Cambridge University Press 978-1-107-60544-2 - Rethinking the Renaissance: Burgundian Arts Across Europe Marina Belozerskaya Index More information Index Page or plate numbers for illustrations are in italics. Académie Royale de Pein- “Famous Men” friezes, Ghent Altarpiece (van • 355 ture et de Sculpture, 216–18 Eyck), 120, 180 Paris, 18 tapestries immortalizing, gilded, 236 Accademia del Disegno, 53,54, 54–55,71–72,108, goldwork altarpieces, 87 Florence, 7, 12 112,149,156,163,197 hangings for, see altar Accademia di San Luca, Alfonso, Prince of Castille, hangings Rome, 17, 21 162, 164 Holy Sacrament Altarpiece Adolf I, Duke of Cleves, sons Alfonso V of Aragon (King (Molder), 236, Plate of, 63 of Naples), 61, 65, 120, XXV Adoration of the Magi 179–89, 210, 218 Infancy of Christ altarpiece, altar frontal, Sens cathedral, Alienor of Poitiers, 92, 94, Clerey,France, 237 116 99, 100, 120 Magdalene retable of Columba Altarpiece (van der altars and altarpieces Claudio de Villa, 234, Weyden), 238, 239 Brabantine altarpieces, 235 Michelangelo, 238 marketing of, 232–38, marks indicating origins Adoration of the Shepherds 272 of, 237 Altarpiece (Ghirlandaio), carved wooden altarpieces, Merode Altarpiece 242 costs, 235–36 (Campin), 227, 228 Aelst, Pieter van, 156, 177 Columbia Altarpiece (van Miraflores monastery, Agincourt, Seroux d’, 24 der Weyden), 238, 239 Burgos, Spain, Juan de Agnes of Burgundy, 64, 116 Dalmau’s Altarpiece of the Flandes’ Altarpiece of the Agnès of Cleves, 124 Virgin with the Councilors, Baptism at, 162, 163, 165, Agricola,Alexander, 188, 200 180, 181 171 Ahasuerus, 116, 137 delivery,finishing, and polychromy,effect of, Alberti, Leon Battista, 8, 9, installation contracts, 236 13, 185, 225 244 Portinari Altarpiece (van der Alençon, Dukes of, 65 Edinburgh, altarpiece of Goes), 242, 244 Alexander the Great Collegiate Church of purchasers of, 236 Burgundian Dukes’ inter- Holy Trinity of, 247–49, resale, 236–37 est in, 69, 71–72, 73, 107 252–53 St. Barbara Altarpiece (van Les faiz du grant Alexandre fairs and markets, sold at, der Cleyen), 236 (Curtius/Lucena), 49, 70 228, 232, 233, 237 St. Bertin abbey, 111, 223 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-60544-2 - Rethinking the Renaissance: Burgundian Arts Across Europe Marina Belozerskaya Index More information index altars and altarpieces (cont.) Panden, fairs, and markets ornamentation of, 126–29 St. John Altarpiece (Mem- of, 227, 228–29, 230, Philip II of Spain, parade ling), 124, 125 237 armor of, 126–28, 127 Tani triptych, 239 Anversa, Paolo d’, 261 sword of Charles the Three Coronations tapestry, Apelles, 22, 184 Bold, 96, 97 Sens Cathedral, 115–16, Apocalypse, tapestry at St. Arnold, Duke of Guelders, Plate XII, Plate XIII Bertin depicting, 111, 113 Västeras Cathedral, 115 Arnold of Villanova, 98 Sweden, 233, 233 Appiato,Antonio, 199 Arras Virgin and Child with Aragon, see Spain Congress of, 113, 121 Saints (Master of St. architecture ducal tapestries kept at, Lucy Legend), 244, 249 Alfonso V of Aragon, 181 106 altar hangings bricklaying, 154, 256–57 tapestry center, as, 107, 114 Adoration of the Magi altar Burgundian projects, 134 arras as term for high-quality frontal, Sens cathedral, Edward IV of England’s tapestries, 107 116 projects, 150–51 ars nova musical composers, Coronation of the Virgin, Gorichem, tower at, 188 356 • 121 140–41 “Art,”development of mod- Order of the Golden importation of Burgun- ern concept of, 49 Fleece, 118, 118–20, 119 dian/Netherlandish art history as discipline, see Lambert cathedral, Liège, artisans and styles, historiographical issues 101 256–57 Arthur, son of Henry VII of St. Francis and Pope Sixtus Muslim elements, Spanish England IV,frontal depicting, 262 adaptation of, 163 birth of, 157 ambassadors, see diplomacy Richmond Palace under Katharine of Aragon’s amber, 96 Henry VII of England, marriage to, 58, 72, 142, Ammann, Jos (Justus de Alle- 152–54, 157, 158 152, 155, 156, 157, 161 magna), 221–22 Spanish funerary chapels, Marriage of Prince Arthur Anchieta, Juan de, 174, 176 161–63 tapestry, 156, 157 André, Bernard, 157 Urbino Palace, 210, 211, tutored by Bernard André, Anghiera, Peter Martyr d’, 212 158 163 Arduino di Valperga, 56 Arthurian frescoes, Palazzo Anne of Cleves, 159 Arienti, Giovanni Sabadino Ducale, Mantua, 105–6 Anne, sister of Philip the degli, 48 artists and artisans, 5–6, Good, 146 Aristotle, 47, 48, 69, 81, 100, 76–77 Annunciation 184, 228 classical authors on, Justus de Allemagna (Jos armor and weaponry, 184–85 Ammann), 221, Plate 125–30, 194 court employment and XXII chivalry,role of, 125–26 negative features of, tapestries, 212–13 fairs and markets, sold at, 170–71 van der Weyden, 221, 222 227, 232 fairs and markets, value in Anthony,Grand Bastard of importation of Burgun- attending, 230–31 Burgundy, 63, 69, 88, dian/Netherlandish guilds, 226, 227, 228, 130, 141, 155 goods, 259 234–35, 236, 237 Anthony of Luxembourg, magnificence, political immigration/emigration Count of Roussy, 142 ideology of, 125–26 of, see immigration/ antiquity, see classicism mass-produced, 129 emigration of artists Antwerp Medusa shield of Charles and artisans mark of, 237 V (Negroli), 128, 129 mass marketing of Bur- © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-60544-2 - Rethinking the Renaissance: Burgundian Arts Across Europe Marina Belozerskaya Index More information index gundian/Netherlandish Barbo/Borbo, Giacomo, 188 Black Book of Edward IV, 151 artifacts, 226–32 Baroncelli, Maria Maddalena, Blanche, Queen of Navarre, multiplicity of roles of, 242–43, 245 124 192–93 Bartolomeo, Michelozzo di, Boccaccio, Giovanni, 8 representations of, 227, 210 Boisserée, Sulpiz and Mel- 228, 229, Plate XXIII bas musical instruments, 130, chior, 30, 31 spies, diplomats, and 173, 174 Bona of Savoy, 196–97, 207 politicians, artists acting Basilio, Giusto de, 189 Bonkil, Edward, 247–49 as, 192–93 Bathsheba, 116 La Bonne Vie tapestry, 113 tapestries, 107, 114 Baume, Guillaume de la, Book of Hours of Queen arts, hierarchy of, 76–84 247 Isabella, 176, 177 The Ascension (Sittow), 166 Bavaria books, see also individual The Assumption of the Virgin Duke of, 86, 137 works (Sittow), 166, 168 Isabella of, 85, 86 chant and polyphony, Astemio, Lorenzo, 211 Bayazid (Sultan), 71 174 Astrat, Juan (Juan de Flan- Bear Hunt tapestry, 113 fairs and markets, sold at, des?), 171 Beatrice of Naples, 190 227, 228, 232 Atkinson, John, 155 Beauchamp, Richard, Earl of illuminated manuscripts, • 357 Aubert, David, 227, 229 Warwick, 63, 255–56, see illuminated manu- Aubry,Jean, 106 258, 259, 261 scripts Aubry,Regnault, 106 Beaufort, Edmund, Earl and importation of Burgun- Augsburg as center of armor Duke of Somerset, 63 dian/Netherlandish manufacture, 126 Beaufort, Lady Margaret, goods and artisans, Augurello, Giovanni Aurelio, tomb effigy of, 159, 159 259–60 56 Beaugrant, Madame de, 140 libraries, see libraries Aurispa, Giovanni, 74 Bedford, John, Duke of, 146 Borgia, Cesare, 213 Austen,William, 256 Belfiore Palace, d’Este family, Borgia, Lucretia, 193 Austria, Margaret of, 108, 216 Borreman, Jan, 233 158, 161, 166, 167–68, Bellori, Giovan Pietro, Bosworth, Henry VII’s 169, 170 17–19, 20 victory at, 157 automata, 138, 143 Bembo, Bernardo, 56, 267 Botticelli, Sandro, 163, 208, Averbode,Abbey of, 236 Bembo, Bonifazio, 197 265 Averlino,Antonio (Filarete), Bembo, Pietro, 56, 267–68 Bouchot, Henri, 38, 40 194, 215 Benci, Ginevra de, 263 Bourbon ducal family, 62, 64, Avignon, papal chapel at, 132 Benedicke, Paul, 239 85, 86, 115–16, 135 Avis pour faire le passage benefices for singers, 206–7 bourgeoisie, see middle d’Outre-mer, 52, Plate III Bening, Sanders, 215 classes, Burgundian arts Bening, Simon, 159 for bagpipes (saqueboutes), 130, Bermejo, Bartolomé, 263 Bourgogne, Jean de, 197 134 Berry, Jean, Duc de, 84, 88, Bouts, Dirk, 255 Bailleul, Baudouin de, 110, 89, 210 Brabant as tapestry center, 222 Bertram, Johann Baptist, 30 114 “Baltazar” (Johannes Petit), Bigarny,Felipe, 171 Brabantine altarpieces, mar- 206 Binchois, Gilles, 134, 192 keting of, 232–38, 272 banquets, see pageants and Biondo, Flavio, 8 Brandolini, Raffaele, 204–5 banquets births and baptisms, princely, Brederode, Gijsbrecht van, Baptism of Christ (Verocchio), 92, 100, 112, 120 99–100 238 Bisticci,Vespasiano da, 211, Brethren of Common Life, Barbarigo, Marco, 250, 254 215 45 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-60544-2 - Rethinking the Renaissance: Burgundian Arts Across Europe Marina Belozerskaya Index More information index Breviary of Queen Isabella, crusading ambitions, 57, Burgundian/Netherlan- 176, Plate XVI 61–62 dish/Northern art bricklaying, 154, 256–57 culture of, defined, 5 academic tradition and, Brittany,Dukes of, 65 demise of, 2 17 brocade, 121, 122 Dukes, list of, 49 Alfonso V of Aragon, Brocart, Jacot, 106 education at, see education influence on, 179–89 Brown, D.A., 268 and learning at Burgun- Belgian achievement, Bruegel, Pieter, 39 dian court viewed as, 38–39 Bruges England, relationship Brabantine altarpieces, Academy, 32 with, 59, 61, 63, 114, 232–38 exposition of 1902, 38–40 146–47 Burckhardt’s treatment of, exposition of 1907, 40–41 foreign visitors and diplo- 36–37 mark of, 237 mats at, 63–64 Edward IV of England, paintings, depicted in France, imitation of, 77, influence on, 152–60 backgrounds of, 243–44 94 eighteenth-century views Pand, fairs, and markets at, France, relationship with,