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2020-East-Bay-Historia-Vol-4.Pdf East Bay Historia California State University, East Bay History Department Journal Volume 4, 2020 An annual publication of the Department of History California State University, East Bay ii iii To all the workers providing essential services to their communities during the COVID-19 pandemic of 2020. Thank you. “Man should be better than monsters. Ah, but who are the monsters?” -Guillermo del Toro iv History Department California State University, East Bay 25800 Carlos Bee Boulevard Student and Faculty Services, Room 442 Hayward, California, 94542 (510) 885-3207 East Bay Historia is an annual publication of the California State University, East Bay (CSUEB) Department of History. It aims to provide CSUEB students with an opportunity to publish historical works and to give students the experience of being on an editorial board and creating and designing an academic journal. Issues are published at the end of each academic year. All opinions or statements of fact are the sole responsibility of their authors and may not reflect the views of the editorial staff, the History Department, or California State University, East Bay (CSUEB). The authors retain rights to their indi- vidual essays. East Bay Historia’s mission is to promote the study of history at CSUEB, give history majors and non-history majors alike opportuni- ties to express their passion for the subject, and to empower students, faculty, and staff who are studying or are interested in history. Cover photo by Jackson Keen This publication uses sans serif fonts and increased line spacing in order to increase accessibility for dyslexic readers. Copyright © 2020 by California State University, East Bay Department of History https://www.csueastbay.edu/history/east-bay-historia.html All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. First Edition: May 2020 Printed in the United States of America v Contents Editorial Staff ix Introduction & Acknowledgements x Author Biographies xii Articles A Place at the Mesa: Race and Labor in the Southwest 1912-2012 1 by Kevin DeForest Decoding Robert Stinnett: Historiographical Comparisons Regarding Day of Deceit: The Truth about FDR and Pearl Harbor 21 by Adam Christian Exclusion of the Empire: Discrimination of Japanese- Americans in the United States 35 by Lillian Martin Fashion and Feathers: The Impact of the Millinery Trade on North America 54 by Rebecca Weber “Fought Together, Feared Together, Witnessed Together”: Historiography of the Catholic Struggle for Interracial Justice 68 by Sabrina Harper Historian Charles Beard: American Social Pioneer 79 by Richard Cardoza Integration En Route: How Civic Engagement Desegregated the Berkeley Unified School District 98 by A. Brooks Moyer vi On the Influence of Thoreau’s Disobedience 118 by Matt Biundo The End of Antiquity: How the Fall of the Roman West has been covered in the 21st century 130 by Randy Utz The Frontiers of Morality: A Brief History of Prostitution in Nevada 144 by Michael Hahn The Gullah: Slavery, Rice, and Kinship 163 by Carrie Fulcher The Phantom Forest 182 by Bodhi Young Special Section Leyendas Monstruosas: A Terrifying Collaboration 187 Introduction by Anna Alexander and Josh Funk El Chupacabra: Embodiment of Fears from Both Sides of the Border 190 by Dave Harris and Jessica Spencer Ilustration by Olivia Yee La Siguanaba: The River Temptress, A Misunderstood Woman 196 by Jewel Carissa Lopez, Jasmyn Murrell, and Pamela S. Rouse Illustration by Elizabeth Kirby La Llorona: The Connection Between Latin American Folklore and 19th Century Waterborne Illness 201 by Bodhi Young and Srishti Sumbly Illustration by Jackson Keen vii Loogaroo: The Woman in Cahoots with the Devil 206 by Pedro Guzman and Ashley Sayat Illustration by Ericka Berry Pishtaco: Peru’s Ageless Killer 211 by Brandon Gutierrez, Hirotaka Tamae, and Travis Van Oosbree Illustration by Linnea Carr El Sombrerón: Stolen Innocence Woven in Braids 215 by Shirley Davis and Karla Vega Illustration by Antonio Chase Rosario El Cucuy: The Boogeyman’s Boogeyman 220 by Brianna Devlin and Jia Yu Wang Illustration by Isabella McMurry La Pisadeira: Beware of Full Bellies 224 by Karissa Cherry and Alexis Karst Illustration by Natasha Martin viii Editorial Staff Editor-in-Chief Chief Design Officer Karla Vega Jessica Spencer Associate Editor Design Team Ashley Sayat Bodhi Bawer Dean Young Head Copy Editor Content Specialist Dave Harris Shirley Davis Associate Copy Editor Chief Legal Advisor: Travis Van Oosbree Pedro Guzman Finance Team Legal Team Jia Yu Wang Srishti Sumbly Brandon Gutierrez Brianna Devlin Marketing Director Photographer Karissa Cherry Hirotaka Tamae Multimedia Editor Art Jury Jewel Carissa Lopez Ian Pollock Suzy Wear Marketing Team Special Section Reviewers Jasmyn Murrell Tyler Rust Pam Rouse Andrew Bohan Alexis Karst Faculty Advisors Dr. Anna Alexander Dr. Kevin Kaatz ix Introduction & Acknowledgements It brings me great joy to introduce this year’s edition of our jour- nal, the East Bay Historia, Vol. IV. This is the second year that I have been on the editorial board for the journal, and my first as editor-in- chief. This year, the East Bay Historia was put together by diligent stu- dents in an applied history course under the direction of Dr. Alexan- der. These dedicated students worked to improve upon and further develop the format that had been created in years past. The essays that are published in this journal cover an array of topics and are all phenomenal. These essays are a wonderful example of the potential that students from the history department of Cal State East Bay have to offer the professional world. The editorial board extends its thanks to those who submitted their essays for publication, as this journal would not be possible without their submissions. While the editorial board worked to put together the journal, a global pandemic emerged. COVID-19 struck the community, and students and staff were told to stay home, which created some new obstacles to overcome. Without missing a beat, Dr. Alexander format- ted the class so that it could continue online, and students communi- cated with one another to ensure that the journal could be finished on schedule. Teamwork was essential, and it is what led to the comple- tion of the journal in spite of the rapidly changing state of affairs. Despite the unfortunate circumstances in which we had to work in to finish the journal, the editorial board made great strides to create an exceptional journal. Starting this year, the East Bay Historia will have fonts that are dyslexia friendly to make the journal accessible to all. This edition of the journal also contains a special section of essays written by students on the editorial board about Latin American mon- sters, as well as artwork created by art students from Chico State that are paired with the essays. These are but a few steps that we have taken to improve the journal this year, and we look forward to seeing x how the journal will evolve and grow in the years to come. The editorial board would like to express our appreciation for our fac- ulty advisors, Dr. Alexander and Dr. Kaatz, and the help that they offered us during our journey. We would also like to thank the Friends of History for their generous donations and continued support. I would personally like to thank those on the editorial board for their hard work, dedication, and all of the love that they put into creating this journal. I hope you enjoy reading the East Bay Historia, Vol. IV! Karla Vega Editor-in-Chief xi Author Biographies Matt Biundo is a graduate student in the English department at Cal State East Bay. He has also published short stories and poems in the English department's magazine, Occam's Razor, and a collection of short essays and stories as part of his graduate thesis. Richard Cardoza is an online student at Cal State East Bay and he hails from the rapidly growing farm town of Tracy California. He is hap- pily married to his wife and has three young children. For employ- ment, Richard manages a local bay area bottled water plant. Richard began his studies at Cal State East Bay in the Fall of 2012 and will grad- uate from East Bay in the Spring of 2020. Richard is an American history major and is excited to be earning his bachelor’s degree. Richard is currently considering the history department’s Master’s program with a focus on becoming a community college professor. Adam Christian is a Bay Area transplant who moved to California from Asheville, North Carolina in 2014. He is currently a student in the history department’s Master’s program with a focus on becoming a community college teacher. Adam has always had a love of history and considers himself lucky to have the opportunity to further his studies at Cal State East Bay. He is interested in Western U.S. studies and is currently working on a research project concerning the home- less crisis in San Francisco. Kevin DeForest is a California native who moved to the Bay area in 2008 from Southern California. He is currently an undergraduate student at CSUEB who is completing a major in History this semester and is enrolling in the Teaching Credential Program at CSUEB this summer. Kevin has a love of both history and education with an em- phasis on the social elements of History including race and gender. He considers himself a "reentry student" and has a tremendous xii appreciation for the accepting and nurturing environment at the CSUEB campus which he considers his second home. Carrie Fulcher graduated with a B.A. in U.S. History from Cal State East Bay in 2019.
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