Boston Symphony Orchestra Concert Programs, Season 70, 1950
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The String Quartets of George Onslow First Edition
The String Quartets of George Onslow First Edition All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Edition Silvertrust a division of Silvertrust and Company Edition Silvertrust 601 Timber Trail Riverwoods, Illinois 60015 USA Website: www.editionsilvertrust.com For Loren, Skyler and Joyce—Onslow Fans All © 2005 R.H.R. Silvertrust 1 Table of Contents Introduction & Acknowledgements ...................................................................................................................3 The Early Years 1784-1805 ...............................................................................................................................5 String Quartet Nos.1-3 .......................................................................................................................................6 The Years between 1806-1813 ..........................................................................................................................10 String Quartet Nos.4-6 .......................................................................................................................................12 String Quartet Nos. 7-9 ......................................................................................................................................15 String Quartet Nos.10-12 ...................................................................................................................................19 The Years from 1813-1822 ...............................................................................................................................22 -
Auguste Franchomme (1808-1884)
1/15 Data Auguste Franchomme (1808-1884) Pays : France Sexe : Masculin Naissance : Lille, 10-04-1808 Mort : Paris, 21-01-1884 Note : Compositeur et violoncelliste. - Prénoms complets : Auguste-Joseph ISNI : ISNI 0000 0001 0875 4200 (Informations sur l'ISNI) Auguste Franchomme (1808-1884) : œuvres (475 ressources dans data.bnf.fr) Œuvres musicales (441) "Le Sicilien" "Le Sicilien" (1878) (1878) de Eugène Sauzay de Eugène Sauzay avec Auguste Franchomme (1808-1884) comme Violoncelliste avec Auguste Franchomme (1808-1884) comme Destinataire de l'envoi "Envoi de fleurs. CG 380" "Mireille. CG 8" (1868) (1864) de Charles Gounod de Charles Gounod avec Auguste Franchomme (1808-1884) comme Dédicataire avec Auguste Franchomme (1808-1884) comme Copiste "Valses. Violoncelle, piano. Op. 10" "Sonates. Violoncelle, piano. Ré majeur. No 1. Op. 18" (1859) (1852) de Michał Modzelewski de Anton Grigor´evič Rubinštejn avec Auguste Franchomme (1808-1884) comme Destinataire de avec Auguste Franchomme (1808-1884) comme Copiste l'envoi "Quintettes. Violons (2), altos (2), violoncelle. Ré "Mazurkas. Piano. Fa mineur. CT 90" mineur. No 32. Op. 78" (1846) (1848) de Frédéric Chopin de George Onslow avec Auguste Franchomme (1808-1884) comme Copiste avec Auguste Franchomme (1808-1884) comme Destinataire de l'envoi data.bnf.fr 2/15 Data "Mazurkas. Piano. Fa mineur. CT 90" "Mazurkas. Piano. Do dièse mineur. CT 91" (1846) (1846) de Frédéric Chopin de Frédéric Chopin avec Auguste Franchomme (1808-1884) comme Arrangeur avec Auguste Franchomme (1808-1884) comme Copiste "Mazurkas. Piano. Do dièse mineur. CT 91" "Sonates. Violoncelle, piano. Sol mineur. CT 204" (1846) (1845) de Frédéric Chopin de Frédéric Chopin avec Auguste Franchomme (1808-1884) comme Arrangeur avec Auguste Franchomme (1808-1884) comme Ancien possesseur "Sonates. -
Guide-To-String Trios
GUIDE TO THE STRING TRIO LITERATURE Guide to the Strin g Trio Li teratu Ray re by mon d Si lvert rust BY RAYMOND SILVERTRUST EDITOR OF THE CHAMBER MUSIC JOURNAL -1- Table of Contents Introduction and Preface ··································································································· 3 Trios for Violin, Viola and Violoncello ············································································ 6 Trios for 2 Violins and Cello or 2 Violins and Viola ······················································· 24 Index······························································································································· 29 -2- A Guide to the String Trio Literature By Raymond Silvertrust Introduction and Preface professional ensemble. Along the way, I developed a love of the broader chamber music literature to which I was first exposed First, I would like to apologize to my readers. I have hastily through the medium of phonograph records. To my chagrin, typed this entirely myself. And as I have no editor and because I years of concert-going made clear that I was unlikely to ever hear am not a good proof reader, you will find many mistakes, largely such music performed live, either because the professionals did because I have felt, now in my seventh decade, that I am racing not know of the music or because the music was unavailable. against the clock so to speak. I have wanted to make sure that I When I realized this state of affairs, I undertook to obtain some would be able to complete this guide. When it is done, and if I of the music I had heard on disk so that at least I could play it. To have time, I will improve it, add to it and, of course, try to this end, I began to search music stores, antiquarian dealers and eliminate all of the errors I have left behind. -
Symphony Hall. Boston Huntington and Massachusetts Avenues
SYMPHONY HALL. BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 INC. PIERRE MONTEUX. Conductor FORTY-THIRD SEASON. 1923-1924 roEramm^ WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1924, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE ..... Vice-President ERNEST B. DANE Treasurer ALFRED L AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager X345 '^™r"T'"irT**^^^'*T^^^T^'T*T™T"T"~rTT~T~~r~T~~^_t_ 1 111 T~~r"~r"T^T^f^T '£TNOV€c\, and J^ture Ststnwaj Qolltction bj<J^C'^Vjeth STEIN WAY THE INSTRUMENT OF THE IMMORTALS the 26th of March, 1827, died Liszt and Rubinstein, for Wagner, Berlioz ONLudwig van Beethoven, of whom and Gounod. And today, a still greater it has been said that he was the Steinway than these great men knew, greatest of all musicians. A generation responds to the touch of Padcrewksi, later was born the Steinway Piano, which Rachmaninoff and Hofmann. Such, in is acknowledged to be the greatest of all fact, are the fortunes of time, that today, pianofortes. What a pity it is that the this Instrument of the Immortals, greatest master could not himself have this piano, more perfect than any played upon the greatest instrument — Beethoven ever dreamed of, can be poS' that these two could not have been born sessed and played and cherished not only together! Though the Steinway was de- by the few who are the masters of music, nied Beethoven, it was here in time for but by the many who are its lovers. -
Training Creative Violinists: Taking a Page from Baillot's L'art Du Violon
Training Creative Violinists: Taking a Page from Baillot’s L’Art Du Violon Anna McMichael A thesis submitted in partial fulfillment of requirements for the degree of Doctor of Musical Arts Sydney Conservatorium of Music, University of Sydney, New South Wales, Australia 2018 1 STATEMENT OF ORIGINALITY ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at the Sydney Conservatorium of Music or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at the Sydney Conservatorium of Music or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work.’ Signed …………………………………………….............. Date ……… 3 May, 2018 2 Abstract This thesis analyses Pierre Marie Franҫois de Sales Baillot’s L’Art du Violon (1834). My argument is that the ideas in his treatise, although written in the mid-nineteenth century, are again relevant in training tertiary violin students to become cultured, creative and adaptable musicians. Classical musicians today face considerable challenges in attracting and inspiring their audiences. While maintaining classical music traditions, musicians and arts organisations therefore are experimenting with new forms of delivery: broader themes and genres, multi-media performances, and new technologies. Performers today must draw upon considerable knowledge and skills in order to appeal to audiences, whether in concert halls or in listening to recorded music. -
Professor Reicha: Practice and Legacy of a Composer-Teacher
INTERNATIONAL CONFERENCE PROFESSOR REICHA: PRACTICE AND LEGACY OF A COMPOSER-TEACHER Lucca, Complesso Monumentale di San Micheletto 10-12 November 2017 ORGANIZED BY CENTRO STUDI OPERA OMNIA LUIGI BOccHERINI www.luigiboccherini.org INTERNATIONAL CONFERENCE PROFESSOR REicHA: PRACTicE AND LEGACY OF A COMPOSER-TEACHER Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane – Centre de musique romantique française, Venice Lucca, Complesso Monumentale di San Micheletto 10-12 November 2017 ef SCHOLARLY COMMITTEE HERVÉ AUDÉON (Institut de Recherche en Musicologie – IreMus, Paris) LOUISE BERNARD DE RAYMOND (Université François-Rebelais, Tours) ROBERTO IllIANO (Centro Studi Opera Omnia Luigi Boccherini) ÉTIENNE JARDIN (Palazzetto Bru Zane, Venice) FULVIA MORabITO (Centro Studi Opera Omnia Luigi Boccherini) AlbaN RAMAUT (Université Jean Monnet, Saint-Étienne) MASSIMILIANO Sala (Centro Studi Opera Omnia Luigi Boccherini) ef KEYNOTE SPEAKERS HERVÉ AUDÉON (Institut de Recherche en Musicologie – IreMus, Paris) LOUISE BERNARD DE RAYMOND (Université François-Rebelais, Tours) AlbaN RAMAUT (Université Jean Monnet, Saint-Étienne) CHRISTIAN SPECK (Universität Koblenz-Landau) FRIDAY 10 NOVEMBER 10.00-10.30: Registration and Welcome Opening 10.30-10.45 • FULVIA MORabITO (Centro Studi Opera Omnia Luigi Boccherini) • ÉTIENNE JARDIN (Palazzetto Bru Zane) Reicha’s Treatises 11.00-12.30 (Chair: Alban Ramaut, Université Jean Monnet, Saint-Étienne) • MARIE WINKELMÜllER-UREchIA (Universität Tübingen): Reicha, professeur vers 1810 : un enseignement -
2015 Markella Sofia Alexandra Maria
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Pierre Baillot (1771-1842) Institutions, Values and Identity Vandoros, Markella Sofia Alexandra Maria Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Oct. 2021 Pierre Baillot (1771-1842): Institutions, Values and Identity Markella Sofia Alexandra Maria Vandoros PhD in Music King’s College London Abstract On 12 December 1814, an unusual concert took place in Paris, one exclusively featuring chamber works. -
Catalogo Nr. 29 Primavera 2006
LIBRERIA MUSICALE GALLINI VIA GORANI 8 - 20123 MILANO (ITALY) - TEL. e FAX. 0272.000.398 CATALOGO NR. 29 PRIMAVERA 2006 INDICE: BIOGRAFIE…………………………………………..…….pag. 1 (da nr. 1 a 160) LIBRI DI ARGOMENTO MUSICALE…………………..pag. 15 (da nr. 161 a 321) SPARTITI D’OPERA PER CANTO E PIANOFORTE…pag. 31 (da nr. 322 a 447) MANOSCRITTI MUSICALI……………………………....pag. 44 (da nr. 448 a 517) MANOSCRITTI DI MUSICA SACRA…………….......….pag. 53 (da nr. 518 a 536) MUSICA AUTOGRAFA………………………………...…pag. 55 (da nr. 537 a 565) LETTERE AUTOGRAFE DI MUSICISTI……………….pag. 60 (da nr. 566 a 620) LETTERE AUTOGRAFE DI LETTERATI ECC…….....pag. 70 (da nr. 621 a 645) BIOGRAFIE DI MUSICISTI: - 1 - 1. AA.VV. (direttore Silvio D’AMICO): “Enciclopedia dello spettacolo”. Roma, Unedi 1975. 12 voll. 4° leg. ed. tela. Circa 30.000 voci in ordine alfabetico su: il teatro drammatico e musicale in tutte le loro forme (dramma, opera, operetta, danza, balletto, varietà, rivista, teatro dei fantocci), il cinema, la televsione e il circo equestre. Un repertorio fondamentale sul mondo dellospettacolo. € 1200,00 2. Rodolfo CELLETTI: “Il teatro d’opera in disco”. Milano, Rizzoli 1976. 8° leg. ed. pp.615. La sempre valida discografia critica delle opere complete incise dal 1950 al 1975. € 150,00 3. Silvestro SEVERGNINI: “Alla Scala con... Bach, Bartok, Beethoven, Berlioz, Brahms, Bruckner, Ciajkovski, Catalani, Clementi, Donizetti, Franck, Gounod, Janacek, Liszt, Mahler, Massenet, Mussorgski, Pergolesi, Puccini, Rimski Korsakov, Schoenberg, Smetana, Sostakovich, Verdi”. Milano per la Scala 1999. 4° leg. ed.pp.148. € 25,00 4. Franco MANNINO: “Genii ... VIP e gente comune”. Introduzione di Elisabeth Mann Borgese. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Pierre Baillot (1771-1842) Institutions, Values and Identity Vandoros, Markella Sofia Alexandra Maria Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Pierre Baillot (1771-1842): Institutions, Values and Identity Markella Sofia Alexandra Maria Vandoros PhD in Music King’s College London Abstract On 12 December 1814, an unusual concert took place in Paris, one exclusively featuring chamber works.