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A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
AFH-Dissertation Last Edits
Narratives and Sensemaking in the New Corporate University: The Socialization of First Year Communication Faculty by Andrew F. Herrmann A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Arthur P. Bochner, Ph.D. Eric M. Eisenberg, Ph.D. Carolyn Ellis, Ph.D. Charles Guignon, Ph.D. Date of Approval: June 16, 2008 Keywords: academic capitalism, discourse, ethnography, Foucault, identity, interactive interview, storytelling, strategic ambiguity, Weick © Copyright 2008, Andrew F. Herrmann Dedication To my advisor, mentor, teacher and friend, Dr. Arthur P. Bochner. Thank you for the critiques, guidance, support and wisdom. And patience. To my committee members, Dr. Eric Eisenberg, Dr. Carolyn Ellis, and Dr. Charles Guignon. Thank you for your insights and encouragement. To my dissertating comrades – Dr. Tony Adams, Dr. Cara Mackie and Robyn Boylorn – for providing me feedback and keeping me grounded. To Dr. Bob Krizek for taking a chance on an adult student. To Mom: this is the culmination of all the “bad parenting.” To Charlie, Fred and Jim for consistently being there and never doubting. To my nephew Garrett, for reminding me to play. To the CB from the EB. To the brave participants who opened their lives to me, showing me the future. Table of Contents Abstract iii Chapter 1: The Agenda – Studying Organizational Socialization in the University 1 Chapter 2: The Construction of Social -
November 2020: Alumni English 100 Class Oracle
Issue 1 November 5, 2020 Onward Odyssey ORACLE English 100 Writers’ Journal Contents Why We Write .............. 2 Educational Journeys .. 13 Kevin Mullen, Odyssey Co-Director, English 100 Instructor [email protected] 608-572-6730 Emily Auerbach, Odyssey Co-Director [email protected] 608-712-6321 www.odyssey.wisc.edu Odyssey Oracle 11-5-2020 Why We Write If I had a chance to really look back wanted and not worry about the backlash. I could at my life, I can say that writing explore my feelings with words instead of keeping saved it. From the early years of them bottled up. It didn’t take me long to fill my me writing love letters to the guys journal up after figuring out that I had something who probably didn’t know I existed to say. I started to use my subject journals to jot to writing papers and poetry for down things in school, at family events, and even my Odyssey class, putting a pen to in church. It turned out that I did have something paper gave me the space to express myself freely to say! Instead of holding on to the mean things I and unafraid. I knew that my silent power could thought about myself at the time, I got them out. I take me into a world where what I said mattered was able to clear my mind while giving it space to and was appreciated. recreate how I felt about myself. In other words, I’d struck gold. Outside of my notebooks I was a gentle giant. -
Constructing Daddy: the Absent Father, Revisionist Masculinity And/In Queer Cultural Representations
disClosure: A Journal of Social Theory Volume 9 manholes Article 3 4-15-2000 (De)Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cultural Representations Andrew Schopp University of Tennessee Martin DOI: https://doi.org/10.13023/disclosure.09.03 Follow this and additional works at: https://uknowledge.uky.edu/disclosure Part of the English Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License. Recommended Citation Schopp, Andrew (2000) "(De)Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cultural Representations," disClosure: A Journal of Social Theory: Vol. 9 , Article 3. DOI: https://doi.org/10.13023/disclosure.09.03 Available at: https://uknowledge.uky.edu/disclosure/vol9/iss1/3 This Article is brought to you for free and open access by disClosure: A Journal of Social Theory. Questions about the journal can be sent to [email protected] Andrew Schopp (De )Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cul tural Representations Contemporary cultur i almo l ob e eel with a11 Ab ent Fath r mythology. Whether literal or metaphoric, th Ab e 11l Fath r fi gure in nu merou cultural repr enlalion and ha b n po it d a th e ~ oure of v rything from problem ati c mal e beha vior lo male anxieti es about what it m an to b ma culine. Ilow v r, th e Ab enl Fath r i. an especially troubling fi gu r for gay men. I I t ronormal i ve approach to xuali Ly and p yc hologi ·al developm n t, from Freud 1 lo Jung2 Lo ronl mporary religiou ri ght mini tri that would ''cure" queers/1 have con tructed and maintain cl a cultural paradigm in whi ch th e ho mo xual mal e (mo l oft n een a a male who fail al ma culinit. -
A Glossary of Jungian Terms
A Glossary of Jungian Terms “““The“The AAlchemistslchemists thought that thethethe OOOpusOpuspuspus demanded not only laboratory work, the reading of books, meditation, and patience, but also lovelove””””.... -- The Practice of Psychotherapy Abaissement du niveau mental: French psychologist Pierre Janet's term, elaborated by Jung, for a weakening of the ego due to an unconscious drainage of its psychological energy. A lowering of attention or consciousness. Often observed just before creative work or during those incubation periods when the unconscious prepares a new stage of growth. Absolute knowledge: the acausal foreknowledge, relatively independent of limitations of time and space, possessed by the unconscious and apparent in constellated archetypes and in synchronicity . Acausal OOrderedness:rderedness: the underlying interconnectedness of psychic and physical processes. Synchronicity is one expression. Time is a concrete continuum possessing basic qualities that can manifest simultaneously in different places, as the ancient Chinese thought. Active IImaginationmagination ::: holding an image in awareness while fantasizing and associating to it to bring it to life and discover its nuances and unconscious roots. Also focuses and unifies the four orienting functions of consciousness. Active imagination is the indispensable second part of any deep analysis and bases itself on the imaginal nature of the psyche . AffectAffect----ego:ego: the modification of the ego or "I" by an emerging strongly toned complex . With painful feelings the modification can bring about a restriction, a withdrawal of many parts of the normal ego . Aion: a lion-headed, snake-encircled Mithraic God-image of time (also called Kronos or Deus Leontocephalus) who for Jung represented death/rebirth and a psychological union of opposites like light and darkness, male and female, creation and destruction. -
Masculinity and Shell Shock in the Poetry of Siegfried Sassoon: Soldier of Trauma and Poet of Abjection
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk McCormack, Peter (2019) Masculinity and shell shock in the poetry of Siegfried Sassoon: soldier of trauma and poet of abjection. Masters thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/26781/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
“Local Forensic Scientists Have Made Attempts to Determine a Cause of Death...Their Tests Have Been Largely Inconclusive.”
volume 7 - issue 3 - tuesday, february 9, 2010 - uvm, burlington, vt uvm.edu/~watertwr by maxbookman by joshhegarty photo by emily shwartz ast Sunday night, February 7th, one attempts to examine the body and de- affect whales. We’re ruining the sea and however. of the most incredible and termine a cause of death, however since the atmosphere, can you really blame this Local authorities issued a statement on unbelievable things to ever appear they are not accustomed to working whale for being confused?” Friday, February 5th at noon, which had in Burlington, Vermont washed up with whales, their tests have been largely One man, who went only by Z, had this to say: on the beach. A North Atlantic Blue inconclusive. They have however deter- this to say, “That isn’t a normal whale. A “North Beach will be closed to all from Whale, weighing an estimated 150 tons mined that it was likely to be some sort week ago, an alien space craft dropped this point until Tuesday, February 9th, at with a length of 91 feet washed up dead of illness of the whale because no notable it here after they did their little experi- the earliest. The beach will reopen as soon on North Beach. If you find this informa- signs of injury could be found. ments on it. We gotta get rid of it soon or as the whale remains have been properly tion hard to swallow, I don’t blame you. This strange occurrence has also the eggs that they planted in its belly will removed and the shore has been combed I didn’t believe it myself until I visited raised questions about the capabilities of and cleaned to ensure the safety of all.” North Beach and saw it with my own One police officer, who asked to re- eyes. -
AN ANALYSIS of MODALITY in MAHER ZAIN's SONG
AN ANALYSIS OF MODALITY IN MAHER ZAIN’s SONG (NUMBER ONE FOR ME) A THESIS Submitted to the State Institute for Islamic Studies Padangsidimpuan as a Partial Fulfillment of the Requirement for theGraduate Degree of Education (S.Pd) In English Written by FITRI RAHMADANI LUBIS Reg. Number. 13 340 0051 ENGLISH EDUCATIONAL DEPARTMENT TARBIYAH AND TEACHERS TRAINING FACULITY INSTITUTE FOR ISLAMIC STUDIES PADANGSIDIMPUAN 2017 NAME : FITRI RAHMADANI LUBIS REG. NO : 13 340 0051 FACULTY : TARBIYAH DAN ILMU KEGURUAN DEPARTMENT : TADRIS BAHASA INGGRIS (TBI-2) TITLE OF THESIS : AN ANALYSIS OF MODALITY IN MAHER ZAIN’S SONG (NUMBER ONE FOR ME) ABSTRACT In this research, the researcher analyzed mood and modality in Maher Zain song. The objective of this research are: 1) To find mood and modality in Maher Zain song. 2) To find dominant type of mood and modality in Maher Zain song. 3) To explain mood and modality in Maher Zain song. The purpose of this research was to analysis mood and modality in Maher Zain’s song (number one for me). This research hope this study can be useful to researcher. It will provide materials, it can be used by teacher to get mood and modality in Maher Zain’s song. This study is a qualitative research and uses content analysis. This research object is a song called number one for me song by Maher Zain, the lyrics of this song is very well known, especially by review those who love song, sung in various circles. The language contained in this song of course means that need to be revealed to gain an understanding it. -
Raw Thought: the Weblog of Aaron Swartz Aaronsw.Com/Weblog
Raw Thought: The Weblog of Aaron Swartz aaronsw.com/weblog 1 What’s Going On Here? May 15, 2005 Original link I’m adding this post not through blogging software, like I normally do, but by hand, right into the webpage. It feels odd. I’m doing this because a week or so ago my web server started making funny error messages and not working so well. The web server is in Chicago and I am in California so it took a day or two to get someone to check on it. The conclusion was the hard drive had been fried. When the weekend ended, we sent the disk to a disk repair place. They took a look at it and a couple days later said that they couldn’t do anything. The heads that normally read and write data on a hard drive by floating over the magnetized platter had crashed right into it. While the computer was giving us error messages it was also scratching away a hole in the platter. It got so thin that you could see through it. This was just in one spot on the disk, though, so we tried calling the famed Drive Savers to see if they could recover the rest. They seemed to think they wouldn’t have any better luck. (Please, plase, please, tell me if you know someplace to try.) I hadn’t backed the disk up for at least a year (in fairness, I was literally going to back it up when I found it giving off error messages) and the thought of the loss of all that data was crushing. -
Toby Nicholas Reynolds
Starving sons and hungry daughters: A Post-Jungian Analysis of Fatherhood in Contemporary Cinema Toby Nicholas Reynolds Thesis Submitted for the Degree of Doctor of Philosophy in the School of Art, Media and American Studies University of East Anglia January 2018 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract To date, the onscreen father is a relatively under-explored area of cinematic masculinities. Adding to the existing literature on this (e.g. Bruzzi 2005, Hamad 2014), the thesis seeks to explore and analyse the presence and importance of the filmic father. It approaches this by examining the concept of ‘father hunger’, a term popularised by the mytho-poetic men’s movement from the early 1990s that posits that fathers are considered a vital link to the masculine continuum. By using a post-Jungian methodology in analysing how two auteur directors (Sam Mendes and Paul Thomas Anderson) symbolically mediate onscreen representations of father figures and ‘father hunger’ within their films, the thesis offers a new perspective on this area of cinematic masculinities. Auteur film theory was chosen for the project as one of the functions of the auteur, as held by Staiger (2003), is to act as a conscious analyser of historical and cultural citations; in other words the auteur can present and analyse perspectives on gender, in this case, masculinities and fathers. -
Oedipus —Myth, Reality and the Distribution of Guilt
Oedipus —Myth, Reality and the Distribution of Guilt: With special consideration of Oedipus at Colonus1 by Detelina Stoykova, M.A., M.A. The myth of Oedipus the King and the eponymous Oedipus complex has ignited our imagination with its mystifying power and dramatic expression as told by the ancient poets. As the myth has been retold and has endured through ancient times, so have its interpretations. However, the Oedipus complex is rarely included in our case formulations anymore, as if it had exhausted itself and became a cliché, more readily embraced by pop-culture than by scientific circles. Some authors have challenged its universality and central importance; others have noted a whole analysis can go without the emergence of Oedipal material, suggesting that there is deficit of Oedipus complex issues (O'Shaughnessy, 1989). Still others have gone as far as to revoke the complex from its eponymous bearer (Eisner, 1987; Steiner, 1985). If the cornerstone of psychoanalysis has become clinically insignificant, theoretically, it had become its Gordian knot to be untied from many different perspectives with far-reaching inferences. Freud saw Sophocles’ drama in a way that no one had seen it before—the significance of seeing the oracle’s wish as the unconscious wish, and myth as an emanation of unconscious dynamics, established a paradigm shift in our understanding of myth in general. Even though there is no single work defining the Oedipus concept, Freud elaborated on the structure and its universality throughout his work: The Interpretation of Dreams (1965); The Ego and the Id (1960); Totem and Taboo (1950); The Future of an Illusion (1927); and, Moses and Monotheism (1939).