WNIB Program Schedule Feburary 1972

Total Page:16

File Type:pdf, Size:1020Kb

WNIB Program Schedule Feburary 1972 ,~,...,_~ _,,,,...,...,. _....,,.,..,. ,.,,. - ~ _ ____ _, ,,,,..-------·.-~-,--- --~ _,,,_,_~~~~'!l!tt<::~~-""""i"'..-.J•~-_,,..,_,...,!<- ,,__ !'Mi'-"~"" r~'°l"""'"'I ~---~ •-~-~,.,.........,.,,.,,,_,,,,_.._,,,~~ PROGRAM SCHEDULE WNIB 97.1 fm February, 1972 The Advent Loudspeaker_ ... _ and The Smaller Advent Loudspeaker Both available at_ Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E. Oak 5700 W. Dempster 7045 W. North 779-6500 337-4150 967-6690 383-7006 TUESDAY, WEDNESDAY, FRIDAY & SATURDAY 10 AM - 6 PM; MONDAY & THURSDAY 10 AM - 9 PM 9481); & "Romany Life" - Jeannette MacDonald, s (RCA 2908) PROGRAM SCHEDULE HERBERT "Sunset" - Orch/Andre Kostelanetz (Col M 30075) .WNIB 6 PM CHABRIER Trois· valses roman- 97.1 fm tiques - Robert & Gaby Casadesus, p (Col MS 6323) THOMAS "Raymond" Overture - New York Phil/Leonard Bernstein (Col ML 6143) MEYERBEER "0 Paradiso" from "L'Africaine" - Giuseppe di Stefano, t (OGG WNIB Program Schedule is published by Radio Station WNIB, 25 East Chestnut, 138 827) ; HALEVY "Rachel, quand du Seigneur" Chicago, Illinois 60611. Phone: 337-5252. Subscription rates: one year $5. 00; from "La Juive" -Placido Domingo, t(RCA 3083); two years $9. 00; three years $12. 00. & SAINT SAENS "Arretez, o mes freres" from "Samson e Dalila" -Jon Vickers, t (Ang 36210) SAINT SAENS Fantasy for Violin & COVER: "Ji,olation", acrylic, charcoal, and ink on canvas, by William T, Wi­ Harp, Op. 124 - Ruggiero Ricci, vn; Gloria le This work is from the exhibit of the art of William T. Wiley at the Art Agostino,harp (Dec DL 710177) In~titute of Chicago through February 20, The cover painting was lent to the SAINT SAE:NS Fantasia in E~ - E. Art Institute for the exhibit from the collection of Dr. & Mrs. Reuben M. Ba­ Power Biggs, organ (Col ML 5707) ron, Oak Park, Michigan. Other photographs from the Wiley exhibit and other exhibits at the Art Institute appear on pages 11, 15, 17, 19, and 21. Courtesy 7 PM RENATA TEBALDI RECORDINGS Art Institute of Chicago. (Today is Renata Tebaldi's 50th birthday. In celebration we have scheduled four special programs this month consisting entirely of her recordings. These programs will be heard on Tuesday evenings beginning at 7. In addition all of the Wednesday afternoon operas this month will featute Renata Tebaldi in leading roles.) 1 PM THE WNIB LIBRARY #1677 BOITO "L'altra notte in fondo al TUESDAY 1 LISZT "Mazeppa" (Sym Poem #6); mare" from "Mefistofele" - Renata Tebaldi, s; Hungarian Rhapsody #5 in c; Hungarian Fantasy Lyric Opera Orch/Georg Solti (Lon 5320) 9 AM BRAHMS Academic Festival Over- in e for Piano & Orch; & Hungarian Rhapsody GIORDANO "Eravata possente.•• ture, Op. 80 - Berlin Phil/Claudio Abbado (OGG #4 in c# - Shura Cherkassky, p (in Hungarian 139 371) Ora soave"; "La mamma morte"; & "Vicino a Fantasy); Berlin Phil/Herbert von Karajan te ••• La nostra morte" from "Andrea Chenier" LISZT Piano Piece #2; Nuages gris; (DGG 18 692) & La lugubre gondola #1 - Jean-Rodolphe Kars, - Renata Tebaldi, s; Jose Soler, t (Cetra 50169) p (Lon CS 6604) VERDI "Ritorna vincitor" from 2 PM SUPPE Excerpts from "Boccaccio" "Aida"; GOUNOD "Chanson du Roi de Thule et - Anneliese Rothenberger, s (Fiametta); Heinz Air des Bijoux" from "Faust"; PUCCINI "Un bel DVORAK string Quintet in Eb, Op. Hoppe, t (Pietro & Lotteringhi); Hermann Prey, 97 - Anton Fietz, 1st vn; Wilhelm Huebner, 2nd di" from "Madama Buttertly"; "In quelle trine bt (Boccaccio); Graunke Sym Orch & Gaertner­ morbide" from "Manon Lescaut"; "Vissi d'arte" vn; Gtinther Breitenbach, va; Ferenc Mihaly, 'c; platz Theatre Cho/Carl Michalski (Electrola Burghard Kraeutler, db (Lon CS 6673) from "Tosca"; & VERDI "Tacea la notte" from C 031-28 196) "11 Trovatore" - Renata Tebaldi, s; Suisse Ro­ SULLIVAN/MACKERRAS "Pineap­ 10 AM Victor HERBERT (born on this date mande Orch/Alberto Erede (Lon 5007) ple Poll" - Royal Phil/Charles Mackerras (Cap in 1859) SElections from "The Fortune Teller" SP 8663) - Philadelphia Orch/Eugene Ormandy (Col ML 8PM THE WEINGARTNER RECORDINGS (Tonight's program produced by 5376) 3: 10 TA USIG Hungarian Gypsy Airs - HERBERT "Sweethearts" from Don Tait.) Michael Ponti,p (Candide CE 31031) BEETHOVEN Consecration of the "Sweethearts"; "A Kiss in the Dark" from DVORAK 4 Moravian Duets, Op. "Orange Blossoms"; & "Ah, sweet Mystery of House Overture, Op. 124 - London Phil/Felix 20 - Mary Burgess, s; Jon Hwnphrey, t; Luis Weingartner (Col X 140) (red. 1938) Life" from "Naughty Marietta" - Anna Moffo, s; Batlle,p (Col MS 6936) Sergio Franchi, t (RCA 2675) BEETHOVEN Sym #2 in D, Op. 36 TCHAIKOVSKY Violin Concerto in - London Sym/Felix Weingartner (Col HL 7091) HERBERT "Hero and Leander", Op. D, Op. 35 - David Oistrakh, vn; Moscow Phil/ 21 (Sym Poem) - Royal Phil/Karl Krueger (So­ (red. 1938) Gennadi Rozhdestvensky (Mel/Ang SRBO 4112) ciety for the Preservation of America's Musi­ cal Heritage MIA 121) 9 PM SCHUBERT Violin Fantasy in C, D. 4: 10 SCHMITT "Une semaine du petit 821 - Jascha Heifetz, vn; Brooks Smith,p (RCA elfe Ferme - l'Oeil", Op. 58 ("A week in the 11 AM SCHUMANN Symphonic Etudes in 3109) life of the dwarf, Shut-Eye") - Robert & Gaby BRAHMS Zigeunerlieder, Op. i03 c#, Op. 13 - John Browning,p (RCA 2963) Casadesus,p (Col ML 5259) (for 4-part chorus & piano) - Gaechinger Kan­ VERDI "Teco io sto" from "Un Bal­ BRAHMS Viola Quintet #1 in G, Op. torei/Helmuth Rilling; Martin Galling, P (None lo in Maschera" - Montserrat Caballe, s; Bar­ 88 - Cecil Aronowitz, va; Amadeus string Quar-· H 71228) nabe Marti, t (Ang S 36787) tet (OGG 139 430) WAGNER "Wie aus der Ferne" from "The Flying Dutchman" - Birgit Nilsson, s; Hans 9:40 KALINNIKOV Sym #1 in g - Moscow Hotter, bs (Ser S 60167) 5 PM Victor HERBERT (born on this date Phil/Kiril Kondrashin (Mel/Ang SR 40173) in 1859) 'Cello Concerto #2, Op. 30 - Georges ARENSKY Trio in d, Op. 32 - Igor 12 PM SHOSTAKOVICH "Hamlet" Inciden- Miquelle, 'c; Eastman Rochester Sym/Howard Zhukov, p; Grigory Feigin, vn; Valentin Feigin, tal Music - Boston Pops/Arthur Fiedler (RCA Hanson (Mer MG 50163) 'c (Mel/Ang SR 40165) 3130) HERBERT "Kiss Me Again" from RACHMANINOFF Suite #2 for Two "Madamoiselle Modiste" - Anna Moffo, s (RCA Pianos, Op. 17 (Introduction; Waltz; Romance; 2794); & "When You're Away" from "The Only WEDNESDAY 2 & Tarantella) - Vitya Vronsky & Victor Babin, Girl" - Joan Sutherland, s (Lon OSA 1268) p (RCA 2648) HERBERT Irish Rhapsody - Cleve­ RUSSIAN TRADITIONAL Selection land Pops/Louis Lane (Epic LC 3879) 9 AM BERWALD Bajadarfesten - SWedish of Songs - Soviet Army Chorus & Band (Mel/ HERBERT "Tramp Tramp" from Radio Orch/Sixten Ehrling (None H 71218) Ang SR' 40078) "Naughty Marietta" - Nelson Eddy, bt (Col CS SCHUBERT Impromptus, Op. 90 (D. 3 899) (#1 inc; #2 in Eb; #3 in Gb; & #4 in Ab) - 352; & Piano Sonata in G, L. 387 - Dame Myra MENDELSSOHN "Ruy Blas" Over­ Nelson Freire,p (Col MS 7307) Hess, p (Ang 35991) ture - Suisse Romande Orch/Ernest Ansermet MOZART Sym #35 in D, K. 385 - D SCARLATTI Sinfonia in B - New (Lon CS 6436) Cleveland Orch/George Szell (Col MG 30368) Philh/Raymond Leppard (Phi 900-235) MENDELSS0:';1N Concerto in d for Piano, Violin & Orch ("Do~le") - Eugene List, 10 AM BACH Partita #6 in e - Glenn Gould, 6 PM PAGANINI/KREISLER Concerto for p; Carroll Glenn, vn; Vienna Chamber Orch/ p (Col D3S 754) Violin & Orch in One Movement - Fritz Kreis­ Ernst Maerzendorfer (West WST 17166) A SCARLATTI "Su le sponde del ler, vn (born on this date in 1875); Philadelphia· Tebro" (Cantata) - Barbara Schlick, s; Scher­ Orch/Eugene Ormandy (RCA SP 33-555) 12 PM HARTY "John Field Suite" - Liver- baum Baroque Ens (DGG 2530 023) ROSSINI "La Gazza Ladra" Over­ pool Phil/Sir Malcolm Sargent (Col Entre RL PURCELL "King Arthur" Music - ture - Berlin Phil/Herbert von Karajan (DGG 3043) Collegium Aureum/Reinhard Peters (Vic VICS 2530 144) DONIZETTI Excerpts from "The 1432) ROSSINI "La Promessa" - Renata Daughter of the Regiment": "Ah mes amis" - Tebaldi, s; Giorgio Favaretto,p (Lon 5267); & Luciano Pavarotti, t (Lon OSA 1273); & "Par le 11AM HAYDN Violin Concerto #4 in G - "La Danza" - Nicolai Gedda, t (Ang 36314) rang et par !'opulence" - Joan Sutherland, s (Lon Hermann Krebbers, vn; Amsterdam Chamber ROSSINI Tarantelle pur sang - Lu­ OSA 1276) Orch/Andre Rieu (Cr 22-16-0206) ciano Sgrizzi,p (None H 1163) ALKAN Les Soupirs; Barcarolette; ROSSINI Dances from "Moses in SARASATE Introduction & Taran­ Heraclite et Democrite; & Le Frisson - Ray­ Egypt" - San Carlo Opera Orch/Tullio Serafin tella, Op, 43 - Anshel Brusilow, vn; Philadel­ mond Lewenthal,p (Col M 30234) (Phi PHM 3-580) phia Orch/Eugene Ormandy (Col ML 6191) BIZET Jeux d'Enfants - Philh/Car­ ROSSINI Excerpts from "William BOEHM Tarantella - Hollywood lo Maria Giulini (Ser S 60022) Tell": "Sombre foret" - Regine Crespin, s (Ang Bowl Sym/Carmen Dragon (Cap P 8351) 36144); & "Non mi lasciare••• o muto asil•• , 1PM THE WNIB LIBRARY #1679 Corriam ! Voliam" - Luciano Pavarotti, t (Lon 7PM COLLECTOR'S SHOWCASE SCHUMANN 'Cello Concerto in a, OS 26192) (Tonight's program produced for Op. 129; & TCHAIKOVSKY Variations on a WNIB by Don Tait, ) Rococo Theme, Op. 33 - Mstislav Rostropovich, 12 PM WEBER Piano Sonata #3 in d, Op. BACH Sonata #1 in g for Unaccom­ 'c; Leningrad Phil/Gennadi Rozhdestvensky 49 - Dino Ciani,p (DGG 2530 026) panied Violin - Georges Enesco, vn (Continental (DGG 18 674) MENDELSSOHN Sextet in D, Op, LP CLP-104) (red. circa 1949) 110 - Members of the Vienna Octet (Walter Pan­ BEETHOVEN Violin Concerto in D, 2 PM MENDELSSOHN (born on this date hoffer, p; Anton Fietz, vn; Gunther Breitenbach, Op. 61 - Yehudi Menuhin, vn; Lucerne Festival in 1809) "Elijah" (Oratorio for Soloists, Cho 1st va; Wilhelm Huebner, 2nd va; Ferenc Mi­ Orch/Wilhelm Furtwaengler (His Master's & Orch) - Jane Marsh, s; Shirley Verrett,ms; haly, 'c; Burghard Kraeutler, db) (Lon CS 6636) Voice DB 6574/98) (red.
Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
    Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible.
    [Show full text]
  • ARSC Journal
    LEONARD BERNSTEIN, A COMPOSER DISCOGRAPHY" Compiled by J. F. Weber Sonata for clarinet and piano (1941-42; first performed 4-21-42) David Oppenheim, Leonard Bernstein (recorded 1945) (78: Hargail set MW 501, 3ss.) Herbert Tichman, Ruth Budnevich (rec. c.1953} Concert Hall Limited Editions H 18 William Willett, James Staples (timing, 9:35) Mark MRS 32638 (released 12-70, Schwann) Stanley Drucker, Leonid Hambro (rec. 4-70) (10:54) Odyssey Y 30492 (rel. 5-71) (7) Anniversaries (for piano) (1942-43) (2,5,7) Leonard Bernstein (o.v.) (rec. 1945) (78: Hargail set MW 501, ls.) (1,2,3) Leonard Bernstein (rec. c.1949) (4:57) (78: RCA Victor 12 0683 in set DM 1278, ls.) Camden CAL 214 (rel. 5-55, del. 2-58) (4,5) Leonard Bernstein (rec. c.1949) (3:32) (78: RCA Victor 12 0228 in set DM 1209, ls.) (vinyl 78: RCA Victor 18 0114 in set DV 15, ls.) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 (6,7) Leonard Bernstein (rec. c.1949) (2:18) Camden CAL 214 (rel. 5-55, del. 2-58); CAL 351 Jeremiah symphony (1941-44; f.p. 1-28-44) Nan Merriman, St. Louis SO--Leonard Bernstein (rec. 12-1-45) ( 23: 30) (78: RCA Victor 11 8971-3 in set DM 1026, 6ss.) Camden CAL 196 (rel. 2-55, del. 6-60) "Single songs from tpe Broadway shows and arrangements for band, piano, etc., are omitted. Thanks to Jane Friedmann, CBS; Peter Dellheim, RCA; Paul de Rueck, Amberson Productions; George Sponhaltz, Capitol; James Smart, Library of Congress; Richard Warren, Jr., Yael Historical Sound Recordings; Derek Lewis, BBC.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Mattiwilda Dobbs Janzon
    Finding Aid to The HistoryMakers ® Video Oral History with Mattiwilda Dobbs Janzon Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Janzon, Mattiwilda Dobbs, 1925-2015 Title: The HistoryMakers® Video Oral History Interview with Mattiwilda Dobbs Janzon, Dates: March 1, 2005 Bulk Dates: 2005 Physical 5 Betacame SP videocasettes (2:25:17). Description: Abstract: Opera singer Mattiwilda Dobbs Janzon (1925 - 2015 ) was the first African American woman to appear in a principal role at La Scala Opera House in Milan. Dobbs also desegregated the San Francisco Opera Company and performed at the Metropolitan Opera in New York. Dobbs passed away on December 8, 2015 in Atlanta, Georgia. Janzon was interviewed by The HistoryMakers® on March 1, 2005, in Arlington, Virginia. This collection is comprised of the original video footage of the interview. Identification: A2005_056 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Opera singer Mattiwilda Dobbs was born on July 11, 1925 in Atlanta, Georgia. The fifth of six daughters, she sang her first solo at age six and began her musical studies in piano during Dobbs’ childhood. A member of the last graduating class from Atlanta University Lab School, Dobbs earned her high school diploma in 1942. Receiving her B.A. degree in music from Spelman College in 1946, Dobbs began her formal voice training under the direction of Naomi Maise and Willis Laurence James. After graduating, she studied with Lotte Leonard and Pierre Bernac and attended the Mannes College of Music and the Berkshire Music Center’s Opera Workshop.
    [Show full text]
  • Arnold Schoenberg Wind Quintet Op. 26 Mp3, Flac, Wma
    Arnold Schoenberg Wind Quintet Op. 26 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Wind Quintet Op. 26 Country: US Released: 1978 Style: Modern MP3 version RAR size: 1884 mb FLAC version RAR size: 1453 mb WMA version RAR size: 1326 mb Rating: 4.4 Votes: 714 Other Formats: WAV DMF AIFF AA ASF TTA WMA Tracklist A1 First Movement: Schwungvoll 11:31 A2 Second Movement: Anmutig Und Heiter; Scherzando 8:17 B1 Third Movement: Etwas Langsam (Poco Adagio) 9:05 B2 Fourth Movement: Rondo 8:28 Credits Bassoon – Brian Pollard Clarinet – Piet Honingh Flute – Frans Vester Horn – Adriaan van Woudenberg Illustration – Kandinsky* Liner Notes – Alan Stout, Jeffrey Wasson Oboe – Maarten Karres Producer – Wolf Erichson Other versions Category Artist Title (Format) Label Category Country Year Schoenberg*, Danzi Philips, Schoenberg*, PHC 9068 Quintet* - Wind Quintet, World PHC 9068 Canada 1967 Danzi Quintet* Opus 26 (LP, Album) Series Arnold Schönberg* - Danzi Quintett* - Arnold Schönberg* 64 812 Bläserquintett Op. 26 BASF 64 812 Germany 1975 - Danzi Quintett* (1923/24) (LP, Album, Club) Arnold Schönberg* - Arnold Schönberg* Danzi Quintett* - 25 22057-5 Acanta 25 22057-5 Germany Unknown - Danzi Quintett* Bläserquintett Op. 26 (LP, RE) Arnold Schönberg* - Arnold Schönberg* Danzi Quintett* - 25 22057-5 BASF 25 22057-5 Germany 1975 - Danzi Quintett* Bläserquintett Op. 26 (1923/24) (LP, Album) Arnold Schönberg* - Arnold Schönberg* 37 93007 Danzi Quintett* - BASF 37 93007 Spain 1976 - Danzi Quintett* Bläserquintett Op. 26 (LP) Related Music albums to Wind Quintet Op. 26 by Arnold Schoenberg Schönberg / Claude Helffer - Intégrale De L'Oeuvre Pour Piano Seul Messiaen, Schoenberg - Yvonne Loriod, Pierre Boulez - Sept Haïkaï / Kammersymphonie / 3 Orchesterstücke Paul Hindemith, Danzi-Quintett - Kleine Kammermusik Op.
    [Show full text]
  • TONI PASSMORE ANDERSON 209 Lincoln Lane Lagrange, GA 30240 (706) 880-8264 [email protected]
    TONI PASSMORE ANDERSON 209 Lincoln Lane LaGrange, GA 30240 (706) 880-8264 [email protected] EDUCATION: Georgia State University, Atlanta, Georgia Ph.D. in Higher Education, 1997 Dissertation Title: “The Fisk Jubilee Singers: Performing Ambassadors for the Survival of an American Treasure, 1871-1878" Courses in Music: Aesthetics of Music, Music Technology, Multicultural Music Education, Reference Materials and Research Methodology in Music New England Conservatory of Music, Boston, Massachusetts M.M. in Vocal Performance, May 1982 Voice with Susan Fisher Clickner; Opera with John Moriarty Lamar University, Beaumont, Texas B.M. in Music Education, May 1979 K-12 Certificate in State of Texas Other: Voice study with Susan Fisher Clickner, Irene Harrower, and Herald Stark; Coaching with Terry Decima, Maestro Rudolf Fellner, John Moriarty, James Gardner, Boris Goldovsky, Douglas Hines, John Douglas, Walter Huff. Vocal Master Classes with Eleanor Steber, Janice Harsanyi, Beverly Wolff. Four years of dance training (ballet, folk, movement for singers, jazz); eight years of private piano study. TEACHING AND ADMINISTRATIVE EXPERIENCE: LaGrange College, LaGrange, Georgia Fall 1999 - Present, Tenured Professor Chair, Music Program Co-Chair, Musical Theatre Program Musical Director/Conductor Courses Taught: Applied Voice; Diction for Singers; Opera Experience; Opera Survey; Music Survey; Interim Term travel experiences Morris Brown College, Atlanta, Georgia 1985-1999, Assistant Professor of Music Program Coordinator/Chair 1991; 1993-96 Tenured
    [Show full text]
  • The George-Anne Student Media
    Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 5-20-1966 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1966). The George-Anne. 471. https://digitalcommons.georgiasouthern.edu/george-anne/471 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. ^^H pg^g^gg^fl^HHI See SOUTHERN THE BELLE CONTEST George -Anne Page 9 PUBLISHED BY STUDENTS OF GEORGIA SOUTHERN COLLEGE VOLUME 43 STATESBORO, GEORGIA, FRIDAY' MAY 20, 1966 NUMBER 9 One-Act Plays Set for Tuesday olff To Appear in Concert In Auditorium Campus Enrichment Committee A series of four one-act plays will be presented Tuesday night at 8:15 in McCroan Auditorium To Sponsor Monday Attraction by Robert Overstreet's direct- Miss Beverly Wolff, the final 1965-66 attraction of the Campus ing class. Masquers will spons- Life Enrichment Committee, will appear in concert Monday at or the series. 8:15 p.m. in McCroan Auditorium. The four directors are Lib- Her career as a New York church singing, sales clerking by Brannon, Ralph Jones, City Opera vocalist began in and baby sitting. Pam Theus and Parker Cook. 1963 when she sang the role The one-act play is presented of Cherubino in Mozart's Following her 1952 first place in partial fulfillment for the "Marriage of Figaro." This in the Youth Auditions of the completion of the directing debut was the result of a Philadelphia Orchestra she course.
    [Show full text]
  • Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University
    Eastern Illinois University The Keep Music Programs The Earl Boyd Collection 2015 Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/earl_boyd_programs Part of the Music Commons Recommended Citation Boyd, Earl, "Faculty Woodwind Quartet Flyer" (2015). Music Programs. 29. http://thekeep.eiu.edu/earl_boyd_programs/29 This Book is brought to you for free and open access by the The Earl Boyd Collection at The Keep. It has been accepted for inclusion in Music Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. 0 €astenn 1tt1nols Un1vens1ty w oo0w1n0 Quintet Dear Music Director: Your flutist, oboist, clarinetist, bassoonists, and hornists will welcome the opportunity to hear and work personally with the fine performers in the Eastern Illinois University Woodwind Quintet You are invited to write or call Rhoderick Key, Chairman, Music Department, Eastern Illinois University, Charleston, Illinois, 61920 Phone 217-581-2917 Scheduled to suit your program FLUTE - Robert C. Snyder, flutist, frequent recitalist in Illinois and recent performer at Carnegie Recital Hall in New York, clinician, · writer, and band direetor, graduated from Indiana University with a Masters Degree in Woodwinds and complet~ his doctorate in History and Literature at University of Missouri at Kansas City. He has studied with Vallie Kirk at Washburn University of Topeka, James Pellerite at Indiana University, and William Kincaid. OBOE -Joseph Martin, oboist, double-reed specialist, recitalist, and clinician, graduated with his Masters Degree in Education from East Carolina University in North Carolina. Mr. Martin directs a University stage band and assists in the Symphony Orchestra program.
    [Show full text]
  • 2017 Convention Schedule
    WEDNESDAY, JANUARY 4 2:00PM – 5:00PM Board of Directors Meeting Anacapa 6:00PM - 9:00PM Pre-Conference Dinner & Wine Tasting Villa Wine Bar 618 Anacapa Street, Santa Barbara 7:00PM – 10:00PM Opera Scenes Competition Rehearsal Grand Ballroom THURSDAY, JANUARY 5 8:00AM – 5:00PM Registration Grand Foyer 9:00AM – 5:00PM EXHIBITS Grand Foyer 9:00AM – 9:30AM MORNING COFFEE Grand Foyer Sponsored by the University of Colorado at Boulder College of Music 9:30AM-10:45AM Sierra Madre The 21st Century Way: Redefining the Opera Workshop Justin John Moniz, Florida State University Training programs have begun to include repertoire across varying genres in order to better equip young artists for prosperous careers in today’s evolving operatic canon. This session will address specific acting and movement methods geared to better serve our current training modules, offering new ideas and fresh perspectives to help redefine singer training in the 21st century. Panelists include: Scott Skiba, Director of Opera, Baldwin Wallace Conservatory; Carleen Graham, Director of HGOco, Houston Grand Opera; James Marvel, Director of Opera, University of Tennessee-Knoxville; Copeland Woodruff, Director of Opera Studies, Lawrence University. 11:00AM-12:45PM Opening Ceremonies & Luncheon Plaza del Sol Keynote Speaker: Kostis Protopapas, Artistic Director, Opera Santa Barbara 1:00PM-2:15PM The Janus Face of Contemporary American Opera Sierra Madre Barbara Clark, Shepherd School of Music, Rice University The advent of the 21st century has proven fertile ground for the composition
    [Show full text]
  • Volume 58, Number 07 (July 1940) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1940 Volume 58, Number 07 (July 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 07 (July 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/259 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ) . — < @ — — — —— . — — — — — — repertoire suggests the use of Summer enlarging ofthe £F\ •viert — I HOE Recent Additions mmsd(s m at qj d n fi coj to the Catalog of FAMOUS SONGS PUBLISHED MONTHLY By Theodore presser Co., Philadelphia, pa. H. E. KREHBIEL, Editor editorial and ADVISORY staff Volume Editor Price, $1.50 Each Tor ALTO DR. JAMES FRANCIS COOKE, Ditson Co. Hipsher, Associate Editor Oliver For SOPRANO outstanding writers on musical Dr. Edward Ellsworth America's • Mode by one of Contents William M. Felton. Music Editor music critic of leading metropolitan Contents subjects, for years the Guy McCoy volumes of Famous bongs Verna Arvev Or. Nicholas Doury Elizabeth Ciest journals, this collection in the four Beethoven. Good Friend, for Hullah. Three Fishers RoyPeery Went Dr. S. Fry George C. Knck Dr. Rob Jensen.
    [Show full text]
  • Eugene Ormandy Commercial Sound Recordings Ms
    Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985
    [Show full text]
  • Ronald Roseman: a Biographical Description and Study of His Teaching Methodology
    LAMPIDIS, ANNA, D.M.A. Ronald Roseman: A Biographical Description and Study of his Teaching Methodology. (2008) Directed by Dr. Mary Ashley Barret. 103 pp. Ronald Roseman was an internationally acclaimed oboe soloist, chamber musician, teacher, recording artist, and composer whose career spanned over 40 years. A renowned oboist, he performed in some of America’s most influential institutions and ensembles including the New York Woodwind Quintet, the New York Philharmonic, and the New York Bach Aria Group. His contributions to 20th Century oboe pedagogy through his own unique teaching methodology enabled him to contribute to the success of both his own personal students and many others in the field of oboe and woodwind performance. His body of compositions that include oboe as well as other instruments and voice serve to encapsulate his career as a noteworthy 20th Century composer. Roseman’s musicianship and unique teaching style continues to be admired and respected worldwide by oboists and musicians. The purpose of this study is to present a biographical overview and pedagogical techniques of oboist Ronald Roseman. This study will be divided into sections about his early life, teaching career, performance career and his pedagogical influence upon his students. Exercises and techniques developed by Roseman for the enhancement of oboe pedagogy will also be included. Interviews have been conducted with his wife and three former well-known students in order to better serve the focus of this study. The author also contributed pedagogical techniques compiled during a two-year period of study with Roseman. Appendices include a discography of recorded materials, the New York Woodwind Quintet works list, Roseman’s published article on Baroque Ornamentation, a list of his compositions with premiere dates and performers, and interview questions.
    [Show full text]