH N O I ADVERTISING AGENCIES RESEARCHERS T C & ACADEMICS A O C U N D S ANTHROPOLOGISTS LEADERS E INTERIOR U COURSE FE & HE M & E INDUSTRIAL S R IC MARKETEERS LEADERS S M APPRENTICESHIP E & D U A S CONSUMERS SYSTEM THINKERS SYSTEM C ER A S ENGINEERS DESIGN MAKERS & FIXERS SERVICE & PRODUCT FASHION & TEXTILES & ARCHITECTS COMMS & DIGITAL TRANSPORT DESIGN The Great Recovery REPORT Contents Executive Summary Introduction to The Great Recovery Teardown, Build Up – The Workshop Process Outcomes and Recommendations 2 www.greatrecovery.org.uk Businesses who want to be profitable, innovative and progressive will look to reduce the volumes of waste they produce, will think about the way their products are made and distributed, and what happens to them when they reach their end of life. -
Claiming Design
Notre Dame Law School NDLScholarship Journal Articles Publications 2018 Claiming Design Mark McKenna Notre Dame Law School, [email protected] Follow this and additional works at: https://scholarship.law.nd.edu/law_faculty_scholarship Part of the Intellectual Property Law Commons Recommended Citation Mark McKenna, Claiming Design, 167 U. Pa. L. Rev. 123 (2018). Available at: https://scholarship.law.nd.edu/law_faculty_scholarship/1351 This Article is brought to you for free and open access by the Publications at NDLScholarship. It has been accepted for inclusion in Journal Articles by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. ARTICLE CLAIMING DESIGN JEANNE C. FROMERt & MARK P. MCKENNAtt Design stands out among intellectualproperty subject matter in terms of the extent of overlapping protection available. Different forms of intellectual property usually protect different aspects of a product. In the design context, however, precisely the same features are often subject to design patent, trademark, and copyright protection-andparties commonly claim more than one of those forms. Yet, as we show, the claiming regimes of these threeforms of design protection differ in significant ways: the timing of claims; claimformat (particularlywhether the claims are visual or verbal); the multiplicity of claims (whether and how one can make multiple claims to the same design); and the level of abstractionat which parties claim rights. These methodological differences have significant effects on the operation of each individual regime. All of the claiming regimes have significant shortcomings, particularly in terms of the quality of notice the claims provide to third parties about their scope. That notice problem is worsened, as we argue, by the frequent cumulation of rights t Professor of Law, New York University School of Law; Co-Director, Engelberg Center on Innovation Law & Policy. -
Journal of Intellectual Property and Entertainment Law
NEW YORK UNIVERSITY JOURNAL OF INTELLECTUAL PROPERTY AND ENTERTAINMENT LAW VOLUME 5 FALL 2015 NUMBER 1 A DEFENSE OF INDUSTRIAL DESIGN RIGHTS IN THE UNITED STATES MAGGIE DIAMOND* The protection of industrial design in the United States has been criticized for its ill-aligned functionality doctrines, as an inefficient incentive scheme, as well as for its costly and prolonged rights acquisition periods. This note explores the scope of U.S. industrial design protection in copyright, trademark and design patent, concluding that design patent provides the strongest basis to rebut these criticisms. Not only does the positive enforcement of design patents speak to the protection's strength, but the normative scope of the right is calibrated to incentivize innovative designs. A wholesale reform of U.S. industrial design is not required to address cost and time criticisms; compliance with certain national and international obligations is sufficient. * J.D. Candidate, New York University School of Law, 2015. The author would like to thank the Editorial Board of the Journal of Intellectual Property & Entertainment Law and participants of the 2015 Innovation Policy Colloquium. 1 2015] INDUSTRIAL DESIGN RIGHTS IN THE UNITED STATES 2 INTRODUCTION ............................................................................................................ 2 I. INDUSTRIAL DESIGN IN THE U.S. ...................................................................... 4 A. What is Industrial Design? ........................................................................ -
Intersection Geometric Design
Intersection Geometric Design Course No: C04-033 Credit: 4 PDH Gregory J. Taylor, P.E. Continuing Education and Development, Inc. 22 Stonewall Court Woodcliff Lake, NJ 07677 P: (877) 322-5800 [email protected] Intersection Geometric Design INTRODUCTION This course summarizes and highlights the geometric design process for modern roadway intersections. The contents of this document are intended to serve as guidance and not as an absolute standard or rule. When you complete this course, you should be familiar with the general guidelines for at-grade intersection design. The course objective is to give engineers and designers an in-depth look at the principles to be considered when selecting and designing intersections. Subjects include: 1. General design considerations – function, objectives, capacity 2. Alignment and profile 3. Sight distance – sight triangles, skew 4. Turning roadways – channelization, islands, superelevation 5. Auxiliary lanes 6. Median openings – control radii, lengths, skew 7. Left turns and U-turns 8. Roundabouts 9. Miscellaneous considerations – pedestrians, traffic control, frontage roads 10. Railroad crossings – alignments, sight distance For this course, Chapter 9 of A Policy on Geometric Design of Highways and Streets (also known as the “Green Book”) published by the American Association of State Highway and Transportation Officials (AASHTO) will be used primarily for fundamental geometric design principles. This text is considered to be the primary guidance for U.S. roadway geometric design. Copyright 2015 Gregory J. Taylor, P.E. Page 2 of 56 Intersection Geometric Design This document is intended to explain some principles of good roadway design and show the potential trade-offs that the designer may have to face in a variety of situations, including cost of construction, maintenance requirements, compatibility with adjacent land uses, operational and safety impacts, environmental sensitivity, and compatibility with infrastructure needs. -
Will Increased Patent Infringement Damage Awards Revive the Japanese Economy?
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Washington University St. Louis: Open Scholarship Washington University Journal of Law & Policy Volume 2 Re-Engineering Patent Law: The Challenge of New Technologies January 2000 Patent Infringement Damages in Japan and the United States: Will Increased Patent Infringement Damage Awards Revive the Japanese Economy? Toshiko Takenaka Center for Advanced Study and Research on Intellectual Property Follow this and additional works at: https://openscholarship.wustl.edu/law_journal_law_policy Part of the Comparative and Foreign Law Commons, and the Intellectual Property Law Commons Recommended Citation Toshiko Takenaka, Patent Infringement Damages in Japan and the United States: Will Increased Patent Infringement Damage Awards Revive the Japanese Economy?, 2 WASH. U. J. L. & POL’Y 309 (2000), https://openscholarship.wustl.edu/law_journal_law_policy/vol2/iss1/11 This International and Comparative Law Issues is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Journal of Law & Policy by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Patent Infringement Damages in Japan and the United States: Will Increased Patent Infringement Damage Awards Revive the Japanese Economy? Toshiko Takenaka, Ph.D.* INTRODUCTION Since the Japanese economy plunged into its current, deep -
Computer-Aided Design from Wikipedia, the Free Encyclopedia "CAD" Redirects Here
Computer-aided design From Wikipedia, the free encyclopedia "CAD" redirects here. For other uses, see CAD (disambiguation). For the currency, see Canadian Dollar. Example: 2D CAD drawing Example: 3D CAD model CAD rendering of Sialk zigguratbased on archeological evidence Computer-aided design (CAD) is the use of computer systems to assist in the creation, [1] modification, analysis, or optimization of adesign. CAD software is used to increase the productivity of the designer, improve the quality of design, improve communications through [2] documentation, and to create a database for manufacturing. CAD output is often in the form of electronic files for print, machining, or other manufacturing operations. Computer-aided design is used in many fields. Its use in designing electronic systems is known as electronic design automation, or EDA. In mechanical design it is known as mechanical design automation (MDA) or computer-aided drafting (CAD), which includes the process of creating [3] a technical drawing with the use of computer software. CAD software for mechanical design uses either vector-based graphics to depict the objects of traditional drafting, or may also produceraster graphics showing the overall appearance of designed objects. However, it involves more than just shapes. As in the manual draftingof technical and engineering drawings, the output of CAD must convey information, such as materials, processes, dimensions, andtolerances, according to application-specific conventions. CAD may be used to design curves and figures in two-dimensional (2D) space; or curves, surfaces, [4] and solids in three-dimensional (3D) space. CAD is an important industrial art extensively used in many applications, including automotive, shipbuilding, and aerospace industries, industrial and architectural design, prosthetics, and many more.