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Ende Des Patriarchats Wandelt Sich Vom Riesen Fasolt in Hunding, Den Ehemann Der Einst Ge- Raubten Sieglinde
Montag, 22. August 2016 · Nr. 195 Lokales Mindener Tageblatt 3 Julia Bauer war in „Rheingold“ die Göttin Freya und singt nun Helmwige. Die Koloratur- Sopranistin verkörperte an der Komi- schen Oper Berlin die „Königin der Nacht“ in Mozarts „Zauberflöte“. Als „Arminta“ in „Die schweigsame Frau“ (Richard Strauss) erregte sie am Aalto Theater Essen Aufsehen. Julia Borchert gibt nach der Rheintochter Woglinde nun die Gerhilde. Die Sopranistin, die in Minden und Herford aufgewachsen ist, war in Palermo und Valencia als Ortlinde in der Walküre zu hören. In Bayreuth wirkte sie in der Schlingensief- Inszenierung des „Parsifal“, dirigiert von Pierre Boulez, mit. Christine Buffle verwandelt sich von der Rheintochter Wellgunde in die Walküre Ortlinde. Die Engländerin, die in Genf aufwuchs, hat ihre Karriere am Opernhaus Zürich ge- startet. Die Sopranistin hat schon mit zahlreichen namhaften Dirigenten wie Der berühmte „Ritt der Walküren“ endet in Minden in selbstbewussten Posen: Evelyn Krahe, Christine Buffle, Tiina Penttinen, Claudio Abbado, Nikolaus Harnoncourt Julia Bauer, Yvonne Berg und Dorothea Winkel (von links). MT-Foto: Ursula Koch oder Kent Nagano gearbeitet. Tijl Faveyts Ende des Patriarchats wandelt sich vom Riesen Fasolt in Hunding, den Ehemann der einst ge- raubten Sieglinde. Der Bass aus Belgien Zu den Proben zum dritten Akt der Wagner-Oper gehört zum Ensemble des Aalto Thea- ters in Essen. Dort wird er im Winter „Walküre“ ist nun das komplette Ensemble in Minden angereist. in Rigoletto und als König Marke in der Wagner-Oper „Tristan und Isolde“ Von Ursula Koch „Wir sind hier seit drei Wochen zusam- auf der Bühne stehen. men, und ich erlebe immer wieder berüh- Minden (mt). -
Das Magazin Der Nordwestdeutschen Philharmonie
INFORMATIONEN.SPIELORTE.TERMINE MAI.JUNI.JULI.AUGUST 2019 S.1 Sehr geehrte Damen und Herren, liebe Musikfreunde, bevor die Musikerinnen und Musiker der NWD Anfang Juli in die wohlverdiente Sommerpause starten, haben die Menschen in Ostwestfalen- Lippe noch etliche Male Gelegenheit, das Orchester in Konzerten zu erleben. Auf eine schon beachtliche Tradition können wir mit der »Klassik zu Pfingsten« zurückblicken: Seit 2002 gibt es das Pfingstfestival der NWD. Vor 17 Jahren zunächst als »Begegnung mit Beethoven« begonnen, hat es sich längst zu einer festen und nachgefragten Größe im frühsommerlichen Kulturleben unserer Region entwickelt. Ich will an dieser Stelle noch nicht zu viel verraten, doch anlässlich des 250. Geburtstages Ludwig van Beethovens wird Ihnen die NWD im nächsten Jahr wieder musikalische Begegnungen mit diesem bedeutenden Komponisten ermöglichen. Mit der »Alpensinfonie« von Richard Strauss wagt sich das Orchester nach Pfingsten an das wohl gigantischste sinfonische Werk der Musikgeschichte. Dass es gelingt, für dieses bedeutende und selten zu hörende Werk über 100 Musiker auf die Bühne zu bringen, ist einer Kooperation mit dem Ural Youth Symphony Orchestra aus dem russischen Jekaterinburg zu verdanken. Mit einem weiteren Mammutvorhaben beginnt auch die neue Konzertsaison. Zweimal wird die NWD Richard Wagners Opern-Tetralogie »Der Ring des Nibelungen« als Gemeinschaftsproduktion mit dem Richard Wagner Verband Minden und dem Stadttheater Minden aufführen. Freuen Sie sich schon jetzt mit mir auf den glanzvollen Abschluss eines auf fünf Jahre angelegten Projektes, das höchsten künstlerischen Ansprüchen gerecht wird. Ihr Andreas Kuntze/Intendant Andreas Kuntze intermezzo DAS MAGAZIN DER NORDWESTDEUTSCHEN PHILHARMONIE TIEF VERWURZELT IN DER ARMENISCHEN VOLKSMUSIK WERKE VON ARAM KHACHATURIAN ERKLINGEN BEI DER »KLASSIK ZU PFINGSTEN« Aram Khachaturian (1903–1978) Zu seinem mitreißenden Rhythmus tanzte die junge Dessen Sinfonie Nr. -
Keesep Starts Sunday, Right on Time
SUNDAY, SEPTEMBER 13, 2020 KEESEP STARTS SUNDAY, BREEDERS= CUP BACK TO KEENELAND IN 2022, PURSES MAINTAINED IN 2020 RIGHT ON TIME The Breeders= Cup will return to Keeneland Race Course in Lexington, Ky. as the host site for the 2022 Breeders= Cup World Championships, the Breeders= Cup announced Saturday. Keeneland, which is also scheduled to host this year=s World Championships Nov. 6-7, will hold the 39th Breeders= Cup Nov. 4-5, 2022. It will be the third time the Breeders= Cup has been held at Keeneland since 2015. Del Mar will remain the host of the 2021 event. The announcement of Keeneland as host of the 2022 championships was made in conjunction with two other pieces of news: first, attendance at this year=s event will be limited to the connections of race participants and essential staff, and without fans on-site, due to the ongoing COVID-19 pandemic. Cont. p6 Keeneland sales grounds | Keeneland photo IN TDN EUROPE TODAY by Jessica Martini MAGICAL TAKES CHAMPION THRILLER LEXINGTON, KY - While the coronavirus pandemic wreaked Magical (Ire) (Galileo {Ire}) turned the tables on Ghaiyyath havoc with sales across the globe from March through August, (Ire) (Dubawi {Ire}) to record back-to-back wins in the G1 Irish the calendar will return to some semblance of normalcy when Champion S. the Keeneland September Yearling Sale kicks off right on Click or tap here to go straight to TDN Europe. schedule in Lexington Sunday at noon. ASo many sales companies in the Northern Hemisphere have had to rearrange some things, but we have been very fortunate that the September sale is taking place in September at Keeneland,@ said Keeneland=s Director of Sales Operations Geoffrey Russell. -
Ebook Download Wagners Ring Turning the Sky Around
WAGNERS RING TURNING THE SKY AROUND - AN INTRODUCTION TO THE RING OF THE NIBELUNG 1ST EDITION PDF, EPUB, EBOOK M Owen Lee | 9780879101862 | | | | | Wagners Ring Turning the Sky Around - An Introduction to the Ring of the Nibelung 1st edition PDF Book It is even possible for the orchestra to convey ideas that are hidden from the characters themselves—an idea that later found its way into film scores. Unfamiliarity with Wagner constitutes an ignorance of, well, Wagnerian proportions. Some of my friends have seen far more than these. This section does not cite any sources. Digital watches chime the hour in half-diminished seventh chords. The daughters of the Rhine come up and pull Hagen into the depth of the Rhine. The plot synopses were helpful, but some of the deep psychological analysis was a bit boring. Next he encounters Wotan his grandfather , quarrels with him and cuts Wotan's staff of power in half. The next possessor of the ring, the giant Fafner, consumed with greed and lust for power, kills his brother, Fasolt, taking the spoils to the deep forest while the gods enter Valhalla to some of the most glorious and ironically triumphant music imaginable. Has underlining on pages. John shares his recipe for Nectar of the Gods. April Learn how and when to remove this template message. It's actually OK because that's what Wotan decreed for her anyway: First one up there shall have you. See Article History. Politics and music often go together. It left me at a whole new level of self-awareness, and has for all the years that have followed given me pleasures and insights that have enriched my life. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
Advance Program Notes Broadway in Blacksburg the Color Purple Thursday, February 13, 2020, 7:30 PM
Advance Program Notes Broadway in Blacksburg The Color Purple Thursday, February 13, 2020, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. TROIKA ENTERTAINMENT, LLC presents BOOK BY MUSIC AND LYRICS BY MARSHA NORMAN BRENDA RUSSELL ALLEE WILLIS STEPHEN BRAY BASED ON THE NOVEL WRITTEN BY ALICE WALKER AND THE WARNER BROS./AMBLIN ENTERTAINMENT MOTION PICTURE WITH MARIAH LYTTLE SANDIE LEE CHÉDRA ARIELLE ANDREW MALONE BRANDON A. WRIGHT NASHKA DESROSIERS ELIZABETH ADABALE JARRETT ANTHONY BENNETT DAVID HOLBERT PARRIS LEWIS JENAY NAIMA MON’QUEZ DEON PIPPINS GABRIELLA RODRIGUEZ SHELBY A. SYKES RENEE TITUS IVAN THOMPSON CARTREZE TUCKER JEREMY WHATLEY GERARD M. WILLIAMS SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN JOHN DOYLE ANN HOULD-WARD JANE COX DAN MOSES SCHREIER CHARLES G. LAPOINTE CASTING ASSOCIATE COSTUME DESIGN BINDER CASTING CHRISTOPHER VERGARA CHAD ERIC MURNANE, C.S.A. MUSIC SUPERVISION MUSIC DIRECTOR/CONDUCTOR ORCHESTRATIONS MUSIC COORDINATION DARRYL ARCHIBALD JONATHAN GORST JOSEPH JOUBERT TALITHA FEHR EXCLUSIVE TOUR DIRECTION MARKETING & PUBLICITY DIRECTION PROJECTION SUPERVISOR COMPANY MANAGER THE BOOKING GROUP BOND THEATRICAL GROUP B.J. BELLARD BARRY BRANFORD GENERAL MANAGEMENT PRODUCTION MANAGEMENT EXECUTIVE PRODUCER BRIAN SCHRADER HEATHER CHOCKLEY KORI PRIOR ASSOCIATE DIRECTOR SAMANTHA SALTZMAN DIRECTION AND MUSICAL STAGING JOHN DOYLE The Color Purple was produced on Broadway at the Broadway Theater by Oprah Winfrey, Scott Sanders, Roy Furman, and Quincy Jones. The world premiere of The Color Purple was produced by the Alliance Theatre, Atlanta, Georgia. -
January 14, 1978 TT Waillif 41.4941
January 14, 1978 TT WAillif 41.4941 www.americanradiohistory.com (E-45450) A very special single from the Neil Simon film, The Goodbye Girl written and performed by DAVID GATES Available from Elektra Produced & arranged by David Gates 3 Logo Design Copyright ©1977 Metro -Goldwyn -Mayer Inc. and Warner Bros. Inc. www.americanradiohistory.com VOLUME XXXIX - NUMBER 35 - January 14, 1978 THE INTERNATIONAL MUSIC RECORD WEEKLY GOSH BOX GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT General Manager DAVE FULTON Editor In Chief A Glance At Radio '78 More markets are opening up for the soft -rock J. B. CARMICLE Radio, an interesting topic for any year, should format, which has proved highly successful in re- General Manager, Eást Coast not disappoint anyone in 1978, based on some con- cent years. While listenership is high, the question is East Coast Editorial tinuing trends as well as surprises. Passive re- "do those listeners buy records?" KEN TERRY, East Coast Editor PHIL DIMAURO search, automation, soft -rock formats, R&B and jazz Look for R&B stations to become even stronger. CHARLES PAIKERT are some of the items that will surely be interesting And the playlist preference for these stations ap- MARK MEHLER to watch. pears to be more album -oriented. West Coast Editorial It appears that the current rage of passive re- Jazz continues to explode and it appears that it ALAN SUTTON RANDY LEWIS search will continue to expand in the coming year, will capture airplay from AOR stations as well as the JEFF CROSSAN but some industry sources contend that its success devoted jazz airwaves. -
Comparative Analysis of Sarah Brightman and 2 Cellos, Classical Artists Applying
Comparative Analysis of Sarah Brightman and 2 Cellos, Classical Artists Applying Successful Crossover Strategy to Popular Music by Dragana Simonovska A Thesis Submitted to the Faculty of College of Business In Partial Fulfillment of the Requirements for the Degree of Master of Science Florida Atlantic University Boca Raton, FL May 2017 Copyright by Dragana Simonovska 2017 ii Acknowledgements I would like to express sincere gratitude to all of my committee members for all of their guidance and support. Special thanks to advisor Dr. Mark Rhorer and committee chair Dr. Joseph Compomizzi, for their persistence, patience and encouragement during the writing of this manuscript. I am also grateful for the support of the FAU Department of Music and Department Chair Rebecca Lautar. iv Abstract Author: Dragana Simonovska Tittle: Comparative Analysis of Sarah Brightman and 2 Cellos, Classical Artists Applying Successful Crossover Strategy to Popular Music Institution: Florida Atlantic University Thesis Advisor: Dr. Joseph Compomizzi Degree: Master of Science Year: 2017 For decades now, musicians have been using crossover to expand their career and earn more knowledge about the music industry. Soprano Sarah Brightman and duo 2 Cellos are classically trained musicians who implemented crossover into their career and used their classical training as guidance of become successful. Musicians who restrict themselves only to classical music may approach danger regarding a career and livelihood, which includes audience interest, employability and financial instability. In this study the term “crossover” refers to classical artists’ who use their skills to perform other genres. Crossover gives artists the chance to appeal to larger audiences and extend their repertoire of music while using techniques used in classical works. -
Gloria Estefan: the Standards When to Watch from a to Z Listings for Channel 3-1 Channel 3-2 – August 2013 Are on Pages 18 & 19 All Aboard – Sundays, 1:00 P.M
Q2 • 3 Program Guide KENW-TV/FM Eastern New Mexico University August 2013 Gloria Estefan: The Standards When to watch from A to Z listings for Channel 3-1 Channel 3-2 – August 2013 are on pages 18 & 19 All Aboard – Sundays, 1:00 p.m. (18th, 25th only); P. Allen Smith’s Garden to Table – Saturdays, 10:00 a.m. Mondays, 10:00 p.m. (except 5th, 19th) Paint This with Jerry Yarnell – Saturdays, 11:00 a.m. American Woodshop – Saturdays, 6:30 a.m. PBS NewsHour – Monday–Friday, 6:00 p.m./12:00 midnight America’s Heartland – Saturdays, 6:30 p.m. (except 3rd); Quilt in a Day – Saturdays, 12:30 p.m. Sundays, 12:30 p.m. (18th, 25th only) Quilting Arts – Saturdays, 1:00 p.m. America’s Test Kitchen – Saturdays, 8:00 a.m. Red Green Show – Thursdays, 9:30 p.m. (except 8th) Antiques Roadshow – Religion/Ethics – Sundays, 3:30 p.m. (except 4th, 11th); Mondays, 7:00 p.m./8:00 p.m. (except 5th)/11:00 p.m.; Wednesdays, 5:00 p.m. Sundays, 7:00 a.m. Report from Santa Fe – Saturdays, 6:00 p.m. Are You Being Served? – Saturdays, 8:30 p.m. (except 3rd, 10th) Scrapbook Soup – Wednesdays, 12:30 p.m. Ask This Old House – Saturdays, 4:00 p.m. (except 3rd) Scully/The World Show – Tuesdays, 5:00 p.m. Austin City Limits – Saturdays, 9:00 p.m. (except 3rd, 10th)/12:00 Second Opinion – Sundays, 6:30 a.m. midnight Sewing with Nancy – Saturdays, 5:00 p.m. -
Entertainment Plus Karaoke by Title
Entertainment Plus Karaoke by Title #1 Crush 19 Somethin Garbage Wills, Mark (Can't Live Without Your) Love And 1901 Affection Phoenix Nelson 1969 (I Called Her) Tennessee Stegall, Keith Dugger, Tim 1979 (I Called Her) Tennessee Wvocal Smashing Pumpkins Dugger, Tim 1982 (I Just) Died In Your Arms Travis, Randy Cutting Crew 1985 (Kissed You) Good Night Bowling For Soup Gloriana 1994 0n The Way Down Aldean, Jason Cabrera, Ryan 1999 1 2 3 Prince Berry, Len Wilkinsons, The Estefan, Gloria 19th Nervous Breakdown 1 Thing Rolling Stones Amerie 2 Become 1 1,000 Faces Jewel Montana, Randy Spice Girls, The 1,000 Years, A (Title Screen 2 Becomes 1 Wrong) Spice Girls, The Perri, Christina 2 Faced 10 Days Late Louise Third Eye Blind 20 Little Angels 100 Chance Of Rain Griggs, Andy Morris, Gary 21 Questions 100 Pure Love 50 Cent and Nat Waters, Crystal Duets 50 Cent 100 Years 21st Century (Digital Boy) Five For Fighting Bad Religion 100 Years From Now 21st Century Girls Lewis, Huey & News, The 21st Century Girls 100% Chance Of Rain 22 Morris, Gary Swift, Taylor 100% Cowboy 24 Meadows, Jason Jem 100% Pure Love 24 7 Waters, Crystal Artful Dodger 10Th Ave Freeze Out Edmonds, Kevon Springsteen, Bruce 24 Hours From Tulsa 12:51 Pitney, Gene Strokes, The 24 Hours From You 1-2-3 Next Of Kin Berry, Len 24 K Magic Fm 1-2-3 Redlight Mars, Bruno 1910 Fruitgum Co. 2468 Motorway 1234 Robinson, Tom Estefan, Gloria 24-7 Feist Edmonds, Kevon 15 Minutes 25 Miles Atkins, Rodney Starr, Edwin 16th Avenue 25 Or 6 To 4 Dalton, Lacy J. -
Takt Dezember 2017
www.takt-magazin.de ca. 2.400 Termine! MAGAZIN für Kultur und Freizeit in Thüringen Dezember 2017 t.akt testet Weihnachts- Clueso Biathlon in der DKB- zauber Rückblick und Skisport-Halle Oberhof mit vielen Geschenkideen Aussichten auf 2018 Auft.akt | 3 Foto: Hellbunt Fotografi e Foto: Hellbunt Fotografi Editorial Zeit, Danke zu sagen Unfassbar, dass schon wieder der letzte Monat des Jah- de Jahr. Wir hoffen darauf, dass es uns gewogen sein res 2017 ansteht. Unglaublich, was wir in diesem Jahr möge, und dass der beste Tag 2017 der schlechteste 2018 gemeinsam erlebt haben. Festivals, Konzerte, Messen sein wird. Das liegt zum größten Teil an uns. Lassen wir und Partys haben wir für und mit euch besucht. Haben bei allem Ehrgeiz und Antrieb nicht zu, dass das Mit- getestet was das Zeug hält in diesem, unserem wunder- gefühl und die Milde auf der Strecke bleibt. Vor allem schönen Thüringen und waren sportlich aktiv und auch mit uns. kreativ. Die finalen Testreihen in diesem Jahr waren Was bleibt mir an dieser Stelle, außer euch ein warmes beides: Im Biathlon und Goldschmieden haben wir und leuchtendes Fest und einen guten Start ins Jahr uns ausgiebig probiert. Beide Storys findet ihr auf den 2018 zu wünschen? Danke sagen! Euch! Dafür, dass ihr nächsten Seiten. uns immer wieder mit nach Hause nehmt, in unseren Lasst uns diesen Monat zurückblicken. Das Jahr 2017 Geschichten schmökert, uns kritisiert – aber vor allem feiern mit all' seinen Höhen und Tiefen, mit all' sei- motiviert. Jeden Tag aufs Neue. nen Neuerungen und Beständigkeiten. Welcher Mo- Aber auch meinem Team möchte ich Danke sagen, nat wäre dafür besser geeignet als der Dezember. -
“Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
“FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours.