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Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
XXIV Porretta Soul Festival 21-24 Luglio 2011 Torna La Grande
XXIV Porretta Soul Festival 21-24 luglio 2011 Torna la grande musica soul Swamp Dogg, Spencer Wiggins, William Bell, Percy Wiggins, Sugar Pie DeSanto, Harvey Scales, Toni Green, Austin de Lone All Stars, Chick Rodgers, Tribute To King Curtis with Sax Gordon & Groove City, The Memphis All Star Rhythm & Blues Band e tanti altri. La ventiquattresima edizione del Porretta Soul Festival si terrà al Rufus Thomas Park di Porretta Terme (Bologna) dal 21 al 24 Luglio con l’esclusiva europea di grandi personaggi della black music. Da oltre 20 anni Porretta Terme, importante località turistica dell’Appennino, al confine tra le provincie di Bologna e Pistoia, attraversata dalla storica linea ferroviaria Porrettana , ha consolidato la sua fama di “Soulsville Europe” grazie ad un festival che nel tempo è diventato la vetrina europea della musica soul. E se non bastasse, nella toponomastica della cittadina figura oggi una Via Otis Redding e il già ricordato Rufus Thomas Park. Dopo aver ospitato negli anni icone come Solomon Burke, Percy Sledge, Booker T. & The MGs, Wilson Pickett, Rufus & Carla Thomas, Isaac Hayes, LaVern Baker arrivano quest’anno una leggende vivente come Swamp Dogg e altri grandi artisti del grande Soul, tra cui Harvey Scales, alla sua prima volta in Europa. Swamp Dogg, irriverente, spregiudicato, aggressivo, oltraggioso, genio soul accostabile a Sly Stone o George Clinton, a Frank Zappa o Dike & The Blazers, figura carismatica e riferimento anche per molti artisti rock, si definisce il fallimento di più grande successo degli Stati Uniti. “Sono un piccione che non ha mai trovato il suo buco….ho preso tante di quelle direzioni che non ho mai trovato quella giusta!” dice di Swamp Dogg se stesso. -
Ing the Fj Needs of the Music & Record Ti Ó+ Industry
. I '.k i 1 Dedicated To £15.o nlr:C, .3n0r14 Serving The fJ Needs Of The Music & Record ti Ó+ Industry ra - Vol. 21, No. 1004 September 3, 1966 In the opinion of the editors, this week the following records are the WHO SINGLE PICKS OF THE WEEK LU M MY UNCLE 6 USED TO LOVE IN THE ME BUT SHE DIED y 43192 WORLD JUST LIME A WOMAN Trendsetting Bob Dylan goes Absolutely nonsense song with Gentle love song, "A Time for after a more soothing musical gritty delivery by Miller. Should Love," by Oscar winners Paul background than usual on this catch ears across the country Francis Webster and Johnny ditty, with perceptive lyrics, as Roger, with his TV series Mandel should score for Tony about a precocious teeny bopper about to bow, recalls his odd whose taste and style remains (Columbia 4-43792). uncle (Smash 2055). impeccable (Columbia 4-43768). SLEEPERS OF THE WEEK PHILIPS Am. 7. EVIL ON YOUR MIND , SAID I WASN'T GONNAN TELL 0 00000 TERESA BREARE S AM t - DAVE A1 Duo does "Said I Wasn't Gonna The Uniques have been coming The nifty country song "Evil on Tell Nobody" like it should be up with sounds that have been Your Mind" provides Teresa done. Sam and Dave will appeal just right for the market. "Run Brewer with what could be her to large crowds with tfie bouncy and Hide" could be their biggest biggest hit in quite a while. r/ber (Stax 198). to date. Keep an eye on it Her perky, altogether winning (Paula 245). -
Editorial MILENIO
Índice onomástico 10cc, 96, 153, 154, 155, 156, 157, 171 Alice Cooper, 82, 92, 93, 94, 95, 96, Archiduque Luis Salvador de Aus- Bee Gees, 110 2 Chainz, 285 107 tria, 69 Ben Vaughn, 20 2D, 281 Alicia Keys, 287 Aretha Franklin, 23 Benjamin Disraeli, 33 A Certain Ratio, 258 Alien Lanier, 144 Arthur ‘Big Boy’ Crudup, 13 Bernard Butler, 251, 252 A Tribe Called Quest, 285 All You Can Eat, 25 Artie Shaw, 23 Bernard Edwards, 191 Aaron Rapoport, 175, 179 Allan Clarke, 218 Arturo Vega, 147, 149, 150 Bernard Pierre Wolff, 185, 187, 188, Abba, 65 Allan Tannenbaum, 50 Athena Demos, 228 189 Abbie Rose, 203 Allen Ginsberg, 202 Athlete, 289 Bernard Shaw, 27 Acy R. Lehman, 24, 129 Alton Kelley, 52 Atomic Rooster, 62 Bernard Sumner, 275 Ad lnfinitum, 258 AM, 19 Atrocity, 195 Bernie Karlin, 129 Adam Again, 207 Amanda Lear, 115, 123 Aubrey Powell, 97, 99, 153, 170 Bernie Taupin, 109, 112 Augusto Rivalta, 187 Adam Clayton, 236, 238, 240 Amber Rose, 212 Beth Orton, 253 Ava Cherry, 115 Adam Faith, 115 Amy Winehouse, 105 Betty Blue, 242 Aelbert Cuyp, 199 Awesome Snakes, 84 Beverly, 268 Ana Johnson, 224 Ahmed Abdul Malik, 76 Axxe, 125 Beyoncé, 286 André C. Le Breton, 91 Aida Griffin, 54 B.P. Fallen, 127, 130 Big Audio Dynamite, 15 André Malraux, 69 MILENIO Al Green, 286 Bad Company, 278 Big Boi, 286 Andrew Boloton, 28 Al Stewart, 65 Baden-Powell, 216 Big Brother & the Holding Com- Andrew Loog Oldham, 37, 38, 40 Alain Delon, 215, 216, 219 Ban Ban Bazar, 25 pany, 42, 43, 53 Andy Fletcher, 201 Alan Erasmus, 186 Banana Splits, 279 Bill Graham, 43, 53 Andy Griffith, -
Charles Diamond Pennywell & the Fairlanes / Sunlovers's
Reprinted with permission from Echoes of the Past magazine, Issue #116 (Summer, 2016), pp. 13 - 19. Charles Diamond Pennywell & the Fairlanes / Sunlover's Shreveport Doo Wop to West Coast Soul By Charlie Horner With Contributions from Pamela Horner city, next to New Orleans and Baton Rouge. It's always been an important music city, though it of- ten doesn't get the recognition it deserves. At one time or another, the Shreveport area was the home to important singers and musicians of all genres, including blues (Lead Belly), gospel (Ever Ready Gospel Singers), country & western (Hank Wil- liams, Johnny Horton, Jim Reeves) and rock-a-billy (Dale Hawkins), along with rhythm & blues, rock & roll and of course Cajun music. Shreveport's "Louisiana Hayride” broadcasts played a pivotal role in the music careers of both Hank Williams and Elvis Presley. Shreveport was the home of Stan Lewis's Paula, Jewel and Ronn record labels and the birthplace of Nashville music mogul Shelby Sin- gleton. Shreveport was a major hub in black mu- sic's “Chitlin’ Circuit”. Still, precious little research has been done on Shreveport's 1950’s African American music scene. Charles Pennywell began singing at the age of ten but really began to take it seriously when he got to high school. Influenced by r&b vocal groups like the Spaniels, Dells, Five Royales and Five Sat- ins, Charles and some friends formed a singing group of their own. "We were in high school Transitioning between 1950's doo wop, six- ties soul and seventies funk music is not easy. -
Linda Martell, A.K.A
The Clerk’s Black History Series Debra DeBerry Clerk of Superior Court DeKalb County Linda(June 4, Martell 1941 -) Linda Martell, a.k.a. Thelma Bynem, was born June 4, 1941 in Leesville, South Carolina. One of five children, she began singing at the age of five and learned to cook for her family by the age of seven. She sang with a gospel church group with three of her bothers and later formed a trio called The Anglos with one of her sisters and a cousin; they performed at local clubs in the late 1950’s. She married in 1960 and the couple had three children. She changed her name at the suggestion of a local DJ who said she needed a better stage name. The DJ suggested she looked like a “Linda” - and Linda Martell and the Anglos were born. They released their first single in 1962, “A Little Tear (Was Falling From My Eyes)” on the Fire record label based in New York. Unfortunately, the single was never promoted and didn’t sell. They also recorded two more singles with no real financial return for their effort. Around 1966, Linda and her husband attended an Otis Redding concert in South Carolina. At one point during the evening, Otis, who had been paying particular attention to Linda, shocked the crowd (and her husband) by kissing Linda during the performance. Otis later asked Linda to go on the road with him, but her husband opined against it, fearing he would lose his wife to the popular singer. As fate would have it, Otis Redding died one year later in a plane crash while traveling on tour. -
Trade Moving to Same Col Tops Hot 100 Chart
OCTOBER 25, 1969 $1.00 SEVENTY-FIFTH YEAR The International Music -Record Tape Newsweekly COIN MACHINE Bi oa PAGES 41 TO 48 Trade Moving to Same Col Tops Hot 100 Chart 8 -Track, Cassette Price By BRUCE WEBUR Report; Keeps LP Lead LOS ANGELES - Industry The tape duplicator joins By FRED KIRBY trends point to a $6.98 stand- Columbia, RCA and Capitol, NEW YORK - Columbia Columbia also led for the Seven Arts complex, which also ard for both 8 -track and cas- among the major record manu- maintained its leading position third quarter on the Top LP's includes that label, which was by 1 sette, and Jan. an indus- facturers to establish a cassette in percentage of spots on Bill- Chart, but the top quarter Hot ninth with 23 titles for 3.6 per- try -wide price is ex- posture standard equal to that of its board's Top LP's Chart for the 100 scorer was RCA with 16 cent. Columbia's leading posi- pected. 8 -track cartridge product. first nine months of the year titles and 8.4 percent of the tion for last year's first three today's markups Many of in If traditional record labels, and gained the top position on chart, compared to Columbia's quarters was only supported by price tags as an come after- (Continued on page 14) Hot 100 percentage. 16 titles for 6.9 percent. 65 titles. math to rising costs at the man- ufacturing and distribution The nine -month Top's LP's RCA rose from its sixth spot leaders were points. -
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there. -
Magic Lady Sergio Mendes Lyrics
Magic lady sergio mendes lyrics Lyrics to "Magic Lady" song by Sergio Mendes: One day, my friend You'll meet the magic lady I warn you, friend Beware the magic lady She'll cloud. Magic Lady This song is by Sérgio Mendes and appears on the album Magic Lady (). Lyrics to "Magic Lady" by SERGIO MENDES: One day, my friend / You'll meet the magic lady / I warn you, friend / Beware the magic lady / She'll cloud your day. Lyrics for Magic Lady by Sérgio Mendes & Brasil ' One day, my friend You'll meet the magic lady I warn you, friend Beware the magic lady. All album lyrics for Magic Lady by Sergio Mendes. title, artist or lyrics. Top lyricsCommunityContribute · Sign inSign up. Magic Lady Sergio Mendes - lyrics. Lyrics for Magic Lady by Sergio Mendes. LyricsMagic Lady. Sergio Mendes. Lyrics not available. Be the first to add the lyrics and earn points. Add lyrics. Magic Lady (music by Sergio Mendes and Michael Sembello, lyrics by Gene Lees), played by Sergio Mendes. Sergio Mendez "Magic Lady'' with Raymond Pounds on Drums. Features Song Lyrics for Sergio Mendes's Magic Lady album. Includes Album Cover, Release Year, and User Reviews. Lonely Woman Lonely woman comes at night Look around but there's not asoul in Mojim Lyrics > Europe & Americas singers > Sergio Mendes > Magic. Sergio Mendes Lyrics - Magic Lady. Lyrics to "Magic Lady" song by Sergio Mendes: One day, my friend You'll meet the magic lady I warn you, friend Beware the. These and Elektra albums from Brazilian superstar Sergio Mendes offer tasty, gently percussive renditions of tunes like All in Love Is Fair; Here. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
THE TUNE in FESTIVAL a Convergence of Music and Poetry in a Time of Change Wed, Oct 28-Sat, Oct 31, 2020 ART MATTERS NOW MORE THAN EVER
THE TUNE IN FESTIVAL A convergence of music and poetry in a time of change Wed, Oct 28-Sat, Oct 31, 2020 ART MATTERS NOW MORE THAN EVER WELCOME TO UCLA’S CENTER FOR THE ART OF PERFORMANCE UCLA’s Center for the Art of Performance (CAP UCLA) is the public facing research and presenting organization for the performing arts at the University of California, Los Angeles—one of the world’s leading public research universities. We are housed within the UCLA School of the Arts & Architecture along with the Hammer and Fowler museums. The central pursuit of our work as an organization is to sustain the diversity of contemporary performing artists while celebrating their contributions to culture. We acknowledge, amplify and support artists through major presentations, commissions and creative development initiatives. Our programs offer audiences a direct connection to the ideas, perspectives and concerns of living artists. Through the lens of dance, theater, music, literary arts, digital media arts and collaborative disciplines, informed by diverse racial and cultural backgrounds, artists and audiences come together in our theaters and public spaces to explore new ways of seeing that expands our understanding of the world we live in now. cap.ucla.edu #CAPUCLA CAP UCLA Presents THE TUNE IN FESTIVAL A convergence of music and poetry in a time of change Program 2: PRESS ON Thu, Oct 29 at 6:45-10PM PDT Video Direction: Carole Kim and Friends The Tune In Festival was made possible by a generous gift from composer Rachel Fuller (Animal Requiem) and her husband, Pete Townshend (The Who). -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.