Garden Ablaze with Pools of Colour
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The Furnishing of the Neues Schlob Pappenheim
The Furnishing of the Neues SchloB Pappenheim By Julie Grafin von und zu Egloffstein [Master of Philosophy Faculty of Arts University of Glasgow] Christie’s Education London Master’s Programme October 2001 © Julie Grafin v. u. zu Egloffstein ProQuest Number: 13818852 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818852 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 l a s g o w \ £5 OG Abstract The Neues SchloB in Pappenheim commissioned by Carl Theodor Pappenheim is probably one of the finest examples of neo-classical interior design in Germany retaining a large amount of original furniture. Through his commissions he did not only build a house and furnish it, but also erected a monument of the history of his family. By comparing parts of the furnishing of the Neues SchloB with contemporary objects which are partly in the house it is evident that the majority of these are influenced by the Empire style. Although this era is known under the name Biedermeier, its source of style and decoration is clearly Empire. -
Epigraphic Bulletin for Greek Religion 1998
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 14 | 2001 Varia Epigraphic Bulletin for Greek Religion 1998 Angelos Chaniotis and Joannis Mylonopoulos Electronic version URL: http://journals.openedition.org/kernos/779 DOI: 10.4000/kernos.779 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2001 Number of pages: 147-231 ISSN: 0776-3824 Electronic reference Angelos Chaniotis and Joannis Mylonopoulos, « Epigraphic Bulletin for Greek Religion 1998 », Kernos [Online], 14 | 2001, Online since 14 April 2011, connection on 16 September 2020. URL : http:// journals.openedition.org/kernos/779 Kernos Kernos, 14 (2001), p. 147-231. Epigraphie Bulletin for Greek Religion 1998 (EBGR 1998) In this issue we have covered a large part of the publications of 1998, making several additions to previous issues; we still have a long list of articles we should like to present (e.g., from the journal Horos), but this would have delayed the journal's publication substantially. A generous grant from the GISELA UND REINHOLD HXCKER STIFTUNG for our editorial work in 2001 will enable us in EBGR 1999 to close most of the gaps left in this and in earlier issues. In EBGR 1998 we have focused on new epigraphic finds, new interpretations of inscriptions, and epigraphic corpora, but we have also summarized a few archaeological studies which make extensive use of the epigraphic material; for the significant contribu tion of archaeology to the study of Greek religion the reader should consuIt the Chronique archéologique in Kernos. As in earlier issues we have not limited ourselves to epigraphy but have included a few references to important papyro logical sources (nOS 29, 134, 168, 181, 280, 300) and to the evidence provided by the documents in Linear B (nO 50). -
1858 Central Park Architect Report
To the Board of Commissioners of the Central Park, &w Yorh. GEXTLEMEN:-In commencing to make a plan for the Central Park, in New York, I had before me the ' circular," issued by the Board ; the first " detail " of .which is, the " expenditure" allowed by the State. I 1. I assume, that at least one-third of the said appropriation, that is, five hundred thousancl dollars I I ($500,000), ought to be devoted to the principal object of that expenditure ; the formation of a I i Public Park, that shall be the ornament of the me- 1 tropolis of the couiitry, the pride of the State; a I i trophy of the present to future generations, of the , patriotism and liberality of the people, and the cm- , bodiincrit of the refined taste and natural science of \ ' the age. I Kith these subjects in view, I submit the an- nexed plan, for the carryiilg of those objects into ! execution. In this outlay would be included,-making I 2 .? avenues, drives, walks, terraces, flower-gardens, play, parade, and skating-grounds, trees, and shrubbery, and planting the same. Leaving two-thirds, or one million of dollars, for buildings, fencing, arches, . fountains, and grading the lawns. 2. I have inade the four crossings, as per cir- cular," and to make another crossing between 59th street and the Reservoir, ~vou'ld mar the effect of the landscape ; its beauty consists, in mug~zitzde,and the crossings, as designated, ase sufficient for the purposes intended. 3. The principal and most zrublinie object of the Park, would be the parade-groand, surronnded near- ly on three of its sides, by natural terraces for the spectators. -
The Early Days of Spring at Morton Hall In
Worcestershire garden Before the swallow dares The early days of spring at Morton Hall in Worcestershire are marked by Spring’s hope eternal Narcissus lobularis drifts through the glorious drifts of bulbs, woodland perennials and early-flowering shrubs, Parkland Meadow, succeeded by a magic carpet of flowers including snake’s head fritillaries. in differing garden areas carefully staged as a journey around the house A modern interpretation of a colonnaded Greek monopteros, on a sightline with the house’s Author: Stephen Lacey, garden writer. Photography: Clive Nichols front door, is the architectural eyecatcher. rhs.org.uk Worcestershire garden Flower-spangled vistas The front of the Georgian house looks out onto grass, flushed with bulbs. The garden surrounds Morton Hall, and the two talk to each other through carefully planned vistas. Underplanting with a theme Narcissus ‘Thalia’ complements white birch trunks in the Japanese-inspired Stroll Garden, which descends a slope below the tea house, designed by Charles Chesshire together with architect Jon Wealleans. Drifts of scillas and hellebores A torrent of blue Scilla siberica surges down a shady bank in the Stroll Garden Planting for spring between mounds of Camellia ‘Cornish Spring’ agm (above far left), ferns and hellebores, Tasmannia lanceolata (syn. Drimys lanceolata, above including some fine left) and Scilla siberica agm (above) are among the green and black shrubs and bulbs in this uplifting spring performance. selections. 40 The Garden | March 2019 rhs.org.uk March 2019 | The Garden 41 Worcestershire garden nne Olivieri compares walking Loose domes of clipped evergreen Viburnum around her 3.2ha (8 acre) garden near tinus ‘Eve Price’ AGM demarcate this space from Inkberrow, Worcestershire to the larger, more open area known as Parkland A attending a promenade performance, in which Meadow, where there is the architectural you follow the actors and the action around a eyecatching flourish of a circular colonnade series of spaces during the course of a play. -
MARIO ASPRUCCI Neoclassical Architecture in Villa Borghese 1786-1796
Susanna Pasquali MARIO ASPRUCCI Neoclassical Architecture in Villa Borghese 1786-1796 Edition curated by Stefano Grandesso in collaboration with Eugenio Costantini Acknowledgements Elisa Camboni, Accademia Nazionale di San Luca, Roma Francesco Ceccarelli, Università di Bologna Jean-Philippe Garric, Université Sorbonne, Paris Alessandra Mercantini, Archivio Doria Pamphilj, Roma Carlo Mambriani, Università di Parma Simona Morretta, Soprintendenza, Roma Marco Pupillo, Museo Napoleonico, Roma Photo Credits Arte Fotografica, Rome, plates Giulio Archinà per StudioPrimoPiano, Siderno, p. 6, fig. 24, 31, 35, 37, 38, 40, 43, 47 Photo Archive Galleria Carlo Virgilio & Co., Roma, fig. 16, 19, 25, 26, 51, 53, 54, 66, 70, 72 Archivi Alinari, Firenze, fig. 41 Araldo De Luca, fig. 49 The editor will be pleased to honor any outstanding royalties concerning the use of photographic images that it has so far not been possible to ascertain. Layout Stefania Paradiso ALESSANDRA DI CASTRO GALLERIA CARLO VIRGILIO & Co. ARTE ANTICA MODERNA E CONTEMPORANEA Piazza di Spagna, 4 - 00187 Roma Via della Lupa, 10 - 00186 Roma Tel. +39 06 69923127 59 Jermyn Street, Flat 5, London SW1Y 6LX [email protected] Tel. +39 06 6871093 www.alessandradicastro.com [email protected] - www.carlovirgilio.it © Edizioni del Borghetto Tel. + 39ISBN 06 6871093 978-88-942099-3-8 - Fax +39 06 68130028 e-mail: [email protected] http//www.carlovirgilio.it Susanna Pasquali MARIO ASPRUCCI Neoclassical Architecture in Villa Borghese 1786-1796 Presentation Francesco Leone English translation Michael Sullivan PRESENTATION CATALOGUE OF DRAWINGS p. 29 Francesco Leone INTRODUCTORY NOTE Mario Asprucci and the making of the park of Villa Borghese: new light on the Roman PART 1 - THE VILLA PINCIANA, 1784-1793 neoclassical avant-garde p. -
Open Area Beyond
CONSERVATION & ECONOMIC ENHANCEMENT PLAN FOR VALTICE ZAMEK & ITS ENVIRONS Southern Moravia, Czech Republic WORLD MONUMENTS FUND GREENWAYS/ZELENE STEZKY CONSERVATION & ECONOMIC ENHANCEMENT PLAN FOR VALTICE ZAMEK & ITS ENVIRONS Southern Moravia, Czech Republic PROCEEDINGS OF PLANNING CHARRETTE July 11-16, 1993 WORLD MONUMENTS FUND GREENWAYS/ZELENE STEZKY New York December 1993 Zamek Entrance Portal, Valtice CONTENTS Acknowledgments 7 1. INTRODUCTION Executive Summary 15 Historical Sketch 20 2. PROJECT COMPONENTS Architecture 31 Valtice Site & Lednice-Valtice Landscape Area 49 Cultural Programming 63 Interpretation 69 Administration 79 3. FUTURE DIRECTIONS Finance 91 1994-1995 Action Plan 95 4. APPENDICES A. History of Lednice-Valtice 101 B. Existing Conditions of Valtice 107 C. Photographic Description of Lednice 129 D. Lednice-Valtice Area 137 E. Valtice Zamek/Town Square Recommendations 163 F. Valtice Festival Proposal 171 G. Charrette Prospectus July 10, 1993 183 H. List of Participants 195 I. Postscript: Subsequent Questions & Clarifications 207 5 ACKNOWLEDGMENTS The World Monuments Fund and Greenways/Zelene Stezky are grateful to the international experts who took time to travel to the Czech Republic in July 1993 to participate in the week-long planning conference or "charrette". The event could not have occurred without these hard working specialists who spent an unremunerated week working to benefit the Czech Republic and the town and zamek of Valtice. The complete list of participants is listed in Appendix H of this report. Special gratitude is expressed to the Institute for the Preservation of Historic Buildings in Brno, especially Dr. Zdenek Novak; and to the staff of the Zamek Valtice, especially Pavla Luzova, for all their help in the preparation for the busy week. -
The Anonimo; Notes on Pictures and Works of Art in Italy Made by An
LIBRARY 2 CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE EljfcoWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library N 6915.M62 1903 The Anonimo notes on pictures and works 3 1924 020 512 681 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924020512681 THE ANONIMO GEORGE BELL AND SONS LONDON : YORK ST. COVENT GARDEN CAMBRIDGE : DBIGHTON, BELL & CO. NEW YORK : THE MACMILLAN CO. BOMBAY : A. H. WHEELER & CO. THE ANONIMO NOTES ON PICTURES AND WORKS OF ART IN ITALY MADE BY AN ANONYMOUS WRITER IN THE SIXTEENTH CENTURY TRANSLATED BY PAOLO MUSSI EDITED BY GEORGE C. WILLIAMSON, Litt.D. LONDON GEORGE BELL AND SONS 1903 CHISWICK press: CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON. PREFACE THE manuscript of which this is a transla- tion consists of a series of notes, made in the early part of the sixteenth century, concern- ing pictures and other treasures contained in various houses, and monuments and works of art in churches, schools, and other ecclesiastical buildings in the cities which the writer had visited. It was discovered by the Abate Don Jacopo Mnrelli in iRnn amongst the Marciana manu- scripts, a collection formed by Apostolo Zeno, a poet and literary man of Venice, who was born in 1668 and died in 1750, and who, after collect- ing together a famous series of manuscripts, left them to the Dominicans of the Osservanza. -
A Winter's TALE
MORTON HALL The frost-covered lawn at Morton Hall glows as the low winter sunlight slants through the canopy of trees. A Winter’s TALE Frost and snow enhance the dramatic, stage-like setting of Morton Hall Gardens in Worcestershire, with a chorus of box domes and statuary in the wings, and a cathedral-like canopy of trees above WORDS ANNETTE WARREN PHOTOGRAPHS CLIVE NICHOLS DECEMBER 2018 THE ENGLISH GARDEN 35 IDWINTER FOR MANY GARDENERS Completely recreated between 2008 and 2011 by is often sufficient excuse to down renowned garden designer Charles Chesshire, who tools and retreat to the potting worked closely with Anne, Morton Hall Gardens shed until the cold weather consist of a series of linked rooms around the passes. Not so at Morton Hall in house, all offering internal and external vistas that MWorcestershire, where Anne Olivieri and her team complement the house and surrounding parkland. use the winter months to reshape the gardens and Essential to the design are angular paths, softened grounds. “October to December is probably when by generously overflowing borders, which, in winter, we work the hardest,” she explains. are dominated by topiarised evergreens and statuary. Morton Hall enjoys exhilarating, far-reaching “Winter adds its own special drama to the garden,” views from its elevated position on the crest of a steep says Anne. “The flowers may be gone, but the winter embankment across the Vale of Evesham towards garden becomes a theatre, with the snow like a velvet Below A statue the Welsh Mountains. It also boasts a spectacular, curtain framing the stage.” representing the Saxon ancient, spring-bulb meadow. -
Oberammergau and Its Passion Play, 1910. Munich. Routes to Oberammergau. Oberammergau and Its Environs. the Royal Castles. Garmi
DD UC-NRLF 901 025&7 to C\J m GIFT OF Mr* M Mangasarian log. Bruckmann's Illustrated Guide. assion Play 1910 Munich, Routes to Oberammergau, "to Royal Castles, Garmisch etc. etc. Illlllllll III HI IHIIIII HHII Illlllllllllllllllllllllllllllllll Illllllllll I Royal Umbrella Manufactory of Austria J. B. FENSTERER By Appointment to the Royal Court of Bavaria 44 Theatinerstr. 44 MUNICH Entrance Perusastr. Umbrellas, Parasols, En Tout Cas, Walking Sticks. German, French and English Style. On parle frangais. <<#>* English Spoken. Daily Supply of Novelties. Branch in NUREMBERG, Kaiserstr. 21. I 111[111] I HIIIIIIIIIIIIIMl SCHENKER & Co. TOURIST OFFICE MUNICH, 16 PROMENADEPLATZ 16. TELEGRAMS: WELTREISEN. - TELEPHONES: 4700, 4701, 4702, 2203. Official Agents for the Passion Play at Oberammergau 1910. Branch-Offices: Bad Kissintjen Bad Reichenhall Nuremberg Kurhausstrasse 4 Central-Station Bozen Oberammergau Hotel Greii Building Hotel Wittelsbach Luggage forwarding and ticket office of the Royal Bavarian State-Railways, Rgency of all Steamship- Companies of the world. Correspondents of THOS. COOK & SON. Sleeping Car Hgency. Hll kinds of Railway and Steamship Tickets. Motor car excursions around the city and its environs. Conducted tours to all parts of the world. Conducted and independant tours to Oberammergau and the royal Castles. Hrrangements to witness the Passion Play. General Agency of the ,,GENTRAL GARAGE" in Ober- ammergau 1910 Central Agency of the ,,UNION", Auto Fernverkehr, Munich. I Permanent Exhibition of the G fi Munich ; G flrtists Association G Maximilianstr. 26 Munich Maximilianstr, 26 G in the building of the Old National (! Museum (nouj Deutsches Museum) 2582 G Telephone I Open daily fldmission 50 Pfg. I Visiting time: on I Weekdays 96 o'clock, :: Sundays :: I and Holidays 101 o'clock. -
New Garden App: a Stroll Round Nymphenburg Palace Park
New garden app: A stroll round Nymphenburg Palace Park The Nymphenburg Palace complex is appreciated by art and nature lovers alike. Today people from all over the world come to walk in the place where the Bavarian court in the Wittelsbach era once hunted and enjoyed tournaments and plays. A new garden app now reveals hidden aspects of the park and takes you on a splendid journey into the past. Stroll with contemporary witnesses from two centuries through the palace park and hear, see and experience first hand the change from a Baroque park to an English landscape garden. The Badenburg blends harmoniously into the landscape created by Friedrich Ludwig von Sckell with Badenburg Lake and Lion Valley. Photo: Bayerische Schlösserverwaltung. An app for Nymphenburg Palace Park, a synthesis of the arts Nymphenburg Palace Park is a synthesis of the arts that was created over a period of two centuries under five rulers. The park and the architecture of the complex still form a single unit, in spite of the major transformations that took place during its history. This is exactly what the new garden app shows you. It provides brief information about the history of the complex and then focuses on the characteristics of the palace park and how it changed from a Baroque park to an English landscape garden. It does this in the form of a many little stories related at 23 selected stations in the park. They not only bring court culture to life but also show how the preservation of a historic park and the protection of nature go hand in hand. -
The Power of Friendship: Amity and Politics in European Art And
THE POWER OF FRIENDSHIP: AMITY AND POLITICS IN EUROPEAN ART AND GARDENS OF THE EIGHTEENTH CENTURY by EMILY T. EVERHART (Under the Direction of Alisa Luxenberg) ABSTRACT The attention that Enlightenment philosophers and their patrons and readers paid to theories of friendship in the eighteenth century has been examined by cultural historians. Yet, art historical interest in the subject has been limited to the iconography of friendship deployed around 1750 by the marquise de Pompadour, royal mistress of the French king Louis XV, to secure her position after the end of their sexual relationship. Examining the numerous allegories commissioned by elite European patrons before and after Pompadour’s death, my research challenges the assumption that an iconography of friendship began and ended with the marquise. It identifies the actual and metaphorical settings of Pompadour’s and other patrons’ allegories that were located in gardens characterized by their remove from court and city and by the emerging English landscape style, and it contextualizes these sites of friendship within a contemporary critical discourse on the nature and existence of friendship. Enlightenment thinkers, especially the French Voltaire, the marquise de Lambert, and the English Joseph Addison and Alexander Pope debated the nature and existence of friendship in society throughout the eighteenth century. They considered who should be counted as a friend, the extent of friends’ obligations to each other, the function of friendship, and the possibility of true and perfect friendship. They were informed by philosophers of antiquity, the Renaissance, and the seventeenth century who had written on friendship and who, like their eighteenth-century counterparts, found true friendship to be a rare virtue. -
Anne and René Olivieri Combined Postmodern Elements with the Georgian Ideal at Morton Hall in Worcestershire
MORTON HALL FROM AGE TO AGE Anne and René Olivieri combined postmodern elements with the Georgian ideal at Morton Hall in Worcestershire. In doing so they Shafts of dawn sunlight created a flamboyant garden imbued with a sense of the past strike the Monopteros, setting fire to this atmospheric garden. WORDS ANNETTE WARREN PHOTOGRAPHS CLIVE NICHOLS SEPTEMBER 2017 THE ENGLISH GARDEN 47 NNE AND RENÉ OLIVIERI FIRST SAW Morton Hall in April 2007. A carpet of snake’s head fritillaries beside the drive greeted them, and this massed planting made a dramatic first Aimpression. “We were struck by the beauty of the meadow and the decision to buy Morton Hall was made almost immediately,” remembers Anne. The Grade II listed Georgian house, built around 1780, is situated near Inkberrow in Worcestershire. Located on the crest of a steep embankment, the property Below Deep velvety red enjoys spectacular views over the Vale of Evesham as cactus Dahlia ‘Chat Noir’. far as the Malvern Hills and the Welsh mountains. Bottom Amaranthus ‘Pygmy Torch’ edges At the time, the eight acres of existing garden and potager beds in the park were dominated by large blocks of Edwardian Kitchen Garden. laurel hedges. To the west of the house, the views were obscured by a semi-circle of pleached limes. Anne and René’s vision was to link the house, garden and park to the wider estate beyond, in the way of the Georgian ideal. Ever mindful of this vision, in 2007 garden designer Charles Chesshire was commissioned to bring these ideas to life. His principal brief was to create external and internal vistas and a sense of connectivity.