DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 70, 1950

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 70, 1950 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, commonwealth 6-1492 SEVENTIETH SEASON, 1950-1951 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 195O, BY BOSTON SYMPHONY ORCHESTRA, IflC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. Shirk, Assistant Managers [209] @ Only you can • decide @ Whether your property is large or small, it rep- ® resents the security for your family's future. Its ulti- mate disposition is a matter of vital concern to those % you love. To assist you in considering that future, the Shaw- : mut Bank has a booklet: "Should I Make a Will? It outlines facts that everyone with property should know, and explains the many services provided by this Bank as Executor and Trustee. telephone Call at any of our 2(J convenient offices, write or for our booklet: "Should I Make a WHIP ® The D^ational ® Shawmut Bank "«§* 40 Water Street, Boston Member Federal Deposit Insurance Corporation !lf Capital and Surplus $30,000,000 fr 99 & Outstanding Strength for 1J4 Years [210] SYMPHONIANA Exhibition Children's Concerts The Albert Schweitzer Festival Organ Recitals On Behalf of Chamber Music Prades Festival Broadcasts EXHIBITION The color prints now on exhibition in the Gallery are the work of Eliot Porter of Santa Fe, New Mexico, who specializes in the photography of birds and other wildlife. CHILDREN'S CONCERTS Concerts for young people, surely es- sential to any musical community, are announced to be given in Sanders Theatre at Harvard University under the auspices of the Shady Hill School of Cambridge. The concerts will be given on four Saturday afternoons from 3:00 to 4:00 (December 2, January 27, March 10, April 28). Two of the con- certs will be performed by the Zimbler Sinfonietta and will include Prokofieff's "Peter and the Wolf." Richard Burgin will conduct and Rudolph Elie will be the commentator. At the last concert, Boris Goldovsky will direct Benjamin Britten's "Let's Make an Opera," com- posed for school performance in which the audience participates. Mrs. William H. Prosser, 58a Washington Avenue, 80 YEARS . Cambridge 40, as Chairman of the Com- mittee, has announced this as a non- of continuous satisfaction profit enterprise. The tickets for the with Lamson-Hubbard series are $4.80 and $7.20, tax included. furs has kept fashion- and quality-wise New THE ALBERT SCHWEITZER Englanders returning, FESTIVAL whether for Muskrat or The present Festival in honor of Mink. Albert Schweitzer and for the benefit Mink Coat sketched of his hospital in Africa will have its contributions from Symphony Hall. The $3500 plus tax culminating "event" will be a concert in Sanders Theatre on Wednesday, No- vember 29 at 8:30, with the Zimbler V Sinfonietta and the Berkshire Woodwind J Ensemble under the direction of Louis [211] : Speyer. The program will include Bach's windows, and some of the finest and Third Brandenburg Concerto and Con- seldom heard music. This had really certo for Two Violins (Soloists, Ruth begun in 1918 as the Berkshire Chamber Posselt and Richard Burgin), the Sextet Music Festival, but the Coolidge by Poulenc, Concerto da Camera by Foundation which came in 1925 estab- Honegger and a group of songs by lished it as a Department of the Library Elmer Dickey, tenor. Tickets are in of Congress, where it now flourishes charge of Mrs. Speyer, Louis 61 Vernon The string quartet is now being per- Street, Brookline. manently transferred, both in perform- ance and in new compositions of cham- ber music both by Americans and by ORGAN RECITALS Europeans this time permanently from Europe to America. It has found its way The remaining two recitals of the from an abandoned country meeting- series of three on the new Symphony house in the Berkshire Hills to The Hall organ by E. Power Biggs will take Library of Congress and to the Coolidge place on Monday evenings, November Auditorium. 20, and December 4. On November 20 This whole story is so rich in human Mr. Biggs will repeat the Bach program material and reaches so far into con- which Felix Mendelssohn performed in temporary history that it will demand Leipzig in 1840 for the purpose of a full-scale biography at some time raising funds for a Bach monument which Mrs. Elizabeth Sprague Coolidge's The "St. Anne" Fugue, the chorale admirers and appreciators hope will be prelude, "Deck Thyself, O Soul, With a long while off. The last day of the Gladness," the Toccata in F major, three-day Festival in The Library of Trio Sonata No. 1 in E-flat, Prelude Congress, October 30, will be the 86th and Fugue in C minor. In addition to birthday of the foundress. This mere this, members of the Boston Symphony hint of the immense help she has been Orchestra will play movements from to more than the art of music alone, the cantatas. The third program will is also a reminder to individuals in in- consist of Vivaldi's Concerto in D minor, stitutions. It shows how great things William Selby's "Lesson," the Piece come from small beginnings, and in Heroi'que by Franck, the Second Sonata Mrs. Coolidge's own words, "how of Paul Hindemith, the Toccata and precedence may be given to quality over Fugue in D minor of Bach, Three Noels quantity." a choral prelude by Daquin, by Brahms The list of people whose major life- and Variations on a Noel by Dupre. work began after the age of fifty or later is becoming formidable. Ef- forts as important as this one generally ON BEHALF OF CHAMBER do take as long as that, and often longer. MUSIC What is important is that the life-pur- pose be great. The eighty-sixth birthday of Mrs. Elizabeth Sprague Coolidge on Octo- ber 30th last was remembered by more PRADES FESTIVAL BROADCASTS than one writer, who reviewed her per- sistent, generous and notably success- The Bach Festival at Prades last ful efforts on behalf of chamber music summer, under the direction of Pablo and its performance. An editorial in the Casals, has been recorded by Columbia Boston Globe on October 28 is here Records, Inc. and will have an advance quoted: broadcast from station WXHR (99.9 About twenty-five years ago the Bos- FM) on ten successive evenings, No- ton and New York reviewers began vember 15-25 from 10 to 11 P.M. C. W. writing with an unwonted warmth about Durgin, music critic of the Boston Globe, an annual series of string quartet con- who was present at the Festival, will certs in an old country church on a comment at these broadcasts. mountain side south of Pittsfield, noth- ing but a famous quartet, a distin- G\3 guished audience in the ancient pews, the grandeur of Nature seen from the [212] OOtfbn The fall fashion story as interpreted by the world's best designers is eloquently illustrated in Filene's French Shops' panorama of the most distinguished names in fashion. Casual clothes fresh and versatile . town suits crisp and understated . coats, dresses, furs, gowns for elegance before and after five . and, of course, accessories to dramatize or add the final fillip. [213] Nothing is permanent except change — Heraclitus A Great University builds a New Home From modest beginnings in and your lawyer are invited 1839, Boston University has to consult with Old Colony grown into one of the nation's Trust Company about the great educational centers, advantages of Old Colony's with over 30,000 students. services as Executor and Boston University's new Trustee. A copy of "Wills buildings illustrate how rapid- and Trusts" will be sent to ly the face of Boston has you upon request. changed. Sweeping changes have taken place, too, in the problems of an individual who wants to make proper provision for his family. To WORTHY OF YOUR TRUST meet them, an up-to-date will is essential. If you have Colony no will, or if it has not been Old recently reviewed, you should Trust Company see your lawyer at once. ONE FEDERAL STREET, BOSTON To help you deal with T. Jefferson Coolidge changing social and economic Chairman^ Trust Committee conditions and tax laws, you Robert Cutler, President Allied with The First National Bank of Boston [214] SEVENTIETH SEASON NINETEEN HUNDRED FIFTY AND FIFTY-ONE Cjfifth Program FRIDAY AFTERNOON, November 10, at 2:30 o'clock SATURDAY EVENING, November 11, at 8:30 o'clock Giovanni Gabrieli Sonata Pian e Forte (Edited by Fritz Stein) (From "Sacrae Symphoniae," Venice, 1597) Schonberg Chamber Symphony, Op. 9B (Version for Full Orchestra) Mozart Violin Concerto in D major (No. 7), K. 271A I. Allegro maestoso II. Andante III. Allegro (Rondo) (First performance at these concerts) INTERMISSION Schumann Symphony No. 1, in B-flat major, Op. 38 I. Andante un poco maestoso; allegro molto vivace II. Larghetto III. Scherzo: Molto vivace; Trio: Molto piu vivace; Trio II IV. Allegro animato e grazioso SOLOIST YEHUDI MENUHIN BALDWIN PIANO RCA VICTOR RECORDS This program will end about 4:25 o'clock on Friday Afternoon, 10:25 on Saturday Evening. [215] Glamour after Dark From our fourth floor collection of loveli- ness . done with great fashion distinction — we show you just one jewel designed to flatter misses.
Load more

Recommended publications
  • The String Quartets of George Onslow First Edition
    The String Quartets of George Onslow First Edition All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Edition Silvertrust a division of Silvertrust and Company Edition Silvertrust 601 Timber Trail Riverwoods, Illinois 60015 USA Website: www.editionsilvertrust.com For Loren, Skyler and Joyce—Onslow Fans All © 2005 R.H.R. Silvertrust 1 Table of Contents Introduction & Acknowledgements ...................................................................................................................3 The Early Years 1784-1805 ...............................................................................................................................5 String Quartet Nos.1-3 .......................................................................................................................................6 The Years between 1806-1813 ..........................................................................................................................10 String Quartet Nos.4-6 .......................................................................................................................................12 String Quartet Nos. 7-9 ......................................................................................................................................15 String Quartet Nos.10-12 ...................................................................................................................................19 The Years from 1813-1822 ...............................................................................................................................22
    [Show full text]
  • Auguste Franchomme (1808-1884)
    1/15 Data Auguste Franchomme (1808-1884) Pays : France Sexe : Masculin Naissance : Lille, 10-04-1808 Mort : Paris, 21-01-1884 Note : Compositeur et violoncelliste. - Prénoms complets : Auguste-Joseph ISNI : ISNI 0000 0001 0875 4200 (Informations sur l'ISNI) Auguste Franchomme (1808-1884) : œuvres (475 ressources dans data.bnf.fr) Œuvres musicales (441) "Le Sicilien" "Le Sicilien" (1878) (1878) de Eugène Sauzay de Eugène Sauzay avec Auguste Franchomme (1808-1884) comme Violoncelliste avec Auguste Franchomme (1808-1884) comme Destinataire de l'envoi "Envoi de fleurs. CG 380" "Mireille. CG 8" (1868) (1864) de Charles Gounod de Charles Gounod avec Auguste Franchomme (1808-1884) comme Dédicataire avec Auguste Franchomme (1808-1884) comme Copiste "Valses. Violoncelle, piano. Op. 10" "Sonates. Violoncelle, piano. Ré majeur. No 1. Op. 18" (1859) (1852) de Michał Modzelewski de Anton Grigor´evič Rubinštejn avec Auguste Franchomme (1808-1884) comme Destinataire de avec Auguste Franchomme (1808-1884) comme Copiste l'envoi "Quintettes. Violons (2), altos (2), violoncelle. Ré "Mazurkas. Piano. Fa mineur. CT 90" mineur. No 32. Op. 78" (1846) (1848) de Frédéric Chopin de George Onslow avec Auguste Franchomme (1808-1884) comme Copiste avec Auguste Franchomme (1808-1884) comme Destinataire de l'envoi data.bnf.fr 2/15 Data "Mazurkas. Piano. Fa mineur. CT 90" "Mazurkas. Piano. Do dièse mineur. CT 91" (1846) (1846) de Frédéric Chopin de Frédéric Chopin avec Auguste Franchomme (1808-1884) comme Arrangeur avec Auguste Franchomme (1808-1884) comme Copiste "Mazurkas. Piano. Do dièse mineur. CT 91" "Sonates. Violoncelle, piano. Sol mineur. CT 204" (1846) (1845) de Frédéric Chopin de Frédéric Chopin avec Auguste Franchomme (1808-1884) comme Arrangeur avec Auguste Franchomme (1808-1884) comme Ancien possesseur "Sonates.
    [Show full text]
  • Guide-To-String Trios
    GUIDE TO THE STRING TRIO LITERATURE Guide to the Strin g Trio Li teratu Ray re by mon d Si lvert rust BY RAYMOND SILVERTRUST EDITOR OF THE CHAMBER MUSIC JOURNAL -1- Table of Contents Introduction and Preface ··································································································· 3 Trios for Violin, Viola and Violoncello ············································································ 6 Trios for 2 Violins and Cello or 2 Violins and Viola ······················································· 24 Index······························································································································· 29 -2- A Guide to the String Trio Literature By Raymond Silvertrust Introduction and Preface professional ensemble. Along the way, I developed a love of the broader chamber music literature to which I was first exposed First, I would like to apologize to my readers. I have hastily through the medium of phonograph records. To my chagrin, typed this entirely myself. And as I have no editor and because I years of concert-going made clear that I was unlikely to ever hear am not a good proof reader, you will find many mistakes, largely such music performed live, either because the professionals did because I have felt, now in my seventh decade, that I am racing not know of the music or because the music was unavailable. against the clock so to speak. I have wanted to make sure that I When I realized this state of affairs, I undertook to obtain some would be able to complete this guide. When it is done, and if I of the music I had heard on disk so that at least I could play it. To have time, I will improve it, add to it and, of course, try to this end, I began to search music stores, antiquarian dealers and eliminate all of the errors I have left behind.
    [Show full text]
  • Symphony Hall. Boston Huntington and Massachusetts Avenues
    SYMPHONY HALL. BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 INC. PIERRE MONTEUX. Conductor FORTY-THIRD SEASON. 1923-1924 roEramm^ WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1924, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE ..... Vice-President ERNEST B. DANE Treasurer ALFRED L AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager X345 '^™r"T'"irT**^^^'*T^^^T^'T*T™T"T"~rTT~T~~r~T~~^_t_ 1 111 T~~r"~r"T^T^f^T '£TNOV€c\, and J^ture Ststnwaj Qolltction bj<J^C'^Vjeth STEIN WAY THE INSTRUMENT OF THE IMMORTALS the 26th of March, 1827, died Liszt and Rubinstein, for Wagner, Berlioz ONLudwig van Beethoven, of whom and Gounod. And today, a still greater it has been said that he was the Steinway than these great men knew, greatest of all musicians. A generation responds to the touch of Padcrewksi, later was born the Steinway Piano, which Rachmaninoff and Hofmann. Such, in is acknowledged to be the greatest of all fact, are the fortunes of time, that today, pianofortes. What a pity it is that the this Instrument of the Immortals, greatest master could not himself have this piano, more perfect than any played upon the greatest instrument — Beethoven ever dreamed of, can be poS' that these two could not have been born sessed and played and cherished not only together! Though the Steinway was de- by the few who are the masters of music, nied Beethoven, it was here in time for but by the many who are its lovers.
    [Show full text]
  • Training Creative Violinists: Taking a Page from Baillot's L'art Du Violon
    Training Creative Violinists: Taking a Page from Baillot’s L’Art Du Violon Anna McMichael A thesis submitted in partial fulfillment of requirements for the degree of Doctor of Musical Arts Sydney Conservatorium of Music, University of Sydney, New South Wales, Australia 2018 1 STATEMENT OF ORIGINALITY ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at the Sydney Conservatorium of Music or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at the Sydney Conservatorium of Music or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work.’ Signed …………………………………………….............. Date ……… 3 May, 2018 2 Abstract This thesis analyses Pierre Marie Franҫois de Sales Baillot’s L’Art du Violon (1834). My argument is that the ideas in his treatise, although written in the mid-nineteenth century, are again relevant in training tertiary violin students to become cultured, creative and adaptable musicians. Classical musicians today face considerable challenges in attracting and inspiring their audiences. While maintaining classical music traditions, musicians and arts organisations therefore are experimenting with new forms of delivery: broader themes and genres, multi-media performances, and new technologies. Performers today must draw upon considerable knowledge and skills in order to appeal to audiences, whether in concert halls or in listening to recorded music.
    [Show full text]
  • Professor Reicha: Practice and Legacy of a Composer-Teacher
    INTERNATIONAL CONFERENCE PROFESSOR REICHA: PRACTICE AND LEGACY OF A COMPOSER-TEACHER Lucca, Complesso Monumentale di San Micheletto 10-12 November 2017 ORGANIZED BY CENTRO STUDI OPERA OMNIA LUIGI BOccHERINI www.luigiboccherini.org INTERNATIONAL CONFERENCE PROFESSOR REicHA: PRACTicE AND LEGACY OF A COMPOSER-TEACHER Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Palazzetto Bru Zane – Centre de musique romantique française, Venice Lucca, Complesso Monumentale di San Micheletto 10-12 November 2017 ef SCHOLARLY COMMITTEE HERVÉ AUDÉON (Institut de Recherche en Musicologie – IreMus, Paris) LOUISE BERNARD DE RAYMOND (Université François-Rebelais, Tours) ROBERTO IllIANO (Centro Studi Opera Omnia Luigi Boccherini) ÉTIENNE JARDIN (Palazzetto Bru Zane, Venice) FULVIA MORabITO (Centro Studi Opera Omnia Luigi Boccherini) AlbaN RAMAUT (Université Jean Monnet, Saint-Étienne) MASSIMILIANO Sala (Centro Studi Opera Omnia Luigi Boccherini) ef KEYNOTE SPEAKERS HERVÉ AUDÉON (Institut de Recherche en Musicologie – IreMus, Paris) LOUISE BERNARD DE RAYMOND (Université François-Rebelais, Tours) AlbaN RAMAUT (Université Jean Monnet, Saint-Étienne) CHRISTIAN SPECK (Universität Koblenz-Landau) FRIDAY 10 NOVEMBER 10.00-10.30: Registration and Welcome Opening 10.30-10.45 • FULVIA MORabITO (Centro Studi Opera Omnia Luigi Boccherini) • ÉTIENNE JARDIN (Palazzetto Bru Zane) Reicha’s Treatises 11.00-12.30 (Chair: Alban Ramaut, Université Jean Monnet, Saint-Étienne) • MARIE WINKELMÜllER-UREchIA (Universität Tübingen): Reicha, professeur vers 1810 : un enseignement
    [Show full text]
  • 2015 Markella Sofia Alexandra Maria
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Pierre Baillot (1771-1842) Institutions, Values and Identity Vandoros, Markella Sofia Alexandra Maria Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 03. Oct. 2021 Pierre Baillot (1771-1842): Institutions, Values and Identity Markella Sofia Alexandra Maria Vandoros PhD in Music King’s College London Abstract On 12 December 1814, an unusual concert took place in Paris, one exclusively featuring chamber works.
    [Show full text]
  • Catalogo Nr. 29 Primavera 2006
    LIBRERIA MUSICALE GALLINI VIA GORANI 8 - 20123 MILANO (ITALY) - TEL. e FAX. 0272.000.398 CATALOGO NR. 29 PRIMAVERA 2006 INDICE: BIOGRAFIE…………………………………………..…….pag. 1 (da nr. 1 a 160) LIBRI DI ARGOMENTO MUSICALE…………………..pag. 15 (da nr. 161 a 321) SPARTITI D’OPERA PER CANTO E PIANOFORTE…pag. 31 (da nr. 322 a 447) MANOSCRITTI MUSICALI……………………………....pag. 44 (da nr. 448 a 517) MANOSCRITTI DI MUSICA SACRA…………….......….pag. 53 (da nr. 518 a 536) MUSICA AUTOGRAFA………………………………...…pag. 55 (da nr. 537 a 565) LETTERE AUTOGRAFE DI MUSICISTI……………….pag. 60 (da nr. 566 a 620) LETTERE AUTOGRAFE DI LETTERATI ECC…….....pag. 70 (da nr. 621 a 645) BIOGRAFIE DI MUSICISTI: - 1 - 1. AA.VV. (direttore Silvio D’AMICO): “Enciclopedia dello spettacolo”. Roma, Unedi 1975. 12 voll. 4° leg. ed. tela. Circa 30.000 voci in ordine alfabetico su: il teatro drammatico e musicale in tutte le loro forme (dramma, opera, operetta, danza, balletto, varietà, rivista, teatro dei fantocci), il cinema, la televsione e il circo equestre. Un repertorio fondamentale sul mondo dellospettacolo. € 1200,00 2. Rodolfo CELLETTI: “Il teatro d’opera in disco”. Milano, Rizzoli 1976. 8° leg. ed. pp.615. La sempre valida discografia critica delle opere complete incise dal 1950 al 1975. € 150,00 3. Silvestro SEVERGNINI: “Alla Scala con... Bach, Bartok, Beethoven, Berlioz, Brahms, Bruckner, Ciajkovski, Catalani, Clementi, Donizetti, Franck, Gounod, Janacek, Liszt, Mahler, Massenet, Mussorgski, Pergolesi, Puccini, Rimski Korsakov, Schoenberg, Smetana, Sostakovich, Verdi”. Milano per la Scala 1999. 4° leg. ed.pp.148. € 25,00 4. Franco MANNINO: “Genii ... VIP e gente comune”. Introduzione di Elisabeth Mann Borgese.
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Pierre Baillot (1771-1842) Institutions, Values and Identity Vandoros, Markella Sofia Alexandra Maria Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Pierre Baillot (1771-1842): Institutions, Values and Identity Markella Sofia Alexandra Maria Vandoros PhD in Music King’s College London Abstract On 12 December 1814, an unusual concert took place in Paris, one exclusively featuring chamber works.
    [Show full text]