DOCSLIB.ORG

Download the 2018 Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download the 2018 Catalogue 2018 “And then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband.” (Rev 21:1-2) Turner Galleries, Perth June 1 – 30 2018 Finalists Corinne Barton Julie Davidson Benedict Juniper Sonia Payes Bec Bigg-Wither Robert Davis Jennifer Keeler-Milne Rachel Peters Godfrey Blow Paul Drok Alice Linford Forte Julian Poon Bob Booth Kris-Ann Ehrich Jane Lyons Suzanne Rivera Libby Byrne Silvana Ferrario Aliesha Mafrici Brian Robinson Charlotte Campbell Thomas Gibbs Elizabeth Marruffo Laura Siryj Laura Castelijn Alicia Gorey Simon & Naomi McGrath Alexandra Spargo Mikaela Castledine Naomi Grant Antoinette McSharry Courtney Spence Madeleine Clear Beric Henderson Alan Morrison Nicole Steenhof Emilio Cresciani Ian Johnston Michael Vincent Murphy Monique Tippett The Mandorla Art Award for contemporary religious art is Australia’s most significant thematic Christian art prize, attracting some of the country’s finest artists since its 1985 inception. Mandorla (MAN-dor-la) is an Italian word Past winners include John Coburn (1996); meaning almond. It refers to an almond- Nigel Hewitt (1991, 1992); Brian McKay shaped halo or aura that we find around (1986, 2002); and Julie Dowling (2000) the images of Jesus or Mary in Christian art who was named the most collectible artist and particularly in icons. It represents the in Australia shortly after her win. Another 2018 Theme: light that emanates from a divine being, notable winner was the much beloved A New Heaven and a New Earth or one very close to a divine being. Run Western Australian artist, Michael Kane by a dedicated committee of volunteers Taylor (2004). Recent winners have been “Then I saw a new heaven and a new who oversee all aspects of the awards, the Megan Robert (2016), Paul Kaptein (2014) earth; for the first heaven and the first not-for-profit Mandorla does not receive and John Paul (2012). earth had passed away, and the sea was any Government funding but does have no more. 2And I saw the holy city, the new DGR status. It, therefore, relies entirely on Sponsorship and patronage from St John Jerusalem, coming down out of heaven sponsors and the good will of individuals of God Health Care, the Catholic, Anglican from God, prepared as a bride adorned for for its survival. and Uniting churches, and the Benedictine her husband” (Revelation 21:1-2). monks of New Norcia makes Mandorla a In addition to the main exhibition held truly ecumenical award. This theme expresses the vision of hope in Perth, a selection of finalists will be that we have in a time when it is easy to exhibited at the famous New Norcia see hopelessness. The writer of Revelation Museum and Art Gallery in the popular came from a tradition of envisioning not tourist destination of New Norcia, as St just a change within their own experience John of God Health Care campuses in the of history, but a totally new beginning Perth area. where seemingly impossible things would become real. This is an understanding of God that is at the heartof Christianity. Major sponsor Sponsors Uniting Church Catholic Archdiocese The Benedictine Anglican Diocese of Perth in the City of Perth Community of Holy Trinity Abbey, New Norcia St Joseph’s Subiaco Bible Society Friars Servants of Mary Australia (Servites) Australian Delegation Prizes The St John of God Health Care Prize People’s Choice Prize $25,000 acquisitive sponsored by The Benedictine Community of Holy Trinity Abbey New Norcia Highly Commended Prize $2,000 non-acquisitive sponsored by the Catholic Archdiocese of Perth $5,000 non-acquisitive Patricia Toohey Painting Award sponsored by St Joseph's Parish Subiaco Highly Commended Prize sponsored by the Anglican Diocese of Perth $5,000 non-acquisitive Thank You Throughout Christian history we have of St John of God Health Care for hosting Kevin Long for his support for this prize. embraced the opportunity to envisage our them for the day of judging and for all God in a material way because Jesus of their support. The winners have been Another long term, active member is Fr Nazareth fully revealed God to us. We are Jarrod McKenna (Cornerstone Church and Chris Ross and he has been our guiding able to see God through Jesus, the Christ, #LoveMakesAWay), Anne Ryan (Art Gallery theological light for many years and Son of God. Through Scripture, artists of NSW) and Dr Ric Spencer (Fremantle this year celebrated his 90th birthday. have found inspiration over the last two Arts Centre) and to them we offer our He and his community of Servite Friars millennia to enliven Christians through sincere thanks. Judging can be a difficult ably support our endeavours. Thanks images and sacred objects that lead us to task and the professionalism and diligence to Maureen Sellick who executes our a deeper understanding of God. Christian of all our judges is deeply respected. secretarial duties, and to Michael communities have sought artists to do this Anderson our Treasurer. These positions important work for them and Popes have Our gratitude to our patrons, sponsors are very important and we are very specifically encouraged this work. Pope and donors, in particular St John of God grateful. Five new members have added Francis declares that sacred artworks Health Care who have committed to being further depth and energy to our team. “bear witness to the spiritual aspirations the principal sponsors of the Mandorla Rachelle Dusting, a young and dynamic of humanity, the sublime mysteries of Art Award until 2020. This added security artist, is our minute secretary and very ably the Christian faith, and the quest of that has been most beneficial for us in our cares for our social media matters. Mary supreme beauty which has its source and development. Cassoti is a teacher and artist and has fulfilment in God.” been a very fruitful contributor, particularly Our gratitude to all the artists who entered in the relationships with schools and care The theme for the 2018 Award finds its the Award and gave their time, resources of marketing. Beth Harcourt is also a focus through the Book of Revelation and artistic insight to developing the teacher and artist and has taken on care (21:1-2). When all seems hopeless it is only theme of “a new heaven and a new earth”. of our volunteers which is a much needed God who can make everything new again. resource. Craig Collas from the Uniting This is at the heart of Christian life and 186 There are of course many people who Church in the City has been a valuable artists throughout Australia have worked work together to bring this Award to support in networking among Christian to bring us an image of what that could be fruition. Our Curator, Kristy Gough, communities and sourcing funding. like. This is the 19th Mandorla Art Award, has brought this 2018 Award together Patricia Oliver, also a teacher, has assisted the first being in 1985, and we are very beautifully. Her diligence and attention to in our sponsorship endeavours. I am proud to present it to you. Following the detail has been invaluable and she has grateful to them all for their active support month long exhibition in Turner Galleries a strengthened our committee and we are for the development of this Award. selection will travel to New Norcia for the grateful for her efforts. awarding of the People’s Choice Prize, and We also have a new web manager, then also to St John of God Health Care During the course of 2017 our original Paul Bui from Monk Media, and we are Campuses and St Mary’s Cathedral. founding member, Patricia Toohey, was delighted with the way he has refreshed seriously reduced in her health and so is our website and helped us move to a fully To prepare for this exhibition we have unable to work with us having been on online platform. some very hard working judges. Professor the committee since the first Award in Bill Loader, Claire Bushby and Janis 1985. Her presence is deeply missed. In Enjoy this wonderful Award! Nedela chose the 40 finalists from the her honour we have instituted a new prize, large number of entries. We are grateful the Patricia Toohey Painting Prize which Dr Angela McCarthy to them for the hard work of such careful has been sponsored by St Joseph’s Parish The Mandorla Art Award Committee selection of finalists and for the hospitality Subiaco. We are grateful to Monsignor Chairperson Claire Bushby Claire Bushby is an artist and curator based in Perth. In 2015, she completed a Master of Arts (Visual Arts) at Edith Cowan University investigating collective production and participatory practice. She works from her studio at Gotham Studios, Northbridge and has performed a wide range of roles in Perth arts organisations including Heathcote Museum & Gallery, Paper Mountain, His Majesty’s Theatre and Spectrum Project Space. In 2014 she completed an Asialink residency at Taipei Artist Village, Taiwan and she received DCA funding for a residency at Listhús in Ólafsfjörður, Northern Iceland. Claire has been included in exhibitions in Shanghai, Taipei, London, Sydney and Perth. From 2015-17 she was a Co-Director of Paper Mountain (Artist Run Initiative) in Northbridge and is currently Coordinator of Spectrum Project Space at Edith Cowan University, Curator for the Uniting Church in the City’s annual Stations of the Cross exhibition and an Artsource WA Board member. Selection Panel Professor Bill Loader Janis Nedela Bill is Emeritus Professor of New Testament at Murdoch A Co-Director of Gallery East Art Services since 1993, University, Extraordinary Professor at North-West Jánis served on the curatorial staff of the Art Gallery of University, South Africa, a Minister of the UCA and a WA for 14 years to 1993.
Load more

Recommended publications
  • Emu Island: Modernism in Place 26 August — 19 November 2017
    PenrithIan Milliss: Regional Gallery & Modernism in Sydney and InternationalThe Lewers Trends Bequest Emu Island: Modernism in Place 26 August — 19 November 2017 Emu Island: Modernism in Place Penrith Regional Gallery & The Lewers Bequest 1 Spring Exhibition Suite 26 August — 19 November 2017 Introduction 75 Years. A celebration of life, art and exhibition This year Penrith Regional Gallery & The Lewers Bequest celebrates 75 years of art practice and exhibition on this site. In 1942, Gerald Lewers purchased this property to use as an occasional residence while working nearby as manager of quarrying company Farley and Lewers. A decade later, the property became the family home of Gerald and Margo Lewers and their two daughters, Darani and Tanya. It was here the family pursued their individual practices as artists and welcomed many Sydney artists, architects, writers and intellectuals. At this site in Western Sydney, modernist thinking and art practice was nurtured and flourished. Upon the passing of Margo Lewers in 1978, the daughters of Margo and Gerald Lewers sought to honour their mother’s wish that the house and garden at Emu Plains be gifted to the people of Penrith along with artworks which today form the basis of the Gallery’s collection. Received by Penrith City Council in 1980, the Neville Wran led state government supported the gift with additional funds to create a purpose built gallery on site. Opened in 1981, the gallery supports a seasonal exhibition, education and public program. Please see our website for details penrithregionalgallery.org Cover: Frank Hinder Untitled c1945 pencil on paper 24.5 x 17.2 Gift of Frank Hinder, 1983 Penrith Regional Gallery & The Lewers Bequest Collection Copyright courtesy of the Estate of Frank Hinder Penrith Regional Gallery & The Lewers Bequest 2 Spring Exhibition Suite 26 August — 19 November 2017 Introduction Welcome to Penrith Regional Gallery & The of ten early career artists displays the on-going Lewers Bequest Spring Exhibition Program.
    [Show full text]
  • An Archaeology of Tapestry: Contexts, Signs and Histories of Contemporary Practice Diana Wood Conroy University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 An archaeology of tapestry: contexts, signs and histories of contemporary practice Diana Wood Conroy University of Wollongong Recommended Citation Conroy, Diana Wood, An archaeology of tapestry: contexts, signs and histories of contemporary practice, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 1995. http://ro.uow.edu.au/theses/913 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. AN ARCHAEOLOGY OF TAPESTRY: CONTEXTS, SIGNS AND HISTORIES OF CONTEMPORARY PRACTICE A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF CREATIVE ARTS UNIVERSITY OF WOLLONGONG DIANA WOOD CONROY B.A. (Hons) FACULTY OF CREATIVE ARTS 1995 UNIVERSITY OF WOLLONGONG LIBRARY CERTIFICATION I certify that this work has not been submitted for a degree to any other university or institution, and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Diana Wood Conroy I I January 1995 AN ARCHAEOLOGY OF TAPESTRY: CONTEXTS, SIGNS AND HISTORIES OF CONTEMPORARY PRACTICE ABSTRACT The relevance of archaeological theory to contemporary craft, both through the discipline of academic investigation, and through an autobiographical voice in art practice, is the subject of this study. The sense of place, both classical and Aboriginal, is explored through letters and diaries from Greece in 1967 and from Bathurst Island in the Northern Territory in 1974.
    [Show full text]
  • The Art of Elizabeth Quay, MRA, Perth
    • • • • THE ART OF • ELIZABETH • QUAY • • 1 6 / Penny Bovell 9 / The Deadly Dozen: Aurora Abraham, Rod Collard, James Egan, Sandra Egan, Sharyn Egan, Peter Farmer II, Peter Farmer III, Kylie Graham, Biara Martin, Cheryl Martin, John Walley & Theresa Walley 13 / Christian de Vietri 16 / Pamela Gaunt 19 / Simon Gauntlett & Matthew Ngui 22 / Stuart Green 25 / Sandra Hill & Jenny Dawson 28 / Eveline Kotai 31 / Laurel Nannup 35 / Anne Neil in collaboration with Dr Richard Walley & John Walley 38 / Jon Tarry. 2 The contribution Noongar artists have made to Elizabeth Quay Artists view the with both permanent and temporary artworks is especially world differently. meaningful and welcome. A unique partnership between the MRA and the Whadjuk people – the traditional owners of the Derbal Yerrigan (Swan River) and of the land on which Elizabeth Quay sits - presented an opportunity for cultural authenticity. Artists create visual experiences that intrigue, inspire, amuse and It was clear to the MRA at a very early stage of development perhaps even confuse, but which are never humdrum. Outside that the prominent position and high use of Elizabeth Quay of galleries, in the public realm they can influence urban design would provide the perfect opportunity to share Noongar history in surprising ways, making thought provoking artworks that and culture with the wider community. creatively activate space. Public art is intended to generate interaction. The success of This book is a glimpse into the world of each of the artists the Elizabeth Quay artworks can be measured at least in part who designed or made artworks for Elizabeth Quay, the highly by the constant flow of ‘selfies’ being taken around all of them, visible and popular waterfront development that connects and the obvious joy of children having fun with artworks in play Perth city with the Swan River.
    [Show full text]
  • Education Kit 8 Sculpture by the Sea, Case Study
    EDUCATION KIT 8 SCULPTURE BY THE SEA, CASE STUDY Image: Kids Choice 2017, James Dive, 'What a Tasty Looking Burger', Sculpture by the Sea, Bondi 2017. Photo Clyde Yee. SCULPTURE BY THE SEA: AN OVERVIEW “The idea of Sculpture by the Sea was simple… to stage a large free to the public sculpture exhibition along the spectacular 2km Bondi Coastal walk for the people of Sydney and its visitors to enjoy.” David Handley, Founding Director. Sculpture by the Sea’s mission is to provide a major, free to the public, sculpture exhibition that transforms beautiful and popular coastal locations into temporary, large-scale outdoor exhibition spaces for all to enjoy. The exhibition aims to broaden audience engagement and understanding of sculpture. Sculpture by the Sea continues to grow each year in both scale and diversity, providing more opportunities for a wide range of local, interstate and international artists to showcase their remarkably varied outdoors works. HISTORY Sculpture by the Sea, Bondi In 1995, Sculpture by the Sea’s Founding Director, David Handley, was living and working in Prague. During this time, he visited an outdoor sculpture park in Klatovy, Northern Bohemia, and felt inspired to begin something similar in Australia. Upon his return to Sydney in 1996, David took the Bondi to Tamarama coastal walk and noticed a myriad of natural plinths in the landscape. With this inspiring location at hand, and the idea of creating an outdoor, free to the public, visual arts event, Sculpture by the Sea was born! Carolyn Holloway, Angela Femia, Carolyn Hunter, counterpoint, Sculpture by the The first Sculpture by the Sea exhibition was held in May, Sea, Bondi 2001.
    [Show full text]
  • National Anthem a New Order 8.3–7.7.19
    NATIONAL ANTHEM A NEW ORDER 8.3–7.7.19 EDUCATION RESOURCE Authored by Brooke Babington 3 About this resource and curriculum links 3 Planning your visit 4 Introduction — About the exhibition — About the artist — About Buxton Contemporary 8 National Anthem — Exploring and Responding — Focus artworks — Activity — Questions to consider — Research activities 13 A New Order — Exploring and Responding — Focus artworks — Activity — Questions to consider — Research activities 19 Curating a Collection — Exploring and Responding 2 — Focus artworks 23 Glossary of terms 26 Artist Biographies 36 Image references Education Resource About this resource and curriculum links Target Audience: Secondary school level students This learning guide is intended for educational purposes to aid teachers, tutors and other educational staff to support student learning in visual art subjects. It is designed to provide a starting point to generate discussion and activities before, during and after a visit to National Anthem and A New Order, to be used in conjunction with the exhibition catalogue, didactic labels and artworks. The resource is intended for use in the design of projects related to subject strands and curriculum outcomes. It is broadly aimed at students from years 7 to 10 and VCE Units 1–4, however, it provides generalised information that can be tailored to suit younger students. While the focus of the resource is on the artistic practices of artists included in National Anthem and A New Order, it can be adapted to explore modes of artistic practice more broadly, and to extend avenues for further discussion and research. Similarly, the scope of this resource may be modified to suit cross-curricular activities in various subject strands and to enable a range of pedagogical outcomes.
    [Show full text]
  • Displays of Medici Wealth and Authority: the Acts of the Apostles and Valois Fêtes Tapestry Cycles
    University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2019 Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles Madison L. Clyburn University of Central Florida Part of the Classical Archaeology and Art History Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Clyburn, Madison L., "Displays of Medici Wealth and Authority: The Acts of the Apostles and Valois Fêtes Tapestry Cycles" (2019). Honors Undergraduate Theses. 523. https://stars.library.ucf.edu/honorstheses/523 DISPLAYS OF MEDICI WEALTH AND AUTHORITY: THE ACTS OF THE APOSTLES AND VALOIS FÊTES TAPESTRY CYCLES by MADISON LAYNE CLYBURN A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts & Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2019 Thesis Chair: Margaret Ann Zaho, Ph.D. © 2019 Madison Layne Clyburn ii ABSTRACT The objective of my research is to explore Medici extravagance, power, and wealth through the multifaceted artistic form of tapestries vis-à-vis two particular tapestry cycles; the Acts of the Apostles and the Valois Fêtes. The cycles were commissioned by Pope Leo X (1475- 1521), the first Medici pope, and Catherine de’ Medici (1519-1589), queen, queen regent, and queen mother of France.
    [Show full text]
  • 180620 Paparazzi Dog All.Pdf
    AT&T External Affairs • 430 Bush Street • Suite 500 • San Francisco, CA 94108 May 24, 2018 Letter of Support for Union Square Paparazzi Dog Art Installation Project To Whom It May Concern: As the Director of External Affairs with AT&T and Board Member with the Union Square Business Improvement District (USBID), I am in full support of the “Paparazzi Dog” Art Installation Project. I sit on the USBID’s Streetscapes and Public Realm Advisory Committee who put forth this project. When the public realm is activated in a positive way such as with public art, it creates a sense of place. In this case, we want those who work, play, and live around Union Square to have a positive experience. I firmly believe this art installation will enhance their experience. I urge the City and County of San Francisco’s Art Commission to support this project as it would celebrate the rich diversity of the Union Square District. Sincerely, Cammy Blackstone Director of External Affairs AT&T May 25, 2018 © 2018 AT&T Intellectual Property. All rights reserved. AT&T and the Globe logo are registered trademarks of AT&T Intellectual Property. Gillie and marc BIO SELECTED SOLO EXHIBITIONS 2017 Live, Love and Together, Ode to Art Gallery, Singapore 2016 Paparazzi Dogs, Ruth Wittenberg Triangle, Greenwich Village, New York, USA 2016 Paparazzi Dogs, Pearl Street Triangle & Anchorage Place (Manhattan Bridge), Dumbo Improvement District, NYC 2015 Some things you can’t explain, Gallery One, QLD 2015 Kiss Me, Linton and Kay Contemporary, Perth, WA 2013 Coffee with friends,
    [Show full text]
  • Weaversbazaar Masterclass: Colour and the Bauhaus Tradition, Led by Fiona Rutherford
    August 2017 Newsletter Weaversbazaar Masterclass: Colour and the Bauhaus Tradition, led by Fiona Rutherford. weaversbazaar are delighted to announce their next Masterclass, ‘Colour and the Bauhaus Tradition’, which will be led by masterweaver Fiona Rutherford. It will take place in West Sussex on 28th and 29th October 2017. We are inspired by the Bauhaus weavers and their legacy of colour and design that continues to ‘Find the ways (detail)’, designed and inform us nearly a hundred years on. woven by Fiona Rutherford Understanding how to balance and blend colour is fundamental to tapestry weaving. Fiona’s focus will be on helping to determine how to choose a colour palate and yarns to create a strong design through a simple use of pattern. Design is integral to this workshop. We will be looking at how to create asymmetrical patterns and lines through a controlled balance of colour. Fiona Rutherford lives in Edinburgh where she has a home-based studio. She has been weaving and teaching workshops for over twenty-five years and her tapestries are marked by a strong use of colour and pared abstract imagery. Fiona exhibits widely in the UK and internationally and her tapestries are held in major public collections. She is currently exhibiting in “Here and Now” at the Holburne ‘Time to Dance’ designed and woven by Fiona Rutherford Museum in Bath and next year she will be exhibiting in ARTAPESTRY 5 in Denmark. Visit our Masterclass page to get the full details and sign up. Cerise Range is complete This collection of colours has been sometime coming but is at last complete.
    [Show full text]
  • Perpetual and Sculpture by the Sea Announce
    Sculpture by the Sea Incorporated ABN 84 103 984 756 Trading as ‘Sculpture by the Sea’ PO Box 300, Surry Hills NSW 2010 Australia MEDIA RELEASE Telephone +61 2 8399 0233 EMBARGOED until Sunday September 27, 2020 Facsimile +61 2 8399 2322 [email protected] www.sculpturebythesea.com PERPETUAL AND SCULPTURE BY THE SEA Bondi ANNOUNCE RECIPIENTS OF PRESTIGIOUS $30,000 22 October - 8 November 2020 SCHOLARSHIPS FOR AUSTRALIAN ARTISTS (Postponed: New Dates TBC) Cottesloe 5 - 22 March 2021 **SCULPTURE BY THE SEA, BONDI 2020 EXHIBITION POSTPONED** Sydney Exhibition Patrons Michelle & Guido Belgiorno-Nettis AM Anita Belgiorno-Nettis AM Luca Belgiorno-Nettis AM Principal Sponsor Stephen King’s new work for Sculpture by the Sea, Bondi, ‘Gridlock’ Perpetual and Sculpture by the Sea are pleased to announce the recipients of this year’s three $30,000 Helen Lempriere Scholarships: Government Partners Senior Artist Stephen King (Walcha, NSW) Mid-Career Artist Andrew Townsend (Wapengo, NSW) Emerging Artist Jina Lee (Fremantle, WA) The Helen Lempriere Scholarships are designed to enable the artists to further their artistic development through travel, study and the purchase of important new equipment. The scholarships will also support the artists’ inclusion in Sculpture by the Sea, Bondi, which will be postponed from the previously announced 22 October date. Organisers are working with Waverley Council and NSW Government agencies, including NSW Health on whether it may be possible to stage the exhibition later in the spring. Major Partners The scholarships are gifted as part of the Helen Lempriere Bequest, a charitable trust managed by Perpetual, providing scholarships with the aim to foster and promote contemporary Australian sculpture.
    [Show full text]
  • ATA NL Winter 06 Vol32no4
    Tapestry Topics A Quarterly Review of Tapestry Art Today www.americantapestryalliance.org Winter 2006 Vol 32 No 4 In This Issue Transition As Design Element Transitions and Joins. 3 By Kathe Todd Hooker Norwegian Dovetail Joins . 5 By Judy Ness Borders . 8 By Kathy Spoering Back to Borders . 10 By Sarah Swett Slits as Kilt Allusion . 12 Barbara Heller, "Nova Scotia Morning," 16" x 20" framed By Joan Baxter Point of Contact = Point of Power. 14 Barbara Heller Donates By Mary Zicafoose ATB6 Artists on Transitions . 15 Tapestry to ATA By Linda Rees Imagine owning a tapestry by Barbara Heller, one Book Review: Norwegian of North Americas most celebrated artist/weavers. Tapestry Weaving . 16 By Judy Ness Having one of her gorgeous pieces in your home Review: Gugger Petter: may be closer than you think. ATA is thrilled to The Dailies . 17 announce that Barbara has donated a tapestry entitled By Lany Eila “Nova Scotia Morning” for the purpose of a very Review: ATB6-More than One special anniversary fundraiser in 2007. Valued at Way of Visiting a Tapestry. 18 over $1,500, this beautiful landscape, measuring 16” By Elyse Koren-Camarra x 20” framed, will be raffled among donors to ATA’s Recently Exhibited Tapestries . 18 By Chrisitne Pradel Lien Silver Anniversary Campaign at our Anniversary The Crownpoint Navajo Rug party on April 28, 2007. More information about Auction. 19 this fundraiser will be coming in the mail soon, and By Karen Crislip we hope that all of our members will wish to con- Volunteers Mare it Happen – tribute $25 or more in exchange for the opportunity Barbara Heller .
    [Show full text]
  • Support the Artists and the Future Sustainability of the Exhibition. Visit Our Office Located in Sculpture Inside, Cottesloe Surf Life Saving Club
    Support the artists and the future sustainability of the exhibition. Visit our office located in Sculpture Inside, Cottesloe Surf Life Saving Club. Davina Corti Director Sculpture Sales [email protected] +61 400 216 258 Wang Shugang (China), man on ball, Sculpture by the Sea, Cottesloe 2015. Photo Clyde Yee THE EXHIBITION - SCULPTORS, THEIR WORKS AND SITE NUMBERS TANG WEI HSU 1 TAIWAN / USA Pocono Bud MATERIALS stainless steel, automotive paint DIMENSIONS 350 x 200 x 200cm PRICE $90,000 STATEMENT Lively plant contrasts with the serene ocean, makes the work full of imagination. The artist attempts to show the unknown plants he saw and reconstruct the vivid scene he felt in Pocono. BIOGRAPHY Council for Cultural Affairs Fellowship recipient 2011. Art@Renaissance artist residency New York 2013. Numerous solo and group exhibitions in Taiwan, Hong Supported by Kong, Japan and USA. Public commissions in New York. SONIA PAYES 2 VIC Re:Generation (2014) MATERIALS fibreglass, gelcoat, stainless steel bracing DIMENSIONS from 42-500 x 130-230 x 130-230cm PRICE Price on Application (edition of 3) STATEMENT The work imagines the emergence of a four-faced goddess who will lead humanity to regenerate the environment. A homage to all future generations. BIOGRAPHY Melbourne based photographer and multi-media artist. Numerous exhibitions and prizes nationally and internationally including Shanghai, London and Los Angeles. Achievement Prize McClelland Sculpture Survey 2014. Represented in Melbourne by Fehily Contemporary 27 3 KELD MOSEHOLM DENMARK Catch Me MATERIALS bronze, granite DIMENSIONS 205 x 50 x 80cm PRICE $115,000 (edition of 8) BIOGRAPHY Exhibited internationally for 50 years, including Bad Ragaz, Switzerland 2015 and Billund Art Association, Denmark 2014.
    [Show full text]
  • Sculpture Award and Exhibition I
    Sculpture Award and Exhibition i NINTH WESTERN SYDNEY UNIVERSITY SCULPTURE AWARD AND EXHIBITION 7 May – 6 June 2021 Campbelltown Campus ii Western Sydney University Sculpture Award and Exhibition 1 FOREWORD Western Sydney University is proud to present Program. In 2019, the University received two the 9th biennial Western Sydney Sculpture such sculpture donations, from Nigel Harrison Award and Exhibition at our Campbelltown and Christopher Hodges. In addition, I would Campus Sculpture Park. Our esteemed like to recognise key sponsors and partners curatorial panel - Kon Gouriotis, Nigel Harrison, for their continued support and contributions Renee Porter and Monica McMahon - have to this culturally significant event. These selected 20 sculptures from a competitive list include: Landcom, the sponsor of the People’s of entries. This impressive line-up of Australian Choice Award; Quest Campbelltown for the and international works has been created provision of accommodation for competition specifically to interact with the built and finalists; and the Peter Eichhorn Family, for natural environment of the campus. Acquired sponsoring a $5,000, non-acquisitive prize, by the University, the winning work will be awarded to either an emerging, mid-career permanently installed alongside past winners or senior Australian sculptor to assist them within the parklands. in furthering their artistic development. The University also acknowledges the additional The Exhibition is a realisation of University’s support of Campbelltown Council and ongoing commitment to arts and culture in particularly the Mayor of Campbelltown, Cr our region and beyond, as articulated in our George Britcevic, who is generously hosting decadal strategy Western Sydney Creative. the Mayoral reception for the participating The University’s commitment to the ongoing artists at Campbelltown Arts Centre at which development of the Campbelltown Campus the winner of the People’s Choice Award will be sculpture park is a further articulation of this announced.
    [Show full text]