Ancient Theologies and Modern Times

Total Page:16

File Type:pdf, Size:1020Kb

Ancient Theologies and Modern Times Kernos Revue internationale et pluridisciplinaire de religion grecque antique 25 | 2012 Varia Ancient Theologies and Modern Times S.C. Humphreys Electronic version URL: http://journals.openedition.org/kernos/2111 DOI: 10.4000/kernos.2111 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 26 October 2012 Number of pages: 149-161 ISSN: 0776-3824 Electronic reference S.C. Humphreys, « Ancient Theologies and Modern Times », Kernos [Online], 25 | 2012, Online since 20 November 2014, connection on 17 October 2019. URL : http://journals.openedition.org/kernos/2111 ; DOI : 10.4000/kernos.2111 Kernos Kernos 25(2012),p.149-161. Ancient Theologies and Modern Times Abstract :Lobeck’s Aglaophamus (1829)hasbeenreadasbeginningmodernresearchon Orphism and the ‘ancient theology’. Replacing it in its historical context opens up new perspectives. Résumé :L’ Aglaophamus deLobeck(1829)aétélucommelesprémicesdelarecherche moderne sur l’orphisme et la «théologique antique». En le replaçant dans son contexte historiqueparticulier,onouvredenouvellesperspectives. D.P. Walker’s The Ancient Theology (1972) has not made as much impact as FrancesYates’ Art of Memory (1966),butisbasedonthesamestrategyofidenti- fyinganinfluentialcomplexofideasandtrackingitseffectsandtransformations. ForthehistoryoftheclassicaltraditionWalker’sbookisparticularlyimportant because it deals with major ingredients in recurrent efforts to reconcile pagan classical thought with Christianity, from the Renaissance to the eighteenth century. ThebasisforthisreconciliationwastheclaimthatGodhadoriginallygiven hisrevelationtoallmankind;forthemostpartithadbeendistortedbypriests, eitherbecauseabstracttruthshadtobeveiledinsymbolicimagerytopersuade simpleminds,ormerelytoincreasetheirownwealthand/orpower.However, therevelationhadbeensecretlypreservedandhandeddownbywisemen,the ‘ancient theologians’. The list of these sages varied: in addition to Orpheus, HermesTrismegistus,Moses,Pythagoras,andPlato,itmightincludeZoroaster, theChaldaeanoracles,theEleusinianMysteries,Confucius,andIndianbrahmans (‘gymnosophists’). 1 Walker’s story ends in the early eighteenth century, with the influence of Neoplatonism on science (Kepler and Newton), deism, comparative religion, missionaryactivities(theJesuitsinChina),andfreemasonry.Thisnoteoffersa continuation. In the nineteenth century key elements in the ‘ancient theology’ complex were repositioned. It no longer seemed appropriate explicitly to Christianise Plato;instead,hewastobereadpurelyasaphilosopher(the Timaeus ,earlier considered his supreme work, became an embarrassment). It was firmly 1SeeWALKER (1953),(1972);MITTER (1977),p.49. 150 S.C.HUMPHREYS assertedthatGreekreligionwasamatterofritualpracticewithoutdogmaor theology. 2Orpheuswasnotahistoricalfigure,oratleasthadleftnowritings. 3 On the other hand, the task of accounting for non-classical pagan traditions was being greatly increased and complicated by more intensive contact with China,deciphermentofEgyptianhieroglyphsandofcuneiform,theexpansion ofBritishpowerinIndia,andariseinmissionaryactivitiesaroundtheglobe. Missionarieswerestillinterestedintheideaofanoriginal,universalrevela- tion,emphasisingeithertracesofethicalmonotheism(Confucius,Islam,Indian bhakti cults 4)orencouragementofpolytheismandidolatrybypriests. 5Others, however, were transforming the idea of original revelation into a historicist concern with chronological priority, and hence into theories of diffusion – fromEgypttoIndia,orfromIndiatotheWest. 6 The ancient theology and diffusionism were combined in the climate that provokedLobeck’s Aglaophamus .Today,ChristianAugustLobeck(1781-1860) figures in histories of comparative philology as a traditionalist who failed to recognise the epochal significance of Bopp’s demonstration of the common originoftheIndo-Europeanlanguages,includingSanskrit,andinhistoriesof classical philology as having conclusively shown that all texts attributed to Orpheus were late, and as one of the main critics of Creuzer’s Symbolik und Mythologie der alten Völker (1810-1812). A closer look at the historical context may suggest more sympathy for Lobeck’sattitudetoSanskrit,andamorenuancedassessmentofhisplacein the history of the study of Greek religion. Sanskrit at first seemed exciting mainly because it offered new evidence on myth, religion, and early poetry. 7 Bopp himself was a student of Karl Joseph Windischmann, whose interests were in these fields; Bopp published an edition with Latin translation and commentaryofpartsofthe Mahabharata in1819.Astheappendixtothispaper shows,manyofthoseboldlyrushingintothisfieldhadnoideathattheremight becriteriaforvalidcomparisonineitherphilologyorreligion.IfLobeck(like G.F.Herrmann)hadalowopinionofSanskritists,hehadsomejustification. Aglaophamus doesnotattackCreuzerbyname(thoughithasawarmreference tohiscriticJ.H.Voss).WedonotknowhowLobeckframedhismischievous suggestionthattheEleusinianmysteriestaughtinitiatesthehigherrefinementsof 2PARKER (2011),p.31-2tracesthisideabacktothe17 th c. 3HermesTrismegistushadalreadybeendealtwithbyCasaubonin1614:GRAFTON (1983). 4Cf.RAYCHAUDHURI (1988),p.146-151. 5 There was a strong input from Protestant anti-Catholic discourse (see now WALSHAM [2011]),alsotakenupbyanticlericalmilieuxinFrance(seeJUDETDELA COMBE [1998],p.287on BenjaminConstant). 6Seee.g.themapsofdiffusionofmythsinGÖRRES (1810). 7SeeJAMME (1991);SHAFFER (1975);SASSI (1984),GRAF (1993)onHeyne. AncientTheologiesandModernTimes 151 Indiancookery(seeappendix);CreuzerdidderiveOrphicmysteriesfromIndia. 8 Creuzer,inanycase,wasnottheonlytarget,evenifhewasconspicuousamong Germanclassicistsoftheperiod.Creuzerwas,indeed,anadherentofthe‘ancient theology’,buthewasnotalone. 9Eachofthethreesectionsof Aglaophamus deals withamysterycult–Eleusinian,Orphic,Samothracian–andineachcasethe issuewaswhethersecretmysticalwisdom,concernedespeciallywiththeafterlife, was revealed to initiates. The connection of such mystical teaching to Greek philosophy and to belief in the immortality of the soul passed through the eponymousfigureof Aglaophamus –‘proclaimerofthesublime’–whosupposedly transmittedOrpheus’theologicalteachingstoPythagoras. Lobeckwasnotthefirsttoquestiontheantiquityofthetextsattributedto Orpheus, or eventhefirst to proposethecorrect explanationofthe ‘mystical’ term konxompax .10 Buthemadeamoresystematicattemptthanearliereditorsto collect,arrange,anddateOrphicfragmentsconcernedwith‘theogony’;itwasthis argumentthat(forsomereaders)removedthelastgroundsforbeliefin‘genuine’ Orphicpoetry. Aglaophamus –probablymoreoftencitedthanreadinitsentirety(itisnotan easyread)–wasconstructedinlaterresearchasmarkingarupture,adecisiveturn away from earlier, less philologically scientific discussions. 11 This construction thenjustifiednotonlyreductionofthehistoryofresearch(whenitfiguredatall) tothe post-Lobeck era, butalso aselectivetreatmentthat oftenignoresissues outsidethisreductiveframework.Itsquestionswereframedbyhistoricismand bynineteenthcenturyclassicalphilology’sconceptionofitsdisciplinaryskillsand tasks:howwerestagesinthedevelopmentoftheMysteriesandversionsofthe Orphic texts to be dated? Could ancestors of the later texts be reconstructed? Theywerealsoframed,lessexplicitly,byequallymodernpresuppositionsabout whatwasessentially‘Greek’ormustbenon-Greek, 12 byunexaminedcomplexes ofideasabout‘religion’,andbyoftentimidcuriosityaboutthepossibleinfluence ofGreekreligiousbeliefsandritualsonearlyChristianity. 8 Satire on such topics was not a European prerogative; Indians too ridiculed diffusionist theoriesandtheassumptionthatIndiansneededEuropeaninfluencestomakethemcivilised.In oneofthesatiresofBankimchandraChattopadhyay(1838-1894)awhiteparrotwhohascometo Indiatofindfoodand‘civilise’Indiansbyurgingthemtoimitateitexplainsthatitbeganlifeasa pigneartheBlackSea(theoriesoftheoriginofIndo-European?)andwastransformedthrough beingeatenbyfiercetwo-leggedanimalscalledhumanswhomistookitforaneel(CHATTERJEE [1986],p.60;cf.RAYCHAUDHURI [1988],p.162).OnWilfordseeBAYLY (2000). 9SeeASSMANN (1997)oneighteenth-centuryNeoplatonism;HUMPHREYS (2001)onCreuzer andhiscritics. 10 Seeappendix;MÜLLER (1830)attributesittoBoeckh.HERRMANN (1805)hadalreadycast doubtontheOrphictexts. 11 Seee.g.ROHDE (1890),p.222,and(1893),AppendixIX,ontheEleusinianMysteriesand theOrphictheogony. 12 InthecaseofOrpheus,‘Thracian’ormoreexotically‘shamanic’–anideathatstillhasits attraction.SeeHUMPHREYS (2001)onPreller. 152 S.C.HUMPHREYS Thesetwolatterpreoccupationsarewellillustratedbytwopublicationsofthe 1890s, Erwin Rohde’s Psyche (1890, 1893) and Ernst Maass’s Orpheus (1895). RohdeclaimstobeanalysingGreekideasabouttheafterlifeobjectively,without allowingChristianconceptionstodistorthisaccount,butdoesnotexplainwhy hechosethe‘cultofsouls’asthefocusofhisworkonGreekreligion.Maass explicitly cites Lobeck (along with Dörpfeld’s excavations in Athens) as the inspirationforhiswork;butwhatimpressedhiminLobeckwastheemphasison historicalchangeanddevelopmentinreligion.Thisisavalidreading;Lobeckis nicelyironicalaboutscholarswho assume that religionnever changes. But the scopeofMaass’shistoricalnarrativeisverydifferent,beginningwithOrpheusas anearlyGreekgodandtracinglaterstagesofOrphicpractices,beliefs,andtexts, toendwithquestionsabouttheirinfluenceonearlyChristianity. MaassdoesnotmentionthegoldtabletsfoundingravesinsouthernItaly andSicilyandeditedbyDomenicoComparettifrom1879on,buttheyappear in later editions of Rohde’s Psyche and in Albrecht Dieterich’s study of the Orphichymns(1891)andinhis
Recommended publications
  • Architecture of Afterlife: Future Cemetery in Metropolis
    ARCHITECTURE OF AFTERLIFE: FUTURE CEMETERY IN METROPOLIS A DARCH PROJECT SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF ARCHITECTURE MAY 2017 BY SHIYU SONG DArch Committee: Joyce Noe, Chairperson William Chapman Brian Takahashi Key Words: Conventional Cemetery, Contemporary Cemetery, Future Cemetery, High-technology Innovation Architecture of Afterlife: Future Cemetery in Metropolis Shiyu Song April 2017 We certify that we have read this Doctorate Project and that, in our opinion, it is satisfactory in scope and quality in partial fulfillment for the degree of Doctor of Architecture in the School of Architecture, University of Hawai‘i at Mānoa. Doctorate Project Committee ___________________________________ Joyce Noe ___________________________________ William Chapman ___________________________________ Brian Takahashi Acknowledgments I dedicate this thesis to everyone in my life. I would like to express my deepest appreciation to my committee chair, Professor Joyce Noe, for her support, guidance and insight throughout this doctoral project. Many thanks to my wonderful committee members William Chapman and Brian Takahashi for their precious and valuable guidance and support. Salute to my dear professor Spencer Leineweber who inspires me in spirit and work ethic. Thanks to all the professors for your teaching and encouragement imparted on me throughout my years of study. After all these years of study, finally, I understand why we need to study and how important education is. Overall, this dissertation is an emotional research product. As an idealist, I choose this topic as a lesson for myself to understand life through death. The more I delve into the notion of death, the better I appreciate life itself, and knowing every individual human being is a bless; everyday is a present is my best learning outcome.
    [Show full text]
  • Grave Goods, Hoards and Deposits ‘In Between’I
    Spectrums of depositional practice in later prehistoric Britain and beyond: grave goods, hoards and deposits ‘in between’i Anwen Cooper, Duncan Garrow and Catriona Gibson Paper accepted for publication in Archaeological Dialogues 27(2), Dec 2020 Abstract This paper critically evaluates how archaeologists define ‘grave goods’ in relation to the full spectrum of depositional contexts available to people in the past, including hoards, rivers and other ‘special’ deposits. Developing the argument that variations in artefact deposition over time and space can only be understood if different ‘types’ of finds location are considered together holistically, we contend that it is also vital to look at the points where traditionally defined contexts of deposition become blurred into one another. In this paper, we investigate one particular such category – body-less object deposits at funerary sites – in later prehistoric Britain. This category of evidence has never previously been analysed collectively, let alone over the extended time period considered here. On the basis of a substantial body of evidence collected as part of a nationwide survey, we demonstrate that body-less object deposits were a significant component of funerary sites during later prehistory. Consequently, we go on to question whether human remains were actually always a necessary element of funerary deposits for prehistoric people, suggesting that the absence of human bone could be a positive attribute rather than simply a negative outcome of taphonomic processes. We also argue that modern, fixed depositional categories sometimes serve to mask a full understanding of the complex realities of past practice and ask whether it might be productive in some instances to move beyond interpretatively confining terms such as ‘grave’, ‘hoard’ and ‘cenotaph’.
    [Show full text]
  • The Roots of Ritualism in Church and Masonry - Part 2 No
    Adyar Pamphlets The Roots of Ritualism in Church and Masonry - Part 2 No. 110 The Roots of Ritualism in Church and Masonry - Part 2 by H.P. Blavasky Reprinted from Lucifer Volume IV - March 1889 Published in 1920 Theosophical Publishing House, Adyar, Chennai [Madras] India The Theosophist Office, Adyar, Madras. India VII The ritualism of primitive Christianity — as now sufficiently shown — sprang from ancient Masonry. The latter was, in its turn, the offspring of the, then, almost dead Mysteries. Of these we have now a few words to say. It is well known that throughout antiquity, besides the popular worship composed of the dead-letter forms and empty exoteric ceremonies, every nation had its secret cult known to the world as the MYSTERIES. Strabo, one among many others, warrants for this assertion. ( Georg, lib. 10) No one received admittance into them save those prepared for it by special training. The neophytes instructed in the upper temples were initiated into the final Mysteries in the crypts. These instructions were the last surviving heirlooms of archaic wisdom, and it is [Page 2] under the guidance of high Initiates that they were enacted. We use the word “enacted” purposely; for the oral instructions at low breath were given only in the crypts, in solemn silence and secrecy. During the public classes and general teachings, the lessons in cosmogony and theogony were delivered in allegorical representation, the modus operandi of the gradual evolution of Kosmos, worlds, and finally of our earth, of gods and men, all was imparted in a symbolical way. The great public performances during the festivals of the Mysteries, were witnessed by the masses and the personified truths worshipped by the multitudes — blindly.
    [Show full text]
  • The Eleusinian Mysteries
    © 2004 Frater E.V. - SRC&SSA Splendor Solis - No. II - 6 i & - 2004 A.D. The Eleusinian Mysteries his paper is no more than a write-up seriously interested to work out what the of notes I made for a group discussion Eleusinian myths and initiations are trying to Tof the Eleusinian Mysteries. Firstly I convey. give the myth around which the mysteries were based. I think I have told the basic story with From the foregoing it will be gleaned that the accuracy, but there are complications and final section is tentative and speculative in na- additions I have left out. These additions ture, and, as such, open to doubt and revision. make no material difference to the overall tale, and are actually bits and pieces of other myths The Myth tacked onto the main story at various times in history. One day Persephone (Proserpine, Cora, Kore) was gathering flowers with a group of The second section gives a brief outline of companions, and all was well until Persephone the basic format of the Lesser and Greater started to pick a lovely bunch of Narcissi. Mysteries. This is to provide a context for my Pluto (Hades), God of the Underworld, discussion of the more important matters, at noticed her, thought her very beautiful and, least as far as Golden Dawn initiates are with the permission of Zeus, abducted, raped concerned, which are the mystic initiations and carried Persephone away to his Under- themselves. Most of what is known of the world abode of gloom. Eleusinian Mysteries are the places and details of the exoteric celebrations; the more inte- Demeter (Ceres), the mother of Persephone, resting parts of the mysteries were jealously rushed to assist her daughter, but arrived too guarded secrets that were not to be revealed late, not even able to catch a glimpse of her to the outside World, and so little detail is seducer.
    [Show full text]
  • A Contribution to the Study of Athenian Pyres
    HESPERIA 68.2, I999 A CUR$[E I N A C HYT RI WIO N A CONTRIBUTION TO THE STUDY OF ATHENIAN PYRES In the earliest years of their work in the Athenian Agora, American exca- vators came upon a number of deposits of an unusual type: a shallow de- pression or irregular pit, with marked evidence of burning on its floor, containing multiple vessels of a limited of standard forms.1 Most of 1. For initial permissionto publish range the pot and the curse tablet discussed the pots were miniatures-commonly, small plates and saucers, lekanides, below we are indebted to T. Leslie and cooking pots-but alabastra,larger plates, and a full-size drinking cup ShearJr., and for their drawingsof or lamp were sometimes included. Occasionally a few tiny and calcined Figures 1 and 3, to RichardAnderson fragments of bone were recovered.These deposits never appeared within and Anne Hooton, respectively.The the Agora square itself, but they were common among the houses and wizardryof Craig Mauzy is responsible for the digitally enhancedimage in workshops that surroundedit. They were particularlynumerous in the so- Figure 2, createdfrom a contact print called Industrial District southwest of the Agora, which Rodney Young for which the negativehad been excavated in the late 1930s and the 1940s. Taking the bone fragments to destroyed.Thanks are due as well to Jan be human, Young published the contents of fourteen such deposits from Jordan,who arrangedaccess to the that part of the city in his article "Sepulturaeintra urbem,"2 interpreting objects.We are also pleased to them as the cremationgraves of infants and christening them "pyreburials." acknowledgehere the suggestionsmade by Hesperia'sanonymous referees.
    [Show full text]
  • The Cradle of Humanity: Prehistoric Art and Culture/ by Georges Bataille : Edited and Introduced by Stum Kendall ; Translated by Michelle Kendall and Stum Kendall
    The Cradle of Humanity Prehistoric Art and Culture Georges Bataille Edited and Introduced by Stuart Kendall Translated by Michelle Kendall and Stuart Kendall ZONE BOOKS · NEW YORK 2005 � 2005 UrzoneInc ZONE B001[S 1226 Prospect Avenue Brooklyn, NY 11218 All rights reserved. No pm of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, including electronic, mechanical, photocopying, microfihning,recording, or otherwise (except for that copying permitted by Sections 107 and 108 of the U.S. Copyright uw and except by reviewers for the public press) without written permission from the Publisher. Printed in the United States of America. Georges Bataille's writings are O Editions Gallimard, Paris. Distributed by The MIT Press, Cambridge, Massachusetts, and London, England Library of Congress Cataloging-in-Publication Data Bataille, Georges, 1897-1962 The cradle of humanity: prehistoric art and culture/ by Georges Bataille : edited and introduced by Stum Kendall ; translated by Michelle Kendall and Stum Kendall. P· cm. Includes bibliographical references. ISBN 1-890951-55-2 l. Art, prehistoric and science. I. Kendall, Stuart. II. Title. N5310.B382 2004 709'.01 -dc21 Original from Digitized by UNIVERSITY OF CALIFORNIA Google Contents Editor's Introduction: The Sediment ofthe Possible 9 A Note on the Translation 33 Primitive Art 35 I The Frobenius Exhibit at the Salle Pleyel 45 II A Visit to Lascaux: A Lecture at the Sociiti d'A9riculture, Sciences, Belles-Lettres III et Arts d'Orlians 47 The Passa9efrom
    [Show full text]
  • The Reconstruction of Upper Paleolithic Adaptations: the Biscayan Regions As Seen by an Archeologist from North America
    MUNIBE (Antropología y Arqueología) Suplemento N.º 6 35-44 SAN SEBASTIAN 1988 ISSN 0027 - 3414 The reconstruction of Upper Paleolithic adaptations: The Biscayan regions as seen by an archeologist from North America. La reconstrucción de las adaptaciones del Paleolítico Superior. Las regiones del Golfo de Vizcaya vistas por un arqueólogo norteamericano. Lawrence G. STRAUS * PALABRAS CLAVE: Paleolítico superior, Paleoecología, Nueva Arqueología, Gascoña, Euskadi, Cantabria, Asturias. RESUMEN Esta comunicación resume algunos acontecimientos recientes en la construcción de las teorías acerca de las adaptaciones y las estrategias de movilidad de los cazadores-recolectores por L.R. Binford y otros representantes de la «Nueva Arqueología» norteamerica- na. Después describe el estado actual de nuestros conocimientos sobre las relaciones humano-medio ambiente en el Paleolítico supe- rior de las regiones limítrofes del Mar Cantábrico de Francia y España, basándome en las investigaciones arqueológicas y de las ciencias naturales de las últimas dos décadas. Propongo un modelo descriptivo y sugiero unas hipótesis para explicar los cambios adaptativos mayores en la secuencia prehistórica regional para estar probadas por investigaciones futuras. SUMMARY This paper summarizes recent developments in the construction of theory concerning hunter-gatherer adaptations and mobility stra- tegies by L.R. Binford and other exponents of North American «New Archeology». Then it describes the state of our current understan- ding of Upper Paleolithic human-environment relationships in the regions of France and Spain bordering the Bay of Biscay, based on archeological and natural science research conducted during the last two decades. A descriptive model is proposed and explanatory hypotheses for major adaptive changes in the regional prehistoric record are suggested for further systematic testing.
    [Show full text]
  • Pleistocene Cave Hyenas in the Iberian Peninsula: New Insights from Los Aprendices Cave (Moncayo, Zaragoza)
    Palaeontologia Electronica palaeo-electronica.org Pleistocene cave hyenas in the Iberian Peninsula: New insights from Los Aprendices cave (Moncayo, Zaragoza) Víctor Sauqué, Raquel Rabal-Garcés, Joan Madurell-Malaperia, Mario Gisbert, Samuel Zamora, Trinidad de Torres, José Eugenio Ortiz, and Gloria Cuenca-Bescós ABSTRACT A new Pleistocene paleontological site, Los Aprendices, located in the northwest- ern part of the Iberian Peninsula in the area of the Moncayo (Zaragoza) is presented. The layer with fossil remains has been dated by amino acid racemization to 143.8 ± 38.9 ka (earliest Late Pleistocene or latest Middle Pleistocene). Five mammal species have been identified in the assemblage: Crocuta spelaea (Goldfuss, 1823) Capra pyre- naica (Schinz, 1838), Lagomorpha indet, Arvicolidae indet and Galemys pyrenaicus (Geoffroy, 1811). The remains of C. spelaea represent a mostly complete skeleton in anatomical semi-connection. The hyena specimen represents the most complete skel- eton ever recovered in Iberia and one of the most complete remains in Europe. It has been compared anatomically and biometrically with both European cave hyenas and extant spotted hyenas. In addition, a taphonomic study has been carried out in order to understand the origin and preservation of these exceptional remains. The results sug- gest rapid burial with few scavenging modifications putatively produced by a medium sized carnivore. A review of the Pleistocene Iberian record of Crocuta spp. has been carried out, enabling us to establish one of the earliest records of C. spelaea in the recently discovered Los Aprendices cave, and also showing that the most extensive geographical distribution of this species occurred during the Late Pleistocene (MIS4- 2).
    [Show full text]
  • Prometheus, Indian Titan and Hierophant
    Prometheus, Indian Titan and Hierophant Hephæstus-Vulcan chaining Prometheus, supervised by Hermes (whom the Titan had bid earlier to add torture to torture) Dirck van Baburen (1623) Rijksmuseum, Amsterdam Proposition 3 - Prometheus, Indian Titan and Hierophant v. 10.11, www.philaletheians.co.uk, 13 July 2017 Page 1 of 31 PROMETHEUS BAPTISED HUMANITY BY FIRE TRAIN OF THOUGHTS Train of thoughts Prometheus is the symbol of humanity baptised by Fire Prometheus is the Greek Logos and the original Kabiric Deity. 4 He is Poimandres, the Egyptian Prometheus, who instructs Hermes Trismegistus. 4 He is the Adam Primus, or Kadmon, the Logos of the Jewish mystics. 4 He breathed immortal spirit in mortal men, so that they may return to their primal spiritual state while on earth, without losing their individuality. 4 The Fable of Prometheus is more than 70 millennia old. 4 Prometheus is the symbol and personification of humanity “baptised by Fire.” 5 He is Liuchan, Loki, Lux, Lucifer. And He is Phosphoros, the Light-bringer. 5 Prometheus’ crucifixion on the Cross of Love is symbolised by the Swastika. 6 The Titan was chained to man so that Chrēstos, the neophyte, may find the Initiator who would willingly descend into the crypts of initiation, and walk around Tartarus with him. Then the vulture of passion will cease to gnaw his vitals, and he can elect to become a living god on earth. 6 How the Sons of Mahat quickened the human plant, a secret and sacred sacrifice The curse and disgrace of Prometheus analysed in depth The curse of Karma was called down upon man for desecrating the divine gift, abusing the creative power, and wasting the life-essence for personal gratification.
    [Show full text]
  • Unveiling the Goddess Artemis of Ephesus As a Symbol of Nature at the Turn of the Nineteenth Century
    Unveiling the Goddess Artemis of Ephesus as a symbol of nature at the turn of the nineteenth century Frederika Tevebring In 1807 Alexander von Humboldt published his Ideen zu einer Geographie der Pflanzen nebst ein Naturgemälde der Tropenlander, a translation from French of one of the volumes written as a result of his five-year expedition to Latin America. The German translation includes a frontispiece by Humboldt’s friend, the Danish artist Bertel Thorvaldsen. The image shows a statue of Artemis of Ephesus being unveiled by Apollo.1 At the base of the statue lies a tablet with the inscription Metamorphose der Pflanzen, a reference to Humboldt’s much-esteemed friend Goethe to whom the fron- tispiece is dedicated. In a letter to Goethe Humboldt expresses his enthu- siasm for the image and how he looks forward to presenting the book to his friend. “After so many years of absence I did not want appear before you in any other way but through this small tribute, which is a testimo- nial of my deep reverence and profound gratefulness towards you,” and “my friend Thorvaldsen in Rome has come up with this vignette for me. It refers to the synthesis of Poetry, Philosophy and Natural sciences brought together in your person.”2 Thorvaldsen’s picture was not the first of its kind; the unveiling of the ancient goddess had been a reoccurring pictorial trope in discourses on the pursuit of philosophical and scientific knowledge since the seventeenth century, when it also became increasingly popular on frontispieces to scientific treatises. Goethe himself had made use of similar images on several occasions.
    [Show full text]
  • History of the Eleusinian Mysteries
    Gregory Dickerson - April 17th, 1993 History of the Eleusinian Mysteries We often think of the imposing grandeur of the Parthenon on the Acropolis as embodying the highest sublimity of ancient Greek religion, but the unimposing, flat expanse of foundations now visible at Eleusis is the real holiest of holies in Ancient Greece. Most of the evidence for the initiation ceremonies there in honor of Demeter, the goddess of grain, is inferential, since no ancient writer revealed the secret. But the “Homeric” Hymn to Demeter, which tells the story of Hades carrying off Persephone to be his queen in the world of the dead and the wanderings of Demeter as she sought her lost daughter until she was finally restored (for part of the year) to the upper world, is taken as the Eleusinian foundation myth, upon which the ceremonies were modeled, especially details consequent upon Demeter’s coming to the palace at Eleusis, where she served as nursemaid for a time to the infant son, Demophoon, whom she was making immortal by putting him each night into the fire until interrupted by his frightened mother. “Happy is that one of mortal men who has seen these things…” Indeed, happiness in this life and in the next was the promise of the mysteries (secret initiation ceremonies). The prerequisites were simple enough: you had to have clean hands (no blood pollution), a pure heart and speak Greek. You could be male or female, native or foreigner, free or slave. The preliminaries included a purification in the Lesser Mysteries in Athens on the 20th of Anthesterion (about March 1st), which you could attend under the terms of a 55-day travel truce.
    [Show full text]
  • Ancestral Landscapes Burial Mounds in the Copper and Bronze Ages
    travaux de la maison de l’orient et de la méditerranée n° 58 ANCESTRAL LANDSCAPES BURIAL MOUNDS IN THE COPPER AND BRONZE AGES (Central and Eastern Europe – Balkans – Adriatic – Aegean, 4th-2nd millennium B.C.) Edited by Elisabetta Borgna and Sylvie Müller Celka AncestrAl LandscApes BuriAl mounds in the copper And Bronze Ages (central and eastern europe – Balkans – Adriatic – Aegean, 4th-2nd millennium B.c.) maison de l’orient et de la méditerranée – jean pouilloux (université lumière-lyon 2 – cnrs) publications dirigées par Jean-Baptiste Yon Derniers titres parus dans la série tmo (travaux de la maison de l’orient) tmo 48 Failaka, Fouilles françaises 1984-1988, matériel céramique du temple-tour et épigraphie, sous la dir. d’Y. Calvet et m. pic, édition bilingue français-anglais, trad. par e. Willcox, 2008, 204 p. (isBn 978-2-903264-98-7) tmo 49 Archaeozoology of the Near East VIII (Actes des huitièmes Rencontres internationales d’Archéozoologie de l’Asie du Sud-ouest et des régions adjacentes, Lyon, 28 juin-1er juillet 2006 / Proceedings of the eighth international Symposium on the Archaeozoology of southwestern Asia end adjacent areas, Lyon, June 28th-July 1st 2006), ed. by e. Vila, l. gourichon, A.m. choyke and h. Buitenhuis, 2008, 648 p., 2 volumes. (isBn 978-2-35668-005-1) tmo 50 Actes de vente dans le monde grec. témoignages épigraphiques des ventes immobilières, J. game, 2008, 210 p. (isBn 978-2-35668-004-4) tmo 51 Amphores vinaires de Narbonnaise. Production et grand commerce. Création d’une base de données géochimiques des ateliers, F.
    [Show full text]