Hosts, Priestesses,Practitioners, and Co-Founders ARTEMIS
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Download Notes 10-04.Pdf
Can you kill a god? Can he feel pain? Can you make him bleed? What do gods eat? Does Zeus delegate authority? Why does Zeus get together with Hera? Which gods are really the children of Zeus and Hera? Anthropomorphic Egyptian Greek ἡ ἀμβροσία ambrosia τὸ νέκταρ nectar ὁ ἰχώρ ichor Games and Traditions epichoric = local tradition Panhellenic = common, shared tradition Dumézil’s Three Functions of Indo-European Society (actually Plato’s three parts of the soul) religion priests τὀ λογιστικόν sovereignty 1 kings (reason) justice τὸ θυμοειδές warriors military 2 (spirit, temper) craftsmen, production τὸ ἐπιθυμητικόν farmers, economy 3 (desire, appetite) herders fertility Gaia Uranus Iapetus X Cœus Phœbe Rhea Cronos Atlas Pleione Leto gods (next slide) Maia Rhea Cronos Aphrodite? Hestia Hades Demeter Poseidon Hera Zeus Ares (et al.) Maia Leto Hephæstus Hermes Apollo Artemis Athena ZEUS Heaven POSEIDON Sea HADES Underworld ἡ Ἐστία HESTIA Latin: Vesta ἡ Ἥρα HERA Latin: Juno Boōpis Cuckoo Cow-Eyed (Peacock?) Scepter, Throne Argos, Samos Samos (Heraion) Argos Heraion, Samos Not the Best Marriage the poor, shivering cuckoo the golden apples of the Hesperides (the Daughters of Evening) honeymoon Temenos’ three names for Hera Daidala Athena Iris Hera Milky Way Galaxy Heracles Hera = Zeus Hephæstus Ares Eris? Hebe Eileithyia ὁ Ζεύς, τοῦ Διός ZEUS Latin: Juppiter Aegis-bearer Eagle Cloud-gatherer Lightning Bolt Olympia, Dodona ἡ ξενία xenia hospitality ὁ ὅρκος horcus ἡ δίκη oath dicē justice Dodona Olympia Crete Dodona: Gaia, Rhea, Dione, Zeus Olympia: -
Nagy Commentary on Euripides, Herakles
Informal Commentary on Euripides, Herakles by Gregory Nagy 97 The idea of returning from Hades implies a return from death 109f The mourning swan... Cf. the theme of the swansong. Cf. 692ff. 113 “The phantom of a dream”: cf. skias onar in Pindar Pythian 8. 131f “their father’s spirit flashing from their eyes”: beautiful rendition! 145f Herakles’ hoped-for return from Hades is equated with a return from death, with resurrection; see 297, where this theme becomes even more overt; also 427ff. 150 Herakles as the aristos man: not that he is regularly described in this drama as the best of all humans, not only of the “Greeks” (also at 183, 209). See also the note on 1306. 160 The description of the bow as “a coward’s weapon” is relevant to the Odysseus theme in the Odyssey 203 sôzein to sôma ‘save the body’... This expression seems traditional: if so, it may support the argument of some linguists that sôma ‘body’ is derived from sôzô ‘save’. By metonymy, the process of saving may extend to the organism that is destined to be saved. 270 The use of kleos in the wording of the chorus seems to refer to the name of Herakles; similarly in the wording of Megara at 288 and 290. Compare the notes on 1334 and 1369. 297 See at 145f above. Cf. the theme of Herakles’ wrestling with Thanatos in Euripides Alcestis. 342ff Note the god-hero antagonism as expressed by Amphitryon. His claim that he was superior to Zeus in aretê brings out the meaning of ‘striving’ in aretê (as a nomen actionis derived from arnumai; cf. -
The Roots of Ritualism in Church and Masonry - Part 2 No
Adyar Pamphlets The Roots of Ritualism in Church and Masonry - Part 2 No. 110 The Roots of Ritualism in Church and Masonry - Part 2 by H.P. Blavasky Reprinted from Lucifer Volume IV - March 1889 Published in 1920 Theosophical Publishing House, Adyar, Chennai [Madras] India The Theosophist Office, Adyar, Madras. India VII The ritualism of primitive Christianity — as now sufficiently shown — sprang from ancient Masonry. The latter was, in its turn, the offspring of the, then, almost dead Mysteries. Of these we have now a few words to say. It is well known that throughout antiquity, besides the popular worship composed of the dead-letter forms and empty exoteric ceremonies, every nation had its secret cult known to the world as the MYSTERIES. Strabo, one among many others, warrants for this assertion. ( Georg, lib. 10) No one received admittance into them save those prepared for it by special training. The neophytes instructed in the upper temples were initiated into the final Mysteries in the crypts. These instructions were the last surviving heirlooms of archaic wisdom, and it is [Page 2] under the guidance of high Initiates that they were enacted. We use the word “enacted” purposely; for the oral instructions at low breath were given only in the crypts, in solemn silence and secrecy. During the public classes and general teachings, the lessons in cosmogony and theogony were delivered in allegorical representation, the modus operandi of the gradual evolution of Kosmos, worlds, and finally of our earth, of gods and men, all was imparted in a symbolical way. The great public performances during the festivals of the Mysteries, were witnessed by the masses and the personified truths worshipped by the multitudes — blindly. -
The Eleusinian Mysteries
© 2004 Frater E.V. - SRC&SSA Splendor Solis - No. II - 6 i & - 2004 A.D. The Eleusinian Mysteries his paper is no more than a write-up seriously interested to work out what the of notes I made for a group discussion Eleusinian myths and initiations are trying to Tof the Eleusinian Mysteries. Firstly I convey. give the myth around which the mysteries were based. I think I have told the basic story with From the foregoing it will be gleaned that the accuracy, but there are complications and final section is tentative and speculative in na- additions I have left out. These additions ture, and, as such, open to doubt and revision. make no material difference to the overall tale, and are actually bits and pieces of other myths The Myth tacked onto the main story at various times in history. One day Persephone (Proserpine, Cora, Kore) was gathering flowers with a group of The second section gives a brief outline of companions, and all was well until Persephone the basic format of the Lesser and Greater started to pick a lovely bunch of Narcissi. Mysteries. This is to provide a context for my Pluto (Hades), God of the Underworld, discussion of the more important matters, at noticed her, thought her very beautiful and, least as far as Golden Dawn initiates are with the permission of Zeus, abducted, raped concerned, which are the mystic initiations and carried Persephone away to his Under- themselves. Most of what is known of the world abode of gloom. Eleusinian Mysteries are the places and details of the exoteric celebrations; the more inte- Demeter (Ceres), the mother of Persephone, resting parts of the mysteries were jealously rushed to assist her daughter, but arrived too guarded secrets that were not to be revealed late, not even able to catch a glimpse of her to the outside World, and so little detail is seducer. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
The Thebaid Europa, Cadmus and the Birth of Dionysus
The Thebaid Europa, Cadmus and the birth of Dionysus Caesar van Everdingen. Rape of Europa. 1650 Zeus = Io Memphis = Epaphus Poseidon = Libya Lysianassa Belus Agenor = Telephassa In the Danaid, we followed the descendants of Belus. The Thebaid follows the descendants of Agenor Agenor = Telephassa Cadmus Phoenix Cylix Thasus Phineus Europa • Agenor migrated to the Levant and founded Sidon • But see Josephus, Jewish Antiquities i.130 - 139 • “… for Syria borders on Egypt, and the Phoenicians, to whom Sidon belongs, dwell in Syria.” (Hdt. ii.116.6) The Levant Levant • Jericho (9000 BC) • Damascus (8000) • Biblos (7000) • Sidon (4000) Biblos Damascus Sidon Tyre Jericho Levant • Canaanites: • Aramaeans • Language, not race. • Moved to the Levant ca. 1400-1200 BC • Phoenician = • purple dye people Biblos Damascus Sidon Tyre Agenor = Telephassa Cadmus Phoenix Cylix Thasus Phineus Europa • Zeus appeared to Europa as a bull and carried her to Crete. • Agenor sent his sons in search of Europa • Don’t come home without her! • The Rape of Europa • Maren de Vos • 1590 Bilbao Fine Arts Museum (Spain) Image courtesy of wikimedia • Rape of Europa • Caesar van Everdingen • 1650 • Image courtesy of wikimedia • Europe Group • Albert Memorial • London, 1872. • A memorial for Albert, husband of Queen Victoria. Crete Europa = Zeus Minos Sarpedon Rhadamanthus • Asterius, king of Crete, married Europa • Minos became king of Crete • Sarpedon king of Lycia • Rhadamanthus king of Boeotia The Brothers of Europa • Phoenix • Remained in Phoenicia • Cylix • Founded -
Thebaid 2: Oedipus Descendants of Cadmus
Thebaid 2: Oedipus Descendants of Cadmus Cadmus = Harmonia Aristaeus = Autonoe Ino Semele Agave = Echion Pentheus Actaeon Polydorus (?) Autonoe = Aristaeus Actaeon Polydorus (?) • Aristaeus • Son of Apollo and Cyrene • Actaeon • While hunting he saw Artemis bathing • Artemis set his own hounds on him • Polydorus • Either brother or son of Autonoe • King of Cadmeia after Pentheus • Jean-Baptiste-Camile Corot ca. 1850 Giuseppe Cesari, ca. 1600 House of Cadmus Hyrieus Cadmus = Harmonia Dirce = Lycus Nycteus Autonoe = Aristaeus Zeus = Antiope Nycteis = Polydorus Zethus Amphion Labdacus Laius Tragedy of Antiope • Polydorus: • king of Thebes after Pentheus • m. Nycteis, sister of Antiope • Polydorus died before Labdacus was of age. • Labdacus • Child king after Polydorus • Regency of Nycteus, Lycus Thebes • Laius • Child king as well… second regency of Lycus • Zethus and Amphion • Sons of Antiope by Zeus • Jealousy of Dirce • Antiope imprisoned • Zethus and Amphion raised by shepherds Zethus and Amphion • Returned to Thebes: • Killed Lycus • Tied Dirce to a wild bull • Fortified the city • Renamed it Thebes • Zethus and his family died of illness Death of Dirce • The Farnese Bull • 2nd cent. BC • Asinius Pollio, owner • 1546: • Baths of Caracalla • Cardinal Farnese • Pope Paul III Farnese Bull Amphion • Taught the lyre by Hermes • First to establish an altar to Hermes • Married Niobe, daughter of Tantalus • They had six sons and six daughters • Boasted she was better than Leto • Apollo and Artemis slew every child • Amphion died of a broken heart Niobe Jacques Louis David, 1775 Cadmus = Harmonia Aristeus =Autonoe Ino Semele Agave = Echion Nycteis = Polydorus Pentheus Labdacus Menoecius Laius = Iocaste Creon Oedipus Laius • Laius and Iocaste • Childless, asked Delphi for advice: • “Lord of Thebes famous for horses, do not sow a furrow of children against the will of the gods; for if you beget a son, that child will kill you, [20] and all your house shall wade through blood.” (Euripides Phoenissae) • Accidentally, they had a son anyway. -
Prometheus, Indian Titan and Hierophant
Prometheus, Indian Titan and Hierophant Hephæstus-Vulcan chaining Prometheus, supervised by Hermes (whom the Titan had bid earlier to add torture to torture) Dirck van Baburen (1623) Rijksmuseum, Amsterdam Proposition 3 - Prometheus, Indian Titan and Hierophant v. 10.11, www.philaletheians.co.uk, 13 July 2017 Page 1 of 31 PROMETHEUS BAPTISED HUMANITY BY FIRE TRAIN OF THOUGHTS Train of thoughts Prometheus is the symbol of humanity baptised by Fire Prometheus is the Greek Logos and the original Kabiric Deity. 4 He is Poimandres, the Egyptian Prometheus, who instructs Hermes Trismegistus. 4 He is the Adam Primus, or Kadmon, the Logos of the Jewish mystics. 4 He breathed immortal spirit in mortal men, so that they may return to their primal spiritual state while on earth, without losing their individuality. 4 The Fable of Prometheus is more than 70 millennia old. 4 Prometheus is the symbol and personification of humanity “baptised by Fire.” 5 He is Liuchan, Loki, Lux, Lucifer. And He is Phosphoros, the Light-bringer. 5 Prometheus’ crucifixion on the Cross of Love is symbolised by the Swastika. 6 The Titan was chained to man so that Chrēstos, the neophyte, may find the Initiator who would willingly descend into the crypts of initiation, and walk around Tartarus with him. Then the vulture of passion will cease to gnaw his vitals, and he can elect to become a living god on earth. 6 How the Sons of Mahat quickened the human plant, a secret and sacred sacrifice The curse and disgrace of Prometheus analysed in depth The curse of Karma was called down upon man for desecrating the divine gift, abusing the creative power, and wasting the life-essence for personal gratification. -
Unveiling the Goddess Artemis of Ephesus As a Symbol of Nature at the Turn of the Nineteenth Century
Unveiling the Goddess Artemis of Ephesus as a symbol of nature at the turn of the nineteenth century Frederika Tevebring In 1807 Alexander von Humboldt published his Ideen zu einer Geographie der Pflanzen nebst ein Naturgemälde der Tropenlander, a translation from French of one of the volumes written as a result of his five-year expedition to Latin America. The German translation includes a frontispiece by Humboldt’s friend, the Danish artist Bertel Thorvaldsen. The image shows a statue of Artemis of Ephesus being unveiled by Apollo.1 At the base of the statue lies a tablet with the inscription Metamorphose der Pflanzen, a reference to Humboldt’s much-esteemed friend Goethe to whom the fron- tispiece is dedicated. In a letter to Goethe Humboldt expresses his enthu- siasm for the image and how he looks forward to presenting the book to his friend. “After so many years of absence I did not want appear before you in any other way but through this small tribute, which is a testimo- nial of my deep reverence and profound gratefulness towards you,” and “my friend Thorvaldsen in Rome has come up with this vignette for me. It refers to the synthesis of Poetry, Philosophy and Natural sciences brought together in your person.”2 Thorvaldsen’s picture was not the first of its kind; the unveiling of the ancient goddess had been a reoccurring pictorial trope in discourses on the pursuit of philosophical and scientific knowledge since the seventeenth century, when it also became increasingly popular on frontispieces to scientific treatises. Goethe himself had made use of similar images on several occasions. -
History of the Eleusinian Mysteries
Gregory Dickerson - April 17th, 1993 History of the Eleusinian Mysteries We often think of the imposing grandeur of the Parthenon on the Acropolis as embodying the highest sublimity of ancient Greek religion, but the unimposing, flat expanse of foundations now visible at Eleusis is the real holiest of holies in Ancient Greece. Most of the evidence for the initiation ceremonies there in honor of Demeter, the goddess of grain, is inferential, since no ancient writer revealed the secret. But the “Homeric” Hymn to Demeter, which tells the story of Hades carrying off Persephone to be his queen in the world of the dead and the wanderings of Demeter as she sought her lost daughter until she was finally restored (for part of the year) to the upper world, is taken as the Eleusinian foundation myth, upon which the ceremonies were modeled, especially details consequent upon Demeter’s coming to the palace at Eleusis, where she served as nursemaid for a time to the infant son, Demophoon, whom she was making immortal by putting him each night into the fire until interrupted by his frightened mother. “Happy is that one of mortal men who has seen these things…” Indeed, happiness in this life and in the next was the promise of the mysteries (secret initiation ceremonies). The prerequisites were simple enough: you had to have clean hands (no blood pollution), a pure heart and speak Greek. You could be male or female, native or foreigner, free or slave. The preliminaries included a purification in the Lesser Mysteries in Athens on the 20th of Anthesterion (about March 1st), which you could attend under the terms of a 55-day travel truce. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
Julian and the Last Oracle at Delphi , Greek, Roman and Byzantine Studies, 24:4 (1983:Winter) P.355
GREGORY, TIMOTHY E., Julian and the Last Oracle at Delphi , Greek, Roman and Byzantine Studies, 24:4 (1983:Winter) p.355 Julian and the Last Oracle at Delphi Timothy E. Gregory HE SO-CALLED 'last oracle' at Delphi represents a landmark in T the struggle between paganism and Christianity.} The romantic tale of Julian's attempt to restore classical paganism and the oracle's confession of its own powerlessness in the face of triumphant Christianity has struck a responsive chord down through the ages and has found its way into modern works of literature.2 Quoting Swinburne's translation of the oracle, 1. B. Bury described it as a "sad and moving expression of the passing away of the old order of things," while the hexameter verses of the oracle have been called the "the last fragment of Greek poetry which has moved the hearts of men." 3 For the historian, the story of the last oracle is significant because it purports to record an attempt by Julian to rebuild the temples of Greece and because it implies a surprising centrality of old-fashioned Olympian paganism in the conflict of religions in the fourth century. Only two independent sources preserve an account of the last oracle. One of these is the twelfth-century historian George Kedre nos.4 In his words, Julian "sent Oribasius, physician and quaestor, to rebuild the temple of Apollo at Delphi. Arriving there and taking the task in hand, he received an oracle from the demon": Et7Ta'Tt: Tq) {3auLAE'i· xaj.UXi 7TEO'E fJaifJaAor; aVAa.