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Download Cast Sheet Did you know? A co-production from In 2018 we had 19,940 screenings around the world. Enjoy the show We hope you enjoy your National Theatre Please do let us know what you think Live screening. We make every attempt to through our channels listed below or replicate the theatre experience as closely approach the cinema manager to share as possible for your enjoyment. your thoughts. Connect with us Explore Never miss out Cast Broadcast Team Go behind the scenes of Fleabag and learn Get the latest news from Fleabag Phoebe Waller-Bridge Director for Screen Tony Grech-Smith more about how our broadcasts happen on National Theatre Live straight Technical our website. to your inbox. Creative Team Producer Christopher C. Bretnall Lighting Director Stuart Pring Writer Phoebe Waller-Bridge ntlive.com ntlive.com/signup Sound Supervisor Conrad Fletcher Director Vicky Jones Script Supervisor Amanda Church Designer Holly Pigott Lighting Designer Elliot Griggs Join in Feedback Composer and Sound Designer Isobel Waller-Bridge Use #Fleabag and be a part of the Share your thoughts by taking our conversation online. short online survey and enter into a prize draw to win £100. /nationaltheatrelive Running time: 1 hour and 20 minutes, ntlive.com/feedback with no interval. Age recommendation 15 years + @ntlive Contains strong language DirectingIntroducing Arthur Fleabag Miller’s All My Sons Coming soon ntlive.com Director Jeremy Herrin answers a few questions about his approach to All My Sons. Find the next broadcast or screening near you at Welcome to the original, hilarious, one- by Phoebe Waller-Bridge in London, Korea Whatwoman do play you that think inspired makes the this BBC’s hit TV Ourand productionNew York, andplays has gently also withtoured this across playseries classic? Fleabag. A rip-roaring look at some constructthe UK and in to a wayAustralia that Iwith hope Maddie will Rice A feuding fairy King and Queen of the forest Miller’ssort of womancraft. This living play her has sort been of life. solidly encourageplaying Fleabag. audiences to consider the cross paths with four runaway lovers and built from the ground up, and Miller has political questions Miller is asking – without a troupe of actors trying to rehearse a play. createdFleabag amay world seem that oversexed, will irresistibly emotionally pull gettingNow, National in the play’s Theatre way. LiveAll are My sharing Sons has As their dispute grows, the magical royal anunfi audience ltered and into self-obsessed, its orbit and letbut them that’s onlythis award-winningbecome more urgentplay from in the the 72 stage years of couple meddle with mortal lives leading by William Shakespeare engagejust the tipwith of the the grave iceberg. realities With offamily our and sinceWyndham’s Miller firstTheatre laboured to cinema over screensit. to love triangles, mistaken identities and a Bridge Theatre production condition,friendships whilst under making strain and it captivating a guinea pigand across the UK and around the world. transformations… with hilarious, but dark touchingcafé struggling in the familiarto keep formafl oat, of Fleabag a realistic What are the challenges of directing this consequences. familysuddenly drama. fi nds It’s herself a classic with fornothing good to reason. lose. playOur state-of-the-art and how will you fi lming approach techniques this? In cinemas 179 November October Gwendoline Christie (Game of Thrones) Theare tailoredcomplexity specifi and cally subtly to each of the play. characters From leads in Shakespeare’s most famous WhatWritten is and your performed vision for by bringing Phoebe thisWaller- andclose-ups how their that truths capture collide every requires fl icker ofsome romantic comedy, directed by productionBridge and directed to the stage? by Vicky Jones, Fleabag psychologicalemotion on Fleabag’s insight andface, theatrically. to sweeping Nicholas Hytner. Arthurstarted Miller its life seems on-stage to be at writingthe Edinburgh about Thewide play shots needs of the a rhythmicstage – you’ve and dynamic got the theFringe bigger Festival economic in 2013, picture winning and a howFringe the controlbest seat that in Ithe enjoyed house. learning and, crucially, HHHHH capitalistFirst award system that encourages works. He laysnew out work. a dog- I’m hoping remains unseen. I want the ‘Five stars might not be enough.’ eat-dogSince then, vision Fleabag of the has world been where performed people audienceWe hope youto get enjoy swept the into show. an intense Observer think of themselves as individuals rather and immersive experience. The biggest thanDryWrite as members of a wider community. challengeNational was Theatre casting it Liveand I’m delighted The individual and his family is at the heart that we’ve got such an exciting ensemble: DryWriteof the American is an award-winning Dream. and Olivier Nationalgreat actors Theatre in each Live and distributes every role. It’s 1988 and Tory politician Robin Hesketh nominated new-writing theatre company world-class theatre straight from stages has returned home to the idyllic Cotswold that challenges writers to work with across the United Kingdom to cinema house he shares with his wife, Diana. But specifi c briefs and goals to actively screensNational around Theatre the world. Live The Old Vic all is not as blissful as it seems. Diana has engage audiences. a new play by Simon Woods The Old Vic aims to be surprising, National Theatre Live distributes a stinking hangover, a fox is destroying the Working with the best of British a National Theatre production unpredictable, ground-breaking, rule- world-class theatre straight from stages garden, and secrets are being dug up all theatre companies and producers, we breaking,Soho Theatre independent, accessible across the United Kingdom to cinema In cinemas 7 December over the place. and uplifting. Today, Artistic Director screenssimultaneously around broadcastthe world. live theatre shows Broadcast live 7 November This brand new play is a witty and Matthew Warchus is building on 200 years to cinemas in the UK, Europe and sometimes Soho Theatre is London’s most vibrant devastating portrait of the governing class, of creative adventure. A not-for-profit theatre WorkingNorth America, with the as best well ofas British capturing theatre the live venue for new theatre, comedy and cabaret featuring Lindsay Duncan (About Time) and operating a breakeven budget in a historic, companiesperformance and for producers,encore screenings we in with a national and international touring other territories. Alex Jennings (The Lady in the Van). programme,Grade II* listed a digitalbuilding presence with the and help an of simultaneously broadcast live theatre additional£3.6 million venue of philanthropic in progress. support every shows to cinemas in the UK, Europe year from generous supporters, the building andOur livesometimes broadcasts North and America, screenings as well have as is open and alive day and night. capturingbeen seen the by liveover performance 9 million people for encorein 2,500 Annapurna Theatre screeningscinemas in 65in othercountries territories. since we launched Headlong in 2009. As he prepares to embark on an overseas tour, HeadlongAnnapurna is Theatre one of theis the most live ambitious stage Our live broadcasts and screenings ntlive.com star actor Garry Essendine’s colourful life is in anddivision exciting of Annapurna theatre companies Pictures. Annapurnain the UK, have been seen by over 8 million people Present focuses on creating sophisticated, high- infacebook/nationaltheatrelive 2,500 cinemas in 65 countries since danger of spiralling out of control. Matthew creating exhilarating contemporary theatre: @ntlive Warchus directs Andrew Scott (BBC’s aquality provocative projects mix that of appealinnovative to a new diverse writing, we launched in 2009. audience across fi lm, television, theatre LAUGHTER Sherlock, everyone’s favourite Hot Priest from reimagined classics and influential 20th- By Noël Coward Fleabag) in Noël Coward’s provocative and interactive. century plays that illuminate our world. comedy. In cinemas 1 February.
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