Language, Truth and Power in Ancient Greek Thought : Prolegomena to Nietzsche
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Copyright by Hal Victor Cardiff III 2015
Copyright by Hal Victor Cardiff III 2015 The Thesis Committee for Hal Victor Cardiff III Certifies that this is the approved version of the following thesis: Drinking with the Dead: Odyssean Nekuomanteia and Sympotic Sophrosyne in Classical Greek Vase Painting APPROVED BY SUPERVISING COMMITTEE: Supervisor: Nassos Papalexandrou Penelope Davies Drinking with the Dead: Odyssean Nekuomanteia and Sympotic Sophrosyne in Classical Greek Vase Painting by Hal Victor Cardiff III, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2015 Abstract Drinking with the Dead: Odyssean Nekuomanteia and Sympotic Sophrosyne in Classical Greek Vase Painting Hal Victor Cardiff III, M.A. The University of Texas at Austin, 2015 Supervisor: Nassos Papalexandrou Though the episode is well known from Book 11 of the Odyssey (11.23-330, 385- 567), only two painted vases survive from antiquity that clearly depict Odysseus' nekuomanteion ("consultation with the dead"): a mid-fifth century Attic pelike by the Lykaon Painter (Boston, MFA: 34.79), and an early-fourth century Lucanian kalyx-krater by the Dolon Painter (Paris, Bibliothèque nationale: 422). Owing to their rarity, these images have long interested scholars, but what has largely been missing from the discussion are attempts to situate the vase paintings of necromancy within a context of use. This thesis places these objects at their original functional context of the symposium, the ancient Greek, all-male drinking party. Following a hermeneutic method of analysis, I explore the ways in which ancient symposiasts might have looked at and understood the pictorial programs on these two objects as a reflection of their convivial activities and values. -
The Ancient Greeks
The Ancient Greeks WHO ARE THE ANCIENT GREEKS? DEMOCRACY/SLAVERY Demos = power, Kratos = people. The word “democracy” translates to “power of the people.” Athens incorporated the first democratic government. Every citizen could have a say in the actions of the government, so long as they were a male over 18 with parents who were citizens. You could not be a woman, foreigner, or slave. For a society that promoted democracy for all, Ancient Greece was inconsistent that it had a slavery class. Every household that could afford it used slaves to help with chores. Slaves were also used in factories and mines, as well as on farms and ships. These hard labor slaves had a much shorter lifespan than household slaves. THE ROLE OF WOMEN In Ancient Greek, women ran their households. If they were part of the middle or high classes, they also supervised any domestic slaves. In general, the women of Ancient Greece did not have any power or voice. They were not formally educated. Parents arranged their daughters’ marriages. They would be allowed out of the house only to attend funerals or religious festivals, unless they had special permission. Sparta provided women with an exception to this rule. Spartan women were expected to own land, to be physically fit, and to be educated. This quote tells you all you need to know about Spartan women. When going to war, Spartan mothers told their sons, “Either come back victorious, or dead on your shield.” WAR/CULTURE There were many contrasts within Ancient Greece society. This was an era known for war. -
MONEY and the EARLY GREEK MIND: Homer, Philosophy, Tragedy
This page intentionally left blank MONEY AND THE EARLY GREEK MIND How were the Greeks of the sixth century bc able to invent philosophy and tragedy? In this book Richard Seaford argues that a large part of the answer can be found in another momentous development, the invention and rapid spread of coinage, which produced the first ever thoroughly monetised society. By transforming social relations, monetisation contributed to the ideas of the universe as an impersonal system (presocratic philosophy) and of the individual alienated from his own kin and from the gods (in tragedy). Seaford argues that an important precondition for this monetisation was the Greek practice of animal sacrifice, as represented in Homeric epic, which describes a premonetary world on the point of producing money. This book combines social history, economic anthropology, numismatics and the close reading of literary, inscriptional, and philosophical texts. Questioning the origins and shaping force of Greek philosophy, this is a major book with wide appeal. richard seaford is Professor of Greek Literature at the University of Exeter. He is the author of commentaries on Euripides’ Cyclops (1984) and Bacchae (1996) and of Reciprocity and Ritual: Homer and Tragedy in the Developing City-State (1994). MONEY AND THE EARLY GREEK MIND Homer, Philosophy, Tragedy RICHARD SEAFORD cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521832281 © Richard Seaford 2004 This publication is in copyright. -
Foucault Parrhesia SPEP
1 Moderate and Immoderate Candor: Foucault’s Parrhesia without Sophrosyne Abstract In this paper I consider Foucault’s discussion of Parrhesia, frank or candid speech—in his very last writings. I use many of his own examples, especially his brief discussion of Euripides’ Hyppolytus to show that a proper account of parrhesia needs to be connected with an account of the virtue of moderation, sophrosyne. Speaking frankly needs to be understood within the broader context of speaking appropriately and the virtues that guide that activity. By talking about courage but not moderation, opens himself up again to some common criticisms of his project. Foucault made Parrhesia—speaking fully, frankly, and candidly—a central theme of his very last works. It makes an appearance in his Collège de France lectures between 1981 and 19841, in The Use of Pleasure2, and in his 1984 Berkeley lectures “Discourse and Truth.”3 As Foucault turned his attention to the practices of subjectification, he became especially interested in the practices of speaking the truth about oneself. In his last works he subsumes sexual discourse under the general theme of speaking of oneself and turns to the Greeks and Romans to better understand what is at stake for the subject in such practices. For the Greeks and the Romans speaking the truth, whether about oneself or not, was closely tied to having a sound mind, inhabiting the virtue of sophrosyne, moderation.4 Yet when you think of Foucault’s writings, moderation does not jump to the fore; rather one tends to think of forms -
Forgetting the Subject
City University of New York (CUNY) CUNY Academic Works Publications and Research Hunter College 2008 Forgetting the Subject Christa Davis Acampora CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_pubs/50 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Reading Nietzsche at the Margins Steven V. Hicks and Alan Rosenberg Purdue University Press I West lafayette, Indiana Contents About the Contributors vii Abbreviations of Nietzsche's Texts xi Copyright 2008 by Purdue University. All rights reserved. Editorial Introduction l Printed in the United States of America. Part l: Prefacing the Margins: A Beginning at Self-Disclosure: ISBN 978-1-55753-451-4 Nietzsche on Resolution, Memory, and Autocritique l. David B. Allison, "Resolution and Autocritique in the Library of Congress Cataloging-in-Publication Data Late Prefaces" l3 Reading Nietzsche at the margins I edited by Steven V. Hicks and Alan Rosenberg. ·' 2. Christa Davis Acampora, "Forgetting the Subject" 34 p.cm. Includes bibliographical references and index. ISBN-13' 978-1-55753-451-4 (alk. paper) Part 2: Laughing at the Margins: Nietzsche's Tragic/Comic 1. Nietzsche, Friedrich Wtlhelm, 1844-1900. I. Hicks, Steven V.,l956- Sense of Life II. Rosenberg, Alan, 1939- 3. Kathleen Marie Higgins, "Suffering in Nietzsche's B3317.R36 2008 193--dc22 2008003485 Philosophy" 59 4. Lawrence J. Hatab, "To Laugh Out of the Whole Truth: Nietzsche as Tragicomic Satyr" 73 5. -
Volume XLVI Number 4
The St. Lawrence County Historical Association OUAR TERLY' Volunre XVI - Nunrber 4 - Fall 2001 The St. Lawrence County Historical Association at the Silas Wright House The St. Lawrence County Historical Association is a private, not-fo based at the Silas Wright House in Canton, New York. Fou constitution, by-laws, and Board of Trustees. The elect its trustees. 2002 Officers: 2002 Trustees: President: Carl Stickney, No Chris Angus, Canton Vice-President: Patricia Carson, Canton Treasurer: Carol John Richard Foster, Rossie Secretary: Susie R. Shawn Gray, Massena ,.: ......."...:? ,..? E. Jane Layo, Waddington ,..:$ Stan Maine, Pierrepont 2002 sta@,Jy Trent Trdock, Executive Director Todd Moe, Norwood sue .J.+e&shore, Collections Manager Cathleen O'Horo, Canton Maryellen Jones, Archives Manager ~everl<~~ownell, ..:.<. Administrative Assistant Tim Strong, Potsdam '<> ..>. ..>. 7..., .... "'-, Peter Van de Water, Cant <::... <::... :*::. "...,., ..... ..>. ..:.. The St. Lawrence County Historical serves as an educational resource for the use in the County's history and traditions. The Assoc to the County's history. In cooperation and coll understanding of and appreciation for the Coun Lawrence County Historical Association operates within museum standards established by the American Association of Museums. SLCHA Membership Membership in the St. Lawrence County Historical Association is open to all interested parties. Annual membership dues are: Individual, $25; SeniorIStudent, $20; Family, $35; Contributor, $50; Supporter, $100; Patron, $250; Businesses, $50 to $1,000. Members receive the SLCHA Quarterly, the Historical Association'sbi-monthly newsletter, and various discounts on publications, programs and events. St. Lawrence County Historical Association at the Silas Wright House 3 East Main Street, PO Box 8 Canton, New York 13617 (315) 386-8133 fax (315) 386-8134 e-mail: [email protected] www.slcha.org -- Published continuously since 1956 I The St. -
Theagenes' Sōphrosynē in Heliodorus' Aethiopica
Virtue Obscured: Theagenes’ Sōphrosynē in Heliodorus’ Aethiopica RACHEL BIRD Swansea University The concept of sōphrosynē has a central role in the genre of the Greek novel.1 The five extant texts have at their heart the representation of a mutual, heterosexual erotic relationship between beautiful, aristocratic youths and, in all of the novels apart from Longus’ Daphnis and Chloe, the protagonists’ possession of sōphrosynē is a crucial part of their identity. They must prove their sōphrosynē when faced with sexual advances from lustful antagonists, and they often prove their fidelity through their innate regard for this virtue. While as a term and con- cept sōphrosynē2 is semantically complex, encompassing the qualities and psy- chological states of temperance, moderation, sanity, self-control and chastity, in the novels it generally refers to sexual restraint and the motivation behind chastity. The texts differ in their respective treatments of sōphrosynē: there is a spectrum from the representation of mutual chastity in Xenophon of Ephesus’ novel, which has been labelled obsessive,3 to the irreverent subversion of chastity found in Achilles Tatius’ Leucippe and Clitophon.4 Despite these divergent treatments, the role of sōphrosynē is always fundamental to the ethics of these novels. Heliodorus’ Aethiopica has long been considered a complex work, particu- larly in terms of its narrative structure.5 The characterisation of its protagonists ————— 1 I consider the five extant works of Chariton, Xenophon of Ephesus, Longus, Achilles Ta- tius and Heliodorus to be examples of the genre of the Greek novel. For discussion of sōphrosynē in the novels, see Anderson 1997; De Temmerman 2014; Kaspryzsk 2009. -
Epigraphic Bulletin for Greek Religion 1998
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 14 | 2001 Varia Epigraphic Bulletin for Greek Religion 1998 Angelos Chaniotis and Joannis Mylonopoulos Electronic version URL: http://journals.openedition.org/kernos/779 DOI: 10.4000/kernos.779 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2001 Number of pages: 147-231 ISSN: 0776-3824 Electronic reference Angelos Chaniotis and Joannis Mylonopoulos, « Epigraphic Bulletin for Greek Religion 1998 », Kernos [Online], 14 | 2001, Online since 14 April 2011, connection on 16 September 2020. URL : http:// journals.openedition.org/kernos/779 Kernos Kernos, 14 (2001), p. 147-231. Epigraphie Bulletin for Greek Religion 1998 (EBGR 1998) In this issue we have covered a large part of the publications of 1998, making several additions to previous issues; we still have a long list of articles we should like to present (e.g., from the journal Horos), but this would have delayed the journal's publication substantially. A generous grant from the GISELA UND REINHOLD HXCKER STIFTUNG for our editorial work in 2001 will enable us in EBGR 1999 to close most of the gaps left in this and in earlier issues. In EBGR 1998 we have focused on new epigraphic finds, new interpretations of inscriptions, and epigraphic corpora, but we have also summarized a few archaeological studies which make extensive use of the epigraphic material; for the significant contribu tion of archaeology to the study of Greek religion the reader should consuIt the Chronique archéologique in Kernos. As in earlier issues we have not limited ourselves to epigraphy but have included a few references to important papyro logical sources (nOS 29, 134, 168, 181, 280, 300) and to the evidence provided by the documents in Linear B (nO 50). -
Thucydides on the Outbreak of War
THUCYDIDES ON THE OUTBREAK OF WAR by Seth N. Jaffe A thesis submitted in conformity with the requirements for the degree of Doctor in Philosophy Graduate Department of Political Science University of Toronto © Copyright by Seth Nathan Jaffe (2012) Abstract Thucydides on the Outbreak of War By Seth N. Jaffe A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Political Science University of Toronto (2012) This project illuminates Thucydides’ political thought through a novel interpretation of the first book of the History of the Peloponnesian War. It explores how Thucydides reveals the human causes of war through the outbreak of a particular war, the Peloponnesian war. The primary claim is that Thucydides intends the breakdown of the Thirty Years’ Peace between Athens and the Peloponnesians, which inaugurates the great Peloponnesian war, to be understood by grasping how the characters of the Athenian and Spartan regimes contribute to the outbreak of the war and, crucially, how Athens and Sparta differently express human nature. In broad outline, the History’s first book reveals how the regime characters of Athens and Sparta inform their respective foreign policies, but also how the interaction between the two cities—informed by the distinctive necessities pressing upon them— causes the Hellenic status quo to tremble and fall. Throughout the first book, while never obscuring the specific events triggering war, Thucydides progressively develops and expands his original statement that it was Spartan fear of Athenian power that compelled the fighting. The study argues that necessity (or compulsion) is the bright thread that Thucydides uses to guide his reader through the episodes of the first book, from the immediate causes of the Peloponnesian war to the human causes of war, from the particular events to the History’s universal themes. -
Symposion and the Culture of Sophrosyne
The Archaic Greek Symposion and the Culture of Sophrosyne The Greek symposion was a drinking party for aristocratic males. It was a pan-Hellenic institution with specific customs and rituals, and its high point was the archaic period (Wecowski 11-12). After discussing the most important elements of the symposion, I will place it in its cultural context, arguing against those scholars who see it as the core of an aristocratic "cult of habrosyne" (luxury) that resisted political change (particularly the development of the polis), and with more recent scholars who see the symposion as a flexible institution that helped to make the polis possible. I will argue further that, far from being the center of an aristocratic cult of luxury, the symposion was part of a pan-Hellenic "culture of sophrosyne," that was endorsed by both the aristocracy and the rising middle class. The symposion included 14-30 participants who reclined in pairs on banqueting couches (Murray 1990: 7), and it had its own culture and rituals, including libations to the gods, passing the drinking cup from left to right, a symposiarch (who would determine the nature of the games, the order of play, and the prizes and penalties), and the games themselves. These games included riddles, poetry contests, and tests of skill (such as kottabos), and they formed the heart of the symposion (Wecowski 40-49). There were prizes for the winners and penalties for the losers; importantly, these tests of wit and skill could not be performed well if the participants were excessively drunk (Wecowski 52). Much of the archaic Greek lyric poetry we possess today was originally composed for the symposion (Murray 2009: 509-10). -
Sophrosyne in Xenophon’S Oeconomicus
166 ECONOMIC SELF- RESTRAINT An interpretation of Ischomachus’ use of sophrosyne in Xenophon’s Oeconomicus MA Thesis Classics and Ancient Civilizations Supervisor: Dr. T.A. van Berkel Second reader: Dr. A.M. Rademaker Word count: 16.494 Date of submission: 12-08-2019 Aniek Vink s1665235 [email protected] Contents Introduction ............................................................................................................................................. 2 Chapter 1: a semantic study of sophrosyne ............................................................................................. 4 1.1. General uses ................................................................................................................................. 4 1.2. Plato’s philosophical uses ............................................................................................................ 8 1.3. Relation to enkrateia .................................................................................................................... 9 Chapter 2: Socrates’ sophrosyne ........................................................................................................... 11 2.1. Good sense to avoid harming others .......................................................................................... 11 2.1.1. Xenophon’s apologetic definition ....................................................................................... 11 2.1.2. Socrates’ philosophical definition ...................................................................................... -
Medical Language in the Speeches of Demosthenes Allison Das a Dissertation Submitted in Partial Fulfillment of the Requirement
Medical Language in the Speeches of Demosthenes Allison Das A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Ruby Blondell, Chair Deborah Kamen Alexander Hollmann Program Authorized to Offer Degree: Classics Department Allison Das ii ©Copyright 2015 Allison E. Das Allison Das iii University of Washington Abstract Medical Language in the Speeches of Demosthenes Allison E. Das Chair of Supervisory Committee Dr. Ruby Blondell Classics Department Introduction This project is intended as an examination of medical language and imagery in the speeches of Demosthenes, with special attention given to his speeches against his political opponent Aeschines, Against the False Embassy (19) and On the Crown (18). In Chapter 1, I contextualize his use of such language and imagery by exploring the influence of Hippocratic medicine on fourth- and fifth-century non-medical literature. I argue that the shared anxieties of medicine and politics, namely that both arts demand quick action and foresight on the part of the good practitioner, and the rich new vocabulary of suffering and disease, made Hippocratic medicine an enticing model for the political writer, that is, the historian, philosopher, and orator. Demosthenes' medical language and imagery should thus be seen as part of a tradition of analogizing the two arts, which began during the circulation of the first Hippocratic treatises and continued well into and past his own day. Allison Das iv In Chapter 2, I look at medical language and imagery in Demosthenes' prosecution of Aeschines for political misconduct during the Second Embassy to Philip II of Macedon, On the False Embassy.