DOCSLIB.ORG

Luther Ingram (If Loving You Is Wrong) I Don't Want to Be Right Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Luther Ingram (If Loving You Is Wrong) I Don't Want to Be Right Mp3, Flac, Wma Luther Ingram (If Loving You Is Wrong) I Don't Want To Be Right mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: (If Loving You Is Wrong) I Don't Want To Be Right Country: US Released: 1972 Style: Soul MP3 version RAR size: 1555 mb FLAC version RAR size: 1981 mb WMA version RAR size: 1381 mb Rating: 4.3 Votes: 556 Other Formats: DXD AU MP1 FLAC MIDI TTA XM Tracklist Hide Credits (If Loving You Is Wrong) I Don't Want To Be Right A1 3:32 Written-By – Carl Hampton, Homer Banks, Raymond Jackson I'll Be Your Shelter (In Time Of Storm) A2 3:20 Written-By – Carl Hampton, Homer Banks, Raymond Jackson Always A3 4:25 Written-By – Johnny Baylor, Luther Ingram Dying & Crying A4 3:48 Written-By – Johnny Baylor, Tommy Tate Help Me Love A5 3:47 Written-By – Johnny Baylor, Luther Ingram, Mickey Gregory, Tommy Tate I'm Trying To Sing A Message To You B1 4:20 Written-By – Carl Hampton, Homer Banks, Raymond Jackson I Remember B2 3:20 Written-By – Johnny Baylor, Tommy Tate I'll Love You Until The End B3 5:21 Written-By – James Banks, Johnny Baylor Love Ain't Gonna Run Me Away B4 5:05 Written-By – Johnny Baylor I Can't Stop B5 3:16 Written-By – Luther Ingram Companies, etc. Phonographic Copyright (p) – Stax Records, Inc. Recorded At – Muscle Shoals Sound Studios Recorded At – Ardent Studios Recorded At – Stax Records Pressed By – Monarch Record Mfg. Co. Record Company – KoKo Records Record Company – KoKo Records, Inc. Distributed By – Stax Records, Inc. Distributed By – The Stax Organization Published By – East/Memphis Music Published By – Klondike Music Credits Arranged By – Johnny Baylor Arranged By [Strings] – Johnny Allen, Johnny Baylor Art Direction – Ron Gorden Backing Vocals – Hot, Buttered & Soul Creative Director – Larry Shaw Engineer [Ardent Studios] – Terry Manning Engineer [Muscle Shoals Sound Studios] – Jerry Masters, Steve Melton Engineer [Remix] – Johnny Baylor, Terry Manning Engineer [Stax Records] – Daryl Williams Instruments [Rhythm] – Movement, The* (tracks: A4, A5, B2 to B4), Muscle Shoals Rhythm Section (tracks: A1 to A3, B1, B5) Lacquer Cut By – L. NIX* Photography By – Rod Bristow Producer – Johnny Baylor Notes Monarch pressing denoted by 'MR' in circle in runouts. Cover features a perforated fold-over which may be detached for use as a self-standing portrait of Luther Ingram. Barcode and Other Identifiers Matrix / Runout (Matrix A, on label): KS-0413 Matrix / Runout (Matrix B, on label): KS-0414 Matrix / Runout (Runout A etched): STXS-0335-1 KS-0434 (delta) 17382 Matrix / Runout (Runout B etched): STXS-0269-2 KS-0414 (delta) 17235-X Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year (If Loving You Is Wrong) I Don't Want To KOS-2202 Luther Ingram KoKo KOS-2202 US 1972 Be Right (LP, Album, Son) (If Loving You Is Wrong) I Don't Want To KOS-2202 Luther Ingram KoKo KOS-2202 US 1972 Be Right (LP, Album, ARP) (If Loving You Is Wrong) I Don't Want To KOS-2202 Luther Ingram KoKo KOS-2202 US 1972 Be Right (LP, Album, Promo) Related Music albums to (If Loving You Is Wrong) I Don't Want To Be Right by Luther Ingram Johnny Sayles - The Johnny Sayles Story The Staple Singers - Be What You Are Baylor University Golden Wave Band - Baylor University Golden Wave Band Tommy Banks Big Band, The - Jazz Canada Montreux 1978 Baylor University Golden Wave Band - Baylor Bards - Songs Of Baylor Helen Baylor - Love Brought Me Back Luther Ingram - My Honey And Me / I Can't Stop Luther Ingram - (If Loving You Is Wrong) I Don't Want To Be Right / Puttin' Game Down Little Dooley, The Fabulous Tears - Look Over Your Shoulder / You Twine So Fine Luther Ingram - I've Been Here All The Time.
Load more

Recommended publications
  • Stax Reissues 'Boy Meets Girl: Classic Soul' Duets
    PRLog - Global Press Release Distribution Stax Reissues 'Boy Meets Girl: Classic Soul' Duets Duets include Eddie Floyd & Mavis Staples, William Bell & Carla Thomas, Delaney & Bonnie Bramlett, and a rare one from Dusty Springfield & Spencer Davis July 20, 2009 - PRLog -- LOS ANGELES, Calif. — Stax Records through Concord Music Group will reissue its 1969 compilation Boy Meets Girl, which paired Stax male and female artists for a set of classic duets. Featured are many of the greatest names in soul music including Johnnie Taylor, Eddie Floyd, Pervis Staples, Carla Thomas, William Bell, Mavis Staples and Cleotha Staples. The reissue adds two rare duets of Bell and Booker T. Jones’ ”Private Number,” by Bell and Judy Clay, and by Dusty Springfield and Spencer Davis. The latter version was previously available only on a long out-of-print mid-‘80s Takoma Records release. The album is slated for a street date of August 18, 2009. “Duets have always been an integral part of the history of soul music,” writes Stax historian Rob Bowman in his liner notes, “Boy Meets Girl provides a vehicle for several interesting examples of the medium cut for the mighty Stax Records.” Most of Boy Meets Girl was recorded in 1969 at the suggestion of Stax president Al Bell, who felt Stax should progress from a singles label to an album-oriented label. A variety of producers oversaw the various tracks including Bell himself, Isaac Hayes, Booker T. Jones, Don Davis, Donald “Duck” Dunn, Randy Jackson, Homer Banks and Don Nix. The 18-track set begins with the Bell-Clay “Private Number”; next, Bell and Mavis Staples reprise the Sam & Dave hit “I Thank You”; Eddie Floyd and Mavis Staples tackle Janis Joplin’s “Piece of My Heart”; Johnnie Taylor and Carla Thomas perform “Just Keep On Loving Me”; and Eddie Floyd and Mavis Staples perform Floyd and Booker T.
    [Show full text]
  • Wattstax: “Black Woodstock” and the Legendary Film It
    Angeles headed by Forest Hamilton, the son of jazz drum- mer Chico Hamilton. Stax West was conceived with a man- WATTSTAX: date that included the promotion and marketing of existing Stax products, the ferreting out of untapped regional talent, and the establishment of Stax within Hollywood’s motion “BLACK picture and television industries. According to John KaSandra, one of Stax’s West Coast– based artists, Wattstax began in March of 1972 WOODSTOCK” when “I came down [to the L.A. office] with an idea that we’d have a black Woodstock.” Seven years earlier, to the chanting of “burn, baby, burn,” a sizable section of the pre- dominantly black Watts neighborhood of Los Angeles had AND THE been destroyed by fire during the first of the 1960s race riots (referred to as “rebellions” within the community). The Watts Summer Festival had been established to commem- LEGENDARY orate the rebellions and raise money for the ailing commu- nity. It was Hamilton’s idea that Stax should be involved in the 1972 festival for promotional purposes, and he had not FILM IT forgotten KaSandra’s “black Woodstock” idea. On August 20, 1972, that notion blossomed into an epic one- day festival at the Los Angeles Coliseum. The day INSPIRED opened with Reverend Jesse Jackson leading the audience in a proclamation of the black litany, “I Am Somebody,” followed by Kim Weston singing the black national anthem, by Rob Bowman “Lift Every Voice and Sing.” It closed with Isaac Hayes as Black Moses embodying the strength, beauty, and spiritu- ality of contemporary black culture.
    [Show full text]
  • Pdfs/Luther Ingram -Sweet Soul Singer.Pdf
    LUTHER INGRAM Sweet Soul Singer LocoBop L2I-015 Luther Ingram remains best remembered for the plaintive 1972 ballad (If Loving You Is Wrong) I Don't Want to Be Right. Written by Homer Banks, Raymond Jackson and Carl Hampton, the song sold over a million copies, reached number one on Billboard magazine's R&B chart, and peaked at number three on the Hot 100 chart. It was later recorded by Rod Stewart, Millie Jackson, and Barbara Mandrell, among others. Luther was also a gifted songwriter, teaming with Mack Rice to co-write the Staple Singers' classic empowerment anthem "Respect Yourself." Although Ingram last scored a hit on the Profile label in the 1986 with Baby Don't Go Too Far, his most OH BABY, YOU CAN DEPEND ON ME prolific period was 1970 - 1978 for Koko Records, I'LL JUST CALL YOU HONEY charting with Let's Steal Away to the Hideaway, I'll Be MISSING YOU Your Shelter in Time of Storm, I'm Trying to Sing a YOU GOT TO GIVE LOVE TO GET LOVE Message to You, Always, I'll Just Call You Honey, Do SINCE YOU DON'T WANT ME You Love Somebody, and others. I'VE GOT YOUR LOVE IN MY LIFE This LocoBop compilation entitled Sweet Soul Singer DO YOU LOVE SOMEBODY contains ten great tracks from Luther’s Koko period, GET TO ME recorded either at Stax, backed by the Barkays or TRYING TO FIND MY LOVE Isaac Hayes’s band, The Movement, or in Muscle FACES Shoals with the famed Muscle Shoals Rhythm Section Standout tracks include Oh Baby, You Can Depend On Me, I'll Just Call You Honey, Do You Love Somebody, Get To Me, and Faces.
    [Show full text]
  • Letter Reso 1..3
    *LRB09511927GRL35227r* HR0327 LRB095 11927 GRL 35227 r 1 HOUSE RESOLUTION 2 WHEREAS, The members of the Illinois House of 3 Representatives are saddened to learn of the death of Luther 4 Thomas Ingram, recording artist from O'Fallon, who passed away 5 on March 19, 2007; and 6 WHEREAS, Luther Ingram was born November 30, 1937, in 7 Jackson, Tennessee, to Richard Lee and Callie Ingram; he was 8 united in holy matrimony to Jacqueline Langford in 1961; and 9 WHEREAS, He attended public school in Jackson, Tennessee, 10 and in Alton; his family recognized his love for music at about 11 two or three years of age when his mother, dad, and older 12 brothers, Archie and Richard, couldn't sit him down during 13 church service when he heard the music and the singing; he 14 joined the group Midwest Crusaders as a young man after his 15 family moved to Alton in 1947; and 16 WHEREAS, Luther's love for singing became an integral part 17 of his life; he went to work for McDonnell Douglas Aircraft 18 Company, but his love for his music would not be squelched by 19 his work and he became a part of The Gardenias, along with his 20 two brothers and two other family friends; he quickly became 21 the feature lead singer and was known in the area as one of the 22 most talented and prolific young singers in the region; he -2-HR0327LRB095 11927 GRL 35227 r 1 roomed with Jimi Hendrix when each was recording in New York, 2 he performed with Ike Turner at clubs in East St.
    [Show full text]
  • The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • An Educator's Guide to Visiting the Stax Museum of American Soul Music
    A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www. facinghistory.org. Copyright © 2014 by Facing History and Ourselves National Foundation, Inc., and the Stax Museum of American Soul Music. All rights reserved. Facing History and Ourselves® is a trademark registered in the US Patent & Trademark Office. Text credits: Song lyrics for “Soul Man,” “Respect,” “Respect Yourself,” and “If You’re Ready (Come with Me)” are used with permission from Universal Music Publishing Group. Cover art credit: API Photography, Memphis, TN. For additional resources, visit Facing History’s The Sounds of Change website. Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 2 Facing History and Ourselves Facing History and Ourselves is a global nonprofit organization founded in 1976 by educators who wanted to develop a more effective and rewarding way to engage students. We’re guided by the belief that the lifeblood of democracy is the ability of every rising generation to be active, responsible decision makers who’ve learned to value compassion as much as reason.
    [Show full text]
  • The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected]
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected] Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. Paper 664. http://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. King’s legacy in mass culture. This work likewise is wrought from an intricate combination of support and insight derived from many individuals who, in some way, shape, or form, contributed encouragement, scholarly knowledge, or exceptional wisdom.
    [Show full text]
  • ALL INCOMPLETE Stefano Harney and Fred Moten
    Minor Compositions Open Access Statement – Please Read This book is open access. This work is not simply an electronic book; it is the open access version of a work that exists in a number of forms, the traditional printed form being one of them. All Minor Compositions publications are placed for free, in their entirety, on the web. This is because the free and autonomous sharing of knowledges and experiences is important, especially at a time when the restructuring and increased centralization of book distribution makes it difficult (and expensive) to distribute radical texts effectively. The free posting of these texts does not mean that the necessary energy and labor to produce them is no longer there. One can think of buying physical copies not as the purchase of commodities, but as a form of support or solidarity for an approach to knowledge production and engaged research (particularly when purchasing directly from the publisher). The open access nature of this publication means that you can: • read and store this document free of charge • distribute it for personal use free of charge • print sections of the work for personal use • read or perform parts of the work in a context where no financial transactions take place However, it is against the purposes of Minor Compositions open access approach to: • gain financially from the work • sell the work or seek monies in relation to the distribution of the work • use the work in any commercial activity of any kind • profit a third party indirectly via use or distribution of the work • distribute in or through a commercial body (with the exception of academic usage within educational institutions) The intent of Minor Compositions as a project is that any surpluses generated from the use of collectively produced literature are intended to return to further the development and production of further publications and writing: that which comes from the commons will be used to keep cultivating those commons.
    [Show full text]
  • S0480 Hayes, Bernard (1935- ), Papers, 1961-1989, 16 Folders, 2 Audio Tapes
    S0480 Hayes, Bernard (1935- ), Papers, 1961-1989, 16 Folders, 2 Audio Tapes This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. Bernard Hayes, news director for KWMU Radio, loaned his scrapbooks and papers for copying to the Western Historical Manuscript Collection on November 29, 1989. Bernie Hayes began his radio career in the Air Force in 1950 as an announcer for the Armed Forces Radio Service. After his military service, Hayes returned to the University of Illinois and graduated with a degree in journalism. In 1956 he began work as the black on-air personality and first black news announcer for a radio station in Alexandria, Louisiana. Hayes went on to other broadcasting jobs in New York and New Jersey in 1961 and in Chicago throughout 1962 and 1963. In Chicago, Hayes worked for WMMP, the first black- owned radio station in the midwest; WSBC and WGES, narrowcast stations that programmed for ethnic areas within the city; and WVON ("Voice of the Negro"), a radio station owned by the Chess brothers, whose record label featured such blues and rock artists as Muddy Waters and Chuck Berry. Hayes moved to San Francisco in 1964 and joined the staff of KSOL, a soul music station. Hayes also worked as a producer and recording artist for Volt, a subsidiary of the soul music label, Stax Records. Hayes arrived in St. Louis in April 1965, working first for KXLW and then as an announcer for KATZ, a black music station.
    [Show full text]
  • The Mississippi Mass Choir
    R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z.
    [Show full text]
  • An Educator's Guide to Visiting the Stax Museum of American Soul Music
    A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www. facinghistory.org. Copyright © 2014 by Facing History and Ourselves National Foundation, Inc., and the Stax Museum of American Soul Music. All rights reserved. Facing History and Ourselves® is a trademark registered in the US Patent & Trademark Office. Text credits: Song lyrics for “Soul Man,” “Respect,” “Respect Yourself,” and “If You’re Ready (Come with Me)” are used with permission from Universal Music Publishing Group. Cover art credit: API Photography, Memphis, TN. For additional resources, visit Facing History’s The Sounds of Change website. Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 2 Facing History and Ourselves Facing History and Ourselves is a global nonprofit organization founded in 1976 by educators who wanted to develop a more effective and rewarding way to engage students. We’re guided by the belief that the lifeblood of democracy is the ability of every rising generation to be active, responsible decision makers who’ve learned to value compassion as much as reason.
    [Show full text]