DOCSLIB.ORG

Full Texts Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Full Texts Book 2. PEARSON JOURNAL INTERNATIONAL CONFERENCE ON SOCIAL SCIENCES & HUMANITIES June 28-29, 2021 Izmir – TURKEY FULL TEXTS BOOK Editor Assoc. Prof. Dr. Filiz KALYON ISBN - 978-1-955094-08-5 2. PEARSON JOURNAL INTERNATIONAL CONFERENCE ON SOCIAL SCIENCES & HUMANITIES June 28-29, 2021 Izmir – TURKEY FULL TEXTS BOOK Published by Liberty Publications -2021© LIBERTY ACADEMIC is a part of LIBERTY PUBLISHER OF BOOKS Head officeNew York, USA +1 (314) 597-037280 Maiden Lane, 21st Floor /8Water Street Corridor New York, NY 10038 www.libertyacademicbooks.com [email protected] Release date: 21.07.2021 ISBN – 978-1-955094-08-5 2. Pearson Journal International Conference on Social Sciences & Humanities | Izmir, TURKEY CONGRESS'S IDENTIFICATION CONGRESS NAME 2. Pearson Journal International Conference on Social Sciences & Humanities DATE AND PLACE June 28-29, 2021 Izmir, TURKEY ORGANIZING COMMITTEE Dr. Terane NAGIYEVA Dr. Mehmet Emin KALGI Dr. Alice HERMANIS Dr. Hasan ÇİFTÇİ Dr. Damezhan SADYKOVA Dr. Yunus Emre TANSÜ COORDINATOR Zhanuzak ALIMGEREY NUMBER OF ACCEPTED PAPERS 31 NUMBER OF REJECTED PAPERS 11 EVALUATION PROCESS All applications have undergone a double-blind peer review process CONGRESS LANGUAGES Turkish and all dialects, English, Russian PRESENTATION Oral presentation Full Texts Book June 28-29, 2021 2. Pearson Journal International Conference on Social Sciences & Humanities | Izmir, TURKEY PHOTO GALLERY Full Texts Book June 28-29, 2021 2. Pearson Journal International Conference on Social Sciences & Humanities | Izmir, TURKEY Full Texts Book June 28-29, 2021 2. Pearson Journal International Conference on Social Sciences & Humanities | Izmir, TURKEY Full Texts Book June 28-29, 2021 2. Pearson Journal International Conference on Social Sciences & Humanities | Izmir, TURKEY SCIENTIFIC COMMITTEE Prof. Dr. Adnan Celik Prof. Dr. Ariz GOZALOV Prof. Dr. Tamanna Saxena Prof. Dr. Roopali Sharma Prof. Dr. Onur Sunal Prof. Dr. Akmaral SARGIKBAEVA Prof. Dr. Füsun Gülderen ALACAPINAR Assoc. Prof. Dr. Elvan YALCINKAYA Assoc. Prof. Dr. Yunus Emre TANSÜ Assoc. Prof. Dr. Hasan ÇİFTÇİ Assoc. Prof. Dr. Tolga TORUN Assoc. Prof. Dr. METİN DUYAR Assoc. Prof. Dr. Kasım TATLILIOĞLU Assist. Prof. Dr. Mustafa YALÇINKAYA Assist. Prof. Dr. Mutlu Yoruldu Assist. Prof. Dr. Suzan URGAN Assist. Prof. Dr. CELAL ASLAN Assist. Prof. Dr. İlkay TURAN Assist. Prof. Dr. Zeynep EDA BÜRGE Assist. Prof. Dr. MUSTAFA ÖZYEŞİL Assist. Prof. Dr. Rabia Şenay Şişman Assist. Prof. Dr. Yasemin Özen Assist. Prof. Dr. Jale COŞKUN Assist. Prof. Dr. Gülten GÜLTEPE Assist. Prof. Dr. Kadir DELİGÖZ Assist. Prof. Dr. Aslı YERLİKAYA Assist. Prof. Dr. Bahar Taymaz Assist. Prof. Dr. Davut KARAMAN Dr. Memiş Can YARDIMCI Dr. Emre NALÇACIGİL Dr. Mehmet Emin KALGI Dr. Hoshi NAGATAMO Dr. Maria CHOPPER Dr. Elnaz NASEHI Dr. Güller ŞAHİN Dr. Damezhan SADYKOVA Dr. Bahadır Geniş Dr. Lect. Ayşe DEMİR Dr. Vüsala Aliyeva Dr. Emre BİRİNCİ Dr. Yasemin KÜÇÜKÖZKAN Dr. Nuray PAMUK ÖZTÜRK Dr. Tutku ÜNKARACALAR Full Texts Book June 28-29, 2021 PEARSON JOURNAL INTERNATIONAL CONFERENCE ON SOCIAL SCIENCES & HUMANITIES-II June 28-29, 2021 Izmir – TURKEY CONFERENCE PROGRAM Meeting ID: 849 8329 0244 Passcode: www.zoom.us 066821 IMPORTANT, PLEASE READ CAREFULLY To be able to attend a meeting online, login via https://zoom.us/join site, enter ID “Meeting ID or Personal Link Name” and solidify the session. The Zoom application is free and no need to create an account. The Zoom application can be used without registration. The application works on tablets, phones and PCs. The participant must be connected to the session 5 minutes before the presentation time. All congress participants can connect live and listen to all sessions. Moderator is responsible for the presentation and scientific discussion (question-answer) section of the session. Points to Take into Consideration - TECHNICAL INFORMATION ♦ Make sure your computer has a microphone and is working. ♦ You should be able to use screen sharing feature in Zoom. ♦ Attendance certificates will be sent to you as pdf at the end of the congress. ♦ Requests such as change of place and time will not be taken into consideration in the congress program. ÖNEMLİ, DİKKATLE OKUYUNUZ LÜTFEN Kongremizde Yazım Kurallarına uygun gönderilmiş ve bilim kurulundan geçen bildiriler için online (video konferans sistemi üzerinden) sunum imkanı sağlanmıştır. Online sunum yapabilmek için https://zoom.us/join sitesi üzerinden giriş yaparak “Meeting ID or Personal Link Name” yerine ID numarasını girerek oturuma katılabilirsiniz. Zoom uygulaması ücretsizdir ve hesap oluşturmaya gerek yoktur. Zoom uygulaması kaydolmadan kullanılabilir. Uygulama tablet, telefon ve PC’lerde çalışıyor. Her oturumdaki sunucular, sunum saatinden 5 dk öncesinde oturuma bağlanmış olmaları gerekmektedir. Tüm kongre katılımcıları canlı bağlanarak tüm oturumları dinleyebilir. Moderatör – oturumdaki sunum ve bilimsel tartışma (soru-cevap) kısmından sorumludur. Dikkat Edilmesi Gerekenler- TEKNİK BİLGİLER ♦ Bilgisayarınızda mikrofon olduğuna ve çalıştığına emin olun. ♦ Zoom'da ekran paylaşma özelliğine kullanabilmelisiniz. ♦ Kabul edilen bildiri sahiplerinin mail adreslerine Zoom uygulamasında oluşturduğumuz oturuma ait ID numarası gönderilecektir. ♦ Katılım belgeleri kongre sonunda tarafınıza pdf olarak gönderilecektir ♦ Kongre programında yer ve saat değişikliği gibi talepler dikkate alınmayacaktır CONGRESS LANGUAGES: Turkish and all dialects, English, Russian DATE SESSION-1 28.06.2021 HALL-1 ANKARA TIME 1000-1200 MODERATOR: Assoc. Prof. Dr. Elanur PİLİCİ RELATIONS BETWEEN FOREIGN TRADE AND Asst. Prof. Dr. Lamiha Öztürk Hasan Kalyoncu ECONOMIC GROWTH IN A CONTEXT OF Lect. Sezgi Demirkale University TRADE FACILITATION: THE CASE OF TURKEY A REVIEW OF CONSUMER OPINIONS ON IN- Batman University STORE SALESPERSON BEHAVIORS: THE CASE Mehmet Arif YILMAZ Assist. Prof. Dr. Kazım KILIÇ OF READY-TO-WEAR STORES University of Turkish A REVIEW ARTICLE ON KAIZEN RESEARCH Aeronautical PRESENTING A CASE STUDY Association Asst.Shahin Prof. Dr. ALAHMAD Şafak KURT AN EMPIRICAL RESEARCH ON THE Dicle University ADOPTION OF EXPORT MARKETING STRATEGIES Asst. Asst.Prof. Prof.Dr. Halil Dr. Gülİbrahim ANALYSIS OF LEISURE SATISFACTION ŞENGÜN University LEVELS OF UNIVERSITY STUDENTS Ondokuz Mayıs ANALYSIS OF EDUCATION QUALITY Asst. Prof. Dr. Gül ÇAVUŞOĞLU PERCEPTIONS OF SPORTS SCIENCES University FACULTY STUDENTS (ONDOKUZ MAYIS Ondokuz Mayıs ÇAVUŞOĞLU UNIVERSITY SAMPLE) hm Emine SAĞLAM THE IMPORTANCE OF INNOVATIVE S f Agrarian University INVESTMENT IN MODERN PERIOD Ə ədova Türkan Yusif qızı Azerbaijan State ADVERTISEMENTS AND MYTHS ə ərova Çinarə Qabil qızı University Universityİstanbul of Aydın Tirana, DIASPORA AS AN ELEMENT OF PUBLIC Assoc. Prof. Dr. Elanur PİLİCİ DIPLOMACY: STATE POLICIES OF ALBANIA Rigon Harxhi Dr.Ramadan ÇIPURI Polis University AND KOSOVO Albania CLUSTERING POLICY IN THE IMPROVEMENT Burak SAVRUN OF INTERNATIONAL Gaziantep University Asst. Prof. Dr. Hasan AKSOY COMPETITIVE ADVANTAGE: GAZIANTEP CARPET SECTOR MODEL ANALYZING TO DETERMINE COMPETITIVE Burak SAVRUN FORCES OF TURKEY CARPET Gaziantep University Asst. Prof. Dr. Hasan AKSOY SECTOR BY USING REVEALED COMPARATIVE ADVANTAGE INDEX DATE SESSION-1 28.06.2021 HALL-2 ANKARA TIME 1000-1230 MODERATOR: Asst. Prof. Dr. Fatma Berna BENLİ INVESTIGATION OF DOCUMENTATIONAL GENESIS PROCESSES OF TWO MATHEMATICS SedenMenekşe TAPAN BULAT-BROUTIN TEACHERS: TRADITIONAL TEACHING Assoc. Prof. Dr. Menekşe University Bursa Uludağ METHOD vs ANTROPY SOFTWARE USE IN ARSLAN Assoc. Prof. Dr. Çiğdem EXAMINATION OF SECONDARY SCHOOL 7TH Asst. Prof. Dr. Fatma Berna GRADETHE SCOPESTUDENTS' OF FATİH MATHEMATICAL PROJECT Erciyes University THINKING AND PROBLEM SOLVING SKILLS BENLİ ON RATIONAL NUMBERS Kübra GÜRTAŞ THE BEGINNING OF APPLIED AGRICULTURAL Dr. Lütfi ARSLAN STUDIES IN THE WORLD AND IN TURKEY AND REFLECTIONS TO RURAL EDUCATION Aleksander Moisiu THE IMPACT OF PEDAGOGICAL DISCOURSE Elda TARTARI University, Durres, ON THE PERFORMANCE OF THE TEACHER'S WORK Lindita LUTAJ Ege University Albania de Viseu STEPPING UP TO GLOBAL CHALLENGES (SGC) Magdalena Dygata InstitutoUniversity Politécnico of 2 LEARNING ENGLISH WHILE FIGHTING THE İlkay Gökçe Technology and OUTBREAK OF COVID-19 Susana Amante Maria José Antunes Humanities in Radom POSITION OF INTEGRATION IN CHEMISTRY Quliyeva Yegan Pedagogical TEACHING AzerbaijanUniversity State ə Arif qızı THE NEGATIVE AND POSITIVE EFFECTS OF ABDINOVA NIGAR CAVAD Pedagogical ' KIZI AzerbaijanUniversity State UPBRINGING EXAMINATIONSOCİAL NETWORKS OF SOCIAL ON MEDIAADOLESCENTS ADDICTED Prof. Dr. Fulya Yüksel- Yildiz Technical ADOLESCENT ACCORDING TO Melis Akdemir- University AND HAPPİNESS LEVELS AMONG Şahin Altınsoy AND SOCIAL AND EMOTIONAL LEARNING EXAMININGRESPONSİBİLİTY THE EFFECTIVENESSFEELİNG AND BEHAVİORS OF USING TABLET BASED MOBILE APPLICATIONS WHICH PRODUCE SPEECH TO IMPROVE Prof. Dr. Hakan SARI University Hatice GÖKDAĞ Necmettin Erbakan COMMUNICATION SKILLS OF CHILDREN WITH INTELLECTUAL DISABILITIES Prof. Dr. A. Mecit CANATAK EMOTIONAL SELF-REPRESENTATIONS IN Aysel SOYLU University Van Yüzüncü Yıl ATTILA İLHAN'S POEMS Mart University PRESCHOOL TEACHER CANDİDATES’ VİEWS Çanakkale Onsekiz ŞERİFE AKBÖĞÜR ON ONE ON ONE AND ONLİNE SERVİCE LEARNİNG COURSE Mart University TOPLUMA HİZMET UYGULAMALARI DERSİ Çanakkale Onsekiz İÇİN PROJE ONERİSİ YAZMA HAKKINDAKİ ŞERİFE AKBÖĞÜR OKULÖNCESİ ÖĞRETMEN ADAYLARININ GÖRÜŞLERİNİN İNCELENMESİ DATE SESSION-1 28.06.2021 HALL-3 ANKARA TIME 1000-1230 MODERATOR: Mehmet Salih YOĞUN Prof. Dr. Binnaz KIRAN COVID-19
Load more

Recommended publications
  • 2017 Annual Report 2017 NATIONAL GALLERY of IRELAND
    National Gallery of Ireland Gallery of National Annual Report 2017 Annual Report 2017 Annual Report nationalgallery.ie Annual Report 2017 Annual Report 2017 NATIONAL GALLERY OF IRELAND 02 ANNUAL REPORT 2017 Our mission is to care for, interpret, develop and showcase art in a way that makes the National Gallery of Ireland an exciting place to encounter art. We aim to provide an outstanding experience that inspires an interest in and an appreciation of art for all. We are dedicated to bringing people and their art together. 03 NATIONAL GALLERY OF IRELAND 04 ANNUAL REPORT 2017 Contents Introducion 06 Chair’s Foreword 06 Director’s Review 10 Year at a Glance 2017 14 Development & Fundraising 20 Friends of the National Gallery of Ireland 26 The Reopening 15 June 2017 34 Collections & Research 51 Acquisition Highlights 52 Exhibitions & Publications 66 Conservation & Photography 84 Library & Archives 90 Public Engagement 97 Education 100 Visitor Experience 108 Digital Engagement 112 Press & Communications 118 Corporate Services 123 IT Department 126 HR Department 128 Retail 130 Events 132 Images & Licensing Department 134 Operations Department 138 Board of Governors & Guardians 140 Financial Statements 143 Appendices 185 Appendix 01 \ Acquisitions 2017 186 Appendix 02 \ Loans 2017 196 Appendix 03 \ Conservation 2017 199 05 NATIONAL GALLERY OF IRELAND Chair’s Foreword The Gallery took a major step forward with the reopening, on 15 June 2017, of the refurbished historic wings. The permanent collection was presented in a new chronological display, following extensive conservation work and logistical efforts to prepare all aspects of the Gallery and its collections for the reopening.
    [Show full text]
  • Rembrandt: the Denial of Peter
    http://www.amatterofmind.us/ PIERRE BEAUDRY’S GALACTIC PARKING LOT REMBRANDT: THE DENIAL OF PETER How an artistic composition reveals the essence of an axiomatic moment of truth By Pierre Beaudry, 9/23/16 Figure 1 Rembrandt (1606-1669), The Denial of Peter, (1660) Rijksmuseum, Amsterdam. Page 1 of 14 http://www.amatterofmind.us/ PIERRE BEAUDRY’S GALACTIC PARKING LOT INTRODUCTION: A PRAYER ON CANVAS All four Gospels of Matthew, Mark, Luke and John have reported on the prediction that Jesus made during the Last Supper, stating that Peter would disown him three times before the night was over, and all four mentioned the event of that denial in one form or another. If ever there was a religious subject that was made popular for painters in the Netherlands during the first half of the seventeenth century, it was the denial of Peter. More than twenty European artists of that period, most of them were Dutch, chose to depict the famous biblical scene, but none of them touched on the subject in the profound axiomatic manner that Rembrandt did. Rembrandt chose to go against the public opinion view of Peter’s denial and addressed the fundamental issue of the axiomatic change that takes place in the mind of an individual at the moment when he is confronted with the truth of having to risk his own life for the benefit of another. This report has three sections: 1. THE STORY OF THE NIGHT WHEN PETER’S LIFE WAS CHANGED 2. THE TURBULENT SENSUAL NOISE BEHIND THE DIFFERENT POPULAR PAINTINGS OF PETER’S DENIAL 3.
    [Show full text]
  • A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook
    '* Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/descriptivecatalOOnortrich DESCRIPTIVE CATALOGUE. /A-«''»-t-,-a-» / y ^^u^n^yv<^. ^eo>-^e. Sa.x-/>:pr, "^ ^^^ ^ ^^ , , Tir^n<:.is /Mor ' rook - J - -> ^ DESCRIPTIVE CATALOGUE OF THE COLLECTION OF PICTURES BELONGING TO THE EARL OF NORTHBROOK. THE DUTCH, FLEMISH, AND FRENCH SCHOOLS BY MR. W. H. JAMES WEALE ; THE ITALIAN AND SPANISH SCHOOLS BY DR. JEAN PAUL RICHTER. WITH TWENTY-FIVE ILLUSTRATIONS — PHOTOGRAPHS BY HENRY DIXON &• SON, BY THE DIXON AND GRAY ORTHO- CHROMATIC PROCESS, PRINTED IN PLATINOTYPE. LONDON.- GRIFFITH, FARRAN, OKEDEN, 6^ WELSH. AND SYDNEY. 1889. LOAN STACK .%<?• liisfiiij; Qrmi:sj^ &?' :-.^ % 'U Telegraphic Address _ BOOKMtN, LONDON. jfiutrhvOclUrei, Code in use UNICODE. Bookbinders. 7^t -^3 P I C CA D I L LYvWr^ ESTABLISHED 1816. NEAR THE ROYAL ACADEMY. TO .'• - -• n fH ;^J >5r a i: P R l W S l O J- : WA L 2 « (p^/m ~5^PUBLISHERS"^0F-"MR--G0ULD'S^GRAND"^0RN1TH0L0GICAL'"';W0RKS:= 7^^'^.^^ O^^'*^ a « , >.<y ^ .--» ^ ^ '^^N ^^-^.:i \ ^^^ c^^, ^-*^«*w -^**»-» ,- , -VSv^??c ^-v -.. :j^ .:) A/6 CONTENTS. FACE EXPLANATION OF REFERENCES vii INTRODUCTION ix LIST OF ILLUSTRATIONS xi EARLY NETHERLANDISH SCHOOL 1 EARLY GERMAN SCHOOL ....... 8 DUTCH AND FLEMISH SCHOOLS 27 ITALIAN SCHOOL 105 SPANISH SCHOOL 170 FRENCH SCHOOL 186 APPENDIX 199 ADDITIONAL NOTES 214 INDEX 215 J 58 EXPLANATION OF REFERENCES. In the descriptions of the pictures the dimensions are given in inches, the first measurement indicating the height, the second the width of the canvas or panel without the frame. The terms " right " and " left " denote the right and left of the picture, as seen by the spectator standing in front of it.
    [Show full text]
  • An Exhibition of Selected Paintings, Works on Paper, Sculpture and Decorative Arts Curtis Carter Marquette University, [email protected]
    Marquette University e-Publications@Marquette Philosophy Faculty Research and Publications Philosophy, Department of 11-1-1986 Inaugural Year Gifts 1984-85: An Exhibition of Selected Paintings, Works on Paper, Sculpture and Decorative Arts Curtis Carter Marquette University, [email protected] Published version. Published in a Haggerty Museum gallery guide entitled "Inaugural Year Gifts 1984-85: An Exhibition of Selected Paintings, Works on Paper, Sculpture and Decorative Arts" (1986). Publisher Link. © Haggerty Museum 1986. Used with permission. Inaugural Year Gifts 1984-85 An Exhibition of Selected Paintings, Works on Paper, Sculpture And Decorative Arts November 15, 1985 - January 15, 1986 Patrick and Beatrice Haggerty Museum of Art Marquette University. Milwaukee, Wisconsin Director's Statement During its Inaugural Year the Patrick and Beatrice "Images of Martha Graham" by photographer Barbara Haggerty Museum of Art has attracted significant gifts of Morgan represented a selection of vintage photographs art including important Old Master paintings, prints and from the important Barbara Morgan collection. drawings, photographs, sculpture, decorative arts, Orien­ tal, and tribal arts. Among the highlights of this year's These exhibitions from the permanent collection com­ gifts are four seventeenth-century Dutch and Flemish plemented four special exhibitions: "The Art of Hockey," paintings, a collection of American Regionalist mural with drawings and watercolors by Katharine Sturgis; paintings by artists Joe Jones and James B. Turnbull, and "The Badlands," with platinum prints by Milwaukee substantial additions to the print collection. Perhaps the photographer J.P. Atterberry; "Breaking the Plane: The most visible of the inaugural gifts are the eighteen Stuart Speiser Collection II," consistng of abstract illu­ sculptural tables and benches designed by artist Ernest sionist paintings by artists George Green, James Havard, Shaw that grace the garden area north of the museum, Jack Lembeck, Tony King, Michael Gallagher, and Jorge given by Mr.
    [Show full text]
  • Engravings, Etchings, Mezzotinits, Lithographs, and Acquatints, M0871
    http://oac.cdlib.org/findaid/ark:/13030/c8fr010j No online items Guide to the Leon Kolb collection of Portraits: engravings, etchings, mezzotinits, lithographs, and acquatints, M0871 Finding aid prepared by Finding aid prepared by Processed by Special Collections staff. Stanford University. Department of Special Collections and University Archives Stanford University Libraries 557 Escondido Mall Stanford, California, 94305-6064 Repository email: [email protected] 2010-09-16 M0871 1 Title: Leon Kolb, collector. Portraits: engravings, etchings, mezzotinits, lithographs, and acquatints Identifier/Call Number: M0871 Contributing Institution: Stanford University. Department of Special Collections and University Archives Language of Material: English Physical Description: 9.0 Linear feet Date (inclusive): ca. 1600-1800 Abstract: The subjects include rulers, statesmen, authors, scholars and other famous personages from ancient times to the nineteenth century. Most of the prints were produced in the 17th and 18th centuries from paintings by Has Holbein, Anthony Vandyke, Godfrey Kneller, Peter Lely and other noted artists. Processing Information Note Item level description for items in Series 1 was taken from printed catalogue: Portraits: a catalog of the engravings, etchings, mezzotints, and lithographs presented to the Stanford University Library by Dr. and Mrs. Leon Kolb . Compiled by Lenkey, Susan V., [Stanford, Calif.] Stanford University, 1972. Collection Scope and Content Summary Arranged by name of subject, each print in Series 1 is numbered for convenient reference in the various indices in the printed catalogue by Susan Lenkey. Painters and engravers, printing techniques and social and historical positions of the subjects are identified and indexed as well.The subjects include rulers, statesmen, authors, scholars and other famous personages from ancient times to the nineteenth century.
    [Show full text]
  • Text and Image in Northern Renaissance & Baroque Prints
    Dickinson College Dickinson Scholar Student Scholarship & Creative Works By Year Student Scholarship & Creative Works 2-21-2014 Letters & Lines: Text and Image in Northern Renaissance & Baroque Prints Dana Sue Angotta Dickinson College Victoria Côté Dickinson College Chloe Cunningham Dickinson College Taylor Evertsberg Dickinson College Diamond McClintock Dickinson College See next page for additional authors Follow this and additional works at: http://scholar.dickinson.edu/student_work Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Earenfight, Phillip, et al. Letters & Lines: Text and Image in Northern Renaissance & Baroque Prints. Carlisle, Pa.: The rT out Gallery, Dickinson College, 2014. This Exhibition Catalog is brought to you for free and open access by the Student Scholarship & Creative Works at Dickinson Scholar. It has been accepted for inclusion in Student Scholarship & Creative Works By Year by an authorized administrator of Dickinson Scholar. For more information, please contact [email protected]. Authors Dana Sue Angotta, Victoria Côté, Chloe Cunningham, Taylor Evertsberg, Diamond McClintock, Victoria Schonfeld, Benjamin Slyngstad, Lauren Wyman, Phillip Earenfight, and Trout Gallery This exhibition catalog is available at Dickinson Scholar: http://scholar.dickinson.edu/student_work/10 Text and Image in Northern Renaissance & Baroque Prints Text and Image in Northern Renaissance & Baroque Prints With works from the Darlene K. Morris Collection February 21 – April 12, 2014 Curated by: Dana Angotta Victoria Côté Chloe Cunningham Taylor Evertsberg Diamond McClintock Victoria Schonfeld Benjamin Slyngstad Lauren Wyman THE TROUT GALLERY • Dickinson College • Carlisle, Pennsylvania This publication was produced in part through the generous support of the Helen Trout Memorial Fund and the Ruth Trout Endowment at Dickinson College.
    [Show full text]
  • Digital Version for Tablet and Desktop (Pdf)
    THE RUBENS HOUSE HIGHLIGHTS THE RUBENS HOUSE HIGHLIGHTS 1 THE HOUSE In 1610 Peter Paul Rubens (1577–1640) and his first wife Isabella Brant (1591–1626) bought a house and a piece of land in Antwerp. In the years that followed, the artist had the building enlarged after his own design, adding a covered, semi-circular statue gallery, a studio, a portico in the style of a triumphal arch, and a garden pavilion. The improvements gave his home the air of an Italian palazzo and embodied Rubens’s artistic ideals: the art of Roman Antiquity and the Italian Renaissance. He also assembled an internationally admired collection of paintings and classical sculpture at the house. Rubens lived and worked here until his death in 1640. The building is believed to have retained its original appearance until the mid-seventeenth century, at which point it was fundamentally altered. Nowadays, the portico My dear friend Rubens, and garden pavilion are the only more or less intact Would you be so good as to admit the bearer of this survivals of the seventeenth-century complex. letter to the wonders of your home: your paintings, the marble sculptures, and the other works of art in your house and studio? It will be a great delight for him. Your dear friend Nicolas-Claude Fabri de Peiresc Aix-en-Provence, 16 August 1626 2 3 1 2 Jacob Harrewijn (c. 1640–after 1732) Frans Duquesnoy (1594–1643) The Rubens House in Antwerp, The Sleeping Silenus 1684, 1692 Gilded bronze and lapis lazuli Engravings (facsimiles) This relief illustrates a story told by the Roman poet These two prints are the earliest known ‘portraits’ Virgil (70 BC–19 AD).
    [Show full text]
  • The Magnificent Collection of Engraved Portraits Formed by The
    ^/pf ^-ss^^^t Catalogue No. 761 Part I—Portraits -The- Great Cope Collection of Engravings AMERICAN THEATRICAL and NAPOLEONIANA CATALOGUE COMPILED AND SALE AT THE ART AUCTION ROOMS OF CONDUCTED BY THOS. BIRCH'S SONS, STAN. V. HENKELS 1110 CHESTNUT STREET, PHILA. t- Lot 2jg.—Reduced. An Uniqt/e Portrait. SPECIAL NOTICE. Catalogue of the E. R. Cope Collection, Part II., now preparing, will embrace all ihe Miscellaneous Portraits, including the fine proof folio mezzotints, and those by Drevet, Edelinck, Nanteuil, Schmidt, Desnoyers, Sherwin, Sharpe, and other great engravers, in Line, Stipple and Mezzotint. Part III. will embrace the Miscellaneous Engraved Subjects, including nothing but the choicest examples of the Old and Modern Masters, as well as Sporting Subjects. Catalogue No. 761 Part 1.—Portraits ' , . ,THE MAGNIFICENT COLLECTION OF ENGRAVED PORTRAITS FORMED BY THE LATE ED\A(^ARD R. COPE, ESQ.. OF GERMANTOWN, PHILADELPHIA American Theatrical and Napoleoniana BEING THE MOST IMPORTANT COLLECTION EVER PLACED BEFORE THE AMERICAN PUBLIC ^^^'^^^ONJ^ TO BE SOLD I fJUL 2 8 1989 -^"'^^'^ TUESDAY. MAY 5th. 1896 AND FOLLOWING DAYS COMMENCING IN TITE AFTERNOONS AT 2.30 O'CLOCK, AND EVENINGS AT 8 O'CLOCK X;^ 2S0 Lots will be sold at each sitting CATALOGUE COMPILED AND SALE AT THE ART AUCTION ROOMS OF CONDUCTED BY • THOS. BIRCH'S SONS V. STAN. HENKELS 1 1 10 Chestnut Street, Philadelphia, Pa. (|^° On exhibition in our Art Gallery, May 2d and 4th. 11 -t a For those who cannot attend the sale, we take great pleasure in recommending the following gentlemen, who will accept orders. W. H.
    [Show full text]
  • The New Criterion December 2016 Art
    December 2016 02 02 02 02 02 September November 74820 64692 A monthly74820 64692 review edited by74820 64692 Roger Kimball 74820 64692 74820 64692 January March Notes & Comments, 1 May Populism, IV: The German victory over American 11 populism09 by Fred Siegel, 4 05 03 01 > The future of permanence> in an age> of ephemera > > a symposium on museums An introduction by Roger Kimball, 14; The museum of the present by James Panero, 19; Notes on the postmodern museum by Eric Gibson, 23; Less can be more by Karen Wilkin, 27; The museum as “town hall” by Bruce Cole, 32; I swear by Apollo by Michael J. Lewis, 36; Conserving Kahn by George Knight, 41; The birth of an idea by Marco Grassi, 45; Tempus fugit, ars brevis by Philippe de Montebello, 49; A discussion, 51 New poems by David Mason & Morri Creech, 54 Reconsiderations by Dominic Green, 57; Theater by Kyle Smith, 61; Art by Mario Naves, Benjamin Riley & Genevieve Wheeler Brown, 65; Music by Jay 02 Nordlinger, 02 73; The media by James Bowman02 , 77; Verse chronicle by William02 02 December 74820 64692 74820 64692 74820 64692 74820 64692 74820 64692 February LoganOctober , 81; Books: Kate Felus The secret life of the Georgian garden reviewed by April Henrik Bering, 89; Mark Lilla The June shipwrecked mind reviewed by Mene Ukueberuwa, 92; James Stourton Kenneth Clark reviewed by Drew Oliver, 95 Volume 35, Number 4, $7.75 / £7.50 12 10 06 04 02 > > > > > Art emotional content and a distinct, prodigious hand, which in its spindly woodenness has the style simultaneously.
    [Show full text]
  • Codart Courant 10/June 2005 2
    c o d a r t Courant 10/June 2005 codart Courant contents Published by Stichting codart p.o. Box 76709 2 A word from the director 9 Serbia, Introducing the graphic nl-1070 ka Amsterdam 3 A new board member introduced collection of the National Museum in The Netherlands 3 codart appoints new director Belgrade, Dragana Kovačić [email protected] 4 New members of the Program Committee 10 Ukraine, Introducting the collection www.codart.nl introduced of the Bogdan and Varvara Khanenko 4 Introducing the Website Committee Museum of Art in Kiev, Olena Zhivkova Managing editor: Rachel Esner 5 News and notes from around the world 13 usa, An exhibition project on Jan E [email protected] 5 Germany, Plans for the Suermondt- Provoost, Ron Spronk Editors: Wietske Donkersloot Ludwig-Museum in Aachen, 13 Publication news and Gary Schwartz Peter van den Brink 14 codart activities in 2005 T +31 (0)20 3054 515 5 Germany, News from the 14 Congress report codart acht F +31 (0)20 3054 500 Gemäldegalerie Alte Meister in 16 Workshop reports codart acht E [email protected] Kassel, Gregor J.M. Weber 19 Dutch and Flemish art in Sweden: an Translations: Laura Watkinson 6 Ireland, Introducing the collection overview of the National Gallery in Dublin, 25 Appointments codart board: Adriaan E. Waiboer 26 Museum list Henk van der Walle, chairman 7 Netherlands, Rembrandt 400 in 2006, 32 codart dates Wim Jacobs, controller of the Instituut Bob van den Boogert 32 Preview of upcoming exhibitions and Collectie Nederland, secretary- 8 Poland, Events in Poland in 2004, other events June–December 2005 treasurer Hana Benesz Greetje van den Bergh, director of the Vlaams-Nederlands Huis deBuren, Brussels Rudi Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie Jan Houwert, chairman of the Board of Management of Koninklijke Wegener n.v.
    [Show full text]
  • Art of the Netherlands: Painting in the Netherlands
    Art of The Netherlands: Painting in the Netherlands Author Rosie Mitchell Faculty of Arts, University of Cumbria, UK Introduction As in most European countries, the first paintings in the Netherlands can be seen on the walls of religious buildings. These were largely in the form of frescoes and religious texts such as illuminated manuscripts. It was not until the 15th century, when the region gained wealth from its sea trades, that painting in the Netherlands came into its own, producing some of the most recognised and influential painters of the period. The earliest form of this painting is in the work of the Early Netherlandish painters, working through the 15th century. This work demonstrated decisive differences from Renaissance works produced in Italy at the time. The Italian influence and the Renaissance gradually affected these artworks via the Mannerist painters of Antwerp, and blossomed into the Baroque with the work of Rubens. This golden age of painting saw further distinctions in Flemish artworks with the introduction of new subjects of painting including, landscapes, still life and genre painting. The golden age of painting in the Netherlands was aided by the wealth of the region at this time as well as the presence of King Philip and the Burgundian court, which allowed court artists to flourish. The influence of art of the Netherlands on the European scene grew significantly at this point, with many of its masters gaining the respect and following of numerous Italian artists. The growth of the status of ‘artist’ in the Netherlands is demonstrated by an increase in artists who sign their name and paint self-portraits.
    [Show full text]
  • Título: Luz Y Sombra En Las Artes Visuales De La Edad Moderna Y Su Función En La Fotografía Del Siglo XX Vicente Granell Sega
    Título: Luz y sombra en las artes visuales de la Edad Moderna y su función en la fotografía del siglo XX Vicente Granell Segarra Correo: [email protected] Máster en profesorado de secundaria y bachiller especialidad de artes plásticas TUTORA: Rosa Ana Escoín Morellá 1 ÍNDICE ​ - RESUMEN OBJETIVOS DEL TFM - INTRODUCCIÓN 1. Justificación 2. Marco teórico 2.1 Definición de claroscuro 2.1.1 Concepto y técnica del claroscuro 2.2 El desarrollo del claroscuro: Renacimiento y Manierismo 2.2.1 El dibujo renacentista: características y temática 2.2.2 Ejemplos de la aplicación del claroscuro en el grabado 2.3 Tenebrismo, el contraste extremo de luces y sombras 2.3.1 Definición de tenebrismo y características 2.3.2 Caravaggio y los inicios del tenebrismo 2.3.3 Influencia del caravaggismo en Europa 2.4 El papel de la luz en la fotografía 2.4.1 Introducción a la composición fotográfica: la direccionalidad de la luz 2.4.2 El claroscuro a través del retrato fotográfico: los grandes retratistas del siglo XX 3. METODOLOGÍA ESTRATEGIAS RESULTADOS (UNIDAD DIDÁCTICA Y PRODUCTO ARTISTICO) - EVALUACIÓN CRITERIOS DE EVALUACIÓN 4.VALORACIÓN PERSONAL 5.BIBLIOGRAFÍA 6. BIBLIOGRAFÍA DIGITAL 7.ANEXOS 2 RESUMEN El presente trabajo de fin de Máster pretende dar a conocer la evolución de la técnica del claroscuro a través de la historia del arte y en la fotografía del siglo XX. Para ellos daremos a entender la técnica del claroscuro a través de las características del dibujo en el Renacimiento y la evolución al tenebrismo enfocándonos en el concepto y principales autores.
    [Show full text]