Who Sings If Loving You Is Wrong
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“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
![My Girl [Intro] [Verse 1] I've Got Sunshine on a Cloudy Day When It's](https://docslib.b-cdn.net/cover/3453/my-girl-intro-verse-1-ive-got-sunshine-on-a-cloudy-day-when-its-293453.webp)
My Girl [Intro] [Verse 1] I've Got Sunshine on a Cloudy Day When It's
My Girl (The Temptations) [Intro] [Bridge] Hey, hey, hey [Verse 1] Hey, hey, hey I've got sunshine on a cloudy day Ooh, yeah When it's cold outside, I've got the month of May [Verse 3] I guess you'd say I don't need no money, fortune, or What can make me feel this way? fame I've got all the riches, baby, one [Chorus] man can claim My girl, my girl, my girl Well, I guess you'd say Talkin' 'bout my girl, my girl What can make me feel this way? [Verse 2] [Chorus] I've got so much honey, the bees My girl, my girl, my girl envy me Talkin' 'bout my girl, my girl I've got a sweeter song than the birds in the trees [Outro] Well, I guess you'd say I've got sunshine on a cloudy day What can make me feel this way? With my girl I've even got the month of May [Chorus] With my girl My girl, my girl, my girl Talkin' 'bout, talkin' 'bout, talkin' Talkin' 'bout my girl, my girl 'bout my girl 155 "My Girl" is a soul music song recorded by the Temptations for the Gordy (Motown) record label. Written and produced by the Miracles members Smokey Robinson and Ronald White, the song became the Temptations' first U.S. number-one single, and is today their signature song. Robinson's inspiration for writing this song was his wife, Miracles member Claudette Rogers Robinson. The song was included on the Temptations 1965 album The Temptations Sing Smokey. -
July 29, 7996
1351 No. Registration Mail GST1 .20 plus f$2.80 7996 29, - 3.00 July 24 No. 63 $Volume 2 - RPM - Monday July 29, 1996 Concert findastry suffers first-half 996 slump year ago, according to Pollstar stats. The early 1996 stats show that many musical CONCERT continued from page 2 A recent article in concert industry trade journal year totaled approximately $239 million, a 26% veterans have dominated concert sales. Rod Pollstar indicates that concert revenues are down drop from the $322 million in the same period in bandslike U2, the Stones or Pink Flo, Stewart was the top concert money -winner, feels that the concert business c significantly in 1996 compared to the same period 1995. bringing in $29 million thus far, with another in '95. The Dead alone did $29 million in concert balancing effect - if people are sper. seasoned veteran, Bob Seger, second on the list. It one Eagles show, they may not sper The magazine attributed much of the business during the initial six months of 1995. The was also felt that a rash of veteran bands on tour - downturn to the absence of perennial top concert Eagles, meanwhile, who took in $61 million during smaller tours. Styx, Chicago, Foreigner, Kansas- have "In this business, it's difficult t draw The Grateful Dead, which dissolved following the first half of '95, have earned just $10 million cannibalized each other, making for another factor the death of Jerry Garcia a year ago. Another factor so far this year (albeit in just 10 shows). much is enough. -
The On-Line Guitar Archive
OLGA - The On-Line Guitar Archive The On-Line Guitar Archive - Search The Archive 06/21/2005 28118 files (3186 bass) About Submit FAQs Chat OLGA Your Tab Why Do People Contribute To Browse The Archive OLGA? (09 Apr 05) Turns out an academic paper has been Guitar Tab written on the subject (we knew nothing Everything about it) in the Journal of Computer- Classical Mediated Communication. Thanks to All Resources Natalie Guinsler for passing this on. Lessons Firefox Search Construction New Files Plugin (31 Jan 05) Don't know the Has your submission been Are you using chords? Check out ... archived? We are archived Firefox and need The LARGE Chord through: 11 Jun 05 an even faster way to find tab? Thanks Dictionary Check New In Jun | May to Alan Bramley, you can add OLGA to your search box. Haven't given or use the chord Yeah, We Got That Firefox a try yet? You can download it generator, Roots and Offshoots | for free from mozilla.org. thanks to Jim Cranwell. Rodney Crowell | Steve Earle | Click here if above Alison Krauss | Jayhawks | Complete Beatles (14 Dec 04) doesn't work. Uncle Tupelo | Gillian Welch | Right-click or control-click for a Beatles Wilco | Lucinda Williams songbook in pdf format. Thanks to For tab files, read the... Sergio Palumbo. Guide To Reading Modern Rock | Audioslave | Tablature Beck | Blink 182 | Breaking Benjamin | Chevelle | or try Derek Coldplay | Crossfade | Foo Stottlemyer's | | Fighters Garbage Green TabSMART Software Day | Jimmy Eat World | Killers | Linkin Park | Mars there's also Jim Volta | Modest Mouse | Cranwell's web-based Mudvayne | Nickelback | NIN | tabbing app Nirvana | Offspring | P. -
Tyler Perry – the Trailblazer Award Waco Theater Center, 2019
TYLER PERRY – THE TRAILBLAZER AWARD WACO THEATER CENTER, 2019 On Saturday, June 1, 2019, actor, playwright and filmmaker Tyler Perry will receive The Trailblazer Award at WACO Theater Center’s Wearable Art Gala in Los Angeles. Perry’s inspirational journey from the hard streets of New Orleans to the heights of Hollywood's A-list is the stuff of American legend. Born into poverty and raised in a household scarred by abuse, Perry fought from a young age to find the strength, faith and perseverance that would later form the foundations of his much-acclaimed plays, films, books and shows. It was a simple piece of advice from Oprah Winfrey that set Perry's career in motion. Encouraged to keep a diary of his daily thoughts and experiences, he began writing a series of soul-searching letters to himself. The letters, full of pain and in time, forgiveness, became a healing catharsis. His writing inspired a musical, I Know I've Been Changed, and in 1992, Perry gathered his life's savings in hopes of staging it for sold out crowds. He spent all the money but the people never came, and Perry once again came face to face with the poverty that had plagued his youth. He spent months sleeping in seedy motels and his car but his faith - in God and, in turn, himself - only got stronger. He forged a powerful relationship with the church, and kept writing. In 1998 his perseverance paid off and a promoter booked I Know I've Been Changed for a limited run at a local church-turned-theatre. -
Rutgers, the State University of New Jersey New
RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY NEW BRUNSWICK AN INTERVIEW WITH ROBERT REDFIELD FOR THE RUTGERS ORAL HISTORY ARCHIVES INTERVIEW CONDUCTED BY MOLLY GRAHAM EAST BRUNSWICK, NEW JERSEY FEBRUARY 19, 2015 TRANSCRIPT BY JESSE BRADDELL Molly Graham: This is an interview with Robert Redfield, our second session. The interview is taking place on 102 Ryder’s Lane in East Brunswick. The date is February 19, 2015 and the interviewer is Molly Graham. If you could talk me about the years between finishing at NYU and forming the Redfield Agency. Robert Redfield: Even before that, I was so involved with some of the clubs, doing a lot of lounge work. MG: How did you start working in these lounges? How would you make the connections? RR: This was even before the Stone Pony opened in Asbury Park. I was pretty well connected because I had always been connected in the entertainment business. A lot of musicians, they got to know me and they’d come to me because I knew all the clubs. I got to know the club owners as well. Every week, The Newark Star Ledger would have two full pages advertising all the lounges, clubs and entertainment. I didn’t trust anybody else to do what I would do. I was more or less confined to the clubs, the lounges, the local groups because it consumed most of my time. But the groups I worked with would go all over--Las Vegas, Canada, and all over the country. But when the drinking and driving laws became more strict, this business seemed to stop overnight. -
Music, Film & Sport Memorabilia
MUSIC, FILM & SPORT MEMORABILIA Friday 10th September 4pm On View Thursday 9th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 22.5% plus VAT Free live bidding available through our website Image this page: 710 Glenn Pearl – Music & Film Memorabilia specialist Chartered Surveyors Tel: Land & Estate Agents 01284 748 625 Email: Auctioneers & Valuers [email protected] 150 YEARS est. 1869 www.lsk.co.uk C 508 An early 20th century Continental violin, the two piece maple back with purfling marked In Silvis Viva Silui Canora Jam Mot Tua Cano, 36cm (excluding button), together with an unmarked bow (broken), in carry case. £50-100 509 A Boosey & Co plated clear bore trumpet, no.97479, with spare mouth pieces in fitted travel case. £20-30 510 A First Act ME501 electric guitar, in red sunburst finish, serial no. 8EA070412382, in soft carry case. £50-60 511 A Victorian burr walnut double violin case, the hinged domed lid with recessed brass handle opening to reveal a green velvet and silk lined interior with mahogany partitions, the brass lock plate marked Mordan & Co. 22 Castle St. Finsbury, London, w.79, d.31, h.13.5cm. £100-200 512 A 20th century violin, having a two piece maple back and ebony finger board, bearing a label for The Maidstone, Murdoch Murdoch & Co. London, 34cm (excluding button), together with Lot 505 a violin bow marked P & H London, in a fitted case, one other violin, having a two piece maple 505 back and ebony finger board, 33.5cm (excluding button), with bow in a fitted case. -
Stax Reissues 'Boy Meets Girl: Classic Soul' Duets
PRLog - Global Press Release Distribution Stax Reissues 'Boy Meets Girl: Classic Soul' Duets Duets include Eddie Floyd & Mavis Staples, William Bell & Carla Thomas, Delaney & Bonnie Bramlett, and a rare one from Dusty Springfield & Spencer Davis July 20, 2009 - PRLog -- LOS ANGELES, Calif. — Stax Records through Concord Music Group will reissue its 1969 compilation Boy Meets Girl, which paired Stax male and female artists for a set of classic duets. Featured are many of the greatest names in soul music including Johnnie Taylor, Eddie Floyd, Pervis Staples, Carla Thomas, William Bell, Mavis Staples and Cleotha Staples. The reissue adds two rare duets of Bell and Booker T. Jones’ ”Private Number,” by Bell and Judy Clay, and by Dusty Springfield and Spencer Davis. The latter version was previously available only on a long out-of-print mid-‘80s Takoma Records release. The album is slated for a street date of August 18, 2009. “Duets have always been an integral part of the history of soul music,” writes Stax historian Rob Bowman in his liner notes, “Boy Meets Girl provides a vehicle for several interesting examples of the medium cut for the mighty Stax Records.” Most of Boy Meets Girl was recorded in 1969 at the suggestion of Stax president Al Bell, who felt Stax should progress from a singles label to an album-oriented label. A variety of producers oversaw the various tracks including Bell himself, Isaac Hayes, Booker T. Jones, Don Davis, Donald “Duck” Dunn, Randy Jackson, Homer Banks and Don Nix. The 18-track set begins with the Bell-Clay “Private Number”; next, Bell and Mavis Staples reprise the Sam & Dave hit “I Thank You”; Eddie Floyd and Mavis Staples tackle Janis Joplin’s “Piece of My Heart”; Johnnie Taylor and Carla Thomas perform “Just Keep On Loving Me”; and Eddie Floyd and Mavis Staples perform Floyd and Booker T. -
November 2016 Highlights
OWN: OPRAH WINFREY NETWORK NOVEMBER 2016 HIGHLIGHTS Visit http://press.discovery.com/us/own/ for select episodic photography and screeners NEW SERIES & SEASONS (P) Denotes: Premieres WELCOME TO SWEETIE PIE’S Season Premiere Saturday, November 19 (9 p.m. – 10 p.m. ET/PT) On an all-new season, the family deals with tragedy when they learn of the senseless murder of Miss Robbie’s grandson, Andre. Meanwhile, as Miss Robbie and Tim fight to expand their soul food dynasty, the continuing violence in St. Louis causes them to question their flagship location. With Tim assuming more responsibility in the business, Miss Robbie finally has time to embrace her musical comeback as Tim pushes his mother to take her show on the road. With the Sweetie Pie’s brand poised to enter the mainstream, Miss Robbie must try to keep a lid on Tim’s over-ambitious dreams for the family business. (P) Saturday, November 19 (9 p.m. – 10 p.m. ET/PT) Episode: In Loving Memory Miss Robbie and the Sweetie Pie’s family are devastated by the senseless murder of her grandson, Andre. In the midst of grieving, Tim turns his focus to expanding the Sweetie Pie’s franchise. Meanwhile, the NoHo employees have a new threat to deal with. (P) Saturday, November 26 (9 p.m. – 10 p.m. ET/PT) Episode: The Ripple Effect Tim returns to St. Louis to open a new restaurant, and is surprised to find out that Miss Robbie has something new up her sleeve. Meanwhile, the NoHo team stages a mutiny against Chef Clark, and the family deals with the ripple effect after Andre’s death. -
Hollywood Diversity Report 2020
Acknowledgements This report was authored by Dr. Darnell Hunt and Dr. Ana-Christina Ramón. Michael Tran, Connie Chang, Ariel Stevenson, Kali Tambree, and Aziza Wright contributed to data collection for analyses. Financial support in 2019 and the first half of 2020 was provided by The Division of Social Sciences at UCLA, The Walt Disney Company, and other donors. Photo Credits: Volt Collection/Shutterstock.com (top front cover); sturti/Getty Images (bottom front cover); Korosi Francois-Zoltan/Shutterstock (p. 18); Andrey_ Popov/Shutterstock (p. 26); mrmohock/Shutterstock (p. 40); 3DMart/Shutterstock (p. 46); Joe Seer/Shutterstock (p. 52); Agustin PAULLIER/AFP/Getty Images (p. 81); and LaylaBird/Getty Images (p. 82). Table of Contents Study Highlights ............................................................................................................2 Introduction ...................................................................................................................8 Hollywood Landscape .................................................................................................. 10 TV Show Creators ......................................................................................................... 14 Leads ............................................................................................................................ 18 Overall Cast Diversity ...................................................................................................26 Writers ....................................................................................................................... -
Wattstax: “Black Woodstock” and the Legendary Film It
Angeles headed by Forest Hamilton, the son of jazz drum- mer Chico Hamilton. Stax West was conceived with a man- WATTSTAX: date that included the promotion and marketing of existing Stax products, the ferreting out of untapped regional talent, and the establishment of Stax within Hollywood’s motion “BLACK picture and television industries. According to John KaSandra, one of Stax’s West Coast– based artists, Wattstax began in March of 1972 WOODSTOCK” when “I came down [to the L.A. office] with an idea that we’d have a black Woodstock.” Seven years earlier, to the chanting of “burn, baby, burn,” a sizable section of the pre- dominantly black Watts neighborhood of Los Angeles had AND THE been destroyed by fire during the first of the 1960s race riots (referred to as “rebellions” within the community). The Watts Summer Festival had been established to commem- LEGENDARY orate the rebellions and raise money for the ailing commu- nity. It was Hamilton’s idea that Stax should be involved in the 1972 festival for promotional purposes, and he had not FILM IT forgotten KaSandra’s “black Woodstock” idea. On August 20, 1972, that notion blossomed into an epic one- day festival at the Los Angeles Coliseum. The day INSPIRED opened with Reverend Jesse Jackson leading the audience in a proclamation of the black litany, “I Am Somebody,” followed by Kim Weston singing the black national anthem, by Rob Bowman “Lift Every Voice and Sing.” It closed with Isaac Hayes as Black Moses embodying the strength, beauty, and spiritu- ality of contemporary black culture.