DOCSLIB.ORG

Page Or Plate Numbers for Illustrations Are in Italics

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Page Or Plate Numbers for Illustrations Are in Italics Cambridge University Press 978-1-107-60544-2 - Rethinking the Renaissance: Burgundian Arts Across Europe Marina Belozerskaya Index More information Index Page or plate numbers for illustrations are in italics. Académie Royale de Pein- “Famous Men” friezes, Ghent Altarpiece (van • 355 ture et de Sculpture, 216–18 Eyck), 120, 180 Paris, 18 tapestries immortalizing, gilded, 236 Accademia del Disegno, 53,54, 54–55,71–72,108, goldwork altarpieces, 87 Florence, 7, 12 112,149,156,163,197 hangings for, see altar Accademia di San Luca, Alfonso, Prince of Castille, hangings Rome, 17, 21 162, 164 Holy Sacrament Altarpiece Adolf I, Duke of Cleves, sons Alfonso V of Aragon (King (Molder), 236, Plate of, 63 of Naples), 61, 65, 120, XXV Adoration of the Magi 179–89, 210, 218 Infancy of Christ altarpiece, altar frontal, Sens cathedral, Alienor of Poitiers, 92, 94, Clerey,France, 237 116 99, 100, 120 Magdalene retable of Columba Altarpiece (van der altars and altarpieces Claudio de Villa, 234, Weyden), 238, 239 Brabantine altarpieces, 235 Michelangelo, 238 marketing of, 232–38, marks indicating origins Adoration of the Shepherds 272 of, 237 Altarpiece (Ghirlandaio), carved wooden altarpieces, Merode Altarpiece 242 costs, 235–36 (Campin), 227, 228 Aelst, Pieter van, 156, 177 Columbia Altarpiece (van Miraflores monastery, Agincourt, Seroux d’, 24 der Weyden), 238, 239 Burgos, Spain, Juan de Agnes of Burgundy, 64, 116 Dalmau’s Altarpiece of the Flandes’ Altarpiece of the Agnès of Cleves, 124 Virgin with the Councilors, Baptism at, 162, 163, 165, Agricola,Alexander, 188, 200 180, 181 171 Ahasuerus, 116, 137 delivery,finishing, and polychromy,effect of, Alberti, Leon Battista, 8, 9, installation contracts, 236 13, 185, 225 244 Portinari Altarpiece (van der Alençon, Dukes of, 65 Edinburgh, altarpiece of Goes), 242, 244 Alexander the Great Collegiate Church of purchasers of, 236 Burgundian Dukes’ inter- Holy Trinity of, 247–49, resale, 236–37 est in, 69, 71–72, 73, 107 252–53 St. Barbara Altarpiece (van Les faiz du grant Alexandre fairs and markets, sold at, der Cleyen), 236 (Curtius/Lucena), 49, 70 228, 232, 233, 237 St. Bertin abbey, 111, 223 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-60544-2 - Rethinking the Renaissance: Burgundian Arts Across Europe Marina Belozerskaya Index More information index altars and altarpieces (cont.) Panden, fairs, and markets ornamentation of, 126–29 St. John Altarpiece (Mem- of, 227, 228–29, 230, Philip II of Spain, parade ling), 124, 125 237 armor of, 126–28, 127 Tani triptych, 239 Anversa, Paolo d’, 261 sword of Charles the Three Coronations tapestry, Apelles, 22, 184 Bold, 96, 97 Sens Cathedral, 115–16, Apocalypse, tapestry at St. Arnold, Duke of Guelders, Plate XII, Plate XIII Bertin depicting, 111, 113 Västeras Cathedral, 115 Arnold of Villanova, 98 Sweden, 233, 233 Appiato,Antonio, 199 Arras Virgin and Child with Aragon, see Spain Congress of, 113, 121 Saints (Master of St. architecture ducal tapestries kept at, Lucy Legend), 244, 249 Alfonso V of Aragon, 181 106 altar hangings bricklaying, 154, 256–57 tapestry center, as, 107, 114 Adoration of the Magi altar Burgundian projects, 134 arras as term for high-quality frontal, Sens cathedral, Edward IV of England’s tapestries, 107 116 projects, 150–51 ars nova musical composers, Coronation of the Virgin, Gorichem, tower at, 188 356 • 121 140–41 “Art,”development of mod- Order of the Golden importation of Burgun- ern concept of, 49 Fleece, 118, 118–20, 119 dian/Netherlandish art history as discipline, see Lambert cathedral, Liège, artisans and styles, historiographical issues 101 256–57 Arthur, son of Henry VII of St. Francis and Pope Sixtus Muslim elements, Spanish England IV,frontal depicting, 262 adaptation of, 163 birth of, 157 ambassadors, see diplomacy Richmond Palace under Katharine of Aragon’s amber, 96 Henry VII of England, marriage to, 58, 72, 142, Ammann, Jos (Justus de Alle- 152–54, 157, 158 152, 155, 156, 157, 161 magna), 221–22 Spanish funerary chapels, Marriage of Prince Arthur Anchieta, Juan de, 174, 176 161–63 tapestry, 156, 157 André, Bernard, 157 Urbino Palace, 210, 211, tutored by Bernard André, Anghiera, Peter Martyr d’, 212 158 163 Arduino di Valperga, 56 Arthurian frescoes, Palazzo Anne of Cleves, 159 Arienti, Giovanni Sabadino Ducale, Mantua, 105–6 Anne, sister of Philip the degli, 48 artists and artisans, 5–6, Good, 146 Aristotle, 47, 48, 69, 81, 100, 76–77 Annunciation 184, 228 classical authors on, Justus de Allemagna (Jos armor and weaponry, 184–85 Ammann), 221, Plate 125–30, 194 court employment and XXII chivalry,role of, 125–26 negative features of, tapestries, 212–13 fairs and markets, sold at, 170–71 van der Weyden, 221, 222 227, 232 fairs and markets, value in Anthony,Grand Bastard of importation of Burgun- attending, 230–31 Burgundy, 63, 69, 88, dian/Netherlandish guilds, 226, 227, 228, 130, 141, 155 goods, 259 234–35, 236, 237 Anthony of Luxembourg, magnificence, political immigration/emigration Count of Roussy, 142 ideology of, 125–26 of, see immigration/ antiquity, see classicism mass-produced, 129 emigration of artists Antwerp Medusa shield of Charles and artisans mark of, 237 V (Negroli), 128, 129 mass marketing of Bur- © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-60544-2 - Rethinking the Renaissance: Burgundian Arts Across Europe Marina Belozerskaya Index More information index gundian/Netherlandish Barbo/Borbo, Giacomo, 188 Black Book of Edward IV, 151 artifacts, 226–32 Baroncelli, Maria Maddalena, Blanche, Queen of Navarre, multiplicity of roles of, 242–43, 245 124 192–93 Bartolomeo, Michelozzo di, Boccaccio, Giovanni, 8 representations of, 227, 210 Boisserée, Sulpiz and Mel- 228, 229, Plate XXIII bas musical instruments, 130, chior, 30, 31 spies, diplomats, and 173, 174 Bona of Savoy, 196–97, 207 politicians, artists acting Basilio, Giusto de, 189 Bonkil, Edward, 247–49 as, 192–93 Bathsheba, 116 La Bonne Vie tapestry, 113 tapestries, 107, 114 Baume, Guillaume de la, Book of Hours of Queen arts, hierarchy of, 76–84 247 Isabella, 176, 177 The Ascension (Sittow), 166 Bavaria books, see also individual The Assumption of the Virgin Duke of, 86, 137 works (Sittow), 166, 168 Isabella of, 85, 86 chant and polyphony, Astemio, Lorenzo, 211 Bayazid (Sultan), 71 174 Astrat, Juan (Juan de Flan- Bear Hunt tapestry, 113 fairs and markets, sold at, des?), 171 Beatrice of Naples, 190 227, 228, 232 Atkinson, John, 155 Beauchamp, Richard, Earl of illuminated manuscripts, • 357 Aubert, David, 227, 229 Warwick, 63, 255–56, see illuminated manu- Aubry,Jean, 106 258, 259, 261 scripts Aubry,Regnault, 106 Beaufort, Edmund, Earl and importation of Burgun- Augsburg as center of armor Duke of Somerset, 63 dian/Netherlandish manufacture, 126 Beaufort, Lady Margaret, goods and artisans, Augurello, Giovanni Aurelio, tomb effigy of, 159, 159 259–60 56 Beaugrant, Madame de, 140 libraries, see libraries Aurispa, Giovanni, 74 Bedford, John, Duke of, 146 Borgia, Cesare, 213 Austen,William, 256 Belfiore Palace, d’Este family, Borgia, Lucretia, 193 Austria, Margaret of, 108, 216 Borreman, Jan, 233 158, 161, 166, 167–68, Bellori, Giovan Pietro, Bosworth, Henry VII’s 169, 170 17–19, 20 victory at, 157 automata, 138, 143 Bembo, Bernardo, 56, 267 Botticelli, Sandro, 163, 208, Averbode,Abbey of, 236 Bembo, Bonifazio, 197 265 Averlino,Antonio (Filarete), Bembo, Pietro, 56, 267–68 Bouchot, Henri, 38, 40 194, 215 Benci, Ginevra de, 263 Bourbon ducal family, 62, 64, Avignon, papal chapel at, 132 Benedicke, Paul, 239 85, 86, 115–16, 135 Avis pour faire le passage benefices for singers, 206–7 bourgeoisie, see middle d’Outre-mer, 52, Plate III Bening, Sanders, 215 classes, Burgundian arts Bening, Simon, 159 for bagpipes (saqueboutes), 130, Bermejo, Bartolomé, 263 Bourgogne, Jean de, 197 134 Berry, Jean, Duc de, 84, 88, Bouts, Dirk, 255 Bailleul, Baudouin de, 110, 89, 210 Brabant as tapestry center, 222 Bertram, Johann Baptist, 30 114 “Baltazar” (Johannes Petit), Bigarny,Felipe, 171 Brabantine altarpieces, mar- 206 Binchois, Gilles, 134, 192 keting of, 232–38, 272 banquets, see pageants and Biondo, Flavio, 8 Brandolini, Raffaele, 204–5 banquets births and baptisms, princely, Brederode, Gijsbrecht van, Baptism of Christ (Verocchio), 92, 100, 112, 120 99–100 238 Bisticci,Vespasiano da, 211, Brethren of Common Life, Barbarigo, Marco, 250, 254 215 45 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-60544-2 - Rethinking the Renaissance: Burgundian Arts Across Europe Marina Belozerskaya Index More information index Breviary of Queen Isabella, crusading ambitions, 57, Burgundian/Netherlan- 176, Plate XVI 61–62 dish/Northern art bricklaying, 154, 256–57 culture of, defined, 5 academic tradition and, Brittany,Dukes of, 65 demise of, 2 17 brocade, 121, 122 Dukes, list of, 49 Alfonso V of Aragon, Brocart, Jacot, 106 education at, see education influence on, 179–89 Brown, D.A., 268 and learning at Burgun- Belgian achievement, Bruegel, Pieter, 39 dian court viewed as, 38–39 Bruges England, relationship Brabantine altarpieces, Academy, 32 with, 59, 61, 63, 114, 232–38 exposition of 1902, 38–40 146–47 Burckhardt’s treatment of, exposition of 1907, 40–41 foreign visitors and diplo- 36–37 mark of, 237 mats at, 63–64 Edward IV of England, paintings, depicted in France, imitation of, 77, influence on, 152–60 backgrounds of, 243–44 94 eighteenth-century views Pand, fairs, and markets at, France, relationship with,
Load more

Recommended publications
  • An Archaeology of Tapestry: Contexts, Signs and Histories of Contemporary Practice Diana Wood Conroy University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 An archaeology of tapestry: contexts, signs and histories of contemporary practice Diana Wood Conroy University of Wollongong Recommended Citation Conroy, Diana Wood, An archaeology of tapestry: contexts, signs and histories of contemporary practice, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 1995. http://ro.uow.edu.au/theses/913 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. AN ARCHAEOLOGY OF TAPESTRY: CONTEXTS, SIGNS AND HISTORIES OF CONTEMPORARY PRACTICE A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF CREATIVE ARTS UNIVERSITY OF WOLLONGONG DIANA WOOD CONROY B.A. (Hons) FACULTY OF CREATIVE ARTS 1995 UNIVERSITY OF WOLLONGONG LIBRARY CERTIFICATION I certify that this work has not been submitted for a degree to any other university or institution, and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Diana Wood Conroy I I January 1995 AN ARCHAEOLOGY OF TAPESTRY: CONTEXTS, SIGNS AND HISTORIES OF CONTEMPORARY PRACTICE ABSTRACT The relevance of archaeological theory to contemporary craft, both through the discipline of academic investigation, and through an autobiographical voice in art practice, is the subject of this study. The sense of place, both classical and Aboriginal, is explored through letters and diaries from Greece in 1967 and from Bathurst Island in the Northern Territory in 1974.
    [Show full text]
  • Download the 2018 Catalogue
    2018 “And then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband.” (Rev 21:1-2) Turner Galleries, Perth June 1 – 30 2018 Finalists Corinne Barton Julie Davidson Benedict Juniper Sonia Payes Bec Bigg-Wither Robert Davis Jennifer Keeler-Milne Rachel Peters Godfrey Blow Paul Drok Alice Linford Forte Julian Poon Bob Booth Kris-Ann Ehrich Jane Lyons Suzanne Rivera Libby Byrne Silvana Ferrario Aliesha Mafrici Brian Robinson Charlotte Campbell Thomas Gibbs Elizabeth Marruffo Laura Siryj Laura Castelijn Alicia Gorey Simon & Naomi McGrath Alexandra Spargo Mikaela Castledine Naomi Grant Antoinette McSharry Courtney Spence Madeleine Clear Beric Henderson Alan Morrison Nicole Steenhof Emilio Cresciani Ian Johnston Michael Vincent Murphy Monique Tippett The Mandorla Art Award for contemporary religious art is Australia’s most significant thematic Christian art prize, attracting some of the country’s finest artists since its 1985 inception. Mandorla (MAN-dor-la) is an Italian word Past winners include John Coburn (1996); meaning almond. It refers to an almond- Nigel Hewitt (1991, 1992); Brian McKay shaped halo or aura that we find around (1986, 2002); and Julie Dowling (2000) the images of Jesus or Mary in Christian art who was named the most collectible artist and particularly in icons. It represents the in Australia shortly after her win. Another 2018 Theme: light that emanates from a divine being, notable winner was the much beloved A New Heaven and a New Earth or one very close to a divine being.
    [Show full text]
  • Displays of Medici Wealth and Authority: the Acts of the Apostles and Valois Fêtes Tapestry Cycles
    University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles Madison L. Clyburn University of Central Florida Part of the Classical Archaeology and Art History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Clyburn, Madison L., "Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles" (2019). Honors Undergraduate Theses. 523. https://stars.library.ucf.edu/honorstheses/523 DISPLAYS OF MEDICI WEALTH AND AUTHORITY: THE ACTS OF THE APOSTLES AND VALOIS FÊTES TAPESTRY CYCLES by MADISON LAYNE CLYBURN A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts & Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Margaret Ann Zaho, Ph.D. © 2019 Madison Layne Clyburn ii ABSTRACT The objective of my research is to explore Medici extravagance, power, and wealth through the multifaceted artistic form of tapestries vis-à-vis two particular tapestry cycles; the Acts of the Apostles and the Valois Fêtes. The cycles were commissioned by Pope Leo X (1475- 1521), the first Medici pope, and Catherine de’ Medici (1519-1589), queen, queen regent, and queen mother of France.
    [Show full text]
  • Weaversbazaar Masterclass: Colour and the Bauhaus Tradition, Led by Fiona Rutherford
    August 2017 Newsletter Weaversbazaar Masterclass: Colour and the Bauhaus Tradition, led by Fiona Rutherford. weaversbazaar are delighted to announce their next Masterclass, ‘Colour and the Bauhaus Tradition’, which will be led by masterweaver Fiona Rutherford. It will take place in West Sussex on 28th and 29th October 2017. We are inspired by the Bauhaus weavers and their legacy of colour and design that continues to ‘Find the ways (detail)’, designed and inform us nearly a hundred years on. woven by Fiona Rutherford Understanding how to balance and blend colour is fundamental to tapestry weaving. Fiona’s focus will be on helping to determine how to choose a colour palate and yarns to create a strong design through a simple use of pattern. Design is integral to this workshop. We will be looking at how to create asymmetrical patterns and lines through a controlled balance of colour. Fiona Rutherford lives in Edinburgh where she has a home-based studio. She has been weaving and teaching workshops for over twenty-five years and her tapestries are marked by a strong use of colour and pared abstract imagery. Fiona exhibits widely in the UK and internationally and her tapestries are held in major public collections. She is currently exhibiting in “Here and Now” at the Holburne ‘Time to Dance’ designed and woven by Fiona Rutherford Museum in Bath and next year she will be exhibiting in ARTAPESTRY 5 in Denmark. Visit our Masterclass page to get the full details and sign up. Cerise Range is complete This collection of colours has been sometime coming but is at last complete.
    [Show full text]
  • ATA NL Winter 06 Vol32no4
    Tapestry Topics A Quarterly Review of Tapestry Art Today www.americantapestryalliance.org Winter 2006 Vol 32 No 4 In This Issue Transition As Design Element Transitions and Joins. 3 By Kathe Todd Hooker Norwegian Dovetail Joins . 5 By Judy Ness Borders . 8 By Kathy Spoering Back to Borders . 10 By Sarah Swett Slits as Kilt Allusion . 12 Barbara Heller, "Nova Scotia Morning," 16" x 20" framed By Joan Baxter Point of Contact = Point of Power. 14 Barbara Heller Donates By Mary Zicafoose ATB6 Artists on Transitions . 15 Tapestry to ATA By Linda Rees Imagine owning a tapestry by Barbara Heller, one Book Review: Norwegian of North Americas most celebrated artist/weavers. Tapestry Weaving . 16 By Judy Ness Having one of her gorgeous pieces in your home Review: Gugger Petter: may be closer than you think. ATA is thrilled to The Dailies . 17 announce that Barbara has donated a tapestry entitled By Lany Eila “Nova Scotia Morning” for the purpose of a very Review: ATB6-More than One special anniversary fundraiser in 2007. Valued at Way of Visiting a Tapestry. 18 over $1,500, this beautiful landscape, measuring 16” By Elyse Koren-Camarra x 20” framed, will be raffled among donors to ATA’s Recently Exhibited Tapestries . 18 By Chrisitne Pradel Lien Silver Anniversary Campaign at our Anniversary The Crownpoint Navajo Rug party on April 28, 2007. More information about Auction. 19 this fundraiser will be coming in the mail soon, and By Karen Crislip we hope that all of our members will wish to con- Volunteers Mare it Happen – tribute $25 or more in exchange for the opportunity Barbara Heller .
    [Show full text]
  • An Archaeology of Tapestry: Contexts, Signs and Histories of Contemporary Practice Diana Wood Conroy University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 An archaeology of tapestry: contexts, signs and histories of contemporary practice Diana Wood Conroy University of Wollongong Recommended Citation Conroy, Diana Wood, An archaeology of tapestry: contexts, signs and histories of contemporary practice, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 1995. http://ro.uow.edu.au/theses/913 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. 243 PART 4 DOCUMENTATION 'ARCHAEOLOGIES: IMAGES VESTIGES SHADOWS' Wollongong City Gallery June 1992 'UNWRITTEN COUNTRY' Long Gallery University of Wollongong May 1993. INTRODUCTION CHAPTER 10: ILLAWARRA SITES CHAPTER 11: MEDIUM AND FORM CHAPTER 12: COLLECTIONS CONCLUSION APPENDIX INTERVIEW WITH SUE WALKER UNIVERSITY OF J WOLLON-50NG LIBRARY 244 PART 4 'ARCHAEOLOGIES' AND 'UNWRITTEN COUNTRY' INTRODUCTION Sites when dug, almost always prove to be much more complex than their surface indications suggest... Philip Barker1 In this, the final section of the document, I will discuss the relationship between the critical contexts of archaeology, tapestry and textiles examined above, and the tapestry, drawings and paintings submitted for the Doctor of Creative Arts degree. To introduce the work made over the years 1990-1993 it is necessary to look briefly at my art practice before coming to Wollongong in December 1989. During the previous fifteen years I had lived in Bellingen, in northern New South Wales, making tapestries and rugs to commission, as well as teaching and researching part- time.
    [Show full text]
  • October 2020 Newsletter Weaversbazaar News New Colours and Collection in Fine (18/2) Welcome to the October Newsletter Which Is a Particularly Bumper Edition
    October 2020 Newsletter weaversbazaar news New Colours and Collection in Fine (18/2) Welcome to the October newsletter which is a particularly bumper edition. As a quick update we now have three new colours from the turquoise range available in fine yarn (18/2) and so the Turquoise Tonal collection of all four colours is now available in Fine (18/2) and Medium (9.5/2) here . We are slowly filling in the gaps in colours! Turquoise 2 Turquoise 3 Turquoise 4 Turquoise 6 0188 0202 0189 0190 Books There is a new section in the online shop for books. Initially we have Rebecca Mezoff’s Art of Tapestry (due for release early November), Tommye McClure Scanlin’s The Nature of Things – Essays of a Tapestry Weaver and Kirsten Glasbrook’s Tapestry Weaving. Over time we will include more titles so if there is a book or exhibition catalogue you would particularly like to see covered please let us know about it via [email protected]. In addition we would like to know of good weaving books that haven’t originated in the USA or UK that we might not know about so please let us know about these too. The Book section is here Update on weaversbazaar workshops The first weaversbazaar workshop by Zoom (Tree and Landscapes Weaving taught by Jackie Bennett) took place on October 17 and although we are awaiting final feedback from participants it seemed to go well and so we are now considering follow up sessions and further dates. These will be advertised on the courses page as soon as they are finalised.
    [Show full text]
  • Aubusson, Une Histoire De Tapisserie, Recognized As a Cultural Heritage by UNESCO
    Contemporary creation : Calls for projects In 2010, a regional fund for the creation of contemporary tapestries was established in Aubusson. A call for projects is emitted each year. The winning works by contemporary artists are woven using techniques of the Aubusson Manufacture which are Aubusson, une histoire de tapisserie, recognized as a cultural heritage by UNESCO. The tapestries and their cartoons enter the collection of the Tapestry Museum. Savoir-faire et modernité, 1650 - 2019 An exhibition presented by the Miroir of Poitiers Marie Sirgue, Atelier A2, in partnership with the Cité internationale de la tapisserie of Aubusson Bleue (L. 300 cm x H. 200 cm). 2019. Eva Nielsen, Atelier Patrick Guillot, Lucite (L. 221 cm x H. 316 cm). 2019. Poitiers, from 27 June to 22 September 2019 Marc Bauer, Patrick Guillot, Melancolia I (L. 300 cm x H. 360 cm). 2011. Tapestries from la Cité internationale de la tapisserie of Aubusson Artists : Jean Arp, Bina Baïtel, Marc Bauer, Nicolas Buffe, Antoine Carbonne, François Chauveau, Edouard Degaine, Emile Gilioli, Louis-Jean-François Lagrenée, Jean Lurçat, André Mare, Eva Nielsen, Jean Picart Le Doux, Mario Prassinos, Marie Sirgue, Richard Texier, Simon Vouet, Henry de Waroquier, Antoine Watteau Nicolas Buffe, Patrick Guillot, Workshops : Atelier A2, Atelier Andraud, Atelier M. Berthaut, Antoine Carbonne CRAFT (Centre de Recherche sur les Arts du Feu et de la Terre), Limoges, Peau de Licorne. Tapestry and porcelain. Atelier Gisèle Glaudin-Brivet, Atelier Goubely-Gatien, Atelier Patrick Guillot, For this exhibition, the Cité internationale Grand Prix Appel à création contemporaine 2010. Manufacture Hamot, Atelier François Mattéron, Atelier Picaud, Atelier Picqueaux ?), de la tapisserie of Aubusson and the Miroir Bina Baitel, Françoise Vernaudon, La Fabrique, Atelier Picon, Atelier Pinton, Atelier Tabard.
    [Show full text]
  • France's Apocalypse Tapestry to Be Restored to Medieval Glory
    Lifestyle FRIDAY, OCTOBER 7, 2016 France’s Apocalypse Tapestry to be restored to medieval glory Audience members wait to attend the opening cere- mony of the 21st Busan International Film Festival (BIFF) in Busan yesterday. — AFP Crisis-hit Busan A visitor looks at the “Apocalypse Tapestry” (1377-1382), A woman restores a section of the “Apocalypse Tapestry” the world’s largest and oldest surviving medieval set of (1377-1382), the world’s largest and oldest surviving Film Festival opens tapestries, at the Angers Castle in western France. medieval set of tapestries. — AFP photos he curtain was raised yesterday on the 21st Busan usty and somewhat fad- showing seven men sharing two International Film Festival (BIFF) after two years of ed, as befits its onetime beds. Such scenes offer those Tpolitical infighting almost derailed the premier Duse as insulation for who gaze upon them “a stun- event of its kind in Asia. “I just hope the festival will horse stables, a priceless piece of ning smorgasbord of color,” says become strong again and now we can all just focus on medieval artistic heritage, Yannou, marveling that time has the films,” said Yang Ik-june, star of the Zhang Lu-directed France’s Apocalypse Tapestry, is been kind to the color rendition Korean drama A Quiet Dream, which opened the festival. getting a welcome clean-up. As of the section. “Politicians should treat a festival like children and the French culture ministry says, “The reverse side not only when children grow up they should be left to live their it’s high time “to see what state tells a story of the beauty of its own lives.” Disgruntled Korean film industry representa- this old lady of upwards of 600 color hue but also the different years of age is in.” In truth, she is interventions which have tak- tives had threatened to disrupt BIFF’s opening ceremony a little frayed at the edges, her en place” over the centuries.
    [Show full text]
  • May 2020 Newsletter
    May 2020 Newsletter Table of Contents Please note the May 25, 2020, Playdate: Stitching with Juanita Sauvé. “the medium Words of Wisdom ....................................................... 1 is the message” Is cancelled. Program Lineup 2020 .................................................. 1 The Education Committee ........................................... 1 Olsen Masks Olsen Masks ................................................................ 1 Margaret Dunsmore has been busy making Olsen Face Sheree Bradford-Lea ................................................... 1 Masks. OOTB Website Focus on Fibre Links ............................ 2 Sewing Supplies........................................................... 2 What is this? ............................................................... 2 Planning Committee ................................................... 3 Words of Wisdom “Rules are what the artist breaks: the memorable never emerged from a formula.” Bill Bernbach Program Lineup 2020 Meetings are usually held at City View United Church, 6 Epworth Ave, Nepean ON K2G 2L5, between Baseline, Clyde/Merivale, and Meadowlands. Please remember shoes or slippers for our meetings. Because the church is closed, there will be no meetings until things isolation is over and things open up. We are tentatively planning the following for the fall. Wendy Feldberg, Introduction to natural inks, October 19, 2020 Anne Marie Desaulniers, Trunk Show, November 16, 2020 Francine Mongeon, Importance of Art in daily life, January 18, 2021 Playdate: Stitching with Juanita Sauvé. “the medium is the message” Is cancelled. The Education Committee Sheree Bradford-Lea The Education Committee is looking for a couple of members organize the playdates in September. Lynn is The National Network of Sculptors just published a nice willing to help in the fall to get you started. online interview with me. In case it's useful for the newsletter: It has been an enjoyable position, meeting new https://sculptureottawa.ca/2020/05/08/artist- members, learning from other members.
    [Show full text]
  • La Francaise
    La Francaise included entrance to the massive 13th century granite chateau, which Lunchtime will be spent in the charming village of Azay-le-Rideau with its houses the carefully restored medieval Apocalypse Tapestry with its elegant chateau. Later we visit the gardens of Chateau Villandry. Inspired 17 Wonderful Days - Paris to Paris magnificent glowing red, blue and gold threads. In the afternoon we follow by the classic gardens of the 16th and 18th century, different levels of the the River Loire past Saumur and Usee with its 16th century‘Sleeping Beauty’ gardens include ponds, topiary, ornamental hedges and an extraordinary chateau, to reach our Chateau hotel where we spend the next three kitchen garden covering 12,500 square metres. (B) wonderful nights. (B,D) DAY 8 BORDEAUX Your Loire Valley hotel – Chateau de Chissay*. Your feature hotel, located Arriving on the coast, our lunch time stop will be in delightful La Rochelle, near Montrichard is an imposing Chateau decorated with 19th century arguably one of the most attractive and unspoiled towns on France's style furnishings. All bedroom windows open onto the surrounding 10 Atlantic seaboard. Later we make a stop in the town of Cognac to enjoy a hectare of grounds. See a picture on page 6 of this brochure or visit tour though the famous Remy Martin Distillery, including a mini train ride www.chateauchissay.com and tasting. We arrive in the bustling city of Bordeaux, on the banks of the * The July departure stays at the Chateau de Rochecotte and dines in a different Garrone, and make our way to our centrally located first class hotel, where restaurant on day 6.
    [Show full text]
  • An Avant-Garde Legacy in France's Sacred Art Movement, 1937–1958
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2018 Canonizing Modernism: An Avant-Garde Legacy in France’s Sacred Art Movement, 1937–1958 Heather Renee Read Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Read, Heather Renee, "Canonizing Modernism: An Avant-Garde Legacy in France’s Sacred Art Movement, 1937–1958" (2018). Arts & Sciences Electronic Theses and Dissertations. 1569. https://openscholarship.wustl.edu/art_sci_etds/1569 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Art History and Archaeology Dissertation Examination Committee: John Klein, Chair Elizabeth C. Childs Angela Miller Vincent Sherry William E. Wallace Canonizing Modernism: An Avant-Garde Legacy in France’s Sacred Art Movement, 1937–1958 by Heather Renee Read A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2018 St. Louis, Missouri © 2018, Heather
    [Show full text]