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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
School of Drama 2020–2021
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Drama 2020–2021 School of Drama 2020–2021 BULLETIN OF YALE UNIVERSITY Series 116 Number 13 August 30, 2020 BULLETIN OF YALE UNIVERSITY Series 116 Number 13 August 30, 2020 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in October; three times in September; four and employment of individuals upon their qualifications and abilities and a∞rmatively times in June and July; five times in August) by Yale University, 2 Whitney Avenue, New seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Haven CT 06510. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Senior Direc- tor of the O∞ce of Institutional Equity and Access, 221 Whitney Avenue, 4th Floor, The closing date for material in this bulletin was July 30, 2020. -
News of the Strange
Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices. -
31St ANNUAL WOMEN of ACHIEVEMENT AWARDS GALA to HONOR
Contact: Vivacity Media Group | 212-812-1483 Leslie Papa, [email protected] Whitney Holden Gore, [email protected] Ailsa Hoke, [email protected] WOMEN’S PROJECT THEATER PRESENTS THE 31st ANNUAL WOMEN OF ACHIEVEMENT AWARDS GALA TO HONOR Emmy Award-winning Stage, Screen, and TV Actress & Founder of A Is For.. MARTHA PLIMPTON Celebrated Film, Television and Theater Producer, President of Segal NYC and Gatherer Entertainment JENNA SEGAL Award-Winning Actress, Film Producer, and Director & Founder of The Rainforest Fund TRUDIE STYLER HOSTED BY Celebrated comedienne, Two-time Grammy Nominee & Comedy Central Roast Star LISA LAMPANELLI WITH SPECIAL PERFORMANCES & APPEARANCES BY Fun Home’s Tony Award Nominee & Tony Award Winner BETH MALONE & JEANINE TESORI Acclaimed Dance Company MONICA BILL BARNES & CO. Emmy Award Nominated creator of “Call The Midwife” HEIDI THOMAS AND MORE SOON TO BE ANNOUNCED MONDAY, JUNE 13, 2016 AT THE EDISON BALLROOM, NYC TICKETS AVAILABLE VIA WPTHEATER.ORG (New York, NY) Women’s Project Theater (WP Theater), under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the 31st ANNUAL WOMEN OF ACHIEVEMENT AWARDS GALA. The gala will honor Emmy Award winning actress Martha Plimpton; celebrated film, television and Broadway producer Jenna Segal; and actress, producer, environmentalist and UNICEF ambassador Trudie Styler. Hosted by Grammy nominated comedienne Lisa Lampanelli, with special performances by Fun Home’s Tony Award Nominee Beth Malone and Tony Award winner Jeanine Tesori; dance company Monica Bill Barnes & Co. and a presentation by Emmy Award nominee Heidi Thomas (creator of “Call the Midwife”), the Gala will take place on Monday, June 13, 2016 at 6:30pm at The Edison Ballroom, 240 W 47th Street. -
Clothes Playbill
Ticketing Services Provided By WHITE HORSE THEATER COMPANY PRESENTS..... White Horse Theater website & the contents of this playbill (excluding the front cover) are designed, produced and maintained by Right Side of NY. www.WhiteHorseTheater.com February 5 to 21, 2010 ❖ Hudson Guild Theatre “Life ended for me when Zelda and I crashed. If she could get well, I would be happy again. Otherwise, never.” - SPECIAL POST-SHOW DISCUSSION ON F. Scott Fitzgerald* SUNDAY, FEB 14TH! With Renowned Williams Scholar Dr. Annette J. Saddik "I determined to find an impersonal escape, a world in which I and Nancy Milford, author of Zelda could express myself and walk without the help of somebody who was always far from me." - Zelda Fitzgerald** Moderated by Jennifer-Scott Mobley, Ph.D. Candidate in Theater History & Criticism, CUNY Graduate Center Clothes for a Summer Hotel, Mr. Williams’ highly theatrical and evocative “ghost play”, imagines an ethereal final meeting Dr. Saddik is an Associate Professor in the English between the restless ghosts of literary great F. Scott Fitzgerald Department at New York City College of Technology and his wife Zelda. Set on a windy hilltop at the gates of the Asheville, NC asylum where Zelda was institutionalized before her (CUNY), a teacher in the Ph.D. Program in Theatre at the death by fire in 1948, a desperate Scott pleads for CUNY Graduate Center and the author of Contemporary reconciliation while Zelda blames him for her failed writing American Drama and The Politics of Reputation: The career and ensuing madness. Taking extraordinary liberties with time and place, Clothes fuses the past, present and future as Critical Reception of Tennessee Williams’ Later Plays. -
Dear Elizabeth Written by Sarah Ruhl Directed by Kate Whoriskey
For Immediate Release Contact: Vivacity Media Group | 212-812-1483 Leslie Papa, [email protected] Whitney Holden Gore, [email protected] WOMEN’S PROJECT THEATER ANNOUNCES INITIAL CASTING FOR THE NEW YORK PREMIERE OF DEAR ELIZABETH WRITTEN BY SARAH RUHL DIRECTED BY KATE WHORISKEY ROTATING CAST OF LUMINARIES INCLUDES: DAVID AARON BAKER, KATHLEEN CHALFANT, RINDE ECKERT, CHERRY JONES, MIA KATIGBAK, ELLEN MCLAUGHLIN, J. SMITH-CAMERON, JOHN DOUGLAS THOMPSON, HARRIS YULIN AND POLLY NOONAN ADDITIONAL CASTING SOON TO BE ANNOUNCED OCTOBER 26 – DECEMBER 5, 2015 **TICKETS ARE NOW ON-SALE** (New York, NY) Women’s Project Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the rotating casts for the New York premiere of DEAR ELIZABETH, the inaugural production at the WP’s new theatrical home the McGinn/Cazale Theatre, 2162 Broadway (at 76th Street). Written by two-time Pulitzer Nominee and Tony Nominee Sarah Ruhl (The Oldest Boy, In the Next Room, or the vibrator play) and directed by Kate Whoriskey (Ruined, Sweat), this insightful and impassioned examination of the famed correspondence between Elizabeth Bishop and Robert Lowell - two of the twentieth century’s most brilliant poets - will be presented from October 26 through December 5, 2015 with six rotating casts of stage and screen luminaries. DEAR ELIZABETH tells a tale of unconventional friendship and intimacy that spanned thirty years and more than 400 letters, with postmarks from Maine to Key West, from London to South America. This portrayal of Bishop and Lowell's lives, work, and the true nature of friendship will be performed from October 26 – 31 by WP Theater founding artist, Tony Award nominee and Drama Desk, Obie & Outer Critics Circle Award winner Kathleen Chalfant (Wit, Angels in America) & Drama Desk nominee Harris Yulin (Hedda Gabler, Diary of Anne Frank); from November 2 – 7 by Obie Award & Drama Desk Award winner J. -
Sebastian Arboleda Aea
SEBASTIAN ARBOLEDA AEA THEATRE Leopard Play: or sad song for lost boys Other Uncle aka Tasmanian Devil Louisa Alcala Baker/Steep Theatre December Benjamin Denise Yvette Serna/The Goodman Theatre Adventures of Augie March Talavera/Ensemble (u/s Georgie, Fraser, Iggy) Charlie Newell/Court Theatre Curve of Departure Jackson Mike Donahue/Studio Theatre Ubu Roi Ubu Christopher Bayes/Yale Repertory Theatre Cymbeline u/s Pisanio, Caius Lucius, Scillius Leonatus Evan Yionoulis/Yale Repertory Theatre Caucasian Chalk Circle u/s Fat Prince Liz Diamond/Yale Repertory Theatre Imogen Says Nothing u/s Ned Hummings Laurie Woolery/Yale Repertory Theatre Amy and the Orphans Bobby Leora Morris/Yale Repertory Theatre Blood Wedding Groom Kevin Hourigan Midsummer Night’s Dream Bottom The Company Love’s Labours Lost Ferdinand Nelson Eusebio/Oregon Shakespeare Festival TELEVISION Chicago P.D. Ep. 709 & 710 Luis Silva Paul McCrane/NBC COMMERCIAL Mike’s Hard(er) Lemonade Guy MABI TRAINING Education Yale school of Drama - Acting MFA Cal State, Long Beach - Theatrical Performance B.A. minor in Comm. Studies/ Speech and Writing Pina Bausch Movement Workshop - Adventures of Augie March - Merighi/Mercy Productions On Camera Training Bob Krakower Gregory Berger-Sobeck Shakespeare Training Barbara Gaines - First Folio Shakespeare Santa Monica - John Farmenesh- Becca, Louis Scheeder, Jean-Louise Rodrigue, (in Association with Not Man Apart) SPECIAL SKILLS Singing: Tenor Languages: Spanish, English Dialects: French, Western Irish, Colombian, Mexican/Chicano, Southern, Australia, English (R.P., Cockney, etc.) Movement: Swimming, American Boxing, Escrima, Kali, Basic Hand-to-Hand, Sword, Mountain Biking, Basic Salsa, Basic Waltz Misc: Physical Theatre, Bubble Magic, Gondola Rowing, Tarot Card Reading, Operatic Singing. -
Mad Forest Was Originally Presented by UPSTREAMING: the Fisher Center at Bard’S Virtual Stage
This production of Mad Forest was originally presented by UPSTREAMING: the Fisher Center at Bard’s Virtual Stage. Photo credit: Bard student Gavin McKenzie in Mad Forest, courtesy of Fisher Center at Bard. JOIN THE CONVERSATION Join the experience! We invite you to share your real-time feedback during the webcast via the chat/comment feature and on social media. We’ll pass it along to the actors and creative team throughout the performance. @theatreforanewa #MadForestTFANA A NOTE FROM JEFFREY HOROWITZ It is thrilling to be able to work with Gideon, Bard College, and this resilient company of artists on Caryl Churchill’s magnificent play. Faced with nearly overwhelming challenges of deadly disease, their production being disrupted, their college shifting to remote operations, relationships suddenly upended, and government-mandated social distancing, the artists used the constraints of their isolation to continue to create. I saw the 1991 American premiere of Mad Forest directed by Mark Wing-Davey at New York Theatre Workshop. It was brilliant. What Ashley, the cast, and creative team made is something I hadn’t seen before. The company had rehearsed together in person before being separated due to COVID-19 and forced to self-isolate. From their isolation, the company brings to this new production — re-conceived for Zoom — an energy to overcome their isolation. Ashley Tata built on this drive, went back in time to a 1990 play about the 1989 Romanian Revolution and then forward to now, reimagining Mad Forest and minting something new. It’s powerful not because there is a pandemic, but because the artists are exploring in fresh ways how Mad Forest comes alive on Zoom — not as a replacement for live theatre, but as another way performance can happen and a story can be told. -
BOOK &MUSIC by Joe Kinosian BOOK
BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 -
Little Black Shadows Program
SC 54th Season • 518th Production JULIANNE ARGYROS STAGE / APRIL 8-29, 2018 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents the world premiere of LITTLE BLACK SHADOWS by Kemp Powers David M. Barber Sara Ryung Clement Elizabeth Harper SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Charles Coes AND Nathan A. Roberts Hana S. Kim SOUND DESIGN & ORIGINAL MUSIC PROJECTION & PUPPET DESIGN Kimberly Colburn Joshua Marchesi Joanne DeNaut, CSa Nikki Hyde DRAMATURG PRODUCTION MANAGER CASTING STAGE MANAGER Directed by May Adrales The Playwrights Circle Sandy Segerstrom Daniels • Dr. Robert F. & Julie A. Davey • Patricia Ellis • Janet & Michael Hards Yvonne & Damien Jordan • Jim & Pam Muzzy • Carl Neisser • Michael Oppenheim • Barbara Roberts Peter & Joy Sloan • Julia Voce • Marci Maietta Weinberg & Bill Weinberg Honorary Producer LITTLE BLACK SHADOWS was workshopped and developed in South Coast Repertory’s 2016 Pacific Playwrights Festival. This play is a recipient of an Edgerton Foundation New American Play Award. Little Black Shadows • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Colis ................................................................................................... Giovanni Adams Toy ....................................................................................................... Chauntae Pink Daniel ................................................................................................... Daniel Bellusci Mittie -
Artistic Leadership Promotions Announced
PHOTOS: Headshots PRESS CONTACT: [email protected]// 212-539-8504 THE PUBLIC THEATER ANNOUNCES ARTISTIC LEADERSHIP PROMOTIONS Mobile Unit’s Roxanna Barrios Promoted to Associate Producer of Artistic Programs, Public Forum’s Bryan Joseph Lee Promoted to Director of Public Forum, and Producing’s Yuvika Tolani Promoted to Director of Producing September 15, 2020 – The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) today announced the promotions of Roxanna Barrios, Bryan Joseph Lee, and Yuvika Tolani. The promotions celebrate and recognize Barrios, Lee, and Tolani’s continued leadership, growth, and significant impact across the organization during their tenures. Barrios will serve as Associate Producer of Artistic Programs, Lee will serve as Director of Public Forum, and Tolani will serve as Director of Producing. Barrios previously worked on The Public’s Mobile Unit, most recently as Associate Director. In her new role, she will be overseeing and supporting all projects from The Public’s Artistic Programs, which includes Joe’s Pub, Mobile Unit, Public Works, Under the Radar Festival, Public Forum, and Public Shakespeare Initiative. “Roxanna has, over the past six years, become one of the most beloved and irreplaceable members of our artistic staff. Her work with the Mobile Unit was exemplary: she created vital links between the artists of The Public and the communities we serve,” said Artistic Director Oskar Eustis. “Her resilience, dedication, and humanity have made her a leader trusted by artists, staff, and community alike. We are delighted to promote her to Associate Producer of Artistic Programs, where she will have a wider brief leading, along with Shanta Thake, the work of all our Artistic Programs.” "I’m excited to deepen my relationship with all of The Public’s beloved programs,” said Associate Producer of Artistic Programs Roxanna Barrios.