Capital Project Management Consultant – Phase 1 RFP – July 2019
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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
Clothes Playbill
Ticketing Services Provided By WHITE HORSE THEATER COMPANY PRESENTS..... White Horse Theater website & the contents of this playbill (excluding the front cover) are designed, produced and maintained by Right Side of NY. www.WhiteHorseTheater.com February 5 to 21, 2010 ❖ Hudson Guild Theatre “Life ended for me when Zelda and I crashed. If she could get well, I would be happy again. Otherwise, never.” - SPECIAL POST-SHOW DISCUSSION ON F. Scott Fitzgerald* SUNDAY, FEB 14TH! With Renowned Williams Scholar Dr. Annette J. Saddik "I determined to find an impersonal escape, a world in which I and Nancy Milford, author of Zelda could express myself and walk without the help of somebody who was always far from me." - Zelda Fitzgerald** Moderated by Jennifer-Scott Mobley, Ph.D. Candidate in Theater History & Criticism, CUNY Graduate Center Clothes for a Summer Hotel, Mr. Williams’ highly theatrical and evocative “ghost play”, imagines an ethereal final meeting Dr. Saddik is an Associate Professor in the English between the restless ghosts of literary great F. Scott Fitzgerald Department at New York City College of Technology and his wife Zelda. Set on a windy hilltop at the gates of the Asheville, NC asylum where Zelda was institutionalized before her (CUNY), a teacher in the Ph.D. Program in Theatre at the death by fire in 1948, a desperate Scott pleads for CUNY Graduate Center and the author of Contemporary reconciliation while Zelda blames him for her failed writing American Drama and The Politics of Reputation: The career and ensuing madness. Taking extraordinary liberties with time and place, Clothes fuses the past, present and future as Critical Reception of Tennessee Williams’ Later Plays. -
BOOK &MUSIC by Joe Kinosian BOOK
BOOK & MUSIC by Joe Kinosian BOOK & LYRICS by Kellen Blair DIRECTED by Scott Schwartz Printer’s Ad Printer’s Ad LEARNING & EDUCATION USING THEATRE AS A CATALYST TO INSPIRE CREATIVITY “ATC’S EDUCATION DEPARTMENT HAS BEEN NOTHING SHORT OF A MIRACLE.” -Cheryl Falvo, Crossroads English Chair / Service Learning Coordinator Theatre skills help support critical thinking, decision-making, teamwork and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. LAST SEASON WE REACHED OVER 11,000 STUDENTS IN 80 SCHOOLS ACROSS 8 AZ COUNTIES For more information about our Learning & Education programs, visit EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE November-December 2014 Title Page ............................................................................5 The Cast ............................................................................. 6 About the Play .......................................................................12 About Arizona Theatre Company .......................................................15 ATC Leadership .....................................................................20 The Creative Team ................................................................... 28 Staff forMurder for Two ..............................................................36 Board of Trustees ...................................................................40 Theatre Information ................................................................. 47 Corporate and Foundation Donors ....................................................49 -
By Tony Taccone and Bennett S
BY TONY TACCONE AND BENNETT S. COHEN, ADAPTED FROM THE NOVEL BY SINCLAIR LEWIS SOUND DESIGN AND MUSIC BY PAUL JAMES PRENDERGAST DIRECTED BY LISA PETERSON DEAR FRIENDS, Four years ago, in the lead-up to the 2016 election, Berkeley Rep produced Tony Taccone and Bennett Cohen’s adaptation of Sinclair Lewis’ frighteningly prescient novel. With a desire to see the story reach the widest possible audience, and celebrating the impulse that led the wpa in 1936 to share the original stage version of Lewis’ novel for free with 21 theatres across the country, Berkeley Rep offered the rights to Tony and Bennett’s adaptation to theatres, community centers, universities — anyone who wanted to put together their own production or reading. And now, in 2020, this story feels all the more vital, and the need to share it widely even more compelling. I am honored that more than 75 organizations from more than 20 states have partnered with us to share this production of It Can’t Happen Here for free with their audiences and communities. We are joined in this effort by long-time theatre colleagues, by universities from Howard in Wash- ington, DC to Saint Cloud State in Minnesota (near Lewis’ hometown), by libraries, community centers, and radio stations. I am deeply grateful to Tony and Bennett, director Lisa Peterson, sound designer Paul James Prendergast and his small but mighty team, and this extraordinary cast who have collaborated across miles and time zones, through wildfires and new technology, for their conviction that the- atre matters, that narrative helps us to see the world more clearly, and that together we have the capacity to effect change. -
Alex Brightman SAG/AFTRA, AEA
Alex Brightman SAG/AFTRA, AEA FILM & TELEVISION Blue Bloods Guest Star CBS David Barrett Law & Order: SVU Guest Lead NBC Juan Campanella Here Today Supporting Independent Film Billy Crystal Deadendia Series Regular Netflix Animation Various Teen Titans Go! Guest Star Cartoon Network Peter Rida Michail Documentary Now! Recurring IFC Rhys Thomas/Alex Buono The Good Fight Guest Star CBS Jim McKay Helluva Boss Recurring YouTube Vivienne Medrano Smilf Guest Star Showtime Frankie Shaw Compliance (Pilot) Guest Star FX Sam Gold Royal Pains Principal USA Matthew Penn Important Things Supporting Comedy Central Jon Stewart Red Hook Supporting Red Sand Media Elizabeth Lucas Change of Plans Supporting Independent Film Mark Banning BROADWAY/NATIONAL TOUR Beetlejuice Beetlejuice Winter Garden Theatre Alex Timbers *Tony Award Nomination *Drama League Award Nomination School of Rock Dewey Winter Garden Theatre Laurence Connor *Tony Award Nomination *Outer Critics Circle Award Nomination Matilda the Musical Michael Wormwood The Shubert Theatre Matthew Warchus Big Fish Zacky Price, Will (u/s) Neil Simon Theatre Susan Stroman Wicked Boq Gershwin Theatre Joe Mantello Glory Days Will/Jack (u/s) Circle In The Square Eric Schaeffer OFF-BROADWAY Assassins Zangara Encores! Off-Center Anne Kauffman School of Rock Dewey Gramercy Theatre Laurence Connor 35mm (World Premiere) Idle Boy The Galapagos Art Space Jeremy Bloom REGIONAL THEATRE Beetlejuice Beetlejuice National Theatre Alex Timbers Big Fish Zacky Price, Will (u/s) Oriental Theatre, Chicago Susan Stroman Soon -
Vineyard-Gala-2014-C
February 24, 2014 VIN a eyarD THe Tre C eLebraTING the SONGS of 6:00pm & the Vineyard’s musical theatre future WITH I a SPeC aL SaLuTe TO aKa Cocktails 7:30PM 8:30PM Dinner and remarks Gala Performance Jennifer Garvey-Blackwell Musical dirEction By Jon Spurney Ex EcutivE ProducEr drt i Ec Ed By Rachel Chavkin Jill S. Gabbe a ssociatE ProducEr Robert Levinstein Board chair Production stagE ManagEr Abigail Strange We wish to express our gratitude to the Performers’ Unions: Actors’ Equity Association, American Guild of Musical Artists, American Guild of Variety Artists, & SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear in this event. We proudly support the Vineyard Theatre VT_8x4.5.indd 1 2/14/14 5:57 PM vERYI SPeC aL THaNKS TO Our GaLa SuPPOrTerS Kathleen & Douglas Aibel Kate Lear Henry Chalfant Loraine Boyle Scott Moore City National Bank/ Ted Chapin Enid Nemy Richard V. McCune Jane Chesnutt Rick Nicita Con Edison John Coles Daniel Posener Joe DiPietro Mike Schall gabbegroup/Jill & Jim Gabbe Megan Foley David Schwartz & Trudy Zohn Ken & Rande Greiner Barbara Freitag Michael Simonson & Beth Lief Mark Lerner & Steven Frank Roy Furman Paula Wagner William A. Popeleski, Jr. Ellen Gould Shawn Wietstock & I. Steven Goldstein Kip Gould William Morris Endeavor Annette Stover & Iliana Guibert Kate Babb Shone & Chanel Richard Feiner Nancy Heller & Holly Gewandter Faith West Events o ur thanks to all ticket buyers, whose support for this event and for the vineyard is invaluable. AB OuT VINeyarD THeaTre vinEyard thEatrE is one of America’s preeminent non-profit theatre companies. -
AVENUE Q the Phenomenon a Show Starring A
AVENUE Q The Phenomenon A show starring a cast of fuzzy puppets searching for love, purpose and a decent apartment? Not your typical Broadway fare. Then again, neither is Avenue Q’s remarkable success story. Back in 2003, veteran producers Kevin McCollum, Robyn Goodman and Jeffrey Seller, with co- producers The New Group and Vineyard Theatre, gambled that Avenue Q’s appeal was big enough for Broadway and moved the show from its downtown venue to the Golden Theatre. The show’s first fans were mostly young New York professionals, who then raved about it to their friends and co-workers. Within months, the word had spread and before long, Avenue Q had earned its place on Broadway, not to mention three Tony Awards (including Best Musical). Where It All Began In 1998, Robert Lopez and Jeff Marx, Avenue Q’s talented young creators, were fresh out of college when they crafted their musical comedy about graduation from school with great expectations, only to end up in an outer borough neighborhood, underpaid and underappreciated. In a New York writer’s workshop, the pair came up with the idea of using puppets reminiscent of sunny children’s television programs to lend irony – and humor – to their gritty themes of grown-up life. They originally thought their script would spin off into a television series. But with encouragement and backing from three experienced theater producers, Lopez and Marx developed their unique concept for the stage with book writer Jeff Whitty. Avenue Q opened off- Broadway at the Vineyard Theatre in March 2003, where it received rave reviews and was extended four times. -
Resume Theatre 9.15.11
Jill BC Du Boff – Sound Designer Member USA 829 Agent : Seth Glewen Agent Phone: 212.634.8158 Phone: 917.690.8233 Gersh Agency Agent Fax: 212.391.8459 Email [email protected] 41 Madison Ave, 33rd floor Agent Email: [email protected] New YorK, NY 10010 Broadway(selected credits) Show Position Theater Director Good People Sound Designer Friedman Theater Daniel Sullivan The Good Body Sound Designer Booth Theater Peter Askin Bill Maher : Victory… Sound Designer Virginia Theater Bill Maher The Constant Wife Sound Designer American Airlines Mark Brokaw Three Days Of Rain Assoc. Sound Designer Jacobs Joe Mantello The Odd Couple Asst. Sound Designer Brooks Atkinson Joe Mantello Our Town Asst. Sound Designer Booth Theater James Naughton Inherit The Wind Assoc. Sound Designer Lyceum Doug Hughes Urban Cowboy Asst. Sound Designer Broadhurst Theater Lonny Price Is He Dead? Assoc. Sound Designer Lyceum M. Blakemore Reckless Assoc. Sound Designer Biltmore Theater Mark Brokaw A Touch Of The Poet Assoc. Sound Designer Studio 54 Doug Hughes Frozen Assoc. Sound Designer Circle In The Square Doug Hughes Maritius Assoc. Sound Designer Biltmore Theater Doug Hughes The Best Man Asst. Sound Designer Virginia Theater E. McSweeney Off Broadway / Regional (select credits) The Whipping Man MTC Doug Hughes Cradle and All MTC Sam Buntrock When I Come To Die Lincoln Center Thomas Kail Picked Vineyard Theatre Michael Wilson The Dream of The Burning Boy Roundabout Theatre Evan Cabnet Other Desert Cities Lincoln Center Theatre Joe Mantello Middletown Vineyard Theatre Ken Rus Schmoll Bachelorette Second Stage Trip Cullman BrokeOlogy Lincoln Center Theatre Thomas Kail The Pride MCC Joe Mantello The Divine Sister Soho Playhouse Carl Andress Gruesome Playground Injuries The Alley Theatre R. -
Summer and Smoke
Welcome It is my great pleasure to welcome Transport Group to CSC. I first saw the extraordinary work of this innovative company early in my time in New York City. Barbara Walsh, who is in the play this evening, was in my production of Company on Broadway and she very rightly encouraged me to see their work. I’m so happy that she did. I have always been struck by the aesthetic of Transport Group and by the clear and incisive simplicity of the work of their director Jack Cummings III. So, when I was considering companies with whom to parter for our 50th anniversary season, it was obviously drawn towards speaking with Transport Group. Jack’s work focuses on American writers and here we were planning the inclusion of two great American writers in our season - Terrence McNally and Tennessee Williams. Last season we included a readings series as part of our program of work. One of the plays read was Williams’ Summer and Smoke. On hearing it, I felt it would be a fitting piece to include in the present season. Possibly one of his lesser-performed plays, it premiered in 1948 - seventy years ago. Then in 1952 it was performed at Circle in the Square in New York City. That production, at the Sheridan Square Playhouse location, is credited as heralding the beginning of the Off-Broadway movement. Many productions of the play have followed, including a very recent one at the Almeida Theatre in London. So many wonderful things have come together with Summer and Smoke. -
David Cale STARRING Mark H
JULIANNE BOYD, ARTISTIC DIRECTOR AND Jodi and Paul Tartell PRESENT BY David Cale STARRING Mark H. Dold LIGHTING DESIGNER SOUND DESIGNER David Lander Alexander Sovronsky PRODUCTION STAGE MANAGER CASTING DIRECTOR Geoff Boronda Pat McCorkle, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVES DIGITAL ADVERTISING Charlie Siedenburg The Press Room The Pekoe Group DIRECTED BY Julianne Boyd SPONSORED IN PART BY Arnold Kotlen and Stephanie Fleckner & Rhoda and Morris Levitt HARRY CLARKE was produced by the VINEYARD THEATRE, (Douglas Aibel, Artistic Director, Sarah Stern, Artistic Director, Suzanne Appel, Managing Director) in New York City, 2017. Subsequently Produced Off-Broadway By Audible (Alexander Dodge, set, Kaye Voyce, costuming, Alan Edwards, lighting, Bart Fasbender, sound design) in New York City, 2018. “Hang On To Your Love” Helen Adu, Stuart Matthewman Use by Permission of Angel Music Ltd. All rights reserved. THE TARTELL FAMILY OUTDOOR STAGE AUGUST 5–16, 2020 CAST Harry Clarke ....................................................................Mark H. Dold* STAFF Production Stage Manager ............................................ Geoff Boronda* Technical Director..............................................................Tom Minucci Scenic Artist ....................................................................... Freda Grim Lighting Supervisor ......................................................... Wylder Cooper Electrician .....................................................................Lucas Pawelski -
"Murder for Two" Playbill
GEORGE STREET PLAYHOUSE Board of Trustees Chairman: James N. Heston* President: Dr. Penelope Lattimer* First Vice President: Lucy Hughes* Second Vice President: Janice Stolar* Treasurer: David Fasanella* Secretary: Sharon Karmazin* Ronald Bleich David Saint* David Capodanno Jocelyn Schwartzman Kenneth M. Fisher Lora Tremayne William R. Hagaman, Jr. Stephen M. Vajtay Norman Politziner Alan W. Voorhees Kelly Ryman* *Denotes Members of the Executive Committee Trustees Emeritus Robert L. Bramson Cody P. Eckert Clarence E. Lockett Al D’Augusta Peter Goldberg Anthony L. Marchetta George Wolansky, Jr. Honorary Board of Trustees Thomas H. Kean Eric Krebs Honorary Memoriam Maurice Aaron∆ Arthur Laurents∆ Dr. Edward Bloustein∆ Richard Sellars∆ Dora Center∆∆ Barbara Voorhees∆∆ Douglas Fairbanks, Jr.∆ Edward K. Zuckerman∆ Milton Goldman∆ Adelaide M. Zagoren John Hila ∆∆ – Denotes Trustee Emeritus ∆ – Denotes Honorary Trustee From the Resident Artistic Director Hello! My name is Michael Mastro, and I’m very excited to begin my time here with the George Street family as Resident Artistic Director of the Playhouse. This year, George Street’s 42nd, I’ll be working alongside Artistic Director David Saint (who is busy readying George Street’s production of Clever Little Michael Mastro Lies for an off-Broadway run starring the Resident Artistic Director inimitable Marlo Thomas…) and Managing Director Kelly Ryman to bring you another season of the great plays and musicals that George Street is known for. I’ve been blessed to work at the Playhouse numerous times over the last ten years. Most of the shows I’ve done here were comedies, and I truly loved working on them. The sound of an audience’s laughter is more than music to my ears…it’s addictive really, whether I’m acting in a comedy or directing one. -
Hillbilly Tragedy What’S Not Playing in American Theatres in the 2017–18 Season
Hillbilly Tragedy What’s Not Playing in American Theatres in the 2017–18 Season Paul David Young n November 2016, the forgotten, un- or underemployed, white, Christian, heterosexual, working class male of Middle America elected Donald Trump, so Igoes the hypothesis. Allegedly, pollsters failed to detect this group and account for its views in presidential prognostication, and the Democrats had “lost” the election because they likewise did not heed its cries of pain. Before announcing the 2017–18 season, American theatres had had the luxury of several post-election months to consider the street protests and counter- demonstrations, the debates about the legitimacy of the election, and the NPR listening tours devoted to the neglected white Christian working-class straight male in the heartland. Had the “mainstream” or “fake” news media (as the right prefers to call everything other than Fox News and Breitbart) been misled by its alleged “liberal bias” into ignoring the anger of this key slice of the American electorate? Had American theatre similarly ignored this demographic group? And if so, would American theatre respond to the election and correct this omission? In theory, theatre should adapt quickly to respond to such events. To find out, I undertook a survey of the 2017–18 season. Before I began my research, I felt confident that there were already many plays circulating about this supposedly forgotten figure in the American political landscape, and that American theatre had surely jumped in to take a closer look after the election. I was completely wrong. Perhaps I had been misled into believing that American theatre was addressing the issues of this group because of a limited number of plays.