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Energy Law Evolves the Law School’S New Center for Global Energy, International Arbitration, and Environmental Law Meets the Challenges of the New Century
SUMMER 2009 THE MAGAZINE OF THE UNIVERSITY OF TEXAS SCHOOL OF UTLAW LAW ENERGY LAW EVOLVES The Law School’s new Center for Global Energy, International Arbitration, and Environmental Law meets the challenges of the new century Joe R. and Teresa Lozano Long help launch young lawyers’ careers Twenty years of the Capital Punishment Clinic Texas Law Veterans Association organizes legal clinics for Central Texas veterans THE UNIVERSITY OF TEXAS LAW SCHOOL FOUNDATION, 727 E. DEAN KEETON STREET, AUSTIN, TEXAS 78705 The Long Career Launch Program Through a very generous gift to the School of Law, Joe R. Long, ’58, and Teresa Lozano Long created the Long Career Launch Program. The Program makes it financially possible for recent TU Law graduates to obtain legal work experience in unpaid internships while they await bar results. Participating graduates in the Long Career Launch Program have worked with a wide variety of public service employers, E P WO from the Office of the Attorney General ofT exas to the United Nations Assistance to the Khmer Rouge Trials. Full story on page 32. S H P TE S HOTO BY HOTO P InCamera PHOTO BY MARK RUTKOWSKI InCamera Texas Law Veterans Association helps Central Texas veterans navigate the legal landscape Bridgett Mayeux, ’10, cofounded the Texas Law Veterans Association with Sam Denton, ’10, in 2007 to help Central Texas veterans learn about their rights, apply for benefits, and find attorneys. Mayeux is pictured here consulting with a veteran at a free legal advice clinic for veterans the student group organized with the Law School’s William Wayne Justice Center for Public Interest Law, Volunteer Legal Services of Central Texas, the Texas Veterans Commission, and Travis County Veterans Services. -
Homosexuality and the 1960S Crisis of Masculinity in the Gay Deceivers
Why Don’t You Take Your Dress Off and Fight Like a Man? WHY DON’T YOU TAKE YOUR DRESS OFF AND FIGHT LIKE A MAN?: HOMOSEXUALITY AND THE 1960S CRISIS OF MASCULINITY IN THE GAY DECEIVERS BRIAN W OODMAN University of Kansas During the 1960s, it seemed like everything changed. The youth culture shook up the status quo of the United States with its inves- titure in the counterculture, drugs, and rock and roll. Students turned their universities upside-down with the spirit of protest as they fought for free speech and equality and against the Vietnam War. Many previously ignored groups, such as African Americans and women, stood up for their rights. Radical politics began to challenge the primacy of the staid old national parties. “The Kids” were now in charge, and the traditional social and cultural roles were being challenged. Everything old was old-fashioned, and the future had never seemed more unknown. Nowhere was this spirit of youthful metamorphosis more ob- vious than in the transformation of views of sexuality. In the 1960s sexuality was finally removed from its private closet and cele- brated in the public sphere. Much of the nation latched onto this new feeling of openness and freedom toward sexual expression. In the era of “free love” that characterized the latter part of the decade, many individuals began to explore their own sexuality as well as what it meant to be a traditional man or woman. It is from this historical context that the Hollywood B-movie The Gay Deceivers (1969) emerged. This small exploitation film, directed by Bruce Kessler and written by Jerome Wish, capitalizes on the new view of sexuality in the 1960s with its novel (at least for the times) comedic exploration of homosexu- ality. -
Sissies by Brandon Hayes ; Claude J
Sissies by Brandon Hayes ; Claude J. Summers Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com Sissy as a term for an effeminate male developed from its use as an affectionate variant of "sister"; it then came to be used as a disparaging term for boys who behaved like girls. The American Heritage Dictionary defines sissy as "a boy or man regarded as effeminate." The term is pejorative, and its use as such has powerful effects on male behavior generally. It serves as a kind of social control to enforce "gender appropriate" behavior. Indeed, so strong is its power that, in order to avoid being labeled a sissy, many boys--both those who grow up to be homosexual and those who grow up to be heterosexual--consciously attempt to redirect their interests and inclinations from suspect areas such as, for example, hair styling or the arts toward stereotypically masculine interests such as sports or engineering. In addition, they frequently repress-- sometimes at great cost--aspects of their personalities that might be associated with the feminine. At the root of the stigma attached to sissies is the fear and hatred of homosexuality and, to a lesser extent, of women. Certainly, much of the anxiety aroused by boys who are perceived as sissies is the fear (and expectation) that they will grow up to be homosexuals. The stigmatizing power of the term has had particularly strong repercussions on gay male behavior, as well as on the way that gay men are perceived, both by heterosexuals and by each other. -
A Look at 'Fishy Drag' and Androgynous Fashion: Exploring the Border
This is a repository copy of A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/121041/ Version: Accepted Version Article: Willson, JM orcid.org/0000-0002-1988-1683 and McCartney, N (2017) A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. Critical Studies in Fashion and Beauty, 8 (1). pp. 99-122. ISSN 2040-4417 https://doi.org/10.1386/csfb.8.1.99_1 (c) 2017, Intellect Ltd. This is an author produced version of a paper published in Critical Studies in Fashion and Beauty. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 JACKI WILLSON University of Leeds NICOLA McCARTNEY University of the Arts, London and University of London A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman Abstract This article seeks to re-explore and critique the current trend of androgyny in fashion and popular culture and the potential it may hold for gender deviant dress and politics. -
COMPASSION a Festival of Musical Passions JUNE 5–15 GREAT ARCHETYPAL STORIES of SUFFERING, EMPATHY, and HOPE
COMPASSION A FESTIVAL OF MUSICAL PASSIONS JUNE 5–15 GREAT ARCHETYPAL STORIES OF SUFFERING, EMPATHY, AND HOPE CONSPIRARE.ORG 1 COMPASSION Diversify your Assets: FESTIVAL Invest in the Arts. PIETÀ JUNE 5-7, FREDERICKSBURG & AUSTIN CONSIDERING MATTHEW SHEPARD DURUFLÉ – REQUIEM JUNE 8, AUSTIN A GNOSTIC PASSION JUNE 10, AUSTIN J.S. BACH – ST. MATTHEW PASSION JUNE 14-15, AUSTIN We applaud the artists and patrons who invest in our community. CRAIG HELLA JOHNSON Artistic Director & Conductor ROBERT KYR & JOHN MUEHLEISEN Composers & Speakers SEASON SUSTAINING UNDERWRITER tm 2 3 TABLE OF CONTENTS FROM THE ARTISTIC DIRECTOR: WELCOME AND INTRODUCTION WELCOME AND INTRODUCTION .................................................................. 5-6 PROGRAM: PIETÀ ...............................................................................................7 ARTISTS: PIETÀ ..................................................................................................8 PROGRAM NOTES: PIETÀ ............................................................................ 9-10 PROGRAM: CONSIDERING MATTHEW SHEPARD/REQUIEM .......................... 11 Welcome to the Conspirare comPassion Festival. ARTISTS: CONSIDERING MATTHEW SHEPARD/REQUIEM .............................. 12 Whether you find yourself in the middle of a PROGRAM NOTES: CONSIDERING MATTHEW SHEPARD/REQUIEM .............. 13 performance or at a workshop, I invite you to PROGRAM: A GNOSTIC PASSION.................................................................... 14 take this time to deeply experience -
QUEER UTOPIA and REPARATION: RECLAIMING FAILURE, VULNERABILITY, and SHAME in DRAG PERFORMANCE by Rodrigo Peroni Submitted to C
QUEER UTOPIA AND REPARATION: RECLAIMING FAILURE, VULNERABILITY, AND SHAME IN DRAG PERFORMANCE By Rodrigo Peroni Submitted to Central European University Department of Gender Studies In partial fulfillment for the degree of Master of Arts in Critical Gender Studies. Supervisor: Professor Eszter Timár Second Reader: Erzsébet Barát CEU eTD Collection Budapest, Hungary 2017 Abstract This thesis discusses the critical and queer utopian potential of two performances by Ongina and Alaska Thunderfuck - two contemporary American drag queens. Based on Ongina’s “Beautiful” lip-sync performance and Alaska Thunderfuck's “Your Makeup Is Terrible” video clip, I argue that the performance of failure, vulnerability, and shame troubles multiculturalist discourses for their perpetuation of the neoliberal and masculinist values of individual success (chapter 1), authentic autonomy (chapter 2), and proud stable identity (chapter 3). While and because these performances defy the drag genre’s conventions and drive us to reconsider the prevalent forms of resistance to heterosexism, they also engender a queer utopian potential that allows the imagining and experiencing of alternative ethics. I rely on José Esteban Muñoz’s concept of disidentification and Eve Sedgwick’s notions of paranoid and reparative reading to propose queer communitarian bondings that are not radical nor durable but more inclusive and self-transformative. By interpreting ugliness as failure, I argue that in uglifying themselves Ongina and Alaska expose the meritocracy of neoliberalism and suggest an ethics based not on aesthetic pleasure but on a reparative appreciation of the awful that queers the very notion of community for not holding on to stable identities nor individual achievements. Drawing on a Levinasian discussion of vulnerability and care, I discuss how Alaska disidentifies with the reality TV show RuPaul’s Drag Race's deployment of vulnerability as relatable authenticity while suggesting an alternative ethics with which to encounter the Other based on witnessing, risk, and ungraspability. -
Drag Shows: Drag Queens and Female Impersonators by Andres Mario Zervigon
Drag Shows: Drag Queens and Female Impersonators by Andres Mario Zervigon Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Drag performer Lady Bunny. Female impersonation appears to have existed through the length of human Portrait by Sasha civilization and the breadth of its cultures. Ancient Roman literature and history Vaughn, courtesy feature a multitude of male cross-dressers, while in numerous Native American ladybunny.net. cultures, cross-dressing berdaches were respected as prophets and seers who were able to glimpse the world through both masculine and feminine perspectives. In the late nineteenth century, Richard von Krafft-Ebing observed in his Psychopathia Sexualis (1887) that the smallest German hamlets often featured drag culture. In contemporary India men who choose to live and dance as women are regarded with particular religious reverence. Female Impersonation and Sexual Identity Female impersonation need say nothing about sexual identity. For example, many male actors in Elizabethan England and in the classical Chinese theater performed female roles because women were generally banned from the stage. Whether or not these performances blurred the sexual identification of the actors remains a point of debate in social and theater history and a focus of recent films such as Shakespeare in Love (1998) and Farewell My Concubine (1993). Although transvestism, a term coined by Magnus Hirschfeld in 1910 and derived from the Latin for "across" and "dress," is practiced mostly by heterosexual males, the performance of female impersonation has come to be associated particularly with glbtq culture. Why this should be so is not altogether clear, but it may be that gender transgression is a component of sexual transgression or at least evokes empathy among those crossing sexual boundaries, particularly when these boundaries seem difficult to define. -
Cross Dressing Newsletters Collection
http://oac.cdlib.org/findaid/ark:/13030/c8b85b29 No online items Guide to the Cross Dressing Newsletters Collection Special Collections & Archives University Library California State University, Northridge 18111 Nordhoff Street Northridge, CA 91330-8326 URL: https://library.csun.edu/SCA Contact: https://library.csun.edu/SCA/Contact © Copyright 2020 Special Collections & Archives. All rights reserved. Guide to the Cross Dressing SC.CDN 1 Newsletters Collection Contributing Institution: Special Collections & Archives Title: Cross Dressing Newsletters Collection Creator: California State University, Northridge. University Library Identifier/Call Number: SC.CDN Extent: 9.17 linear feet Date (inclusive): 1974-2001 Abstract: This collection consists of newsletters issued by local chapters of Tri-Ess (an educational and support group for heterosexual cross dressers) in the United States, and independent groups in the US and abroad. The newsletters report local activities, discuss current topical issues, and in general serve as a forum for the interests and concerns of the cross dressing community. Language of Material: English Historical Note: The library created this collection of materials for study and research. Scope and Contents The Cross Dressing Newsletters Collection consists of newsletters issued by local chapters of Tri-Ess (an educational and support group for heterosexual cross dressers) in the United States, and independent groups in the US and abroad. The newsletters report local activities, discuss current topical issues, and in general serve as a forum for the interests and concerns of the cross dressing community. Most are written, printed, and reproduced by members. They vary in length from a single sheet to ten or fifteen pages. These materials are arranged alphabetically by title of publication. -
!]\F Naissance ~Ws 1L
. !]\fnaissance ~ws 1l. Volume 6, No. 3 Vision - Integrity - Quality March, 1992 Police departments cop out on transsexual's civil rights by Elsa Larson the "male" of"female" blocks on the male, and was unconvinced when and Paula Jordan Sinclair A transsexual member of the application, instead noting that she she explained that she had followed Lower Susquehanna Valley chap is a male-to-female transsexual. the Pennsylvania Department of ter of Renaissance ran afoul of two That didn't fly with officials, and Motor Vehicles procedure for chang police departments when she tried they forced her to check the male ing the sex designation of licenses. to get hired as a cop. A detective at block. Now that she is two years He also was unmoved when she the Harrisburg police department into the "real life test" required produced documentation from her was so incensed that her drivers' before sexual reassignment surgery, counselor. license said she is female that he she returned to the police depart Glad called in another officer, an detained her for four hours and ment to change her sex designation "expert" on drivers' licenses, Cpl. threatened her with arrest and a to female. Isaac Nixon. Both Glad and Nixon strip search. Shortly afterward, The process seemed to be pro made it clear to Streeper that they police in Upper Allen said she was a ceeding smoothly with routine in were going to arrest her for carrying prime suspect in a criminal case. terviews and fingerprinting. The false identification. They repeatedly Markely Streeper's problems trouble began when police detective · told her that they would order a began in mid-January when she Larry Glad, assigned to the depart strip search and have her confined went to the Harrisburg bureau of ment's internal affairs section, in the male section of the jail. -
MSA Page Ex.C - 1
MATERIAL SUPPORTING THE AGENDA VOLUME XXXIXa This volume contains the Material Supporting the Agenda furnished to each member of the Board of Regents prior to the meetings held on October 11, 1991 December 5, 1991 The material is divided according to the standing committees and the meetings that were held and is color coded as follows: White paper - for documentation of all items that were presented before the deadline date. Blue paper - all items submitted to the Executive Session and distributed only to the Regents, Chan cellor and Executive Vice Chancellors of the System. Yellow paper - emergency items distributed at the meeting. Material distributed at the meeting as additional documentation is not included in the bound volume, because sometimes there is an unusual amount and other times some people get copies and some do not get copies. If the Executive Secretary was fur nished a copy, then that material goes into the appropriate sub ject file. ---------- No. 4 Material Supporting the Agenda of the Board of Regents The University of Texas System Meeting No.:----857 Date: _ _;O~c::..::t::::o:!:::bo:;er~l:.::lc.L,_l~9~9~1'-- Location: _ __:A~r:..:l:.::i:!!.ng::Lt~o::,:;n~,_.::;:Te:::_:x~a~s~- BOARD OF REGENTS OF THE UNIVERSITY OF TEXAS SYSTEM CALENDAR Place: Conference Room 4, Third Floor E. E. Davis Hall The University of Texas at Arlington 703 Monroe Arlington, Texas Host Institution: The University of Texas at Arlington Friday, October 11, 1991 10:00 a.m. Convene in Open Session with recess to Executive Session as per the agenda See Pages B of R 1 - 13, Items A - Q Telephone Numbers President Nedderman's Office (817) 273-2101 Loews.Anatole Hotel 2201 Stemmons Freeway (214) 748-1200 Offices of the President ~ Conference Room #I ' TELEPHONE ---· ... -
Sissy!: the Effeminate Grotesque in U.S
SISSY!: THE EFFEMINATE GROTESQUE IN U.S. LITERATURE AND CULTURE SINCE 1940 Harry Osborne Thomas Jr. A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2011 Approved by: Minrose Gwin Fred Hobson John Howard Timothy Marr Ruth Salvaggio ©2011 Harry Osborne Thomas Jr. ALL RIGHTS RESERVED ii ABSTRACT HARRY OSBORNE THOMAS JR: Sissy!: The Effeminate Grotesque in U.S. Literature and Culture Since 1940 (Under the direction of Minrose Gwin) In his memoir Firebird, Mark Doty explains that being effeminate in postwar America means being treated paradoxically: “The queer boy’s dynamic,” he writes, is to be “simultaneously debased and elevated.” This study explores the paradox that Doty describes by examining representations of effeminate men and boys in U.S. literature and culture from 1940 to the present. I argue that effeminacy has routinely been depicted in terms of the grotesque, a mode of visual and textual representation concerned with bodies that provoke mixed feelings of both revulsion and fascination. By reading effeminacy through the critical lens of the grotesque, I re- evaluate its queer theoretical potential, and highlight a previously overlooked discursive tradition in U.S. literature and culture. In this tradition, effeminacy is embraced, rather than rejected, because it models new modes of masculine embodiment and functions symbolically as an alternative to the strictures of heteronormativity. This claim both extends and complicates previous scholarship on effeminacy, which focuses almost exclusively on how effeminacy has been hated in U.S. -
From the Freak Show to Modern Drag - Olivia Germann, Ball State University
Gender Performance: From the Freak Show to Modern Drag - Olivia Germann, Ball State University t is the season six finale of IRuPaul’s Drag Race, and the top Abstract three queens are waiting to see This paper explores how gender performance in who will be crowned America’s the freak show grew into the modern drag scene as we know it today. By examining some of the Next Drag Superstar. The modern elements of drag, it is possible to see how finalists’ bodies exceed our almost these performers circumvented the laws, preju- unattainable beauty standards, and dices, and discrimination aimed towards them to their hair seems to defy gravity. create a booming industry where drag queens Courtney Act, one of the finalists, appear on national television and are treated with is a singer from Australia; her the respect that they had previously been denied. normally blonde wig has been replaced with a bright pink one, and she’s wearing a technicolor dress that looks like something out of a Bowie video. Next to her is Adore Delano, another singer, whose fire red wig hangs down to her ample bosom (thanks to a chest plate), while her black gown screams of sequins. And on the very end is Bianca Del Rio, a comedian queen who specializes in insult comedy and more traditional drag, wearing one of her typical wigs: large, black, and topped with a huge spray of colored fabric. Her eyes are made up in her typical fashion, with copious amounts of white eyeliner to feminize her eyes and make them pop.