An Overview of the Tesseract OCR Engine
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Download Fedra Sans Bold
Download fedra sans bold click here to download Download Fedra Sans Std Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans Expert Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download Fedra Sans SC Bold For Free, View Sample Text, Rating And More On www.doorway.ru Download fedra sans std bold font with bold style. Download free fonts for Mac, Windows and Linux. All fonts are in TrueType format. Download fedra sans std bold font for Windows, Linux and Mac free at www.doorway.ru - database of around free OpenType and TrueType. Fedra Sans Book ItalicMacromedia Fontographer 4. 1 Fedra Sans Book ItalicFedra Sans Book ItalicMacromedia Fontographer 4. 1 Fedra Sans Pro-Bold. Download OTF. Similar. Fedra Sans Pro-Bold Italic · Fedra Sans Pro Light Light · Fedra Sans Pro Normal Normal · Fedra Sans Pro-Book. Fedra Sans was originally commissioned by Paris-based Ruedi Baur Integral Design and developed as a corporate font for Bayerische Rück, a German. Fedra Sans: Fedra Sans is a contemporary sans serif, highly legible, font Fedra Sans Medium Italic px Fedra Sans Bold Italic px . Is there any reason to make new fonts when there are so many already available for downloading? Fedra Sans is a typeface designed by Peter Bil'ak, and is available for Desktop. Try, buy and download these fonts now! Bold SC Italic. Büroflächen. Bold TF. Font Fedra Sans Std Normal font download free at www.doorway.ru, the largest collection of cool fonts for Fedra Sans Std Bold Italic font. -
Multimedia Foundations Glossary of Terms Chapter 8 – Text
Multimedia Foundations Glossary of Terms Chapter 8 – Text Ascender Any part of a lowercase character that extends above the x-height, such as in the vertical stem of the letter b or h. Baseline And imaginary plane where the bottom edge of each character’s main body rests. Baseline Shift Refers to shifting the base of certain characters (up or down) to a new position. Capline An imaginary line denoting the tops of uppercase letters. Counter The enclosed or partially enclosed open area in letters such as O and G. Descender Any part of a character that extends below the baseline; such as in the bottom stroke of a y or p. Flush Left The alignment of text along a common left-edged line. Font Family A collection of related fonts – all of the bolds, italics, and so forth, in their various sizes. Gridline A matrix of evenly spaced vertical and horizontal lines that are superimposed overtop of the design window as a visual aid for aligning objects. Justification The term used when both the left and right edges of a paragraph are vertically aligned. Kerning A technique that selectively varies the amount of space between a single pair of letters and accounts for letter shape; allowing letters like A and V to extend into one another’s virtual blocks. Leading A term used to define the amount of space between vertically adjacent lines of text. Legibility Refers to a typeface’s characteristics and can change depending on font size. The more legible a typeface, the easier it is at a glance to distinguish and identify letters, numbers, and symbols. -
National Rappel Operations Guide
National Rappel Operations Guide 2019 NATIONAL RAPPEL OPERATIONS GUIDE USDA FOREST SERVICE National Rappel Operations Guide i Page Intentionally Left Blank National Rappel Operations Guide ii Table of Contents Table of Contents ..........................................................................................................................ii USDA Forest Service - National Rappel Operations Guide Approval .............................................. iv USDA Forest Service - National Rappel Operations Guide Overview ............................................... vi USDA Forest Service Helicopter Rappel Mission Statement ........................................................ viii NROG Revision Summary ............................................................................................................... x Introduction ...................................................................................................... 1—1 Administration .................................................................................................. 2—1 Rappel Position Standards ................................................................................. 2—6 Rappel and Cargo Letdown Equipment .............................................................. 4—1 Rappel and Cargo Letdown Operations .............................................................. 5—1 Rappel and Cargo Operations Emergency Procedures ........................................ 6—1 Documentation ................................................................................................ -
Optical Character Recognition - a Combined ANN/HMM Approach
Optical Character Recognition - A Combined ANN/HMM Approach Dissertation submitted to the Department of Computer Science Technical University of Kaiserslautern for the fulfillment of the requirements for the doctoral degree Doctor of Engineering (Dr.-Ing.) by Sheikh Faisal Rashid Dean: Prof. Dr. Klaus Schneider Thesis supervisors: Prof. Dr. Thomas Breuel, TU Kaiserslautern Prof. Dr. Andreas Dengel, TU Kaiserslautern Chair of supervisory committee: Prof. Dr. Karsten Berns, TU Kaiserslautern Kaiserslautern, 11 July, 2014 D 386 Abstract Optical character recognition (OCR) of machine printed text is ubiquitously considered as a solved problem. However, error free OCR of degraded (broken and merged) and noisy text is still challenging for modern OCR systems. OCR of degraded text with high accuracy is very important due to many applications in business, industry and large scale document digitization projects. This thesis presents a new OCR method for degraded text recognition by introducing a combined ANN/HMM OCR approach. The approach provides significantly better performance in comparison with state-of-the-art HMM based OCR methods and existing open source OCR systems. In addition, the thesis introduces novel applications of ANNs and HMMs for document image preprocessing and recognition of low resolution text. Furthermore, the thesis provides psychophysical experiments to determine the effect of letter permutation in visual word recognition of Latin and Cursive script languages. HMMs and ANNs are widely employed pattern recognition paradigms and have been used in numerous pattern classification problems. This work presents a simple and novel method for combining the HMMs and ANNs in application to segmentation free OCR of degraded text. HMMs and ANNs are powerful pattern recognition strategies and their combination is interesting to improve current state-of-the-art research in OCR. -
National Diploma in Calligraphy Helpful Hints for FOUNDATION Diploma Module A
National Diploma in Calligraphy Helpful hints for FOUNDATION Diploma Module A THE LETTERFORM ANALYSIS “In A4 format make an analysis of the letter-forms of an historical manuscript which reflects your chosen basic hand. Your analysis should include x-height, letter formation and construction, heights of ascenders and descenders, etc. This can be in the form of notes added to enlarged photocopies of a relevant historical manuscript, together with your own lettering studies” At this first level, you will be working with one basic hand only and its associated capitals. This will be either Foundational (Roundhand) in which case study the Ramsey Psalter, or Formal Italic, where you can study a hand by Arrighi or Francisco Lucas, or other fine Italian scribe. Find enlarged detailed illustrations from ‘Historical Scripts by Stan Knight, or A Book of Scripts, by A Fairbank, or search the internet. Stan Knight’s book is the ‘bible’ because the enlargements are clear and at least 5mm or larger body height – this is the ideal. Show by pencil lines & measurements on the enlargement how you have worked out the pen angle, nib-widths, ascender & descender heights and shape of O, arch formations etc, use a separate sheet to write down this information, perhaps as numbered or bullet points, such as: 1. Pen angle 2. 'x'height 3. 'o'form 4, 5,6 Number of strokes to each letter, their order, direction: - make a general observation, and then refer the reader to the alphabet (s) you will have written (see below), on which you will have added the stroke order and directions to each letter by numbered pencil arrows. -
Typographic Terms Alphabet the Characters of a Given Language, Arranged in a Traditional Order; 26 Characters in English
Typographic Terms alphabet The characters of a given language, arranged in a traditional order; 26 characters in English. ascender The part of a lowercase letter that rises above the main body of the letter (as in b, d, h). The part that extends above the x-height of a font. bad break Refers to widows or orphans in text copy, or a break that does not make sense of the phrasing of a line of copy, causing awkward reading. baseline The imaginary line upon which text rests. Descenders extend below the baseline. Also known as the "reading line." The line along which the bases of all capital letters (and most lowercase letters) are positioned. bleed An area of text or graphics that extends beyond the edge of the page. Commercial printers usually trim the paper after printing to create bleeds. body type The specific typeface that is used in the main text break The place where type is divided; may be the end of a line or paragraph, or as it reads best in display type. bullet A typeset character (a large dot or symbol) used to itemize lists or direct attention to the beginning of a line. (See dingbat.) cap height The height of the uppercase letters within a font. (See also cap line.) caps and small caps The typesetting option in which the lowercase letters are set as small capital letters; usually 75% the height of the size of the innercase. Typographic Terms character A symbol in writing. A letter, punctuation mark or figure. character count An estimation of the number of characters in a selection of type. -
Documaker Server System Reference, Version 11.3
Start Documaker Documaker Server System Reference version 11.3 Skywire Software, L.L.C. Phone: (U. S.) 972.377.1110 3000 Internet Boulevard (EMEA) +44 (0) 1372 366 200 Suite 200 FAX: (U. S.) 972.377.1109 Notice Frisco, Texas 75034 (EMEA) +44 (0) 1372 366 201 www.skywiresoftware.com Support: (U. S.) 866.4SKYWIRE (EMEA) +44 (0) 1372 366 222 [email protected] PUBLICATION COPYRIGHT NOTICE Copyright © 2008 Skywire Software, L.L.C. All rights reserved. Printed in the United States of America. This publication contains proprietary information which is the property of Skywire Software or its subsidiaries. This publication may also be protected under the copyright and trade secret laws of other countries. TRADEMARKS Skywire® is a registered trademark of Skywire Software, L.L.C. Docucorp®, its products (Docucreate™, Documaker™, Docupresentment™, Docusave®, Documanage™, Poweroffice®, Docutoolbox™, and Transall™) , and its logo are trademarks or registered trademarks of Skywire Software or its subsidiaries. The Docucorp product modules (Commcommander™, Docuflex®, Documerge®, Docugraph™, Docusolve®, Docuword™, Dynacomp®, DWSD™, DBL™, Freeform®, Grafxcommander™, Imagecreate™, I.R.I.S. ™, MARS/NT™, Powermapping™, Printcommander®, Rulecommander™, Shuttle™, VLAM®, Virtual Library Access Method™, Template Technology™, and X/HP™ are trademarks of Skywire Software or its subsidiaries. Skywire Software (or its subsidiaries) and Mynd Corporation are joint owners of the DAP™ and Document Automation Platform™ product trademarks. Docuflex is based in part on the work of Jean-loup Gailly and Mark Adler. Docuflex is based in part on the work of Sam Leffler and Silicon Graphic, Inc. Copyright © 1988-1997 Sam Leffler. Copyright © 1991-1997 Silicon Graphics, Inc. Docuflex is based in part on the work of the Independent JPEG Group. -
Special Characters in Aletheia
Special Characters in Aletheia Last Change: 28 May 2014 The following table comprises all special characters which are currently available through the virtual keyboard integrated in Aletheia. The virtual keyboard aids re-keying of historical documents containing characters that are mostly unsupported in other text editing tools (see Figure 1). Figure 1: Text input dialogue with virtual keyboard in Aletheia 1.2 Due to technical reasons, like font definition, Aletheia uses only precomposed characters. If required for other applications the mapping between a precomposed character and the corresponding decomposed character sequence is given in the table as well. When writing to files Aletheia encodes all characters in UTF-8 (variable-length multi-byte representation). Key: Glyph – the icon displayed in the virtual keyboard. Unicode – the actual Unicode character; can be copied and pasted into other applications. Please note that special characters might not be displayed properly if there is no corresponding font installed for the target application. Hex – the hexadecimal code point for the Unicode character Decimal – the decimal code point for the Unicode character Description – a short description of the special character Origin – where this character has been defined Base – the base character of the special character (if applicable), used for sorting Combining Character – combining character(s) to modify the base character (if applicable) Pre-composed Character Decomposed Character (used in Aletheia) (only for reference) Combining Glyph -
2.1 Typography
Working With Type FUN ROB MELTON BENSON POLYTECHNIC HIGH SCHOOL WITH PORTLAND, OREGON TYPE Points and picas If you are trying to measure something very short or very thin, then inches are not precise enough. Originally English printers devised picas to precisely measure the width of type and points to precise- ly measure the height of type. Now those terms are used interchangeably. There are 12 points in one pica, 6 picas in one inch — or 72 points in one inch. This is a 1-point line (or rule). 72 of these would be one inch thick. This is a 12-point rule. It is 1 pica thick. Six of these would be one inch thick. POINTS PICAS INCHES Thickness of rules I Lengths of rules Lengths of stories I Sizes of type (headlines, text, IWidths of text, photos, cutlines, IDepths of photos and ads cutlines, etc.) gutters, etc. (though some publications use IAll measurements smaller than picas for photo depths) a pica. Type sizes Type is measured in points. Body type is 7–12 point type, while display type starts at 14 point and goes to 127 point type. Traditionally, standard point sizes are 14, 18, 24, 30, 36, 42, 48, 54, 60 and 72. Using a personal computer, you can create headlines in one-point increments beginning at 4 point and going up to 650 point. Most page designers still begin with these standard sizes. The biggest headline you are likely to see is a 72 pt. head and it is generally reserved for big stories on broadsheet newspapers. -
Typography Height
THIS MONTH POInts OF VIEW a Serif Sans serif b Ascender Serif Typography Height Typography is the art and technique of arranging type. Like a Serif Descender person’s speaking style and skill, the quality of our treatment of Figure 1 | Typefaces. (a) The anatomy of letterform for serif (Garamond) letters on a page can influence how people respond to our mes- and sans serif (Univers) type both set at 58 point. (b) Four of the most sage. It is an essential act of encoding and interpretation, linking readily available fonts. what we say to what people see. Typography has been known to affect perception of credibility. line and paragraph settings (Fig. 2b). The relative scale of white In one study, identical job resumes printed using different type- space in Figure 2b makes the hierarchy of the content apparent. faces were sent out for review. Resumes with typefaces deemed Differentially aligning the paragraph text and bulleted list, when appropriate for a given industry resulted in applicants being con- allowed, differentiates the content. sidered more knowledgeable, mature, experienced, professional, To achieve meaningfully spaced text, use the ‘space before’ and believable and trustworthy than when less appropriate typefaces ‘space after’ settings instead of extra carriage returns. Find the were used1. In this case, picking the right typeface can help some- settings under Font menu > Paragraphs (PowerPoint) or Format one’s chances of landing a job. menu > Paragraphs (Word). The paragraph text in Figure 2b is set The term typeface is frequently conflated with font; Arial is a with 5 point space after it; the bulleted list has 3 point space after ‘typeface’ that may include roman, bold and italic ‘fonts’. -
User's Manual ZA-200 / ZA-250
USERS MANUAL ZA-200 MULTI-FONT ZA-250 MULTI-FONT ZR 80825018 ZA-200 ZA-250 USERSMANUAL NOTINTENDEDFORSALE VDE Statement This device carries the VDE RFI protection mark to certify that it meets the radio interference requirements of the Postal Ordinance No. 243/1991. The additional marking “Vfg. 243/P” expresses in short form that this is a peripheral device (not operable alone) which only individually meets the Class B RFI requirements in accordance with the DIN VDE 0878 part 3/11.89and the PostaI Ordinance 243/ 1991, If this device is operated in conjunction with other devices within a set-up, in order to take advantage of a “General (Operating) Authorization” in accordance with the Postal Ordinance 243/1991, the complete set-up must comply with the Class B limits in accordance with the DIN VDE 0878 part 3/11.89, as well as satisfy the preconditions in accordance with $2 and the prerequisites in accordance with $3 of the Postal Ordinance 243/1991. As a rule, this is only fulfilled when the device is operated in a set-up which has been type-tested and provided with a VDE RFI protection mark with the additional marking “Vfg 243”. Machine Noise Information Ordinance 3. GSGV, January 18, 1991: The sound pressure level at the operator position is equal or less than 70 dB(A) according to 1S0 7779. The above statement applies only to printers marketed in Germany. Trademark Acknowledgements ZA-200/250, FR-10/15, LC-200 Color, LC-10 Color, LZ9~X9CL, IS-8XL, IP-128XL, SF-1ODMIU 15DMII, SF-1ORMIV15RMII,PT-10XM/15XM: StarMlcronics Co., Ltd. -
Operating Manual for Descender and Rescue Lifting Devicesafescape
Operating manual for descender and rescue lifting deviceSafEscape SD 72 As on 28.05.09 Sperian Fall Protection Deutschland GmbH& Co. KG, Seligenweg 10, D-95028 Hof,Tel. +49 92818302-0, Fax+49 9281 3626, [email protected], www.fall-protection.com Contents 1. General information............................................................................................................ 3 2. Technical description.......................................................................................................... 3 2.1. Technical data........................................................................................................... 3 2.2. Assembly................................................................................................................... 5 2.3. Intended use ............................................................................................................. 5 3. Preparation........................................................................................................................... 6 4. Use......................................................................................................................................... 7 4.1. Rescuing accident victims...................................................................................... 7 Lifting function......................................................................................................................... 7 Descent function.....................................................................................................................