Abraham Heyn's Jewish Anarcho-Pacifism
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A Fresh Perspective on the History of Hasidic Judaism
eSharp Issue 20: New Horizons A Fresh Perspective on the History of Hasidic Judaism Eva van Loenen (University of Southampton) Introduction In this article, I shall examine the history of Hasidic Judaism, a mystical,1 ultra-orthodox2 branch of Judaism, which values joyfully worshipping God’s presence in nature as highly as the strict observance of the laws of Torah3 and Talmud.4 In spite of being understudied, the history of Hasidic Judaism has divided historians until today. Indeed, Hasidic Jewish history is not one monolithic, clear-cut, straightforward chronicle. Rather, each scholar has created his own narrative and each one is as different as its author. While a brief introduction such as this cannot enter into all the myriad divergences and similarities between these stories, what I will attempt to do here is to incorporate and compare an array of different views in order to summarise the history of Hasidism and provide a more objective analysis, which has not yet been undertaken. Furthermore, my historical introduction in Hasidic Judaism will exemplify how mystical branches of mainstream religions might develop and shed light on an under-researched division of Judaism. The main focus of 1 Mystical movements strive for a personal experience of God or of his presence and values intuitive, spiritual insight or revelationary knowledge. The knowledge gained is generally ‘esoteric’ (‘within’ or hidden), leading to the term ‘esotericism’ as opposed to exoteric, based on the external reality which can be attested by anyone. 2 Ultra-orthodox Jews adhere most strictly to Jewish law as the holy word of God, delivered perfectly and completely to Moses on Mount Sinai. -
The Audacity of Holiness Orthodox Jewish Women’S Theater עַ זּוּת שֶׁ Israelבִּ קְ Inדוּשָׁ ה
ׁׁ ְִֶַָּּּהבשות שעזּ Reina Rutlinger-Reiner The Audacity of Holiness Orthodox Jewish Women’s Theater ַעזּּו ֶׁת ש in Israelִּבְקּדו ָׁשה Translated by Jeffrey M. Green Cover photography: Avigail Reiner Book design: Bethany Wolfe Published with the support of: Dr. Phyllis Hammer The Hadassah-Brandeis Institute, Waltham, Massachusetts, USA Talpiot Academic College, Holon, Israel 2014 Contents Introduction 7 Chapter One: The Uniqueness of the Phenomenon 12 The Complexity of Orthodox Jewish Society in Israel 16 Chapter Two: General Survey of the Theater Groups 21 Theater among ultra-Orthodox Women 22 Born-again1 Actresses and Directors in Ultra-Orthodox Society 26 Theater Groups of National-Religious Women 31 The Settlements: The Forge of Orthodox Women’s Theater 38 Orthodox Women’s Theater Groups in the Cities 73 Orthodox Men’s Theater 79 Summary: “Is there such a thing as Orthodox women’s theater?” 80 Chapter Three: “The Right Hand Draws in, the Left Hand Pushes Away”: The Involvement of Rabbis in the Theater 84 Is Innovation Desirable According to the Torah? 84 Judaism and the Theater–a Fertile Stage in the Culture War 87 The Goal: Creation of a Theater “of Our Own” 88 Differences of Opinion 91 Asking the Rabbi: The Women’s Demand for Rabbinical Involvement 94 “Engaged Theater” or “Emasculated Theater”? 96 Developments in the Relations Between the Rabbis and the Artists 98 1 I use this term, which is laden with Christian connotations, with some trepidation. Here it refers to a large and varied group of people who were not brought up as Orthodox Jews but adopted Orthodoxy, often with great intensity, later in life. -
Scandalous Episodes in the History of Hasidism
David Assaf. Untold Tales of the Hasidim: Crisis and Discontent in the History of Hasidism. Translated by Dena Ordan. Waltham: Brandeis University Press, 2010. xxiii + 336 pp. $55.00, cloth, ISBN 978-1-58465-861-0. Reviewed by Marcin Wodzinski Published on H-Judaic (November, 2011) Commissioned by Jason Kalman (Hebrew Union College - Jewish Institute of Religion) David Assaf ranks among the best-known portant publication broadening our understand‐ scholars of nineteenth-century East European ing of the movement in question. At the same Jewish history and is recognized as one of the time, this volume appeared scandalous in Jewish most important historians of Hasidism. His nu‐ ultra-Orthodox milieus. This was expressed by, in‐ merous publications have contributed to the ter alia, thousands of posts appearing in Web fo‐ canonical body of contemporary literature on the rums, which discussed almost every single aspect issue; some have set the discipline’s developmen‐ presented in the book (Assaf was proud to have tal trajectory. His biography of Israel of Ruzhin identified as many as 62,000 entries in one such (Różyn), one of the most famous nineteenth-cen‐ forum alone). That the book was a great success tury tsadikim, The Regal Way (Hebrew, 1997; Eng‐ and, simultaneously, a great scandal is not partic‐ lish 2002), was among the frst monographs to ex‐ ularly surprising: such was actually the intent be‐ tend the scholarly exploration of Hasidism be‐ hind writing it and is the result of the very subject yond the caesura of 1815, i.e., the date canonized matter it tackled. -
Black Flag White Masks: Anti-Racism and Anarchist Historiography
Black Flag White Masks: Anti-Racism and Anarchist Historiography Süreyyya Evren1 Abstract Dominant histories of anarchism rely on a historical framework that ill fits anarchism. Mainstream anarchist historiography is not only blind to non-Western elements of historical anarchism, it also misses the very nature of fin de siècle world radicalism and the contexts in which activists and movements flourished. Instead of being interested in the network of (anarchist) radicalism (worldwide), political historiography has built a linear narrative which begins from a particular geographical and cultural framework, driven by the great ideas of a few father figures and marked by decisive moments that subsequently frame the historical compart- mentalization of the past. Today, colonialism/anti-colonialism and imperialism/anti-imperialism both hold a secondary place in contemporary anarchist studies. This is strange considering the importance of these issues in world political history. And the neglect allows us to speculate on the ways in which the priorities might change if Eurocentric anarchist histories were challenged. This piece aims to discuss Eurocentrism imposed upon the anarchist past in the form of histories of anarchism. What would be the consequences of one such attempt, and how can we reimagine the anarchist past after such a critique? Introduction Black Flag White Masks refers to the famous Frantz Fanon book, Black Skin White Masks, a classic in anti-colonial studies, and it also refers to hidden racial issues in the history of the black flag (i.e., anarchism). Could there be hidden ethnic hierarchies in the main logic of anarchism's histories? The huge difference between the anarchist past and the histories of anarchism creates the gap here. -
The History and Philosophy of the Postwar American Counterculture
The History and Philosophy of the Postwar American Counterculture: Anarchy, the Beats and the Psychedelic Transformation of Consciousness By Ed D’Angelo Copyright © Ed D’Angelo 2019 A much shortened version of this paper appeared as “Anarchism and the Beats” in The Philosophy of the Beats, edited by Sharin Elkholy and published by University Press of Kentucky in 2012. 1 The postwar American counterculture was established by a small circle of so- called “beat” poets located primarily in New York and San Francisco in the late 1940s and 1950s. Were it not for the beats of the early postwar years there would have been no “hippies” in the 1960s. And in spite of the apparent differences between the hippies and the “punks,” were it not for the hippies and the beats, there would have been no punks in the 1970s or 80s, either. The beats not only anticipated nearly every aspect of hippy culture in the late 1940s and 1950s, but many of those who led the hippy movement in the 1960s such as Gary Snyder and Allen Ginsberg were themselves beat poets. By the 1970s Allen Ginsberg could be found with such icons of the early punk movement as Patty Smith and the Clash. The beat poet William Burroughs was a punk before there were “punks,” and was much loved by punks when there were. The beat poets, therefore, helped shape the culture of generations of Americans who grew up in the postwar years. But rarely if ever has the philosophy of the postwar American counterculture been seriously studied by philosophers. -
On Being a Jewish Author: the Trace of the Messiah in Elie Wiesel's Novels
On Being a Jewish Author: The Trace of the Messiah in Elie Wiesel’s Novels David Patterson University of Texas at Dallas n Somewhere a Master (1982), Elie Wiesel invokes a teaching from Pinchas of Koretz, a disciple of the Baal Shem Tov, founder Iof Hasidism: “To be Jewish is to link one’s fate to that of the Messiah—to that of all who are waiting for the Messiah” (23). To link one’s fate to that of the Messiah is not only to await but also to work for the coming of the Messiah, even though he may tarry— even though, if one may speak such words, he may never come. To be sure: the Messiah is the one who has forever yet to come , so that to be Jewish is to forever be engaged with an eternal yet to be . To live is to live on the edge of the yet to be . Or, for Wiesel, to live is to live in the midst of the and yet . There abides the Messiah: in the and yet . For Wiesel, to link one’s fate to that of the Messiah is to link one’s fate to the and yet , particularly after the Shoah. The Shoah al - tered forever the meaning of the Twelfth of Maimonides’ Thirteen Principles of Faith, the belief in the coming of the Messiah, even though he may tarry—a belief that would recur throughout the works and the life of Elie Wiesel. Bearing witness to the truth and the wisdom of the Jewish mes - sianic tradition was, for Wiesel, the tie that most profoundly bound L&B 38.1 2018 2 / Literature and Belief him to the Jewish tradition and therefore to Jewish life: for Wiesel the tie to Jewish tradition was his post-Holocaust connection to life, and that bond lay most profoundly in his link to the Messiah. -
Rancour's Emphasis on the Obviously Dark Corners of Stalin's Mind
Rancour's emphasis on the obviously dark corners of Stalin's mind pre- cludes introduction of some other points to consider: that the vozlzd' was a skilled negotiator during the war, better informed than the keenly intelli- gent Churchill or Roosevelt; that he did sometimes tolerate contradiction and even direct criticism, as shown by Milovan Djilas and David Joravsky, for instance; and that he frequently took a moderate position in debates about key issues in the thirties. Rancour's account stops, save for a few ref- erences to the doctors' plot of 1953, at the end of the war, so that the enticing explanations offered by William McCagg and Werner Hahn of Stalin's conduct in the years remaining to him are not discussed. A more subtle problem is that the great stress on Stalin's personality adopted by so many authors, and taken so far here, can lead to a treatment of a huge country with a vast population merely as a conglomeration of objects to be acted upon. In reality, the influences and pressures on people were often diverse and contradictory, so that choices had to be made. These were simply not under Stalin's control at all times. One intriguing aspect of the book is the suggestion, never made explicit, that Stalin firmly believed in the existence of enemies around him. This is an essential part of the paranoid diagnosis, repeated and refined by Rancour. If Stalin believed in the guilt, in some sense, of Marshal Tukhachevskii et al. (though sometimes Rancour suggests the opposite), then a picture emerges not of a ruthless dictator coldly plotting the exter- mination of actual and potential opposition, but of a fear-ridden, tormented man lashing out in panic against a threat he believed to real and immediate. -
Things Are Nothing to Me: the Unique Philosophy of Max Stirner'
H-Socialisms Price on Blumenfeld, 'All Things Are Nothing to Me: The Unique Philosophy of Max Stirner' Review published on Monday, December 14, 2020 Jacob Blumenfeld. All Things Are Nothing to Me: The Unique Philosophy of Max Stirner. Winchester: Zero Books, 2018. 155 pp. $17.46 (paper), ISBN 978-1-78099-663-9. Reviewed by Wayne Price (Independent Scholar) Published on H-Socialisms (December, 2020) Commissioned by Gary Roth (Rutgers University - Newark) Printable Version: https://www.h-net.org/reviews/showpdf.php?id=56060 Self and Others: Max Stirner and Revolutionary Anarchism Max Stirner was the pen name of Johann Kasper Schmidt (1806-56). He was part of a milieu of young philosophers who sought to develop further the philosophy of the great German thinker Georg W. F. Hegel, who had died in 1831. This milieu has been referred to as the Young Hegelians or Left Hegelians. While Hegel’s system had solidified into a reactionary form, they mainly tried to rework it in more humanistic, naturalistic, and democratic directions. The most well-known of these young men today (there were women in the grouping, but their names have dropped out of history) are Karl Marx and Friedrich Engels. (Engels had been a personal friend of Stirner’s for a time.) Michael Bakunin—later a founder of revolutionary socialist-anarchism—also studied Hegel and was in contact with this milieu. Stirner wrote his masterwork, Der Einzige und sein Eigentum, in 1844. In 1907 it was translated into English as The Ego and His Own, although a current translation by Wolfi Landstriecher (2017) more correctly has it as The Unique and Its Property. -
Phenomenon, Vigilantism, and Rabbi Yitzchak Ginsburgh's
‘THE SIMPLE JEW’: THE ‘PRICE TAG’ PHENOMENON, VIGILANTISM, AND RABBI YITZCHAK GINSBURGH’S POLITICAL KABBALAH Tessa Satherley* ABSTRACT: This paper explores the Kabbalistic theosophy of Rabbi Yitzchak Ginsburgh, and allegations of links between his yeshiva and violent political activism and vigilantism. Ginsburgh is head of the yeshiva Od Yosef Chai (Joseph Still Lives) in Samaria/the northern West Bank. His students and colleagues have been accused by the authorities of violence and vandalism against Arabs in the context of ‘price tag’ actions and vigilante attacks, while publications by Ginsburgh and his yeshiva colleagues such as Barukh HaGever (Barukh the Man/Blessed is the Man) and Torat HaMelekh (The King’s Torah) have been accused of inciting racist violence. This paper sketches the yeshiva’s history in the public spotlight and describes the esoteric, Kabbalistic framework behind Ginsburgh’s politics, focusing on his political readings of Zoharic Kabbalah and teachings about the mystical value of spontaneous revenge attacks by ‘the simple Jew’, who acts upon his feelings of righteous indignation without prior reflection. The conclusion explores and attempts to delimit the explanatory power of such mystical teachings in light of the sociological characteristics of the Hilltop Youth most often implicated as price tag ‘operatives’ and existing scholarly models of vigilantism. It also points to aspects of the mystical teachings with potential for special potency in this context. Rabbi Yitzchak Ginsburgh (1944-) is a Chabad rabbi and head of the Od Yosef Chai (Joseph Still Lives) yeshiva in the Yitzhar settlement, near the major Palestinian population centre of Nablus (biblical Shechem). The yeshiva occupies an unusual discursive space – neither mainstream religious Zionist (though some of its teaching staff were educated in this tradition) nor formally affiliated with the Hasidic movement, despite Ginsburgh’s own affiliation with Chabad and despite his teachings being steeped in its Kabbalistic inheritance. -
The Everyday Resistance of Anarchist Punks in Bandung, Indonesia
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2020 Under the Radar: The Everyday Resistance of Anarchist Punks in Bandung, Indonesia Steve Moog University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Critical and Cultural Studies Commons, Social and Cultural Anthropology Commons, and the South and Southeast Asian Languages and Societies Commons Citation Moog, S. (2020). Under the Radar: The Everyday Resistance of Anarchist Punks in Bandung, Indonesia. Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/3625 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Under the Radar: The Everyday Resistance of Anarchist Punks in Bandung, Indonesia A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Anthropology by Steve Moog California State University San Marcos Bachelor of Arts in Anthropology, 2012 University of Arkansas Master of Arts in Anthropology, 2015 May 2020 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ______________________________ Jonathan S. Marion, Ph.D. Dissertation Director ______________________________ ___________________________ JoAnn D’Alisera, Ph.D. Ram Natarajan, Ph.D. Committee -
Israel As a Jewish State
ISRAEL AS A JEWISH STATE Daniel J.Elazar Beyond Israel's self-definition as a Jewish state, the question remains as to what extent Israel is a continuation of Jewish political history within the context of the Jewish political tradition. This article addresses that question, first by looking at the realities of Israel as a Jewish state and at the same time one compounded of Jews of varying ideologies and per suasions, plus non-Jews; the tensions between the desire on the part of many Israeli Jews for Israel to be a state like any other and the desire on the part of others for it to manifest its Jewishness in concrete ways that will make it unique. The article explores the ways in which the tradi tional domains of authority into which power is divided in the Jewish po litical tradition are manifested in the structure of Israel's political sys tem, both structurally and politically; relations between the Jewish reli gion, state and society; the Jewish dimension of Israel's political culture and policy-making, and how both are manifested through Israel's emerging constitution and the character of its democracy. Built into the founding of every polity are certain unresolved ten sions that are balanced one against another as part of that founding to make the existence of the polity possible, but which must be resolved anew in every generation. Among the central tensions built into the founding of the State of Israel are those that revolve around Israel as a Jewish state. on Formally, Israel is built themodern European model of central ized, reified statehood. -
Fine Judaica, to Be Held May 2Nd, 2013
F i n e J u d a i C a . printed booKs, manusCripts & autograph Letters including hoLy Land traveL the ColleCtion oF nathan Lewin, esq. K e s t e n b au m & C om pa n y thursday, m ay 2nd, 2013 K est e n bau m & C o m pa ny . Auctioneers of Rare Books, Manuscripts and Fine Art A Lot 318 Catalogue of F i n e J u d a i C a . PRINTED BOOK S, MANUSCRIPTS, & AUTOGRAPH LETTERS INCLUDING HOLY L AND TR AVEL THE COllECTION OF NATHAN LEWIN, ESQ. ——— To be Offered for Sale by Auction, Thursday, May 2nd, 2013 at 3:00 pm precisely ——— Viewing Beforehand: Sunday, April 28th - 12:00 pm - 6:00 pm Monday, April 29th - 12:00 pm - 6:00 pm Tuesday, April 30th - 10:00 am - 6:00 pm Wednesday, May 1st - 10:00 am - 6:00 pm No Viewing on the Day of Sale This Sale may be referred to as: “Pisgah” Sale Number Fifty-Eight Illustrated Catalogues: $38 (US) * $45 (Overseas) KestenbauM & CoMpAny Auctioneers of Rare Books, Manuscripts and Fine Art . 242 West 30th street, 12th Floor, new york, NY 10001 • tel: 212 366-1197 • Fax: 212 366-1368 e-mail: [email protected] • World Wide Web site: www.Kestenbaum.net K est e n bau m & C o m pa ny . Chairman: Daniel E. Kestenbaum Operations Manager: Jackie S. Insel Client Accounts: S. Rivka Morris Client Relations: Sandra E. Rapoport, Esq. (Consultant) Printed Books & Manuscripts: Rabbi Eliezer Katzman Ceremonial & Graphic Art: Abigail H.