Commission Discusses Whether to Hold Special Events During Reopening
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Texas A&M Soccer
16 CONFERENCE CHAMPIONSHIPS * 4 SEC CROWNS 13 NCAA SWEET 16 APPEARANCES 20 STRAIGHT NCAA TOURNAMENT APPEARANCES 5 NCAA ELITE 8 APPEARANCES * 2014 COLLEGE CUP TEXAS A&M SOCCER 2015 SEASON MATCH NOTES | MATCHES 14 & 15 Soccer Contact: Thomas Dick | [email protected] | Cell: 512-784-2153 | 12thMan.com 2015 SCHEDULE NO. 17 TEXAS A&M VS. ALABAMA Date Opponent Time/Result 8/21 at Rice W, 4-2 8/23 NORTHWESTERN STATE W, 3-0 Friday, October 9, 2015 8/28 UC IRVINE W, 4-0 7 p.m. 8/30 FLORIDA ATLANTIC W, 2-0 9/4 at #5 Florida State L, 1-3 Ellis Field 9/6 ABILENE CHRISTIAN W, 4-1 College Station, Texas 9/10 at #10 Florida* W, 2-1 9/13 at Dayton W, 3-1 9/18 VANDERBILT* W, 1-0 9/20 NORTH TEXAS 2 ot - W, 2-1 NO. 17 TEXAS A&M AT NO. 8 AUBURN 9/24 at #17 South Carolina* L, 1-2 9/27 at Georgia* L, 1-2 10/2 MISSISSIPPI STATE* W, 4-0 Sunday, October 11, 2015 10/9 ALABAMA* 7 pm 10/11 at #8 Auburn* 2 pm 2 p.m. 10/16 at Kentucky* 6:30 pm 10/23 ARKANSAS* 7 pm AU Soccer Complex 10/25 OLE MISS* 6 pm Auburn, Alabama 10/29 at Missouri* 8 pm 11/2-8 at SEC Tournament% 11/13-15 at NCAA First Round^ 11/20&22 at NCAA Second and Third Round^ Television: none 11/27-29 at NCAA Quarterfinal^ Digital Video: SEC Network+ 12/3&5 at College Cup+ Audio Streaming: 12thMan.com / RadioAggieland.com / RadioAggieland app Bryan/College Station Radio:Friday - Fusion FM HD - 95.1-2; Sunday - SportsRadio 1150 The Zone / 102.7 FM * - denotes Southeastern Conference match Live Stats: Friday - 12thMan.com; Sunday - AuburnTigers.com ^ - campus sites In-Game Updates: Twitter.com/AggieSoccer + - College Cup (Cary, North Carolina) All home games played at Ellis Field The No. -
6.20 Program.Pdf
LouCity Program Ad 2020 b.pdf 1 8/24/20 12:04 PM WE NEED TO BENOWNOW MOREMORE THANTHAN EVEREVER C M Y Just as LouCity players work together on the field, CM MY we work together in innovative ways with businesses, CY individuals, nonprofits and government orgs to CMY empower individuals and families in our community K to achieve their fullest potential. We mean it when we say that with your help, we will create a better – more equitable future for all – right here at home! Go LouCity! 502.426.8820 www.blairwood.com metrounitedway.org/2020 IN THIS ISSUE GAME PREVIEW 04 Match preview: what to watch for with Racing Lou FC and Houston Dash TEAM ROSTERS 05 A look at team rosters for Racing Louisville FC and Houston Dash LYNN FAMILY STADIUM 07 Key details about Racing Lou's home MAP OF LYNN FAMILY STADIUM 08 Map including sections, vendors, and more RACING STAFF 10 Racing Louisville's Coaches, Technical Staff, & Support Staff MEET THE TEAM 12-19 Player profiles for every athlete 2021 SEASON SCHEDULE 18 Racing Louisville's 2021 NWSL schedule COMMUNITY PARTNERS 19 A listing of Racing Louisville's business partners 03 match preview: what to watch for with racing lou fc vs houston dash By Jonathan Lintner After the NWSL’s international break, a revitalized HOME FIELD ADVANTAGE: Racing has found much Racing Louisville FC returns to action Sunday when more success in front of its supporters. Dating back hosting the Houston Dash at 3 p.m. inside Lynn Family to the preseason Challenge Cup tournament, the new Stadium. -
Women's Soccer Awards
WOMEN’S SOCCER AWARDS All-America Teams 2 National Award Winners 15 ALL-AMERICA TEAMS NOTE: From 1980-85, the National D–Karen Gollwitzer, SUNY Cortland D–Karen Nance, UC Santa Barbara M–Amanda Cromwell, Virginia Soccer Coaches Association of D–Lori Stukes, Massachusetts D–Kim Prutting, Connecticut M–Linda Dorn, UC Santa Barbara America (NSCAA) selected one F–Pam Baughman, George Mason D–Shelley Separovich, Colorado Col. M–Jill Rutten, NC State All-America team that combined all F–Bettina Bernardi, Texas A&M D–Carla Werden, North Carolina F–Brandi Chastain, Santa Clara three divisions. Starting in 1986, Division III selected its own team, F–Moira Buckley, Connecticut F–Michelle Akers, UCF F–Lisa Cole, SMU but Divisions I and II continued to F–Stacey Flionis, Massachusetts F–Joy Biefeld, California F–Mia Hamm, North Carolina select one team. Starting in 1988, F–Lisa Gmitter, George Mason F–Shannon Higgins, North Carolina F–Kristine Lilly, North Carolina all three divisions selected their 1984 F–April Kater, Massachusetts F–April Kater, Massachusetts own teams. Soccer America started F–Jennifer Smith, Cornell NSCAA 1991 selecting a team in 1988, which SOCCER AMERICA included all divisions. Beginning in G–Monica Hall, UC Santa Barbara NSCAA 1990, the team was selected from D–Suzy Cobb, North Carolina D–Lisa Bray, William Smith G–Heather Taggart, Wisconsin only Division I schools. NSCAA and D–Leslie Gallimore, California D–Linda Hamilton, NC State D–Holly Hellmuth, Massachusetts was rebranded as United Soccer D–Liza Grant, Colorado Col. D–Lori Henry, North Carolina M–Cathleen Cambria, Connecticut Coaches in 2017. -
Thesis, the Songs of 10 Rappers Were Analyzed
ABSTRACT Get Rich or Die Tryin’: A Semiotic Approach to the Construct of Wealth in Rap Music Kristine Ann Davis, M.A. Mentor: Sara J. Stone, Ph.D. For the past 30 years, rap music has made its way into the mainstream of America, taking an increasingly prominent place in popular culture, particularly for youth, its main consumers. This thesis looks at wealth through the lens of semiotics, an important component of critical/cultural theory, using a hermeneutical analysis of 11 rap songs, spanning the last decade of rap music to find signification and representation of wealth in the rap song lyrics. The research finds three important themes of wealth - relationship between wealth and the opposite sex, wealth that garners respect from other people, and wealth as a signifier for “living the good life” - and five signifiers of wealth – money, cars, attire, liquor, and bling. Get Rich or Die Tryin': A Semiotic Approach to the Construct of Wealth in Rap Music by Kristine Ann Davis, B.A. A Thesis Approved by the Department of Journalism ___________________________________ Clark Baker, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Sara J. Stone, Ph.D., Chairperson ___________________________________ Mia Moody-Ramirez, Ph.D. ___________________________________ Tony L.Talbert, Ed.D. Accepted by the Graduate School August 2011 ___________________________________ J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. Copyright ! 2011 by Kristine Ann Davis All rights reserved! CONTENTS ACKNOWLEDGMENTS v Chapter 1. -
Michigan Chronicle
City.Life.Style. Where City Meets Life and Life Meets Style C1 | January 22-28, 2020 michiganchronicle.com 2010-2020: The Apex of Black Music & Social Media By Trevor W. Coleman II t the end of a decade, and approaching a new, the dominating pres- ence of hip hop and R&B is operating on a new foundation – social Amedia. The influence an artist has on pop culture and music quality almost always coincides with the artist’s presence on social media. When looking back at the songs that will form the popular music for the 2010 decade, such as Drake’s 2016 single Hotline Bling, or this year’s Old Town Road, these songs can’t be mentioned without noting their respective memes and the social media commotion that trailed these songs for months after their releases. The unification of social media and hip hop music is the source of influence in which established and emerging artists benefit. When a song is popular on social media, the artist has all they need to establish a fan base even before recording a full-length album or releasing another single. This year has been the biggest example of rappers emerging from social media: Megan Thee Stallion off the Hot Girl Summer hashtag and Lil Nas X with the buzz of Old Town Road stemming from video-sharing app TikTok earlier this year. When it comes to The influence that these songs have had on pop music throughout 2019 the careers of artists is an example of black social media’s influence on pop culture. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Western New York Flash Opens Its Home Season VS BOSTON BREAKERS GAME #2: THORNS 1, FLASH 0 on Saturday, Hosting the Boston Breakers at 7 P.M
WESTERNGAME NOTES • FLASH (0-2-0)NEW VS BOSTON YORK BREAKERS (1-1-0) FLASH • GAME #3 7:00 P.M. ET • SATURDAY, MAY 2, 2015 • SAHLEN’S STADIUM • ROCHESTER, N.Y. REFEREE: GREG DOPKA ASSISTANT REFEREE: MARK BOYKO, CHRISTOPHER TROTTIER FOURTH OFFICIAL: LAUREN DEARMAN O KICKOFF WEATHER FORECAST: 67 , PARTLY CLOUDY, 0% CHANCE OF PRECIPITATION The Western New York Flash opens its home season VS BOSTON BREAKERS GAME #2: THORNS 1, FLASH 0 on Saturday, hosting the Boston Breakers at 7 p.m. at ALL-TIME NWSL RECORD: ....... 3-2-2 The Western New York Flash were edged by Portland Sahlen’s Stadium. Both teams have played two games Home Record ........................ 2-2-0 back on April 18, as an Allie Long goal was the difference this season, with the Breakers earning three points for Away Record ......................... 1-0-2 between the two teams. the first time in its last game. 2014 RESULTS 6/27/14 ............. Flash 2, Breakers 1 Long scored on a header in the 22nd minute, and the Flash The Flash, who started with a West Coast trip at Seattle 7/25/14 ............. Breakers 4, Flash 2 and Portland, have not yet earned a point but look to were unable to find an equalizer as the 2013 NWSL Cham- 8/3/14 ............... Flash 4, Breakers 3 pions came away with the victory. rebound against longtime foe, Boston. ALL-TIME LEADERS VS BOS Goals ......................... Wambach (4) The teams have faced a total of seven times in NWSL The Flash showed a much improved performance from its GAME PREVIEW Assists ..................... -
2014 SEC Soccer Record Book.Indd
2014 SOUTHEASTERN CONFERENCE SOCCER RECORD BOOK The Southeastern Conference has continued its rise as one of the top confer- SEC SOCCER SID CONTACTS ences in women’s soccer. SEC Craig Pinkerton The 2013 women’s soccer season reaffirmed the SEC’s prominence in the (205) 458-3000 [email protected] country. For the sixth time in the last seven seasons at least six SEC teams re- Alabama Aaron Jordan ceived postseason invitations as six teams from the SEC were invited to the (205) 348-5401 [email protected] NCAA Tournament. Arkansas, Florida, Kentucky, Ole Miss, South Carolina and Arkansas Mike Hill Texas A&M all made the 64-team field. The six teams combined for a record of (479) 575-2751 [email protected] 7-5-2 with each of the six teams advancing to the second round while Arkansas Auburn John Thomas and Texas A&M advanced to the round of 16. The SEC now has a 68-77-14 (334) 844-9800 [email protected] (.472) NCAA Tournament record in 85 appearances. Florida Mary Howard SEC women’s soccer will begin its 22nd season in the year of 2014 deeply (352) 375-4683 x6110 [email protected] rooted in the national scene of collegiate soccer. Since the SEC initiated wom- Georgia Kate Copp en’s soccer as a varsity sport in 1993, the sport’s popularity has grown through (706) 542-9342 [email protected] the country and especially in the Southeast. A defining point in the SEC’s Kentucky Chris Shoals women’s soccer success came in 1995 when FOX Sports South broadcast the (859) 257-3838 [email protected] SEC Tournament Championship match between Alabama and Kentucky on a LSU Will Stafford tape-delayed basis, signifying the first appearance of an SEC women’s soccer (225) 578-8226 [email protected] match on television. -
Kodak Black’S 2016 XXL Freshman Interview and Freestyle By: XXL Staff June 20, 2016
Watch Kodak Black’s 2016 XXL Freshman Interview and Freestyle By: XXL Staff June 20, 2016 Once an artist claims to be better than both Biggie and Tupac, hip-hop fans take notice. Kodak Black did just that during his interview for his spot on the 2016 XXL Freshman Class cover. “I’m bigger than Tupac and Biggie,” the 19-year-old Pompano Beach, Fla. native states. Earlier this month, Kodak dropped the fittingly titled mixtape, Lil B.I.G. Pac, a collection of tracks showcasing his growth since dropping previous projects like Project Baby, Heart of the Projects and Institution. It’s obvious the “SKRT” rapper knows a thing or two about staying productive considering he’s remained consistent with new material. “People just see like the shine, they don’t see the grind,” Kodak shares. Anyone familiar with his solo efforts or his guest appearances on tracks like French Montana’s “Lockjaw” know Kodak has a unique place in the game when it comes to his presence on the mic. “I got this voice from the lord I guess,” he continues. “I could just ride the beat any type of way, switch it up on it, come back with some other shit.” Songs like “Slayed,” off Lil B.I.G. Pac, serve as an example of Kodak’s delivery. Before the tape was out for the masses to hear, the Snipergang leader decided to use those same lyrics from the track for his 2016 XXL Freshman freestyle. “Hell yeah they call me Kodak but I ain’t come to take no picture/So icy, make it blizzard, and the lean I’m sippin’ sizzurp,” he rhymes. -
Nas Song Writting a Letter to His Friendin Jail
Nas Song Writting A Letter To His Friendin Jail Intern Claudio sometimes transfigure any smasher rases edifyingly. Is Gunter always unconstrainable and Brahmanical when expertizing some bannerol very deservedly and jollily? Bjorne remains reciprocative: she stage-managing her friendly gentles too epidemically? Structured as letters to a friend from prison Nas bridges the crank between senseless. Hill bought it for 30 and spent three month so what became pretty Town Road Wanting an anthemic song with viral appeal he crafted lyrics built. And garden news outlets, lack of this would keep the areas of independent voice, every lie here to a nas to his jail time or feather? Moses References in Rap Songs Ranked Alma Hey Alma. On fortune Love he updated the verb a bit ad-libbing We used to write letters to. Kane Brown was inspired to write Homesick while telling his. Redbone do have good then later friend into her Lil Wayne. To the 1994 hit a World is Yours by Nas and couldn't remember all love lyrics Sean. Songs featuring 2pac Lake County Fish & Game. In an era when a majority of hip-hop pain is working more than. How Prodigy Told His Life access The Ringer. As someone that's always on the fortunate of breaking out each song. 195 cuts scenes of its protagonist joining his friends in boys-will-be-boys. Through his lyrical prowess and social awareness his first flow that a magnificent piece for beats he's crafted some add the greatest songs of all time dimension as. With Nas about dad he wrote the advice and during violent lyrics in general own death might. -
OBJ (Application/Pdf)
A LOOK INSIÛÉ THÉ ISSUS [ TT. î ¿Wæis [ kl lPJPJbjÆ, D OF THE FIVE WELLS" RETHINKING WILSON Ì I ' O Li b íM LL4 JY L] !•. THE MAROON TIGER à tía kW d Li ÏJ THE ORGAN OF STUDENT EXPRESSION ’ s }■’ LU L „,TT SINCE 1925 Hlà » ! ■ I ii, •Jill MOREHOUSE COLLEGE ■ ATLANTA, GA 9/19/13 - 9/25/13 . VoL.88, No. 3 DAWNN ANDERSON focus on truth supported by research; Character and Capital Preeminence. ASSOCIATE CAMPUS NEWS EDITOR to talk about matters intelligently as a Select students are concerned that Wil [email protected] collective group; and to form an ac son may not take an interest in relating NEWSLINE tion committee. The action committee to his Morehouse brothers on a personal Senior African-American Studies/ would be created to speak on behalf level. STUDENTS FIGHT FOR GWEN WADE: Pre-Law major Antwann Michael of disgruntled students with professional "We [students] are used to A GROWING NUMBER OF STUDENTS ARE will host a forum entitled "Rethinking Wil ism and dignity. Additionally, Michael ideology, substance, and character is interested in researching fundraising as demonstrated in [Robert] Franklin’s EXPRESSING DISSATISFACTION WITH THE COL son," a safe space where students may express their concerns regarding recent options for the college. presidency," Morehouse junior D'Ondre LEGE’S DECISION TO LAY OFF GWEN WADE, changes under Morehouse President Morehouse students of all clas Swails said. “That is what Wilson lacks as DIRECTOR OF STUDY ABROAD/INTERNATION- John Wilson's leadership. The discussion sifications are welcome to attend the an administrator.” AL EXCHANGE PROGRAMS. -
Afro-Pessimism, Black Life, and Classical Hip Hop As Counter-Performance Kevin Eubanks
Eubanks: After Blackness, Then Blackness: Afro-Pessimism, Black Life, and JOURNAL OF HIP HOP STUDIES . After Blackness, Then Blackness: Afro-Pessimism, Black Life, and Classical Hip Hop as Counter-Performance Kevin Eubanks Just as Frank Wilderson cites the propensity of the black performance to obscure and evade black life and reality and calls for a more “direct reflection” on the “ghosts and grammar” that haunt the enactment of black subjectivity, Jared Sexton’s critique of Fred Moten’s optimism lies in the latter’s emphasis on the “fugitive ontology” of blackness, an ontology that has the black always on the run from the structures that govern a priori the anti-black world into which it would pretend to escape. Consequently, the challenge of afro-pessimism is to imagine, amidst the afro-pessimist negation, a black movement that is not or other than performative, something more than a “narrative strategy hoping to slip the noose of a life shaped by slavery,” but instead a more visceral apprehension of and engagement with the structural violence against blackness as “a grammar of emergence and being.” The question I would like to answer here is whether in Hip Hop one can discern just such a movement and apprehension. Black life is not lived in the world that the world lives in […]. That’s the whole point of the enterprise at some level. It is all about the implications of this agreed-upon point where arguments (should) begin, but they cannot (yet) proceed. — Jared Sexton, “The Social Life of Social Death” (2011) I know the price of life.