The Digital Campus

Total Page:16

File Type:pdf, Size:1020Kb

The Digital Campus Section B THE CHRONICLE OF HIGHER EDUCATION APRIL 14, 2017 THE DIGITAL CAMPUS Big Data on Campus The Form That Is All Function ENROLLMENT BUSINESS ADDITIONAL MANAGEMENT ADMINISTRATION CAMPUS SOLUTIONS Admissions Accounts Payable Grant Administration Financial Aid Vendor Management Advancement Services Registrar Forms Processing Contract Management Athletics Academic Advising Procurement & Purchasing Faculty Administration Student Records Management Human Resources Information Technology Student Onboarding Facilities Management Communication Management To see scalable electronic forms and workflow automation solutions that help institutions increase efficiencies and cut costs, schedule a demo with us at: laserfiche.com/DigitalCampusForms © 2017 Laserfiche. Laserfiche®, Run Smarter®, and Compulink® are registered trademarks of Compulink Management Center, Inc. All rights reserved. THE DIGITAL CAMPUS THE CHRONICLE OF HIGHER EDUCATION April 14, 2017 BIG DATA ON CAMPUS OPINION Holding Off Hackers RELATED OPINIONS The Real Obstacle College networks are under constant High Hopes, to Innovation pressure to keep up with growing threats Few colleges are willing to give faculty to data security: B4 Scant Evidence members adequate time and support Mark Salisbury warns n 3 Types of Attacks Colleges Face: B5 for course redesign, says John Lynch: B16 of the limitations of big data: B14 Learning Analytics Improving Data Use Ignore E-Credentials Still a Work in Progress at Community Colleges At Your Peril Colleges are eager to use data to track Remember when bookstores wrote off Human beings must turn data into student success, but widespread adoption Amazon 20 years ago? Colleges meaningful information that can be is still to come: B8 can’t afford to make the same mistake, used to solve problems, say Brad C. Daniel T. Hickey argues: B18 How to Track Phillips and Jordan E. Horowitz: B20 80,000 Students The Job-Market Moment At Western Governors U., every student of Digital Humanities is a potential test subject: B9 Using computer technology in scholarship is more than a fad, says Leonard Cassuto: B21 FORUM Reading List TECHNOLOGY IN THE CLASSROOM for a New World Order Coding ‘Boot Camps’ Growing Pains for Five scholars cite influential books on technology: B22 Link Up With Colleges Open-Textbook Movement Some private programs see the value Freely licensed materials save students of a more direct connection to money, but the work involved has made universities — and vice versa: B11 some faculty members wary: B12 EDITOR’S NOTE HIS SPECIAL REPORT on The Dig- But it also includes a caveat from several technical skills, and the latest develop- ital Campus looks at the promise data experts. All that data, they warn, is ments in the open-educational-resources T — and the limits — of big data. meaningless if colleges aren’t using it to movement, which is aimed at freely licens- Colleges have high expectations for big ask the right questions and to identify the ing textbooks and other learning materials data: They want to use it to better track most pressing problems — tasks that re- to reduce costs. students and help them succeed, to find quire human intervention. Thanks to the writers, editors, and de- out what works in the classroom, to shape Our coverage also examines the urgent signers who worked on The Digital Cam- their student bodies, and more. Our cov- threat to data security posed by hackers, pus. We hope you find it useful. erage features some of the efforts under- the growing collaboration between col- —CAROLYN MOONEY way to accomplish those goals. leges and private boot camps that offer SENIOR EDITOR, SPECIAL SECTIONS APRIL 14, 2017 THE DIGITAL CAMPUS • THE CHRONICLE OF HIGHER EDUCATION B3 HEATHER PERRY FOR THE CHRONICLE If hackers get into a college’s network, they can gather terabytes of research data or emails to sift for possible profit. “It might take years to look at it,” says Mitchel Davis (right), chief information officer at Bowdoin College, “but they want to get hold of it.” Steven Blanc, associate chief information officer, says, “security is not something that IT does, it’s something the college does.” Keeping Up With the Growing Threat to Data Security By LEE GARDNER AST FALL, Donald Trump theorized most all attacks have more mercenary motives. chief information officer at Indiana Univer- that the computer hacker who stole It’s an escalating battle that many colleges sity. “The bad guys can try 10,000 times, or emails from the Democratic National must fight with limited resources. And the 50,000 times. As long as they get it right once, Committee could have been “someone stakes are high. A major breach can expose they get a win. It’s a very, very asymmetrical sitting on their bed that weighs 400 thousands of names and Social Security num- game now.” Lpounds.” But the stereotypical rogue nerd isn’t bers, credit-card numbers, and other personal Groups of criminal hackers, many of them the threat that most concerns information-se- data that employees and students turn over to based overseas, have upgraded their tools and curity officers on college campuses. colleges all the time, leaving those affect- methods. “They’re using these almost weap- Their institutions are under constant attack, ed vulnerable to identity theft. A breach at ons-grade hacking kits,” Mr. Wheeler says. they say, by groups of criminal hackers who the University of California at Berkeley last But even familiar modes of attack have have professionalized, and industrialized, year compromised the personal data of about grown in sophistication. “Phishing,” in which their efforts in the past few years. If the 80,000 current and former employees and people receive an email designed to get them hackers find a tiny flaw in a college’s -da students. to give up passwords or financial information, BIG DATA ON CAMPUS ta-security apparatus — an unsecured An attack can also bring an institution’s has evolved past “a rich uncle in Nigeria who server, a careless user — they can infil- computer network crashing down: In 2015, wants to wire you a million dollars,” he says, trate its network, Hoover up any and all Rutgers University was hit with several “de- and now uses messages that look very legiti- data they come across, and peddle the choice nial of service” attacks, in which a hacker mate: “They’re simple, they’re short, they’re bits on the dark market — those shadowy flooded the institution’s network with data, often contextualized for something going corners of the internet where people go to temporarily crippling it. In the aftermath, on at the institution.” Indiana delivered 442 buy and sell illicit goods anonymously. There the university budgeted about $3 million to million emails to its users last year, and its have been thefts of politically sensitive data, improve its data security. countermeasures killed 2.1 billion emails be- as when hackers published hundreds of emails Colleges “have to be right every time” when fore they entered its system. and documents in 2009 that raised questions it comes to securing data, says Brad Wheeler, The rise of big data has also abetted hackers’ about climate scientists' impartiality, but al- vice president for information technology and efforts. A decade ago, a spreadsheet of Social B4 THE CHRONICLE OF HIGHER EDUCATION • THE DIGITAL CAMPUS APRIL 14, 2017 Security numbers was “the holy grail” for explaining that it would protect not only the “We’re looking for people who are seasoned hackers, says Ronald D. Kraemer, vice presi- university but also individuals from theft and in dealing with difficult situations,” says Dar- dent and chief information and digital officer fraud. Most people are already used to using ren Lacey, chief information-security officer at the University of Notre Dame. Data that multifactor authentication for accessing bank and director of IT compliance at the Johns can be used for identity theft or to tap finan- machines (a bank card and a PIN), he says. It Hopkins University and Johns Hopkins Med- cial resources remain the primary targets, but seems like an unaccustomed step for computer icine. “It can be difficult for people to get into in the past few years, “the analytics tools that access, but it shields their research and their the field, even though there’s a shortage of people have available to them to sort through finances. people once you’re in.” data and to figure out what the hidden gems Indeed, getting everyone on campus to keep The shortage has driven up salaries for top are have just advanced so much,” he says. Per- computer security in mind can be as good as information-security staff as well. A chief in- sonally identifiable information is still the some technical backstop, and more affordable. formation-security officer at a typical college most desirable, and lucrative, goal, but if hack- When Bowdoin rolled out multifactor authen- 10 years ago might have started at $75,000, ers get into a college’s network they can gather tication about a year ago, the goal was not just Mr. Davis says. “Now? Double that.” terabytes of research data or emails to sift for to sell the new program, according to Steven Despite scarce personnel and limited re- possible profit. Most of the nonpersonal data A. Blanc, vice president and associate chief in- sources, Mr. Lacey thinks will contain little or no information that can formation officer. It was important to impart colleges do a good job over be leveraged, but it doesn’t matter. the idea that “security is not something that all at data security. Data-se- “They just slurp it all up,” says Mitchel W. IT does, it’s something the college does,” he curity professionals in higher “ If we have to have it, Davis, chief information officer and senior says.
Recommended publications
  • Inkwell Management London 2017
    InkWell Management London 2017 TABLE OF CONTENTS Fiction Peter Blauner .................................................. Proving Ground ........................................................................ 9 Mary Clyde ..................................................... No Morning Sun ....................................................................... 10 Rene Denfeld .................................................. The Child Finder ...................................................................... 11 Owen Egerton ................................................ Hollow ....................................................................................... 12 Katherine Heiny ............................................. Standard Deviation ................................................................... 13 Elin Hilderbrand ............................................ The Identicals ............................................................................ 14 Lia Hills ........................................................... The Crying Place ....................................................................... 15 Eloisa James .................................................... Wilde in Love............................................................................. 16 Wendy James .................................................. The Golden Child ....................................................................... 17 Jarett Kobek .................................................... The Future Won’t Be Long .......................................................
    [Show full text]
  • Odio Internet
    www.elboomeran.com ODIO INTERNET 001-256 odio internet.indd 3 20/07/2017 15:50:37 001-256 odio internet.indd 4 20/07/2017 15:50:37 ODIO INTERNET Jarett Kobek Traducción de Juan Manuel Salmerón Arjona 001-256 odio internet.indd 5 24/07/2017 12:45:49 © Jarett Kobek, 2016 © Traducción: Juan Manuel Salmerón Arjona © Los libros del lince, S. L. Gran Via de les Corts Catalanes, 657, entresuelo 08010 Barcelona www.linceediciones.com Título original: I Hate the Internet ISBN: 978-84-15070-92-4 Depósito legal: B-17.566-2017 Primera edición: septiembre de 2017 Impresión: Novoprint Maquetación: gama, sl Imagen de cubierta: © Malpaso Ediciones, S. L. U. Bajo las sanciones establecidas por las leyes, quedan rigurosamente prohibidas, sin la autorización por escrito de los titulares del copyright, la reproducción total o parcial de esta obra por cualquier medio o procedimiento mecánico o electrónico, actual o futuro (incluyendo las fotocopias y la difusión a través de internet), y la distribución de ejemplares de esta edición mediante alquiler o préstamo, salvo en las excepciones que determine la ley. 001-256 odio internet.indd 6 24/07/2017 12:45:49 Advertencia Esta novela contiene capitalismo, cierto tufo masculino, anacronis- mos, amenazas de muerte, violencia, esclavitud, cultura popular pa- sajera, desesperación, burla despiadada contra los ricos y poderosos, amenazas de violación, mera repetición de ideas epicúreas, industria del cómic, muerte del intelectualismo, situación de las mujeres en una sociedad que las odia, populismo, una pésima frase
    [Show full text]
  • Jarett Kobek
    JARETT KOBEK I Hate the Internet.indd 3 25/07/2016 13:45 With many special thanks to James Hopkin First published in Great Britain in 2016 by Serpent’s Tail, an imprint of Profile Books Ltd 3 Holford Yard Bevin Way London WC1X 9HD www.serpentstail.com First published in 2016 in the USA by We Heard You Like Books, A Division of U2603 LLC, Los Angeles, CA Copyright © 2016 by Jarett Kobek Illustrations “Time Magazine” & “Some Advertisements, Bro” Courtesy of Sarina Rahman 10 9 8 7 6 5 4 3 2 1 Printed and bound in Great Britain by Clays, St Ives plc The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. The characters and events in this book are fictitious. Any similarity to real persons, dead or alive, is coincidental and not intended by the author A CIP record for this book can be obtained from the British Library ISBN 978 1 78125 761 6 eISBN 978 1 78283 314 7 I Hate the Internet.indd 4 25/07/2016 13:45 chapter one trigger warning: Capitalism, the awful stench of men, historical anach- Long after she had committed the only unforgivable sin of the Twenty- ronisms, death threats, violence, human bondage, faddish First Century, someone on the Internet sent Adeline a message.
    [Show full text]
  • Jarett Kobek and Rita Raley Published in ASAP/Journal
    1 “50% Laughter, 50% Despair: A Dialogue with Jarett Kobek” Jarett Kobek and Rita Raley Published in ASAP/Journal 5.3 (2020): 469–487 When Jarett Kobek says he writes garbage, he is not to be believed. The self-laceration is ubiquitous—“this is a bad novel,” the narrator of I Hate the Internet (2016) says in so many words, throughout the text—but it should not be understood as false modesty, an anxious plea for affirmation, or as stylistic affectation. Such pronouncements are instead aspirational. “I try to make everything a little shitty,” Kobek explains in an interview, because, the argument goes, truly holding a mirror up to the surreal horror that is post-9/11 America necessitates a self- conscious abandonment of the figure of the romanticized writer, as well as the aesthetic project of literary realism.1 Writers of “good novels,” his narrator protests, have “missed the only important story in American life,” “the world of hidden persuaders, of the developing communications landscape”—in other words, the internet.2 It may be that the new idioms and genres of self-expression and the accelerated temporal rhythms of multichannel communication are ill-suited to the mode of the good novel. But Kobek’s argument is not about literary form or language, so one cannot point to Flarf, uncreative writing, Alt-Lit, or even Emoji Dick as counterexamples. Kobek’s indictment is more fundamental and his outrage more overtly, unreservedly, political. What US writers in particular have missed, his work suggests, is the extent to which life itself has been altered by an industry that has broken its utopian promise; that captures and capitalizes on every utterance; that rewards extremity, cruelty, and, yes, stupidity— in other words, the internet.
    [Show full text]
  • The True Story of Maddie Bright Mary-Rose Maccoll
    AUSTRALIA APRIL 2019 The True Story of Maddie Bright Mary-Rose MacColl The bestselling author of In Falling Snow returns with a spellbinding tale of friendship, love and loyalty Description 'This book has it all: an unforgettable first chapter, a fascinating insight into the Prince of Wales' visit to Australia in 1920 through the eyes of two women who worked for him, and a compelling mystery set in contemporary times, against the backdrop of Princess Diana's death. Truly wonderful storytelling.' - Natasha Lester, bestselling author of The Paris Seamstress In 1920, at seventeen years of age, Maddie Bright takes a job as a serving girl on the Royal Tour of Australia by Edward, Prince of Wales. She meets the prince's young staff - his vivacious press secretary Helen Burns, his most loyal man Rupert Waters - and the prince himself - beautiful, boyish, godlike. Maddie might be on the adventure of a lifetime. Sixty-one years later, Maddie Bright is living a small life in a ramshackle house in Paddington, Brisbane. But an unlooked- for letter has arrived in the mail and there's news on the television from Buckingham Palace that makes her shout back at the screen. Maddie Bright's true story may change. In August 1997, London journalist Victoria Byrd is tasked by her editor with the job of finding the elusive M.A. Bright, author of the classic war novel of ill-fated love, Autumn Leaves. It seems Bright has written a second novel, and Victoria has been handed the scoop. Recently engaged to an American film star, Victoria is horrified by her own sudden celebrity and keen to escape to Australia to follow the story.
    [Show full text]
  • Overcoming Internet Disillusionment: on the Principles of Meme Design
    “Artificial intelligence is not the answer to organized stupidity” – Johan Sjerpstra. “Please don’t email me unless you’re going to pay me” – Molly Soda. “Late capitalism is like your love life: it looks a lot less bleak through an Instagram filter” – Laurie Penny. “Wonder how many people going on about the necessity of free speech and 01/11 rational debate have blocked and muted trolls?” – Nick Srnicek. “Post-truth is to digital capitalism what pollution is to fossil capitalism – a by- product of operations” – Evgeny Morozov. “I have seen the troll army and it is us” – Erin Gün Sirer. 1. Internet Disillusionment Our disenchantment with the internet is a fact. Geert Lovink Yet again, enlightenment does not bring us liberation but depression. The once fabulous aura that surrounded our beloved apps, blogs, Overcoming and social media has deflated. Swiping, sharing, and liking have begun to feel like soulless Internet routines, empty gestures. We’ve started to unfriend and unfollow, yet we can’t afford to Disillusionment: delete our accounts, as this implies social suicide. If “truth is whatever produces most eyeballs,” as Evgeny Morozov states, a general On the click strike seems like the only option left.1 But since this is not happening, we feel trapped and Principles of console ourselves with memes. ÊÊÊÊÊÊÊÊÊÊThe multi-truth approach of identity politics, according to Slavoj Žižek, has produced n g Meme Design i 2 s a culture of relativism. Chomsky’s process of e D “manufacturing consent” has taken hold e m completely. As Žižek explains in a British TV e 3 M interview, the Big Other has vanished.
    [Show full text]
  • Inkwell Management London 2016
    InkWell Management London 2016 TABLE OF CONTENTS Fiction Nathan Besser ................................................. Man in the Corner ..................................................................... 6 Peter Blauner ................................................... Proving Ground ......................................................................... 7 Matthew Carr .................................................. The Devils of Cardona ................................................................ 8 Blake Crouch ................................................... Dark Matter ............................................................................... 9 Jesse Donaldson .............................................. The More They Disappear .......................................................... 10 Katherine Govier ............................................ The Three Sisters Bar and Hotel ................................................ 11 Pepper Harding .............................................. The Heart of Henry Quantum ................................................... 12 Kaui Hart Hemmings .................................... How to Party With an Infant..................................................... 13 Kathryn Heyman ............................................ Storm and Grace ........................................................................ 14 Elin Hilderbrand ............................................ Here’s to Us ..............................................................................
    [Show full text]
  • Overcoming Internet Disillusionment: on the Principles of Meme Design
    Overcoming Internet Disillusionment: On the Principles of Meme Design “Artificial intelligence is not the answer to organized stupidity”—Johan Sjerpstra. “Please don’t email me unless you’re going to pay me”—Molly Soda. “Late capitalism is like your love life: it looks a lot less bleak through an Instagram filter”—Laurie Penny. “Wonder how many people going on about the necessity of free speech and rational debate have blocked and muted trolls?”—Nick Srnicek. “Post-truth is to digital capitalism what pollution is to fossil capitalism—a by- product of operations”— Evgeny Morozov. “I have seen the troll army and it is us”— Erin Gün Sirer. A meme featuring Jean Baudrillard posted at loltheorists.livejournal.com. 1. Internet Disillusionment Our disenchantment with the internet is a fact. Yet again, enlightenment does not bring us liberation but depression. The once fabulous aura that surrounded our beloved apps, blogs, and social media has deflated. Swiping, sharing, and liking have begun to feel like soulless routines, empty gestures. We’ve started to unfriend and unfollow, yet we can’t afford to delete our accounts, as this implies social suicide. If “truth is whatever produces most eyeballs,” as Evgeny Morozov states, a general click strike seems like the only option left.1 But since this is not happening, we feel trapped and console ourselves with memes. The multi-truth approach of identity politics, according to Slavoj Žižek, has produced a culture of relativism.2 Chomsky’s process of “manufacturing consent” has taken hold completely. As Žižek explains in a British TV interview, the Big Other has vanished.3 There is no BBC World Service anymore, the moderate radio voice that once provided us with balanced opinions and reliable information.
    [Show full text]
  • The Clockmaker's Daughter Kate Morton
    SEPTEMBER 2018 The Clockmaker's Daughter Kate Morton Kate Morton's highly acclaimed novels have sold over 11 million copies worldwide and are number one bestsellers around the world. Sales points • Kate Morton's eagerly awaited new novel - her first in three years • Kate Morton's books have sold over 11 million copies in 33 languages worldwide • Kate's last novel - The Lake House - has sold over 100,000 copies across Australia and New Zealand alone • The Lake House reached no 1 in Bookscan charts in Australia • CATEGORY: Popular fiction Description My real name, no one remembers. The truth about that summer, no one else knows. In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe's life is in ruins. Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist's sketchbook containing the drawing of a twin-gabled house on the bend of a river. Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets? Price: AU $32.99 NZ $36.99 Told by multiple voices across time, The Clockmaker's Daughter is a story of murder, mystery and thievery, of art, love ISBN: 9781742376523 and loss.
    [Show full text]
  • Conversations with Ray Bradbury Steven Louis Aggelis
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 Conversations with Ray Bradbury Steven Louis Aggelis Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES CONVERSATIONS WITH RAY BRADBURY By STEVEN AGGELIS A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2003 Copyright © 2003 Steven Aggelis All Rights Reserved The members of the Committee approve the dissertation of Steven Aggelis defended on 22 September 2003. __________________________ R. Bruce Bickley, Jr. Professor Directing Dissertation __________________________ Leo Sandon Outside Committee Member __________________________ William T. Lhamon, Jr. Committee Member __________________________ Joseph McElrath, Jr. Committee Member Approved: __________________________ Hunt Hawkins, Chair, Department of English __________________________ Donald Foss, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above-named committee members. ii TABLE OF CONTENTS Introduction v Chronology xxiv Abstract xxxii Preface 1 The Market Is Not the Story: An Interview with Ray Bradbury (1948) R. Walton Willems 3 Sum and Substance: With Ray Bradbury and Herman Harvey (1962) Herman Harvey 6 A Portrait of Genius: Ray Bradbury (1964) Show 12 Ray Bradbury: Cassandra on a Bicycle
    [Show full text]
  • Beyond D.F. Wallace: Internet-Conscious Literature in the 2010S
    Master’s Degree Programme in Language Sciences Second Cycle (D.M. 270/2004) Final Thesis Beyond D.F. Wallace: Internet-Conscious Literature in the 2010s Supervisor Prof. Pia Masiero Assistant Supervisor Prof. Simone Francescato Graduand Alberto Bombarelli 842264 Academic Year 2017/18 1 CONTENTS Abstract………………………………………………………………………………………………………………………….……3 Introduction……………………………………………………………………………………………………………………..….4 1. Ask who David Foster Wallace was…………………………………………………………………………………..9 2. Looking Back or Not……………………………………………………………………………………………………....16 3. Becoming the New: Serious Electro Literature?................................................................31 4. Problematizing the New: Some Internet-Related Literature by Young New Authors………46 5. Exasperating the New: Internet Excursions by Older Authors…………………………………………70 Conclusion………………………………………………………………………………………………………………………...92 Primary works cited…………………………………………………………………………………………………….…….95 Secondary works cited………………………………………………………………………………………………..…….97 2 ABSTRACT David Foster Wallace saw the progressive cultural hegemony of television as detrimental both socially and artistically for human society, and called for a crucial overcoming of the values and aesthetics of high post-modernism which had failed, having been swallowed, assimilated and nullified by that very televisual world they sought in some way to criticize; most of all, irony, a sort of great invalidator of any criticism. Wallace believed the only solution was a return to a new sincerity – the artist as transparent, frail,
    [Show full text]
  • Inkwell Management Frankfurt 2016
    InkWell Management Frankfurt 2016 TABLE OF CONTENTS Fiction Ania Ahlborn ................................................ The Devil Crept In ................................................................... 6 Greg Bardsley ................................................. The Bob Watson......................................................................... 7 Peter Blauner .................................................. Proving Ground ........................................................................ 8 Rene Denfeld .................................................. The Child Finder ...................................................................... 9 Owen Egerton ................................................ Hollow ....................................................................................... 10 Matthew FitzSimmons .................................. Poisonfeather ............................................................................. 11 Pepper Harding ............................................. The Heart of Henry Quantum................................................... 12 Katherine Heiny ............................................. Standard Deviation ................................................................... 13 Elin Hilderbrand ............................................ The Identicals ............................................................................ 14 Elin Hilderbrand ............................................ Winter Storms ..........................................................................
    [Show full text]